Shuji Terayama [26/01/2011] (Director)

[V]

SHUJI TERAYAMA

Nació en Aomori en 1935. Tras la muerte de su padre poco después de terminar la guerra, su madre le abandonó para irse a trabajar a una base militar. Con diez años y en una ciudad en ruinas, se quedó a vivir con su tío abuelo, dueño de un cine donde pasaría horas viendo películas, sobre todo occidentales. En 1954 conseguiría reconocimiento por la escritura de tankas, una forma tradicional de poesía japonesa. Una nefritis le tuvo los siguientes años entre hospitales, donde leería a Antonin Artaud y Lautréamont, lo que supondría una importante influencia en su obra posterior. Comenzaría a escribir sus primeras novelas y a colaborar como guionista con directores de la nueva ola japonesa como Masahiro Shinoda (hasta en cinco ocasiones entre 1960 y 1970), Susumu Hani (Hatsukoi: Jigoku-hen, 1968) o, posteriormente, con Yoichi Higashi (Sâdo, 1978). En 1960 produciría su primer corto experimental, del que no ha quedado rastro. En 1966 formó la compañía de teatro de vanguardia Tenjo Sajiki (Los niños del paraíso). Murió en 1983, enfermo de cirrosis.
Shuuji Terayama, Shûji Terayama, Terayama Shuji, Terayama Shūji, Shūji Terayama, Tenjou Sajiki, Tenjō Sajiki

FILMOGRAFÍA

• Largometrajes
  Emperor Tomato Ketchup (1970)
  Throw Away Your Books, Rally in the Streets (1971)
  Pastoral: To Die in the Country (1974)
  The Boxer (1977)
  Grass Labyrinth (1979)
  Fruits of Passion (1981)
  Video Letter (1983)
  Farewell to the Ark (1984)
  
  Cortometrajes
  The Cage (1962)
  Butterfly (1974)
  Laura (1974)
  Movie Guide for Young People (1974)
  A Tale of Labyrinth (1975)
  A Tale of Smallpox (1975)
  Der Prozess (1975)
  The Rubber (1977)
  Les Chants de Maldoror (1977)
  An Attempt to Describe the Measure of a Man (1977)
  Shadow Film: A Woman with Two Heads (1977)
  The Reading Machine (1977)
  Father (1977)

Tenjo Sajiki

• The Hunchback of Aomori (1967)
  La Marie-vison (1967)
  Our Age Comes Riding on a Circus Elephant (1969)
  Directions to Servants(1978)
  Cloud Cuckooland (1978)
  Shintokumaru (1978)
  The Lemmings (1979)
  Cien años de soledad (1981)

Diseño de Tadanori Yokoo

Material complementario

Fotografía

Photobook by Shuji Terayama.
This is incredibly rare and sells for upwards of 400 USD whenever it sells. Also, There are 112 scans here, but the book is actually around 220 page-- I only scanned any pages with images on them, as the other pages were useless to me and would have made this an even larger undertaking that I really didn't/don't have time for. Regardless, there's lots of amazing eyecandy here for those who like Terayama's films and plays.

• viewtopic.php?t=65880

Photothèque.imaginaire.de.Shuji.Terayama.-.Les.gens.de.la.famille.Chien.Dieu.(200dpi.image.pages.only).rar


Música

The large archive are various incidental music compilations and movie soundtracks written for Shuji Terayama and his underground theater Tenjo Sajiki (the principal artists there are J.A.Seazer and Kan Mikami). Then there two further works, each of them involving the out-of-the-ordinary graphic designer Tadanori Yokoo in some way.
viewtopic.php?t=50587

Tenjo.Sajiki.Collection.(Shuji.Terayama,.J.A.Seazer,.Kan.Mikami).(Japanese.avant-garde.theater.and.film.music).mp3.rar
Opera.from.the.works.of.Tadanori.Yokoo.by.Toshi.Ichiyanagi.(1969).(Japanese.avant-garde.New.Wave.Fluxus).4CD.mp3.rar
Cochin.moon.(Haruomi.Hosono,.Tadanori.Yokoo,.1978).(Japanese.psychedelia).mp3.rar

Más en MUTANT SOUNDS: Toshi Ichiyanagi - Opera from the works of Tadanori Yokoo, 2 LPs, 1969, Japan Asakawa Maki-Asakawa Maki no Sekai,1970+II, 1971, LPs, Japan J. A. SEAZER Retrospective-9 LPs, 1971-199?, JAPAN KAN MIKAMI-BANG!, LP, 1974, JAPAN

[V]

LARGOMETRAJES

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	Emperor Tomato Ketchup Tomato Kecchappu Kôtei
	Año	1970
	País	Japón
	Idioma	Japonés
	Duración	72 minutos
	Guión	Shuji Terayama (screenplay)
	Música	J.A. Seazer
	Hilo en DXC
Comentario
Poet, playright, theatre director, filmmaker, essayist, agitator and lover of all things anarchistic, chaotic, and truthful, TERAYAMA SHUJI (1936-1983) is one of Japan's most revered and respected artists. In the heady and extremist Japanese art scene of the late '70s, Terayama created a number of unforgettable and highly controversial films. EMPEROR TOMATO KETCHUP is his epic, sexually revolutionary and hallucinatory work from 1972 in which "magical women act as the initiatory, yet protectively maternal sexual partners to children. The children, in revolt, have condemned their parents to death for depriving them of self-expression and sexual freedom; they create a society in which fairies and sex education are equally important and literally combinable. ---Amos Vogel. Film as Subversive Art.
Enlaces
Versión original de 72 minutos (1970) Emperor Tomato Ketchup (72') (The Experimental Image World of Shuji Terayama) DVDRip.avi English subtitles | Subtítulos en castellano Versión reducida de 27 minutos, promovida por Terayama (1971) Emperor Tomato Ketchup (27') (The Experimental Image World of Shuji Terayama) DVDRip.avi Subtítulos en castellano Janken Senso (The War of Jan-Ken Pon) (extracto de la versión larga) (1971) The War of Jan-Ken-Pon (The Experimental Image World of Shuji Terayama) DVDRip.avi

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	Throw Away Your Books, Rally in the Streets Sho o suteyo machi e deyou
	Año	1971
	País	Japón
	Idioma	Japonés
	Duración	138 minutos
	Guión	Shuji Terayama (writer)
	Música	J.A. Seazer
	Hilo en DXC
Comentario
Terayama's first feature film is a scream for contestation, so radical in its ideology, narration, mode of expression, and even in its choice of music, that it seems to anticipate the punk movement by a few years. The opening shot shows an empty box ring, thus setting the scene for an painful confrontation with the demons of the director's past, namely the oppressing role of family and the passing of time, destroyers of all hopes and dreams of genuine freedom for a young man running from disillusion to disenchantment. This work is also a means for him to express his position with regards to the crushing American presence in the country and the nation's passivity and retrograde politics inherited from the 1945 defeat.*
Enlaces
[Shuji.Terayama.Retrospective)_Throw.Away.Your.Books.Rally.in.the.Streets_1971_AC3_HQdvdrip.by.(auess)_CD1.avi [Shuji.Terayama.Retrospective)_Throw.Away.Your.Books.Rally.in.the.Streets_1971_AC3_HQdvdrip.by.(auess)_CD2.avi Subtítulos en castellano

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	Pastoral: To Die in the Country Den-en ni shisu
	Año	1974
	País	Japón
	Idioma	Japonés
	Duración	104 minutos
	Guión	Shuji Terayama (writer)
	Música	J.A. Seazer
	Hilo en DXC
Comentario
Terayama's second feature recapitulates some of the main themes of Throw Away Your Books in more directly personal terms: it's a film about a film-maker's re-examination (and attempted revision) of his own childhood. His boyhood self is an unprepossessing lad who lives with his monstrous, widowed mother, fantasises about the desirable girl-next-door, and finds the visiting circus a touchstone for his dreams of escape. With passion, wit and a genuinely engaging charm, Terayama poses the burning question: Does murdering your mother constitute a true liberation? The autobiographical stance and the circus motif have evoked countless comparisons with Fellini, but they're very wide of the mark: the film isn't burdened with bombast or rhetoric, but it is rich in (authentically Japanese) poetry, and its modernist approach is challenging in the best and most accessible sense.
Enlaces
(Shuji.Terayama.Retrospective)_Den'en.ni.shisu_(Pastoral.To.Die.In.the.Country,.1974,.no.subs)_Dvdrip.by.(auess).avi Subtítulos en castellano

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	The Boxer
	Año	1977
	País	Japón
	Idioma	Japonés
	Duración	94 minutos
	Guión	Shiro Ishimori (writer), Rio Kishida (writer), Shuji Terayama (writer)
	Música	J.A. Seazer
	Hilo en DXC
Comentario
In mid-career, while he is on a winning streak, and in the middle of a fight he is winning, a young boxer is revolted by the violence of the game. He allows himself to be beaten up and quits the match and the sport. He also leaves his wife and child and lives alone with his moth-eaten old dog, all the while losing his sight. Years later, he is hunted down by a young man who is ambitious to become a prize-winning boxer. Persistence pays off, and he eventually persuades the ex-boxer to be his manager and trainer. The boy begins his rise to success, though he has a stormy relationship with his manager.
Enlaces
Hay un DVDRip VOSI en karagarga. Si interesa, lo pongo en eMule.

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	Grass Labyrinth Kusa Meikyu
	Año	1979
	País	Japón, Francia
	Idioma	Japonés
	Duración	50 minutos
	Guión	Kyoka Izumi (story), Rio Kishida (writer), Shuji Terayama (writer)
	Música	J.A. Seazer
	Hilo en DXC
Comentario
In this 40-minute avant-garde film based on a story by the surrealist writer Kyoka Izumi, director Shuji Terayama uses the pretext of a young man's determination to recover the lyrics and music to a song he loved in his childhood in an exploration of widely variant perceptions of reality. Originally released in 1979 as one of three "featurettes" in the French omnibus film Collections Privées, Kusa Meikyu was re-released in Japan after the death of Shuji Terayama in 1983, to much fanfare and publicity. Many critics consider this his best film, and some feel it is emblematic of the essence of Japanese cinema.
Enlaces
[Shuji.Terayama.Retrospective)_Kusa.meikyu_(Grass.Labyrinth,.1979)_by.(auess).avi Subtítulos en castellano

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	Fruits of Passion Les fruits de la passion
	Año	1981
	País	Franc¡a, Japón
	Idioma	Cantonés, japonés, inglés, francés
	Duración	83 minutos
	Guión	Dominique Aury (novel), Shuji Terayama (adaptation), Rio Kishida (adaptation)
	Música	J.A. Seazer
	Hilo en DXC
Comentario
The girl I'm supposed to place in a brothel has a delicious cheese. During one scene, she truly has a nervous breakdown when a mechanical dick on a kind of fuck machine is inserted into her hole. She throws herself on the cold, slimy sand floor of the studio and rolls and wallows in the filth, shrieking her lungs out. No one can get near her. I lovingly calm her down and take her to my dressing room. There I bend her over the makeup table in front of the mirror and give her a rough and thorough fuck from behind. Then she's fine again. ---Klaus Kinski. All I need is love.
Enlaces
wrd-fruits de la passion (Shuji Terayama, 1981) DVDRip.avi Subtítulos en castellano SÓLO para las partes no habladas en inglés

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	Video Letter
	Año	1983
	País	Japón
	Idioma	Japonés
	Duración	74 minutos
	Guión	Shuntaro Tanikawa (creator), Shuji Terayama (creator)
	Música
	Hilo en DXC
Comentario
This remarkable compilation follows an exchange of video letters, which took place between Shuji Terayama and Shuntaro Tanikawa in the months immediately preceding Terayama's death. You can think of it as a home video produced by two preeminent poets and interlayed with highly abstract philosophizing, slightly aberrant behavior and occasionally flamboyant visuals.
Enlaces
Shuji.Terayama.and.Shuntaro.Tanikawa.-.Video.Letter.1982-1983.VHSrip.avi English subtitles Shuji.Terayama.and.Shuntaro.Tanikawa.-.Video.Letter.1982-1983.VHS.booklet.djvu

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	Farewell to the Ark Saraba hakobune
	Año	1984
	País	Japón
	Idioma	Japonés
	Duración	127 minutos
	Guión	Gabriel García Márquez (novel), Rio Kishida (writer), Shuji Terayama (writer)
	Música	J.A. Seazer
	Hilo en DXC
Comentario
Terayama's last film may seem more conventionally narrative than his earlier works, but it does have inarguable nostalgic charm, and the final episodes do put the entire narrative in a slightly different perspective. The powerful low-key performances by the middle-aged leads (especially Mayumi Ogawa) need to be particularly acknowledged, and, of course, Chigusa and Ada are an irresistibly cute couple...
Enlaces
Farewell.to.the.Ark.(Shuji.Terayama,.1984).DVDRip.XviD.AC3-YYddr.CD1.avi Farewell.to.the.Ark.(Shuji.Terayama,.1984).DVDRip.XviD.AC3-YYddr.CD2.avi Subtítulos en castellano

[V]

CORTOMETRAJES

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	The Cage Ori
	Año	1962
	País	Japón
	Idioma	Sin diálogos
	Duración	11 minutos
	Guión	Shuji Terayama (writer)
	Música	J.A. Seazer
	Hilo en DXC
Comentario
Finished shooting in 1962, the movie's cast was almost the same as its crew. With a bunch of experimental symbols such as skinny human body, clock and goat flow from one scene to another, the film explores the question of whether a man is a prisoner of the time
Enlaces
(1962) The Cage (The Experimental Image World of Shuji Terayama) DVDRip.avi

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	Butterfly Chofuku-ki
	Año	1974
	País	Japón
	Idioma	Sin diálogos
	Duración	12 minutos
	Guión
	Música
	Hilo en DXC
Comentario
"Butterfly" (1974) reflects early memories -- shadows, people walking in front of the screen. (When a boy, Terayama used to sleep under the screen of a local movie theater and awake to gigantic images above him, and the shadows of viewers in front of the projector.)
Enlaces
(1974) Butterfly (The Experimental Image World of Shuji Terayama) DVDRip.avi

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	Laura Rolla
	Año	1974
	País	Japón
	Idioma	Japonés
	Duración	9 minutos
	Guión
	Música
	Hilo en DXC
Comentario
In "Laura" (1974), movie memories turn self-referential. Two strippers on the screen start talking back to the audience: "Hey, you in the front row, stop it. Oh, we know what kind of people come to see experimental films!"
Enlaces
(1974) Laura (The Experimental Image World of Shuji Terayama) DVDRip.avi Subtítulos en castellano

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	Movie Guide for Young People Seishonen no Tame no Eiga Nyumon
	Año	1974
	País	Japón
	Idioma	Sin diálogos
	Duración	3 minutos
	Guión	Shuji Terayama (writer)
	Música	J.A. Seazer
	Hilo en DXC
Comentario
The "Movie Guide for Young People" uses three screens and offers various transgressions -- including one actor who relieves himself on us (i.e. the camera lens).
Enlaces
(1974) Movie Guide for Young People (The Experimental Image World of Shuji Terayama) DVDRip.avi Pantalla 1 (1974) Movie Guide for Young People (1) (The Experimental Image World of Shuji Terayama) DVDRip.avi Pantalla 2 (1974) Movie Guide for Young People (2) (The Experimental Image World of Shuji Terayama) DVDRip.avi Pantalla 3 (1974) Movie Guide for Young People (3) (The Experimental Image World of Shuji Terayama) DVDRip.avi

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	A Tale of Labyrinth Meikyu-tan
	Año	1975
	País	Japón
	Idioma	Sin diálogos
	Duración	15 minutos
	Guión	Shuji Terayama (writer)
	Música
	Hilo en DXC
Comentario
"Labyrinth" (1975) takes us outside: two men trying to transport an entire doorway, complete with door.
Enlaces
(1975) A Tale of Labyrinth (The Experimental Image World of Shuji Terayama) DVDRip.avi

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	A Tale of Smallpox Hoso-tan
	Año	1975
	País	Japón
	Idioma	Sin diálogos
	Duración	34 minutos
	Guión	Shuji Terayama (writer)
	Música
	Hilo en DXC
Comentario
The door appears again in "Smallpox Story," which also features nails being driven into skulls.
Enlaces
(1975) A Tale of Smallpox (The Experimental Image World of Shuji Terayama) DVDRip.avi

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	Der Prozess Shimpan
	Año	1975
	País	Japón
	Idioma	Sin diálogos
	Duración	34 minutos
	Guión
	Música
	Hilo en DXC
Comentario
"Der Prozess," the last of the 1975 films, is an extended (34 min.) love scene that could probably not be shown in theaters even now.
Enlaces
(1975) Der Prozess (The Experimental Image World of Shuji Terayama) DVDRip.avi

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	The Rubber Keshigomu
	Año	1977
	País	Japón
	Idioma	Sin diálogos
	Duración	20 minutos
	Guión	Shuji Terayama (writer)
	Música	J.A. Seazer
	Hilo en DXC
Comentario
"The Eraser" includes a number of Terayama-like fetishes -- old photos erased or torn up, or stitched together.
Enlaces
(1977) The Rubber (The Experimental Image World of Shuji Terayama) DVDRip.avi

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	Les Chants de Maldoror Marudororu no Uta
	Año	1977
	País	Japón
	Idioma	Sin diálogos
	Duración	30 minutos
	Guión	Comte de Lautréamont (novel), Shuji Terayama (writer)
	Música
	Hilo en DXC
Comentario
Enlaces
(1977) Les Chants de Maldoror (The Experimental Image World of Shuji Terayama) DVDRip.avi

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	An Attempt to Describe the Measure of a Man Issunboshi o Kijutsusuru Kokoromi
	Año	1977
	País	Japón
	Idioma	Sin diálogos
	Duración	19 minutos
	Guión
	Música
	Hilo en DXC
Comentario
"Isumboshi" features the love-life of a dwarf
Enlaces
(1977) An Attempt to Describe the Measure of a Man (The Experimental Image World of Shuji Terayama) DVDRip.avi

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	Shadow Film: A Woman with Two Heads Nito-onna: Kage no Eiga
	Año	1977
	País	Japón
	Idioma	Sin diálogos
	Duración	16 minutos
	Guión
	Música
	Hilo en DXC
Comentario
A lyrical poem where desires are expressed through a revealing play on shadows.
Enlaces
(1977) Shadow Film - A Woman with Two Heads (The Experimental Image World of Shuji Terayama) DVDRip.avi

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	The Reading Machine Shokenki
	Año	1977
	País	Japón
	Idioma	Sin diálogos
	Duración	22 minutos
	Guión
	Música
	Hilo en DXC
Comentario
Visual poem with an «early century» smell.
Enlaces
(1977) The Reading Machine (The Experimental Image World of Shuji Terayama) DVDRip.avi

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	Father
	Año	1977
	País	Japón
	Idioma	Sin diálogos
	Duración	3 minutos
	Guión
	Música
	Hilo en DXC
Comentario
"Father" is a portrait of his missing parent.
Enlaces
(1977) Father (The Experimental Image World of Shuji Terayama) DVDRip.avi

[V]

TENJO SAJIKI

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	The Hunchback of Aomori
	Año	1967
	País	Japón
	Idioma	Japonés
	Duración	80 minutos
	Guión	Shuji Terayama
	Música	J.A. Seazer
	Hilo en DXC
Comentario
The first play that Terayama created for Tenjo Sajiki, The Hunchback of Aomori remains a key work in the Terayama canon. In many ways, it is emblematic of Terayama's interests and obsessions during his entire life. ---Carol Fisher Sorgenfrei. Unspeakable Acts, p. 69.
Enlaces
The.Hunchback.of.Aomori.(Tenjo.Sajiki.experimental.theater,.Shuji.Terayama,.1983).VHSrip.avi Shuji.Terayama.-.The.Hunchback.of.Aomori.(translated.by.Carol.Fisher.Sorgenfrei).pdf

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	La Marie-vison Mink Marie
	Año	1967
	País	Japón
	Idioma	Japonés
	Duración	74 minutos
	Guión	Shuji Terayama
	Música	J.A. Seazer
	Hilo en DXC
Comentario
This is a Shuji Terayama memorial performance of his play La Marie-vison (Mink Marie) by the Tenjo Sajiki theater troupe, featuring Akihiro Miwa in the title role.
Enlaces
La.Marie-vison.(Tenjo.Sajiki.experimental.theater,.Shuji.Terayama,.1983).VHSrip.avi La.Marie-vison.(Shuji.Terayama).(translated.into.English.by.Don.Kenny).pdf

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	Our Age Comes Riding on a Circus Elephant
	Año	1969
	País	Japón
	Idioma	Japonés
	Duración	86 minutos
	Guión	Shuji Terayama
	Música	J.A. Seazer
	Hilo en DXC
Comentario
Terayama's "anti-American" goofball musical performed by Tenjo Sajiki theater.
Enlaces
Our.Age.Comes.Riding.On.A.Circus.Elephant.(Tenjo.Sajiki.experimental.theater,.Shuji.Terayama,.1984).VHSrip.avi Our.Age.Comes.Riding.On.A.Circus.Elephant.(Shuji.Terayama).-.synopsis.and.critique.(C.F.Sorgenfrei).pdf

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	Directions to Servants
	Año	1978
	País	Japón
	Idioma	Japonés
	Duración	106 minutos
	Guión	Jonathan Swift, Shuji Terayama
	Música	J.A. Seazer
	Hilo en DXC
Comentario
The title and some of the text were taken from Jonathan Swift’s satire, but the main inspiration seemed to come from Jean Genet’s Les bonnes. Multiplying the maids into a large cast of servants, male and female, who take it in turns to imitate the master, Tereyama has physicalized and partly mechanized the action. Domination is imposed partly through machines—we see a man submitting to an imperious voice on a tape recorder, lowering his trousers and climbing inside a sadistic machine that beats his bare buttocks.*
Enlaces
Nuhikun.-.Directions.to.Servants.(Tenjo.Sajiki.experimental.theater,.Shuji.Terayama,.1978).avi Nuhikun.-.Directions.to.Servants.(Shuji.Terayama,.translated.into.English.by.Tony.Rayns.and.Shigenobu.Nishiguchi).pdf Nuhikun.-.Directions.to.Servants.(Tenjo.Sajiki.experimental.theater,.Shuji.Terayama).(posters).rar

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	Cloud Cuckooland
	Año	1978
	País	Japón
	Idioma	Japonés
	Duración	50 minutos
	Guión	Shuji Terayama
	Música	J.A. Seazer
	Hilo en DXC
Comentario
These are supplementary videos for a performance of Shuji Terayama's Directions to Servants (Nuhikun) by his theater Tenjo Sajiki. The performance is different from (and more radical than) Directions to Servants.
Enlaces
Cloud.Cuckooland.-.supplementary.video.for.Nuhikun.by.Shuji.Terayama.(Tenjo.Sajiki.experimental.theater,.1978).VHSrip.avi Nuhikun.-.Directions.to.Servants.(Shuji.Terayama,.translated.into.English.by.Tony.Rayns.and.Shigenobu.Nishiguchi).pdf

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	Shintokumaru
	Año	1978
	País	Japón
	Idioma	Japonés
	Duración	115 minutos
	Guión	Shuji Terayama
	Música	J.A.Seazer
	Hilo en DXC
Comentario
Shuji Terayama and J.A.Seazer's phantasmagoric folk-psych-symph-prog-rock opera. Historical Tenjo Sajiki performance from 1978. A brief synopsis (for a somewhat different version of the play) is given here. Much of the symbolism of Shintokumaru is shared with Terayama's earlier masterpiece motion picture Pastoral: to die in the country.
Enlaces
Shintokumaru.(Tenjo.Sajiki.experimental.theater,.Shuji.Terayama,.1978).VHSrip.avi

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	The Lemmings
	Año	1979
	País	Japón
	Idioma	Japonés
	Duración	minutos
	Guión	Shuji Terayama
	Música	J.A. Seazer
	Hilo en DXC
Comentario
Lemmings: The Man Who Walks Through Walls. The evocative phrase aptly suggests the goal of Terayama's later staging experiments: to destroy all barriers between people and places, to walk through walls, to go beyond the known into unexplored territory. It also suggests an action that only a ghost or a nonmaterial being can accomplish. ---Carol Fisher Sorgenfrei. Unspeakable Acts, p. 170.
Enlaces
The.Lemmings.(Tenjo.Sajiki.experimental.theater,.Shuji.Terayama,.1983).VHSrip.avi

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	Cien años de soledad
	Año	1981
	País	Japón
	Idioma	Japonés
	Duración	143 minutos
	Guión	Shuji Terayama
	Música	J.A. Seazer
	Hilo en DXC
Comentario
This sumptuous-yet-austere liberal re-working of Cien años de soledad by Gabriel García Márquez, arranged on a five-part stage surrounded by the audience, was historically the latest production of Tenjo Sajiki. It is also something of a theater prequel to Terayama's last film, Farewell to the Ark.
Enlaces
100.years.of.solitude.(Tenjo.Sajiki.experimental.theater,.Shuji.Terayama,.1981).VHSrip.avi

[Jacob]

Yeah that.