Ingmar Bergman - 3 dokumentärer om film, teater, Fårö och livet av Marie Nyreröd
Later edited down to 85mins for US release as Bergman Island.

Documental - Suecia - 174'
Director:
Marie Nyreröd
IMDb
dvdbeaver
Audio interview with director Marie Nyreröd
<table width="360"><tr><td align="justify">Three documentaries shot mainly in the home of Ingmar Bergman. This is the first time ever that a film maker had access to Ingmar Bergman at home on the small island of Fårö in the Baltic Sea. Bergman and the Cinema starts with Frenzy from 1944 and ends with Saraband from 2003. It contains unique behind-the-scenes material from Bergman's private archive. Bergman and the Theatre is about Bergman's 125 theatrical productions and his delight with the medium of television with successes such as Scenes from a Marriage. In Bergman and Fårö Island he talks about the childhood that shaped him, shows where he shot his film Persona and fell in love - and lists his worst demons!</td></tr></table>
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Ingmar Bergman (2004)
Ripper ...........: Team MESS Video Codec ......: XviD
Release Date .....: 11/27/2006 Video Quality ....: ~715 kbps
Theater Date .....: 04/15/2004 Resolution .......: 576x320
DVD RLS Date .....: 11/??/2006 Audio Codec ......: MP3 VBR
DVD Runtime ......: 174 mins Audio Bitrate ....: ~121 kbps
Aspect Ratio .....: 1.80:1 Framerate ........: 25.000
Language .........: Swedish Subtitles ........: Swedish/English
IMDb URL..........: http://www.imdb.com/title/tt0469772/
IMDB Rating ......: 8.4/10 (15 votes)
Film Genre .......: Documentary
Packet............: 25*15MB*3
Filesize..........: 1042 MB



<table width="576"><tr><td align="justify">The sea guards Bergman's reclusive existence and also sparked his imagination. The very same sea the four main characters of Through A Glass Darkly walk out of in the first shot of the Academy Award winning film, the first of many he'd shoot on the Island that would be his home for the rest of his life: Faro. The first time we see Bergman, he is walking. After a good breakfast, he takes a stroll to a favorite spot of his and writes for four hours. He explains that because of his laziness and lack of discipline, it is essential for him to keep a daily routine. Bergman is a man after my own heart. We already know that Bergman goes to extraordinary lengths to exorcise his demons, to question whether there is a god or not, and to get to the inner core of his innermost fears, through theatre and film. But seldom do we see an artist be as frank with an interviewer as Bergman is with Nyrerod. Telling us in detail his six most fearsome demons, explaining to us the problems of having an affair with Liv Ullmann while still seeing Bibi Anderson during the making of his masterpiece Persona, the consequences of being a miserable, non-existent father to nine children. Bergman holds nothing back, and when you consider how old he is (85 at the time of shooting) it is daunting that his mind is as clear and present as it is. He speaks with the conviction of a twenty year old.
Bergman expounds on the wonderfulness of silence. How he enjoys being alone. But I don't believe him. There are very few people who could stand being alone for as long as Bergman does. Besides, if you believe what he says, not only are his demons ever present, much like those of his scary Hour of the Wolf, but his fifth wife, Ingrid, deceased eight years, is on the island still, waiting to take him.
Darkness, clocks, the sea, bad conscience, demons, truth, death, and life are all discussed with much candor. You also get a look at Bergman's private film collection, which includes footage he shot during the making of The Seventh Seal and Wild Strawberries. We get inside his house, hear why he created his unusual fireplace, and see footage of him directing on both the stage and in film.
A wonderful introduction to an extraordinary life in film and on the stage, and probably be the last time this great filmmaker will ever be seen in front of a camera. --- Brian Hugues</td></tr></table>
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