À nous la liberté (René Clair, 1931) DVDRip VOSE

[marlowe62]

À nous la liberté
(Viva la libertad / Para nosotros la libertad /
Freedom for Us / Liberty for Us / A me la libertà)
(Francia, 1931) [B/N, 104 / 83 m.].
Género: Comedia social, Musical, Sátira / Workplace Comedy.
IMDb

Ficha técnica.
Dirección: René Clair.
Argumento: René Clair.
Guión: René Clair.
Fotografía: Georges Périnal (B&W).
Música: Georges Auric.
Producción: Frank Clifford / Alexandre Kamenka, Roger Le Bon (no acreditados).
Productora: Films Sonores Tobis.

Premios:
- 1931: Nominada al Oscar a la Mejor Dirección Artística (Lazare Meerson).
- 1932: National Board of Review, Best Foreign Film (win).
- 1932: Festival de Venecia, premio a la Mejor película de entretenimiento (René Clair).

Reparto: Raymond Cordy (Louis), Henri Marchand (Émile), Rolla France (Jeanne), Paul Ollivier (L'oncle), Jacques Shelly (Paul), André Michaud (Le contremaitre), Germaine Aussey (Maud, la femme de Louis), Léon Lorin (Le vieux monsieur sourd), William Burke (L'ancien détenu), Vincent Hyspa (Le vieil orateur), Albert Broquin (Le marchand de primeurs, uncredited), Robert Charlet (uncredited), Léon Courtois (uncredited), Alexander D'Arcy (Le gigolo, uncredited), Marguerite de Morlaye (Une invitée au diner, uncredited), Ritou Lancyle (uncredited), Maximilienne (Une invitée au diner, uncredited), Eugène Stuber (Un gangster, uncredited).

Sinopsis: Dos hombres, presos en una cárcel francesa, deciden llevar a la práctica un plan para fugarse. Cuando están a punto de ser libres, son descubiertos pero uno se sacrifica por el otro, que llegará a convertirse en un gran empresario. (FILMAFFINITY)

Segundo film sonoro de René Clair, que se muestra muy crítico con la deshumanización típica de la era industrial. La película inspiró a Charles Chaplin y sus Tiempos modernos –piénsese en las escenas de la cadena de montaje–, hasta el punto de que el ministro de propanganda nazi Joseph Goebbels impulsó una demanda por plagio que no prosperó, gracias en gran medida al propio Clair, que se sentía feliz de haber influido en el gran cómico.

El film arranca con dos amigos en la cárcel, que intentan fugarse. Uno lo logra y ya libre se convierte en un tipo rico, dueño de una fábrica; mientras que el otro debe cumplir su condena, y una vez en la calle apenas logra que su antiguo compañero le acoja. Finalmente prevalecerá la amistad, por encima de los intereses puramente materiales. En cualquier caso, lo sobresaliente del film de Clair es su musicalidad, un ritmo asombroso, al servicio de una pequeña gran parábola sobre las cosas que verdaderamente importan en la vida (DeCine21).

Deux amis, Émile et Louis, sont enfermés dans une prison. Au cours d'une tentative d'évasion, Émile se sacrifie pour permettre à son camarade de s'enfuir, et les gardiens le reprennent. Aussitôt libre, Louis, sous un faux nom se lance dans les affaires où il réussit brillamment. En quelques années. il devient directeur d'une usine ultra-moderne où il fait régner une discipline sévère parmi ses très nombreux ouvriers. Quand Émile sort de prison, il ignore ce qu'est devenu Louis. Il devient amoureux d'une jeune fille, Jeanne, ouvrière à l'usine. En voulant la suivre, il est incorporé malgré lui parmi les ouvriers. C'est ainsi qu'il retrouve Louis, qui n'ose pas le reconnaître de peur de se compromettre, mais finit par céder à l'évocation de leurs souvenirs. Louis est aussi reconnu par une bande composée de ses anciens co-détenus. Il décide de s'enfuir avec tout l'argent qu'il pourra emporter. Mais la police intervient pour arrêter toute la bande. Louis est prisonnier de son silence. Émile comprend que Jeanne ne l'aime pas. Louis est dénoncé par ses anciens amis. Le jour de l'inauguration de sa nouvelle usine ultra-moderne, il doit prendre la fuite avec Émile, en abandonnant tout son argent, mais ils sont libres et heureux d'avoir la liberté. (Monsieur Cinéma)

AMG SYNOPSIS: À Nous la Liberté is an early talkie from French filmmaker René Clair. Louis (Raymond Cordy) and Emile (Henri Marchand) are a pair of convicts whose lives take decidely different paths after prison. Emile works his way up the ladder of capitalism, becoming a phonograph factory boss, a job that finds him overseeing a bleak outfit of automatous drones. Louis, on the other hand, lives the life of a poverty-stricken vagabond. Despite their contrasting lots, the pair meet up again later in life. À Nous la Liberté is perhaps best remembered for being the main inspiration for Charlie Chaplin's 1936 classic Modern Times. -- Matthew Tobey

AMG REVIEW: What's the point of escaping from a real prison if you only wind up trapped in, say, a factory job, or a loveless marriage, or the strictures of high society? That's the question René Clair poses in this oddly paced but totally winning comedy. Emile (Henri Marchand) is the con who makes good on his escape, leaving his pal Louis (Raymond Cordy) behind to fill out his sentence. By chance, persistence, and talent, Emile turns from a slob to a potential snob, a successful manufacturer of phonographs. Marchand, who looks like the young Jackie Gleason, thus accomplishes the transformation, in Gleason character terms, from the Poor Soul to Reginald Van Gleason III. But Emile is no ordinary captain of industry; he actually wants his workers to enjoy more freedom, and to that end, he's looking to mechanize his factory without downsizing his work force. A blackmail plot almost spoils his plans, but a well-timed wind storm saves the day. At the end, the two pals are almost back where they started but happier than ever. Clair's sound effects and musical interludes may feel dated to contemporary audiences, but they mark this film not as a quaint artifact but a forward-looking historical document. The factory scenes may be reminiscent of Charlie Chaplin's Modern Times, but Clair's work preceded Chaplin's by several years. Among the extras on the DVD edition is an essay by Chaplin scholar David Robinson on the plagiarism lawsuit brought against Chaplin by the producers of À Nous la Liberté, a suit of which Clair wanted no part. He said he would have been honored if Chaplin had used his film as inspiration, acknowledging his colleague's unmatched virtuosity. -- Tom Wiener

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Versión Criterion DVDRip VO+SE + Extras 579 Mb. mkv.
Publicada en TLF-MiniSD.


Comparativa DVDBeaver (Criterion vs. C'Est La Vie).

Enlace:
Freedom.for.Us.1931.D9.MiniSD-TLF.mkv

Subtítulos (descarga directa): castellano / inglés.
Subs en castellano traducidos por Takeshi_Shimura, Hilo DXC.
Subidos por shoocat para la versión "CRiTERiON.NTSC.x264.AC3", 23.976 fps.

Datos técnicos:
** Criterion DVDRip VO+SI / 704x480 --> 704x540 (4:3 / 1.304) / 1:23:30 **
** IMDb AR: 1.20:1 / Criterion AR: 1.33:1 **

Código: Seleccionar todo

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Capturas:

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Extras (Criterion).

1. Escenas suprimidas.
"The magic park" (5 m.), "The singing flower" (2 m.).

Enlaces:
Freedom.for.Us.1931.Extra1.MiniSD-TLF.mkv
Freedom.for.Us.1931.Extra2.MiniSD-TLF.mkv

Capturas:

2. Prologue (Francis Picabia y Erik Satie) / Entr’acte (René Cair, 1924)

Enlace:
Freedom.for.Us.1931.Extra3.MiniSD-TLF.mkv

Subtítulos (en contenedor matroska): inglés.

Subtítulos en castellano: (cortesía de Haller)

1
00:00:13,713 --> 00:00:19,345
PRESENTADO POR EL BALLET SUECO
EN EL TEATRO DE LOS CAMPOS ELISEOS

2
00:00:27,527 --> 00:00:32,123
UN PRÓLOGO CINEMATOGRÁFICO
DE FRANCIS PICABIA Y ERIK SATIE.

3
00:02:03,957 --> 00:02:08,257
ENTRE LOS ACTOS DEL BALLET,
FUE EXHIBIDO UN FILME

4
00:02:08,361 --> 00:02:11,558
BASADO EN UN GUIÓN
DE FRANCIS PICABIA

5
00:02:11,664 --> 00:02:15,065
Y CON MÚSICA DE ERIK SATIE.

Nota: Copiar y pegar en un editor de texto básico (como el Bloc de Notas)
y guardar en formato ANSI como: "Freedom.for.Us.1931.Extra3.MiniSD-TLF.Esp.srt" (sin comillas)

Datos técnicos:

Código: Seleccionar todo

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Encoded date                     : UTC 2011-05-11 11:33:07
Writing application              : mkvmerge v4.0.0 ('The Stars were mine') built on Jun  6 2010 16:18:42
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Capturas:

4. Film historian David Robinson on the Tobis lawsuit against Charlie Chaplin’s Modern Times

Enlace:
Freedom.for.Us.1931.Extra4.MiniSD-TLF.mkv

Subtítulos: no.

Datos técnicos:

Código: Seleccionar todo

General
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Capturas:

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Versión Criterion DVDRip VO+SE 640 Mb.
Previamente publicada en la filmo de René Clair realizada por Bluegardenia.

Enlaces:
Freedom.for.Us.(1931).CRiTERiON.DVDRip.XviD-FRAGMENT.avi

Subtítulos (descarga directa): castellano / castellano / inglés

Datos técnicos:

Código: Seleccionar todo

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Capturas:

Cortesía de Chaindead en STF.

Extras:
deleted.scene.1.the.singing.flower.fragment.avi
deleted.scene.2.the.magic.park.fragment.avi
A.Nous.La.Liberte.1931.Pics.with.deleted.Scenes.rar

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Versión DVDRip VO+SE 1,09 Mb.
Publicada por fifole en CC.

Enlaces: (sin fuentes completas)
Viva la libertad (Rene Clair, 1931) DVDRip FR..avi

Subtítulos (descarga directa): castellano.

Datos técnicos:

Código: Seleccionar todo

XviD / 1818 kbps / 512x384 (1.333) / 25 fps.
Mp3 / 128 kbps

Capturas: (avi vs. mkv)

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Enlaces relacionados:
Un chapeau de paille d'Italie (René Clair, 1927) DVDRip VOSE
Sous les toits de Paris (René Clair, 1930) DVDRip VOSI[SE]
Le Million (René Clair, 1931) DVDRip VOSE

Indice de directores: René Clair.

Filmografía René Clair (Director)
Filmografía temática Realismo poético francés: 1930-1947

Saludos.

[vituko]

Gracias.

[Sebec]

Muchísimas gracias !