
Broadcast News
(Al filo de la noticia / Detrás de las noticias / Dentro la notizia)
(USA, 1987) [Color, m.].
Género: Comedia dramática, Comedia romántica, Sátira / Periodismo, Televisión.
IMDb
Ficha técnica.
Dirección: James L. Brooks.
Guión: James L. Brooks.
Fotografía: Michael Ballhaus (Color).
Música: Bill Conti.
Producción: James L. Brooks, Penney Finkelman Cox, Kristi Zea, Susan Zirinsky, Polly Platt.
Productora: Amercent Films / American Entertainment Partners L.P. / Gracie Films / Twentieth Century Fox Film Corporation.
Premios:
- 1987: 7 Nominaciones al Oscar, incluyendo película, actor (Hurt), actor reparto (Brooks)
- 1987: 4 Premios del Círculo de Críticos de Nueva York: película, director, guión, actriz
- 1988: Festival de Berlín: Oso de Plata - Mejor actriz (Holly Hunter)
Sinopsis: En la redacción de informativos de una cadena de televisión de Washington, las prisas y los nervios condicionan la vida privada de sus empleados. Jane, la realizadora, vive obsesionada por controlar a todos los que están a su alrededor, incluido Tom, un atractivo locutor recién llegado y algo pretencioso, que representa para Jane todo lo que ella y su amigo Aaron han odiado siempre. (FILMAFFINITY)
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"Excelente (...) los personajes exhiben sus miserias y ambiciones arribistas, fingen y sienten, hablan y callan, se aman y se odian ante la sorprendida mirada del espectador, que cuando cree estar disfrutando de hilarantes situaciones cómicas descubre cómo casi casi sin querer se le congela la sonrisa. Magnífica" (Miguel Ángel Palomo: Diario El País)
Tom, un locutor de deportes, se incorpora a la redacción de informativos de una cadena de Washington, cuya directora es Jane, una neurótica mujer, obsesionada con controlar todo lo que sucede en torno a ella.
El cineasta James L. Brooks, responsable de Mejor... imposible, disecciona los entresijos del mundo del periodismo televisivo, donde se trabaja siempre contra el reloj. Magníficos trabajos de los tres protagonistas. Aunque recibió siete nominaciones al Oscar, no se llevó ninguna estatuilla (DeCine21).
AMG SYNOPSIS: Writer/director/producer James L. Brooks scores on all counts with this clear-eyed look at the television news business and the dysfunctional types who work in it. Brooks' intelligent script introduces us to Jane Craig (Holly Hunter), an ambitious producer at the network news division's Washington D.C. branch, who is calm under fire yet has a good cry at her desk every morning over her empty personal life. Jane works well with Aaron Altman (Albert Brooks), an excellent reporter who lacks the visual charisma to make him a star. Into their lives comes Tom Grunick (William Hurt), a regional newscaster who admits he can't write news and doesn't understand many of the events he's covering, but has the presence and physical appeal that the increasingly entertainment-oriented network wants for its news programs. Jane is also physically attracted to him, which drives her crazy, because Grunick stands for everything she's fighting against in the news business, while Altman is devastated by her attraction because he secretly yearns for Jane. As Grunick becomes a rising star at the network, and layoffs of the old guard loom, the three leads deal with their feelings for each other, their careers, and their values. Hunter, Hurt, and Brooks are all superb, as is the excellent supporting cast (including an unbilled turn by Jack Nicholson as the network's smarmy national anchor). Brooks' script is funny, poignant, gritty, and brutally honest in its examinations of the television industry and the ways in which professionals interact on and off the job. -- Don Kaye
AMG REVIEW: A film as much about the nature of relationships as the world of television journalism, Broadcast News was one of the most timely films of the 1980s. Released during a decade notorious for its emphasis on making money, it provided a gently satiric commentary on people whose lives are driven by their jobs. That said, Broadcast News is far from being a cautionary tale: instead, it is a funny, touching portrait of three people in the midst of an often turbulent love affair with their work and, less occasionally, with each other. As the film's leads, Holly Hunter, William Hurt, and Albert Brooks give some of the most satisfying performances of their careers. Hunter brings poignancy to her tightly-wound, deeply conflicted, and often hilarious career woman, while Brooks is deeply likeable as a brilliant but lovelorn journalist. Hurt, meanwhile, oozes the potent but befuddled charm of a perpetual big man on campus; rather than make Gunric into a dim bulb caricature, he manages to give him an unburdened complexity. And in his brief, unbilled cameo as the network's unctuous national anchor, Jack Nicholson displays the sort of sharklike charm of which only he is capable. As a director, James L. Brooks is at his best here, injecting his film with warmth and insight. His take on relationships is a novel one--unlike many filmmakers, he is brave enough to show his audience that for some people, love is less of a priority in life than one of its unavoidable byproducts. True passion, he says with frank confidence, is as much the province of the newsroom as the bedroom. -- Rebecca Flint Marx
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Publicada en TLF-MiniSD.

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Subtítulos (descarga directa): castellano / inglés HI.
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** Criterion BRRip VO+SI / 848x458 (1.852) / 132 m. **
** IMDb & Criterion AR 1.85:1 / 132 m. **
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