Raging Bull
(Toro salvaje)
(USA, 1980) [B/N-Color, 129 m.].
Género: Drama deportivo, Bioptic / Boxeo.
IMDb
Ficha técnica.
Dirección: Martin Scorsese.
Argumento: Jake LaMotta, Joseph Carter, Peter Savage (biografía, "Raging Bull; My Story" 1970).
Guión: Paul Schrader, Mardik Martin.
Fotografía: Michael Chapman (B&W-Color).
Música: Pietro Mascagni, Cesare A. Bixio, Count Basie, Harry James, Gene Krupa, Roy Eldridge...
Producción: Robert Chartoff, Irwin Winkler, Hal W. Polaire, Peter Savage.
Productora: United Artists / Chartoff-Winkler Productions.
Premios:
- 1980: 2 Oscars: Mejor actor (De Niro), montaje. 8 nominaciones
Sinopsis: Jake la Motta es un joven boxeador que se entrena duramente, ayudado por su hermano y manager Joey, para convertirse en el número uno de los pesos medios. Pero sus complejos psicológicos y sexuales le llevan a manifestar su agresividad tanto dentro como fuera del ring. En medio de esta tormenta interior se encuentra su hermano, convertido en víctima de la enfermiza paranoia y los celos de Jake. Pronto consigue ver hecho realidad tan ansiado sueño, pero el triunfo y el éxito convierten su vida en una pesadilla. Por un lado, su matrimonio cada vez marcha peor debido a sus salidas nocturnas con otras mujeres; por otro, la mafia le presiona para que amañe combates. (FILMAFFINITY)
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"Soberbio guión. Scorsese radiografía el gesto más violento de la derrota (...) Una de las obras más lúcidas y enérgicas del cine moderno (Luis Martínez: Diario El País)
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"Brutal" (Javier Ocaña: Cinemanía)
Robert De Niro se enfunda los guantes de boxeo en un film duro y sobrecogedor. La biografía del boxeador Jake La Motta da argumento para una de las películas más intensas del tándem Scorsese-De Niro.
Más allá de una historia sobre un púgil, Toro salvaje es un descarnado retrato de un ser angustiado por sus complejos, de los que, sólo subido a un ring, puede liberarse. Es también una historia de redención, de amor y odio y del duro camino hacia el éxito y el fracaso. Todo envuelto en escenas de gran realismo y en una evocadora atmósfera en blanco y negro. La portentosa interpretación de Robert De Niro le valió su segundo Oscar (DeCine21).
AMG SYNOPSIS: Martin Scorsese's brutal character study incisively portrays the true rise and fall and redemption of middleweight boxer Jake La Motta, a violent man in and out of the ring who thrives on his ability (and desire) to take a beating. Opening with the spectacle of the over-the-hill La Motta (Robert De Niro) practicing his 1960s night-club act, the film flashes back to 1940s New York, when Jake's career is on the rise. Despite pressure from the local mobsters, Jake trusts his brother Joey (Joe Pesci) to help him make it to a title bout against Sugar Ray Robinson the honest way; the Mob, however, will not cave in. Jake gets the title bout, and blonde teenage second wife Vickie (Cathy Moriarity), but success does nothing to exorcise his demons, even as he channels his rage into boxing. Alienating Vickie and Joey, and disastrously gaining weight, Jake has destroyed his personal and professional lives by the 1950s. After he hits bottom, however, Jake emerges with a gleam of self-awareness, as he sits rehearsing Marlon Brando's On the Waterfront speech in his dressing room mirror: "I coulda been a contender, I coulda been somebody." Working with a script adapted by Mardik Martin and Paul Schrader from La Motta's memoirs, Scorsese and De Niro sought to make an uncompromising portrait of an unlikable man and his ruthless profession. Eschewing uplifting Rocky-like boxing movie conventions, their Jake is relentlessly cruel and self-destructive; the only peace he can make is with himself. Michael Chapman's stark black-and-white photography creates a documentary/tabloid realism; the production famously shut down so that De Niro could gain 50-plus pounds. Raging Bull opened in late 1980 to raves for its artistry and revulsion for its protagonist; despite eight Oscar nominations, it underperformed at the box office, as audiences increasingly turned away from "difficult" films in the late '70s and early '80s. The Academy concurred, passing over Scorsese's work for Best Director and Picture in favor of Robert Redford and Ordinary People, although De Niro won a much-deserved Oscar, as did the film's editor, Thelma Schoonmaker. Oscar or no Oscar, Raging Bull has often been cited as the best American film of the 1980s. -- Lucia Bozzola
AMG REVIEW: In Raging Bull, Martin Scorsese and Robert De Niro explore the soul of a profoundly violent man and search for the human core buried deep inside him. In many ways, De Niro's performance as Jake does make him seem more like an animal than a human being; he's ruled by a volatile mixture of arrogance, paranoia, sexual confusion, and fear, and he can deal with his emotions only through violence. The physical brutality that makes Jake a champion in the boxing ring cripples his relationships with his wives, his business associates, and his brother. But even though La Motta is in many ways controlled by the worst parts of his nature, he's also aware of it on some primal level. When he commands his brother to hit him as hard as he can, it's almost as if he wants someone to knock the fight out of him (while believing, arrogantly but accurately, that it can't be done), and as Jake literally beats his head against a wall in a Florida jail cell, shouting "Why? Why? Why?" it sounds as if he's begging for an explanation of his entire life. In nearly any other film, a performance as strong and intricately detailed as De Niro's would control the entire show, but here Joe Pesci and Cathy Moriarty both offer superb, career-making support, while Scorsese's peerless visual sense makes this more than just another star vehicle. The boxing sequences are shot, choreographed, and edited with such audacious power and impact that it's hard to believe that they occupy only ten minutes of screen time; the beautifully designed tracking shots, the use of slow motion, and Michael Chapman's excellent black-and-white photography lend the film a stylized edge while sharpening its visceral emotional impact. With screenwriters Paul Schrader and Mardik Martin, Scorsese tells the story not of a boxer or a bad man, but of a lost soul struggling for a way out of the emotional damnation of his own brutal nature; and he tells it with such unblinking horror and understated compassion that Raging Bull has been widely acknowledged as one of the most powerful films of its era. -- Mark Deming
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Versión BDRip HD 720p VO 2,73 Gb. mkv.
Publicada por The King of Hearts en sharethefiles.
Enlaces:Versión BDRip HD 720p VO 2,73 Gb. mkv.
Publicada por The King of Hearts en sharethefiles.
TLF-VIDEO-12.23.11.Raging.Bull.(1980).iNT.BDRip.720p.AC3.X264-TLF-English.mkv 
TLF-VIDEO-12.23.11.Raging.Bull.(1980).iNT.BDRip.720p.AC3.X264-TLF-sample.English.mkv TLF-VIDEO-12.23.11.Raging.Bull.(1980).iNT.BDRip.720p.AC3.X264-TLF.nfo Subtítulos (descarga directa): castellano americano / castellano americano / castellano neutro / inglés.
(1) Subs en castellano americano sincronizados por shoocat para la versión "1080p.x264.BluRay.[GrupoHDS]", 23,976 fps. (encajan)
(2) Subs en cstellano neutro subidos por nicus07. "Sirven para la versión Raging.Bull.1980.BDRip.X264-TLF.mkv que pesa 2.04 GB del emule. PASE A ESPAÑOL NEUTRO (no latinoamericano) todas las palabras como coño, gilipollas, etc.".
(3) Subs en inglés subidos por el gato para la misma versión.
Datos técnicos: (nfo)
Código: Seleccionar todo
° Video Source..: Blu-ray AVC 1080p
° Audio Source..: DTS-HD 5.1
° Release Date..: 2011.12.23
° Release Group.: TLF iNT Team
° Ripper........: FOXHOUND
° Video Codec...: x264 r2008 High @ L4.1
° Video Bitrate.: 2645 Kbps
° Audio Codec...: AC3 5.1
Audio Bitrate.: 384 Kbps
Resolution....: 1280 x 694
Aspect Ratio..: 1.84:1
Frame Rate....: 23.976 fps
Runtime.......: 129 min
Language......: English
Substitle.....: N/A
Movie Size....: 28 x 100MB (4CD)Capturas: no figuran.
NOTA: en STF aparecen otras versiones 1080p (3 partes de 4,36 Gb) y 720p (2 partes, 4,36+2,18 Gb.), pero este ripeo de TLF es el que cuenta con más fuentes en la mula.------------------------------------------------------------------------------------------------------
Otras versiones en DXC:Toro salvaje (Martin Scorsese, 1980) DVDRip Dual SE
Toro salvaje (Martin Scorsese, 1980) BRRip Dual SE.
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Taxi Driver (Martin Scorsese, 1976) BRRip Dual SE
GoodFellas (Martin Scorsese, 1990) BDRip VOSE+AE
GoodFellas (Martin Scorsese, 1990) HD 720p VOSE
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