Monsieur Verdoux
A Comedy of Murders (working title), The Ladykiller (original script title)
(USA, 1947) [B/N, 124 m.].
Género: Comedia negra, Drama criminal / Asesinos en serie.
IMDb
Ficha técnica.
Dirección: Charles Chaplin.
Argumento: Orson Welles (idea).
Guión: Charles Chaplin.
Fotografía: Rollie Totheroh, Curt Courant (no acreditado) (B&W).
Música: Charles Chaplin.
Producción: Charles Chaplin.
Productora: Charles Chaplin Productions.
Premios:
- 1947: Nominada al Oscar: Mejor guión original
- 1947: National Board of Review: Mejor película
Sinopsis: Basada en hechos reales, esta obra maestra del genio Chaplin cuenta la historia de Henri Verdoux, un hombre de doble vida. Por un lado es un respetable hombre casado padre de un hijo, pero por otro es un seductor que, bajo otra identidad, se dedica a casarse con viudas ricas a las que posteriormente asesina para quedarse con su fortuna. (FILMAFFINITY)
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"Chaplin enterraba de manera definitiva a Charlot en esta obra terrible, amarga, brutal (...) Comedia, sí, pero de una infinita negrura" (Miguel Ángel Palomo: Diario El País)
- "Monsieur Verdoux", Claqueta.
- "Monsieur Verdoux (1947) de Charles Chaplin", El Gabinete del Doctor Mabuse.
- Miguel Marías : "Monsieur Verdoux (Charles Chaplin, 1947)", Miradas de Cine.
- "Monsieur Verdoux (1947) de Charles Chaplin", El Gabinete del Doctor Mabuse.
- Miguel Marías : "Monsieur Verdoux (Charles Chaplin, 1947)", Miradas de Cine.
AMG SYNOPSIS: "Von Clausewitz said that war is the logical extension of diplomacy; Monsieur Verdoux feels that murder is the logical extension of business." With his controversial "comedy of murders" Monsieur Verdoux, Charles Chaplin makes his final, definitive break with the Little Tramp character that had brought him fame and fortune. Verdoux (Chaplin), a mild-mannered family man of pre-war France, has hit upon a novel method of supporting his loved ones. He periodically heads out of town, assumes an alias, marries a foolish, wealthy woman, then murders her for the insurance money. He does this thirteen times with success, but wife #14, brassy Martha Raye, proves impossible to kill (nor does she ever suspect what Verdoux has in mind for her). A subplot develops when Verdoux, planning to test a new poison, chooses streetwalker Marilyn Nash as his guinea pig. She tells him so sad a life story that Verdoux takes pity on her, gives her some money, and sends her on her way. Years later, the widowed and impoverished Verdoux meets Nash once more; now she is the mistress of a munitions magnate. This ironic twist sets the stage for the finale, when Verdoux, finally arrested for his crimes and on trial for his life, gently argues in his own defense that he is an "amateur" by comparison to those profiteers who build weapons for war. "It's all business. One murder makes a villain. Millions, a hero. Numbers sanctify..." Sentenced to death, Verdoux remains calmly philosophical to the end. As the condemned man walks to the guillotine, a priest prays for God to have mercy on Verdoux's soul. "Why not?" replies Verdoux jauntily. "After all, it belongs to him." The original idea of Monsieur Verdoux originated with Orson Welles, who'd wanted to make a picture about notorious modern "Bluebeard" Landru. Welles wanted to cast Chaplin in the lead; Chaplin liked the idea, but preferred to direct himself, as he'd been doing since 1914. It is possible that Chaplin might have gotten away with the audacious notion of presenting a cold-blood murderer as a sympathetic, almost lovable figure. Alas, Monsieur Verdoux was released at a time when Chaplin was under a political cloud for his allegedly Communistic philosophy; too, it came out shortly after a well-publicized paternity suit involving Chaplin and Joan Barry. Picketed in several communities, banned outright in others, Monsieur Verdoux was Chaplin's first financial flop. Today, it can be seen to be years ahead of its time in terms of concept, even though the execution is old-fashioned and occasionally wearisome. Monsieur Verdoux doesn't always hit the bull's-eye, but it remains one of Charles Chaplin's most fascinating projects. -- Hal Erickson
AMG REVIEW: Monsieur Verdoux was a box-office failure on its release in 1947. Conventional wisdom has it that writer/director/star Charles Chaplin was in disfavor from paternity suits and alleged Communist sympathies. However, it is difficult to find any film like Monsieur Verdoux in or near 1947 that was a box-office success; most likely the film would have flopped commercially no matter what Chaplin's personal situation. The story is a darkly disturbing allegory that contrasts the horrific acts of an individual with the horrific acts of society at large. In his own mind, the title character feels that his acts of murder are justified: they are simply a matter of business. As Chaplin's story challenges the conventional view of war as valiant and necessary, there was little chance that American audiences of 1947, still celebrating U.S. victories in World War II, would flock to see the movie. Similarly, Chaplin's visual style here is reminiscent of his fixed location work in the silent era, a style that seemed outmoded and dull to 1947 audiences. While current-day viewers may enjoy Monsieur Verdoux for its trenchant audacity, the film was largely unloved in its own time and a significant setback to Chaplin's career. -- Richard Gilliam
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Versión DVDRip Dual SE 1,34 Gb.
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Enlace:Versión DVDRip Dual SE 1,34 Gb.
Publicada por pierino en Noirestyle.
Monsieur Verdoux (Charles Chaplin, 1947) DVDRip XviD Dual (Eng-Esp).avi 
Subtítulos (descarga directa): castellano.
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This report was created by AVInaptic (10-04-2007) on 28 ott 2008, h 12:00:53Capturas:
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