Address Unknown (William Cameron Menzies, 1944)
Filmaffinity | IMDb
GUIÓN: Herbert Dalmas, Kressmann Taylor (Historia: Kressmann Taylor)
MÚSICA: Ernst Toch, Mario Castelnuovo-Tedesco
FOTOGRAFÍA: Rudolph Maté (B&W)
REPARTO : Paul Lukas, Carl Esmond, Peter van Eyck, Mady Christians, Morris Carnovsky, K.T. Stevens, Emory Parnell, Mary Young, Frank Faylen, Charles Halton, Erwin Kalser, Frank Reicher
PRODUCTORA: Columbia Pictures Corporation
PREMIOS: 1944: 2 nominaciones al Oscar: Mejor bso (drama / comedia), direcc. artíst. (B&N)
GÉNERO: Drama | Bélico | II Guerra Mundial
SINOPSIS: Un empresario artístico regresa a su Alemania natal para una visita y allí quedará sorprendido por la propaganda nazi. (FILMAFFINITY)
[quote]Plot Synopsis:
Nominated for Best B&W Art Direction-Interior Decoration and Best Music Score, this World War II drama chronicles the degradation of Martin Schulz (played by Paul Lukas), an American-German art dealer who returns to live in Germany just before the rise of the National Socialist Party. Preying (in part) on his ego, a local baron-Nazi Party member (Carl Esmond) gradually influences Schulz to abandon his principles and his Jewish friend-American partner Max Eisenstein (Morris Carnovsky), with whom Schulz had been corresponding by letter. Peter van Eyck plays Schulz’s son Heinrich, who remains in the States working for Max while Mady Christians plays Max’s daughter Elsa, Heinrich’s fiancée-actress who finds work in Germany and bravely resists a Nazi’s (Charles Halton) censorship, with tragic results. When Schulz finally realizes what he’s lost, it’s too late. The movie’s title doesn’t come into play until the end, which features a twist. Directed by Academy Award winning Art Director William Cameron Menzies (Tempest (1928)), and based on the story by Kressmann Taylor with a screenplay by Herbert Dalmas, the film is a timely and effective reminder of the power of charismatic leaders and the vigilance needed to resist their rhetoric. Emory Parnell and Frank Faylen both appear as letter carriers.
Classic Film Guide[/quote][quote]Plot Synopsis by All Movie Guide
A plot revealed through the correspondence between German-American businessman and his Jewish partner, Lukas, the German-American, returns to Germany during the early Nazi years and gets caught up in the racist philosophies. He goes to the point of denying even his partner's daughter, who is engaged to Lukas's son. Disastrous results follow this man's newly acquired bigoted decisions.[/quote]
sigloxx en KG:
A.U.1944.DVDRip.XviD.KG.avi 
(DVDRip V.O. "emulizado")
Sin subtítulos, que yo sepa.
Filmaffinity | IMDb
GUIÓN: Herbert Dalmas, Kressmann Taylor (Historia: Kressmann Taylor)
MÚSICA: Ernst Toch, Mario Castelnuovo-Tedesco
FOTOGRAFÍA: Rudolph Maté (B&W)
REPARTO : Paul Lukas, Carl Esmond, Peter van Eyck, Mady Christians, Morris Carnovsky, K.T. Stevens, Emory Parnell, Mary Young, Frank Faylen, Charles Halton, Erwin Kalser, Frank Reicher
PRODUCTORA: Columbia Pictures Corporation
PREMIOS: 1944: 2 nominaciones al Oscar: Mejor bso (drama / comedia), direcc. artíst. (B&N)
GÉNERO: Drama | Bélico | II Guerra Mundial
SINOPSIS: Un empresario artístico regresa a su Alemania natal para una visita y allí quedará sorprendido por la propaganda nazi. (FILMAFFINITY)
[quote]Plot Synopsis:
Nominated for Best B&W Art Direction-Interior Decoration and Best Music Score, this World War II drama chronicles the degradation of Martin Schulz (played by Paul Lukas), an American-German art dealer who returns to live in Germany just before the rise of the National Socialist Party. Preying (in part) on his ego, a local baron-Nazi Party member (Carl Esmond) gradually influences Schulz to abandon his principles and his Jewish friend-American partner Max Eisenstein (Morris Carnovsky), with whom Schulz had been corresponding by letter. Peter van Eyck plays Schulz’s son Heinrich, who remains in the States working for Max while Mady Christians plays Max’s daughter Elsa, Heinrich’s fiancée-actress who finds work in Germany and bravely resists a Nazi’s (Charles Halton) censorship, with tragic results. When Schulz finally realizes what he’s lost, it’s too late. The movie’s title doesn’t come into play until the end, which features a twist. Directed by Academy Award winning Art Director William Cameron Menzies (Tempest (1928)), and based on the story by Kressmann Taylor with a screenplay by Herbert Dalmas, the film is a timely and effective reminder of the power of charismatic leaders and the vigilance needed to resist their rhetoric. Emory Parnell and Frank Faylen both appear as letter carriers.
Classic Film Guide[/quote][quote]Plot Synopsis by All Movie Guide
A plot revealed through the correspondence between German-American businessman and his Jewish partner, Lukas, the German-American, returns to Germany during the early Nazi years and gets caught up in the racist philosophies. He goes to the point of denying even his partner's daughter, who is engaged to Lukas's son. Disastrous results follow this man's newly acquired bigoted decisions.[/quote]
sigloxx en KG:Código: Seleccionar todo
DVDrip (Col MOD), NTSC, Greyscaled, No Subs, ESS, GK output:
File Size (in bytes) ............................: 1,072,199,680 bytes
Runtime ............................................: 1:12:14
Video Codec ...................................: XviD 1.2.2
Frame Size ......................................: 640x480 (AR: 1.333)
FPS .................................................: 23.976
Video Bitrate ...................................: 1842 kb/s
Bits per Pixel ...................................: 0.250 bpp
B-VOP, N-VOP, QPel, GMC.............: [B-VOP], [], [], []
Audio Codec ...................................: 0x0055 MPEG-1 Layer 3
Sample Rate ...................................: 48000 Hz
Audio Bitrate ...................................: 128 kb/s [2 channel(s)] CBR
No. of audio streams .......................: 1Sin subtítulos, que yo sepa.
