
Rear Window
(La ventana indiscreta)
(USA, 1954) [Color, 112 m.]
Género: Thriller, Crimen.
IMDb
Ficha técnica.
Dirección: Alfred Hitchcock.
Argumento: Cornell Woolrich (relato, "It Had to Be Murder").
Guión: John Michael Hayes.
Fotografía: Robert Burks.
Música: Franz Waxman.
Producción: Alfred Hitchcock (no acreditado) / James C. Katz (restauración 1998).
Productora: Paramount Pictures / Patron Inc.
Premios: 1954, 4 nominaciones al Oscar: Mejor director, sonido, fotografía color, guión
Sinopsis: Un reportero fotográfico (Stewart), obligado a permanecer en reposo con su pierna escayolada, y a veces acompañado por su bella novia (Kelly) y su enfermera (Ritter), procura escapar al tedio de su convalecencia contemplando desde la ventana de su apartamento el otro lado del patio. Allí, en ese espacio interior, numerosos vecinos desarrollan fragmentos de vida que el reportero recoge puntillosamente con ayuda de unos prismáticos. Pero, debido a una serie de pequeños incidentes, el reportero mirón comienza a sospechar de un vecino cuya mujer ha desaparecido misteriosamente. (FILMAFFINITY)
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Paradigma del talento del maestro Hitchcock de cómo contar un historia y mantener un asombroso suspense... sin moverse de una habitación y con un patio como único e intrigante paisaje. La brillante trama: un fotógrafo, confinado temporalmente a un silla de ruedas con la pierna escayolada, sospecha del extraño comportamiento de un vecino. El "voyeur" es el gran James Stewart, pero no menos geniales están Grace Kelly (como su novia de la alta sociedad) y Thelma Ritter (su enfermera) que acompañan al espectador en la conversión de "mujeres escépticas" a "cómplices de su investigación". Una obra de un poder narrativo sin igual, absolutamente imprescindible. (Pablo Kurt: FILMAFFINITY)
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"Impecable realización (...) Toda una lección cinematográfica" (Fernando Morales: Diario El País)
AMG Synopsis: Laid up with a broken leg, photojournalist L.B. Jeffries (James Stewart) is confined to his tiny, sweltering courtyard apartment. To pass the time between visits from his nurse (Thelma Ritter) and his fashion model girlfriend Lisa (Grace Kelly), the binocular-wielding Jeffries stares through the rear window of his apartment at the goings-on in the other apartments around his courtyard. As he watches his neighbors, he assigns them such roles and character names as "Miss Torso" (Georgine Darcy), a professional dancer with a healthy social life or "Miss Lonelyhearts" (Judith Evelyn), a middle-aged woman who entertains nonexistent gentlemen callers. Of particular interest is seemingly mild-mannered travelling salesman Lars Thorwald (Raymond Burr), who is saddled with a nagging, invalid wife. One afternoon, Thorwald pulls down his window shade, and his wife's incessant bray comes to a sudden halt. Out of boredom, Jeffries casually concocts a scenario in which Thorwald has murdered his wife and disposed of the body in gruesome fashion. Trouble is, Jeffries' musings just might happen to be the truth. One of Alfred Hitchcock's very best efforts, Rear Window is a crackling suspense film that also ranks with Michael Powell's Peeping Tom (1960) as one of the movies' most trenchant dissections of voyeurism. As in most Hitchcock films, the protagonist is a seemingly ordinary man who gets himself in trouble for his secret desires.
AMG Review: On the surface a comic thriller about a photographer and the crime he thinks took place across the courtyard, Alfred Hitchcock's Rear Window (1954) turns into an interrogation of voyeurism and movie-viewing. Keeping the camera in Jeff's apartment (except for a couple of shots near the climax), Hitchcock limits the audience's view to what Jeff can see and hear from his immobilized perch. He is free to take in the spectacle of the events in the apartments that he sees, but he is powerless to intervene. Why he looks, however, is the larger question; Hitchcock suggests not just that Jeff is channel-surfing among apartments for idle entertainment but also that the urge to peep is a more universal trait than we might care to acknowledge. What Jeff finds, moreover, becomes a fantasy projection of his own fears about his own relationship with Lisa. Jeff becomes a voyeur to escape, but his gaze is literally -- and violently -- turned back on him by the suspected wife-killer in his thriller narrative. Wryly entertaining as well as skillfully executed and thematically complex, the popular Rear Window earned Hitchcock an Oscar nomination for Best Director and inspired such later films as Francis Ford Coppola's The Conversation (1974) and Brian De Palma's Sisters (1973). It was remade in 1998 as a TV movie with Christopher Reeve in the James Stewart role.

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Versión restaurada 2000 HDTVRip VO+SI 2,18 Gb.
Publicada por simone en sharethefiles.
Enlaces:Versión restaurada 2000 HDTVRip VO+SI 2,18 Gb.
Publicada por simone en sharethefiles.
Subtítulos (descarga directa): castellano europeo / castellano americano / inglés / inglés para sordos.
Sincronizados y corregidos a partir de los ripeados para un Dual de proteínicos (castellano europeo e inglés) y los subidos por 1832 (castellano americano).
Datos técnicos (nfo):
Código: Seleccionar todo
Û Release Date : 22.January.2011 Û
Û Runtime : 1:53:39 Û
Û Audio Language : English Û
Û IMDB : http://www.imdb.com/title/tt1017451/ Û
Û Û
Û Source : HDTV 720p TSE Û
Û Encoding Type: Two Pass - HQ - BVOP - No QPel - No GMC Û
Û Video : 720x416, 2284 Kbps, XviD Û
Û Bits Per Pixel : 0,318 Û
Û Frame Rate : 23.976 FPS Û
Û Audio 1 : 448 Kbps 6 Ch Dolby DSS AC3 English Û
Û Audio 2 : - Û
Û Audio 3 : - Û
Û File Size : 2,18 GB Û
Û Û
Û Subtitle(s) : English, Turkish Û
Û Û
Û Email : callioped_team@hush.ai Û
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Otras versiones en DXC:La Ventana Indiscreta (1954) DVDRip VOSE + AE
Enlaces relacionados:
Strangers on a Train (Alfred Hitchcock, 1951) HDTVRip VOSE
Vertigo (Alfred Hitchcock, 1958) HDRip VOSE
Filmografía Alfred Hitchcock (Director)
Filmografía James Stewart (Actor)
Filmografía Grace Kelly (Actriz)
Cineclub Hitchcock: ¿ángel o demonio?
Saludos.Filmografía James Stewart (Actor)
Filmografía Grace Kelly (Actriz)
Cineclub Hitchcock: ¿ángel o demonio?
PD. El centollo y la rubia están diciendo, ¡bájame!.
