
12 Angry Men
(Doce hombres sin piedad / 12 hombres sin piedad /
Doce hombres en pugna / Twelve Angry Men)
(USA, 1957) [B/N, 96 m.]
IMDb
Ficha técnica.
Dirección: Sidney Lumet.
Argumento: Reginald Rose (teatro).
Guión: Reginald Rose.
Fotografía: Boris Kaufman (B&W).
Música: Kenyon Hopkins.
Producción: Henty Fonda, Reginald Rose, George Justin.
Productora: Orion-Nova Productions.
Sinopsis: En un juicio, y tras escuchar todas las pruebas y testimonios, un jurado popular compuesto por una docena de personas tiene que decidir, por unanimidad, si absuelve o condena a muerte a un acusado. La vida de un hombre está en juego, en manos de 12 personas que también tienen su historia. En un principio once de ellos se inclinan por la condena, pero uno discrepa... Alabadísimo debut cinematográfico de Sidney Lumet. (FILMAFFINITY)
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Una obra capital que aún ofrece lecciones de cine (...) virulenta y acerada crítica al sistema judicial estadounidense y muestra un profundo desprecio por la pena de muerte (...) Lumet crea con su cámara una continua asfixia, entre gestos crispados e íntimas angustias (Miguel Ángel Palomo: Diario El País)
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Intensa y magnífica cinta (...) A pesar del aire teatral del relato, la cinta destaca por sus magistrales diálogos e interpretaciones y la exquisita dirección por parte de Lumet. (Fernando Morales: Diario El País)
El poder de la palabra.12 hombres sin piedad es un extraordinario drama judicial que se apoya fundamentalmente en la interpretación de unos grandes actores, dirigidos eficazmente por Sidney Lumet (Piel de Serpiente, Veredicto final, Network. Un mundo implacable...). La acción se desarrolla durante un juicio, en la sala de deliberaciones del Jurado. Todos los miembros del mismo, menos uno (Henry Fonda), están convencidos de la culpabilidad del reo, un hombre acusado del asesinato de su padre. Fonda debe usar toda clase de argumentos para convencer a los demás jurados de la inocencia del acusado, o al menos para sembrar entre ellos una duda razonable.
Lumet da a esta historia de atmósfera teatral (la acción del film se desarrolla en un único lugar) un auténtico ritmo cinematográfico, y lo hace a través de un retrato minucioso de los personajes, unos esmerados diálogos y un uso perfecto de la cámara. La película recibió tres nominaciones al Oscar, entre ellos el de mejor película. Como curiosidad hay señalar que la película sigue siendo exhibida en muchas escuelas y facultades de derecho a los estudiantes de leyes, como ejemplo de la utilización de técnicas de persuasión, razonamiento y convicción (DeCine21).
- Sonia Molina: "Doce hombres sin piedad (1957)", Encadenados.

AMG SYNOPSIS: A Puerto Rican youth is on trial for murder, accused of knifing his father to death. The twelve jurors retire to the jury room, having been admonished that the defendant is innocent until proven guilty beyond a reasonable doubt. Eleven of the jurors vote for conviction, each for reasons of his own. The sole holdout is Juror #8, played by Henry Fonda. As Fonda persuades the weary jurors to re-examine the evidence, we learn the backstory of each man. Juror #3 (Lee J. Cobb), a bullying self-made man, has estranged himself from his own son. Juror #7 (Jack Warden) has an ingrained mistrust of foreigners; so, to a lesser extent, does Juror #6 (Edward Binns). Jurors #10 (Ed Begley) and #11 (George Voskovec), so certain of the infallibility of the Law, assume that if the boy was arrested, he must be guilty. Juror #4 (E.G. Marshall) is an advocate of dispassionate deductive reasoning. Juror #5 (Jack Klugman), like the defendant a product of "the streets," hopes that his guilty vote will distance himself from his past. Juror #12 (Robert Webber), an advertising man, doesn't understand anything that he can't package and market. And Jurors #1 (Martin Balsam), #2 (John Fiedler) and #9 (Joseph Sweeney), anxious not to make waves, "go with the flow." The excruciatingly hot day drags into an even hotter night; still, Fonda chips away at the guilty verdict, insisting that his fellow jurors bear in mind those words "reasonable doubt." A pet project of Henry Fonda's, Twelve Angry Men was his only foray into film production; the actor's partner in this venture was Reginald Rose, who wrote the 1954 television play on which the film was based. Carried over from the TV version was director Sidney Lumet, here making his feature-film debut. A flop when it first came out (surprisingly, since it cost almost nothing to make), Twelve Angry Men holds up beautifully when seen today. It was remade for television in 1997 by director William Friedkin with Jack Lemmon and George C. Scott. -- Hal Erickson
AMG REVIEW: Twelve Angry Men is a tightly wound top of a movie. Each scene ratchets up the tension another notch as Henry Fonda's character tries desperately to open the minds of his fellow jurors. The setting -- a claustrophobic jury room in the dog days of summer -- superbly augments the suspense. Operating within the constraints of a small budget, first-time director Sidney Lumet tightens the noose by accentuating the throbbing pulse of the ceiling fan and slowly narrowing his shots on his characters as the film approaches its climax. Based on Reginald Rose's well-known play, which had been adapted to the television screen three years earlier, Twelve Angry Men boasts a series of excellent performances by young actors who would soon become household names, including Jack Klugman, Jack Warden, and Martin Balsam. However, it is the film's established stars -- Lee J. Cobb, E. G. Marshall and most importantly Fonda -- who play the leads, delivering the goods like seasoned pros. The film has instructional value as a study of the inherent strengths and weaknesses of the jury system, but its real value is how it allows each member of the cultural mosaic of a jury to develop into distinct, damaged, and interesting characters. In a well-crafted metaphor for the broader outline of society, the jury members must confront their prejudices in order to see that justice prevails. Nominated for three Oscars, Twelve Angry Men ran into the juggernaut of Bridge on the River Kwai and came up empty handed. -- Dan Jardine
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Û Release Date : 06.January.2011 Û
Û Runtime : 1:36:08 Û
Û Audio Language : English Û
Û IMDB : http://www.imdb.com/title/tt0050083/ Û
Û Û
Û Source : HDTV Û
Û Encoding Type: Two Pass - HQ - BVOP - No QPel - No GMC Û
Û Video : 720x400, 2848 Kbps, XviD Û
Û Bits Per Pixel : 0,412 Û
Û Frame Rate : 23.976 FPS Û
Û Audio 1 : 384 Kbps 2 Ch Dolby DSS AC3 English Û
Û Audio 2 : - Û
Û Audio 3 : - Û
Û File Size : 2,18 GB Û
Û Û
Û Subtitle(s) : English, Turkish Û
Û Û
Û Email : callioped_team@hush.ai
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Con el oversharping característico de los ripeos de CaLLiOpeD.





Con el oversharping característico de los ripeos de CaLLiOpeD.
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Otras versiones en DXC:12 Angry Men (Sydney Lumet, 1957) DVDRip VOSE + AE
12 hombres sin piedad (Sidney Lumet, 1957) DVDRip Dual SE
12 Angry Men (Sidney Lumet, 1957) HD 720p VOSI[SE]
[DD] 12 Angry Men (Sydney Lumet, 1957) HD 1080p VOSE
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