
High Hopes (1988)
Grandes Ambiciones
(Reino Unido, 1988) [Color, 108 min].
Ficha técnica.Dirección:Mike Leigh
Argumento: La vida de tres parejas, de diferentes grupos sociales, alrededor de una anciana de carácter irreductible, le sirve al director para realizar un fiel retrato de la sociedad británica de la época.
Guión:Mike Leigh.
Fotografía: Roger Pratt.
Música:Andrew Dickson
Reparto: Philip Davis, Ruth Sheen, Edna Doré
Sinopsis:
Mike Leigh traza una mirada implacable, sin concesiones, al Reino Unido de Margaret Thatcher. Bajo el manto de la comedia costumbrista, tomando a una pequeña y variopinta fauna de clases sociales distintas como núcleo humano representativo, Leigh da a luz una obra cáustica y demoledora, emplea el retrato realista como arma de guerra para reflejar -criticar- una sociedad ahogada en sus propias contradicciones. La película cuenta con un diálogo ingenioso, actores idóneos en su naturalidad y un ritmo narrativo adecuado.(El País)
Comentario:
Seventeen years after his debut feature Bleak Moments (1971), Mike Leigh re-emerged on the big screen with High Hopes (1988). The combination of acerbic social satire and humanity with convincing, finely nuanced performances made it a critical and box-office success in Europe, winning the Critics' Prize at the Venice Film Festival in 1988.
In an interview, Leigh remarked that "High Hopes is about the frustration at being what you think is a Socialist and whether you do anything about it". A reflection of the scars left by Thatcher's England, the film revolves around working-class, middle-class, and upper-class couples.
Leigh mocks the vapid, yuppie snobs, the Boothe-Braines, to an almost farcical extreme and ridicules Valerie and Martin's petty social-climbing aspirations, and Shirley and Cyril criticise Mrs Bender for voting Conservative in the last general election (commenting on how "working-class Tories stab themselves in the back"). But it would be wrong to describe High Hopes as just another anti-Thatcher diatribe. The film criticises Cyril for his inertia: he stares meditatively at Marx's tombstone, wants "everyone to have enough to eat, places to live, jobs" and labels having families as a "bourgeois game". But when he reproaches Susie for attending Socialist meetings and wanting a revolution and she asks him what he does, he replies, "sit on my arse".
The film's focus, however, is on Mrs Bender, Valerie and Cyril's mother. Her family's behaviour towards her illustrates the social dislocation of Thatcherite Britain. For most of the film, Cyril is intolerant towards her, visiting her out of a sense of obligation rather than love. High-strung Valerie treats her like a baby, often cruel (proposing a birthday toast because "it might be her last"), neglecting important things (Christmas and birthday presents), but playing the perfect daughter when she can show off her middle-class "status" (throwing a dinner party with champagne in her detached house). Shirley is the only family member who shows compassion towards her mother-in-law, offering to take her home in a taxi and consoling her when she is upset.
The debacle of the birthday party precipitates a (possibly much-needed) emotional crisis in Valerie and prompts Cyril to admitting his failings as a son. The serenity of Mrs Bender at the end on the roof terrace to which she, Cyril, and Shirley have come up for air suggests that hopes for a restored humanity are not extinct.
Shalini Chanda

La escena del cementerio (una de las mejores escenas de la película que resume muy bien la mezcla de drama, comedia, sátira) en VOSI.
[video]http://www.youtube.com/watch?v=6HKdpPLXZuI[/video]
--------------------------------------------------------------------------------------
Versión DVDRip por myshkin en KG.
Publicada por scalistoen su blog.
Enlace ed2k:
Subtítulos por scalisto:
Subtítulos (descarga directa): castellano Castellano en rapidshare
Datos técnicos:
VIDEO: Codec: XviD Length: 01:47:44
Frms: 161,600 Kbps: 1620 Qf: 0.229
Pics/sec: 25.000 Frms/sec: 25.000
Frame: 656 x 432 FAR: 1.519 (41:27)
PAR: 1.000 DAR: 1.519 (41:27)
CONTAINER: OpenDML (AVI v2.0)
Interleave: 96 ms (2.4 v.frames), preload=96
Audio frames: Split across interleaves
File Length Correct
USER DATA: [ISFT] VirtualDubMod 1.5.4.1 (build 2178/release)
[IAS1] English
[JUNK] VirtualDubMod build 2178
[JUNK] release
[USER] XviD0041
AUDIO: Codec: 0x2000(AC3, Dolby Laboratories, Inc) AC3
INFO: 48000Hz 192 kb/s total (2 chnls)
------
Capturas:






