
DIRECTOR
Anthony Mann
GUIÓN
Valentine Davies y Beirne Lay Jr. sobre una historia de Lay Jr
CAST
James Stewart ... Lt. Col. Robert 'Dutch' Holland
June Allyson ... Sally Holland
Frank Lovejoy ... Gen. Ennis C. Hawkes
Barry Sullivan ... Lt. Col. Rocky Samford
Alex Nicol ... Ike Knowland
Bruce Bennett ... Gen. Espy
Jay C. Flippen ... Tom Doyle
James Millican ... Major General 'Rusty' Castle
James Bell ... Rev. Dr. Thorne
Rosemary DeCamp ... Mrs. Thorne (as Rosemary De Camp)
Richard Shannon ... Flight Instructor Pilot
John McKee ... Capt. Symington (as John R. McKee)
Harry Morgan ... Sgt. Bible (flight engineer) (as Henry Morgan)
PRODUCTOR
Samuel J. Briskin
FOTOGRAFIA
William H. Daniels
MÚSICA ORIGINAL
Victor Young
SINOPSIS
[quote]Jimmy Stewart plays a United States Air Force Reserve officer recalled to active duty to fly B-36 and B-47 nuclear bombers for the Strategic Air Command. The film accurately portrays (although more from a 1951 than a 1955 perspective) the duties and responsibilities of service in the Air Force, and the strains such service placed on family life. The film also features some of the most dramatic aerial photography ever filmed, accompanied by Victor Young's soaring musical score. It also is the only major motion picture to highlight the B-36, then near the end of its service life and about to be replaced by the B-52.
Stewart's character is a professional baseball player recalled to active duty. He is injured on-duty, which not only bars him from further flying (he leaves the Air Force at the end of the film) but also appears to end his baseball career. In real life, Stewart had been a B-17 instructor pilot, then a B-24 squadron commander and group operations officer, completing 20 combat missions during World War II. At the time of filming, Stewart was a colonel in the Air Force Reserve; he was later promoted to Brigadier General. Thus Stewart's character is not too far from a life he could have chosen.
The film, made with the cooperation with the United States Air Force, assumes the tactical superiority of strategic bombing and that the only way to ensure peace is a strong and confident nuclear deterrent. These premises contrast starkly with the theme of Dr. Strangelove, released in 1964.
[/quote]
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