Duración: 32 min
País: Hungría
Color: Color & BN
Sonido: Hargmérnok Gulyás Katalin, Hortobágyi Lászlo.
Video: Ference Kiss, Ronald Komióssy, Jenö Málik, Ference Rófusz.
Consultant: Andras Forgách.
Productor: Kovács Gyula.
Música: Tibor Szemzö.
Montaje: Márta Révész.
Péter Forgács (1950) is a media artist and independent filmmaker based in Budapest, whose works have been exhibited world wide.Since 1978 he has made more than thirty films. He is best known for his "Private Hungary" series of award winning films based on home movies from the 1930s and 1960s, which document ordinary lives that were soon to be ruptured by an extraordinary historical trauma that occurs off screen.In 1983, Forgács established the Private Photo & Film Archives Foundation (PPFA) in Budapest, a unique collection of amateur film footage and has made this material the raw data for his unique re-orchestrations of history.
In 2002 The Getty Research Institute held an exhibit of his installation The Danube Exodus: Rippling Currents of the River . His international debut came with the Bartos Family (1988), which was awarded the Grand Prix at the World Wide Video Festival in The Hague.
Since then he has received several international festival awards- in Budapest, Lisbon, Marseilles, San Francisco and Berlin, where he won the Prix Europe for Free Fall.
In the last decade, Forgács exhibited in Antwerp, Amsterdam, Tokyo, Prague, Bochum, Sao Paolo, New York, Rome, Graz , Fellbach, Warsaw , Krakow, Amsterdam, Newcastle, Ostrava, Mardid, Barcelona, Karlsruhe, Brugge, Los Angeles, Den Hague and Vienna. Various public collections, museums and universities keep Forgács' highly recognized works.
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Forgacs' Wittgenstein Tractatus is composed of seven short video essays that refer to one of Wittgenstein's most influential works, Tractatus Logico Philosophicus, first published in 1921. Each of Forgacs' brief essays -- set in motion as a torn photograph comes together, only to break apart again -- relates to one of Wittgenstein's philosophical propositions. Black and white home movies from the early twentieth century are accompanied by voice-overs and written texts from Tracatus, in Hungarian and English, and a somber, lyrical score. Scenes of bourgeois life are haunted by forebodings of the future. Drawing upon the disjunction between language and image, Forgacs creates a symbolic illustration of Wittgenstein's theories of logic, language, reality and representation.
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Peter.Forgacs.-.Wittgenstein.Tractatus.1992.VHSRip.XviD-CiNEMAGROTESQUE.avi 
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Gracias a los compañeros de Cinemagrotesque. Otra de Forgács en DXC: The notebook of a Lady
Hasta otra.
