
Clickada también. Gracias de nuevo Oski.
LA JOIE DE VIVRE (Animat/HG Productions, F 1934)
Dir/anim: Hector Hoppin, Anthony Gross; mus: Tibor Harsanyí; 35mm, 250 m., 9’ (24 fps), sound, Lobster Films.
No intertitles.
This legendary masterpiece of animation can be seen afresh in a new restoration from a miraculously pristine nitrate print, rediscovered in the early summer of 2004. This magical and exquisite work is contrary to all preconceptions of cartoons of the period. Two long-legged women frolic through various stylised settings, both industrial and natural, ranging from power lines, springtime fields, and a stream, to a busy railway signal house. A male cyclist chases after them, trying to return a shoe one of them has lost. An exquisite ballet of shapes and delightful rhythms, full of joie de vivre. Now little known, the film is a reference point for all specialists in animation cinema.
Anthony Gross and Hector Hoppin Joie de vivre 1934
6 minutes. Collection: BFI National Film & Television Archive Courtesy Mary West
Anthony Gross is best known as a printmaker and painter. The animated films he made with Hector Hoppin reflect his distinctive graphic style, but add a sophisticated choreography of the movement of lines in space. The escapist theme of Joie de Vivre developed from an earlier suite of etchings called Sortie d'Usine (Coming Out of the Factory) 1931.
Biographies:
Anthony Gross was born in 1905. He studied at the Slade School of Art and Central School of Art, London, and the Academie Julian, Paris. He settled in Paris in 1926, exhibiting prints and illustrating books then, inspired by Disney cartoons, began making animated films in the 1930s with Hector Hoppin. His filmmaking was supported by Alexander Korda until the Second World War intervened. A distinguished war artist, he afterwards returned to painting and printmaking, teaching the latter at the Slade till 1971. He died at Le Boulve, France in 1984.