
El sargento negro (John Ford, 1960) DVDRip VOSE + AE
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Nada,que si eso, esta el dual montado y compartido por la mula.
El sargento negro (Sergeant Rutledge, 1960).DVDRip.Dual (Spa - Eng).XviD-FRAGMENT.avi 

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Sergeant Rutledge / El sargento negro (1960)
Película en inglés ac3 2.0 + Subtítulos + Audio español.
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<table class="quote"> <tr> <td align="right" valign="top">Directed by</td> <td align="left">John Ford
</td></tr> <tr> <td> </td></tr> <tr> <td align="left">With</td> <td align="left">as</td></tr> <tr> <td align="left">Jeffrey Hunter</td> <td align="left">Lt. Tom Cantrell</td></tr> <tr> <td align="left">Constance Towers</td> <td align="left">Mary Beecher</td></tr> <tr> <td align="left">Billie Burke</td> <td align="left">Mrs. Cordelia Fosgate</td></tr> <tr> <td align="left">Woody Strode</td> <td align="left">1st Sgt. Braxton Rutledge</td></tr> <tr> <td align="left">Juano Hernandez</td> <td align="left">Sgt. Matthew Luke Skidmore</td></tr> <tr> <td align="left">Willis Bouchey</td> <td align="left">Col. Otis Fosgate</td></tr> <tr> </table>

Película en inglés ac3 2.0 + Subtítulos + Audio español.
advancedfilesize

<table class="quote"> <tr> <td align="right" valign="top">Directed by</td> <td align="left">John Ford
</td></tr> <tr> <td> </td></tr> <tr> <td align="left">With</td> <td align="left">as</td></tr> <tr> <td align="left">Jeffrey Hunter</td> <td align="left">Lt. Tom Cantrell</td></tr> <tr> <td align="left">Constance Towers</td> <td align="left">Mary Beecher</td></tr> <tr> <td align="left">Billie Burke</td> <td align="left">Mrs. Cordelia Fosgate</td></tr> <tr> <td align="left">Woody Strode</td> <td align="left">1st Sgt. Braxton Rutledge</td></tr> <tr> <td align="left">Juano Hernandez</td> <td align="left">Sgt. Matthew Luke Skidmore</td></tr> <tr> <td align="left">Willis Bouchey</td> <td align="left">Col. Otis Fosgate</td></tr> <tr> </table>

Western / Crime / Drama
Circumstantial evidence suggests a first sergeant in a black cavalry regiment has raped and murdered a white girl then killed his commanding officer. When he makes the case look even worse by deserting, an old lieutenant friend is sent to get him back - and finds himself also quelling an apache uprising. The lieutenant then volunteers to defend the sergeant in court, where the full story starts slowly to emerge.
John Ford openly displays his poetry in this magnificent film "Sergeant Rutledge". Maybe the great director and artist was annoyed that many did not get the anti-racist messages that permeate all his works (starting with "The Searchers": ever noted it?) and decided to make a definite, open statement.
To be as clear as possible, Ford willingly shows his art, poetry and trade-mark techniques in the most evident way. He masterly uses images and camera-work to convey emotion. We see Woody Strode (Sergeant Rutledge) constrained in a small chair, his never-ending shoulders covering half of the screen. And we feel uneasy. We feel that something evil is going on, that it's deeply wrong to keep such a man in chains, let alone to hang him. And then we see Woody Strode standing out, the Monument Valley on the background, like John Wayne in many other Ford's movies. I'm sure that such parallel Wayne-Strode was Ford's deliberate choice.
Ford uses his skills of epic poet to describe characters. Rutledge is arrested and searched. They find no money or other goods, just his emancipation papers. So, here we have a Man with all his richness: his honor, his courage, his strength and an emancipation paper. Great stuff! And then Rutledge says to a wounded mate "We don't fight the whites' war. We fight for our honor". Only Ford always manages to turn military rhetoric into poetry, mainly thanks to the visual beauty of the scene.
Woody Strode makes an outstanding, deeply touching job as the black cavalry sergeant. His acting is sober, poised but intense, with no melodramatic sides, and he physically dominates the screen (by the way: what an amazing athlete Strode was, at age forty-six!).
Rutledge is the Hero, the Legend of the movie. Yet Lt. Cantrell (Jeffrey Hunter) is as interesting a character as Rutledge is. Cantrell is a man of the 19th century. Unavoidably, he does have racial prejudices, but he nobly endeavors to overcome them, and certainly at the end of the story is a better person than at the beginning.
I guess that the two female characters represent Ford's dream. Indeed, they both do not even understand racism. The poor murdered girl loved his friend "uncle" Rutledge, and that's all. She doesn't even get the hints of the old ladies, who disapprove this friendship. And the same can be said of Cantrell's fiancée Mary Beecher, very well played by Constance Towers. She nurses the wounded black horse-soldiers with no attitude of doing something special. And some lines of Mary's show Ford's wonderful subtlety. She has been over-night with Rutledge in a deserted hut. Mary says to a concerned Cantrell "I wasn't alone. Sergeant Rutledge was with me and he protected me as well as any officer could do". That's a lesson for Cantrell: the fact that Mary pretends to think her boy-friend just concerned about military ranks, implies that she does not even notice the color of the skin and requires Cantrell to be the same way. Well, probably the two women are not fully realistic characters, especially for the 19th century. They are idealized by Ford, as a poet has the right to dream.
A small remark. Most Ford's films (not this one, actually) raise some controversy. Many heartily love them and many strongly dislike them. I think it rather expectable. Ford is a poet, and a poet cannot please everyone. Personally, I was indifferent if not displeased by the works of some much celebrated poets. Thanks God, poets follow their own way, not caring people's taste.
"Sergeant Rutledge" is not perfectly constructed and chiseled like other Ford's masterpieces. Small defects may be found in some court-room scenes and flash-backs. However, this splendid movie deserves top grades, due to the importance of its message and Ford's sincerity in displaying his art. "Sergeant Rutledge" is another top work by the Master.









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··· Name...: Sergeant Rutledge (1960) dvdrip xvid ac3-[crb].avi ···
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··· Size...: 1.45 GB; 1,492 MB; 1,528,506 KB; 1,565,190,144 B ···
··· Runtime: 1:46:56 ···
··· Source.: Retail DVD PAL R2 ···
··· VobSubs: Spanish ···
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··· Base Type....: AVI(.AVI) ···
··· Subtype......: OpenDML (AVI v2.0) ···
··· Interleave...: 96 / 96 ···
··· Audio align..: Split ···
··· Audio Streams: 1 ···
··· Video/Audio..: 1.30 GB/146 MB -- Overhead: 5.21 MB ···
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··· Video Codec..: XviD 1.1.2 Final ···
··· Video Bitrate: 1752 ···
··· Frame Quality: 0.259 ···
··· DRF Analysis.: 2: 11.0%; 3: 39.2%; 4: 49.8% ···
··· Aspect Ratio.: 704 x 384 (1.833) ···
··· Frames.......: 160,385 ···
··· FPS..........: 25.000 ···
··· B-VOP........: B-VOP (2) ···
··· QPel.........: No ···
··· GMC..........: No ···
··· Quantization.: MPEG ···
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··· Audio Codec..: 0x2000 (Dolby AC3) AC3 ···
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'And I believe that God
believes in Howard Hawks'
believes in Howard Hawks'
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Bueno, este lanzamiento no ha atraido multitudes, eso está claro. Pero puede que sea porque la mayoría ya están satisfechos con el rip de Fragment.
En todo caso, gracias por rescatar el hilo del olvido, CK Grant.
Ya había acabado el lanzamiento, pero le volveré a conectar el powershare un par de horas más por si alguien se anima. Y si veo que hay problemas con el audio, que siempre cuesta más de completar, lo mantendré también mañana por la mañana en powershare.
En todo caso, gracias por rescatar el hilo del olvido, CK Grant.

Ya había acabado el lanzamiento, pero le volveré a conectar el powershare un par de horas más por si alguien se anima. Y si veo que hay problemas con el audio, que siempre cuesta más de completar, lo mantendré también mañana por la mañana en powershare.
'And I believe that God
believes in Howard Hawks'
believes in Howard Hawks'
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Pinchada la versión corbi, somos pocos, pero seguro que con el reflote se apunta más gente 
Un saludo

Un saludo
Hilo de presentaciones para nuevos usuarios. Recordad leer los hilos fijos de cada foro antes de abrir un tema. Muchas gracias.