Zeena Parkins - No Way Back (mp3 224kbps).rar 
Strange Fortune description
2CD set. Everybody's favorite Nurse with Wound-inspired avant rock band Volcano the Bear present a double album that among other innovations, absorbs a new freak folk influence into their already wonderfully overloaded musical stew.
Classic Erasmus Fusion press release
VTB have crafted a strange geometry in their musique concrete between celestial duck honks and what sounds like a flood in the living room, there are more than a few occasions of heads cocked at the speaker in mundus caninus. Of course, this bodes well for humans, too. Augmented by all the dog friendly moments is a double album of sprawling musical invention. Record one births gently into a lo-fi-adelic Comus-like saline that even might even win over the Devendra crowd, if the Devendra crowd had ingested just a little too much mushroom tea on that day and left their ironic trucker hats at the door. Song becomes fever dream and then pitches into a barren place of low estate and low chanting whose Residents might well be Eskimos. With typical minimalist pageantry, VTB mutate from piece to piece, punctuating along the way with surprise sounds that the aforementioned dogs love so well; the kinds of quirks that make Nurse With Wound and P16.D4 records such fun listens. VTB spin some very melodious tales, which are subliminally hooky, after a fashion. Spiritual and surreal are sisters. Quiet ritualism queues with dadaistic and with progressive harmonies, together on the same fractured, out world, sing-along journey. And that's just record one. Record two crawls slowly from the echoey ooze, grows legs and then presents as a different and, in many ways, more dramatic creature. A long, shifting organ drone becomes a deeply psychedelic statement that bleats loud and strong like an acid bleached Spiral Insana or a sneaky This Heat.
Volcano the Bear, "Classic Erasmus Fusion"
Written by Jon Whitney
Wednesday, 15 March 2006
Volcano the Bear's dramatic, highly ambitious two disc (two-CD or two-LP) return is a lot to ingest, however, every second is rewarding in what could easily be one of my top albums of the year so far and my favorite Volcano the Bear release to date.
Beta-Lactam Ring
Describing Volcano the Bear's music is about as difficult as identifying the instruments. The quartet's arsenal of gear is transcendant of time and space, culled from different cultures and different eras, from classically orchestral woodwinds (albeit sometimes just blowing through the mouthpiece) to African thumb piano, helicopter sounds, thunderstorm and rain and running water, medieval squeeze boxes, squeak toys, chirping or crying bird sounds, and Asian stringed things. While improvisation has been integral to the band's development, Volcano the Bear can always be counted on very cold-calculated and composed songs appearing on their official studio albums. Their arrangement is loose but never wanky or show-offey. Perhaps it's this lack of soloing and pretention that has kept them from appropriate recognition by some of the major experimental media in favor for a whole "free folk"/"weird rock"/"new weird America" obsession.
volcano the bear - classic erasmus fusion (beta-lactam ring, 2006).rar 
Julien.Neto.-.Le.Fumeur.de.Ciel.-.EAC.LAME(APX).by_FalloutBoy.zip Speakers Push The Air escribió: "Julien Neto has produced a record which unequivocally boasts some of the most beautiful noise you will hear this year."
Igloomag escribió:"...At once beautifully understated and unassuming yet intoxicatingly potent and affecting Le Fumeur de Ciel is an embarrassment of riches, especially for those who share Neto's melancholy and romantic temperament..."
Smallfish escribió:Quite rightly hailed as a brilliant piece of work, this comes highly recommended
SaludosMelancholy Rhino escribió:"A debut album of quite marvellous authority that merits all the hyperbole heaped upon it"
Sombria, cruel, tensa, misteriosa, agresiva, abrasiva, halucinógena, voladora, hipnótica, son apenas unos pocos de los muchos adjetivos que se le han adosado a la música de Coil, intentando definir el sonido de una de las más inquietantes e influyentes agrupaciones musicales de los últimos veinte años.
Coil fue inicialmente establecido en 1983 como un proyecto del vocalista y percusionista John Balance, pero un año más tarde su nucleo quedaría definitivamente conformado con la llegada de Peter Christopherson, ex-diseñador de la famosa casa Hygnosis, fundador de Psychic Tv e integrante de Throbing Gristle, una de las bandas pioneras del sonido industrial. Después de publicar su primer single, How to Destroy Angels (1984), el duo editó un intenso LP debut, Scatology (1984), una especie de devocionario industrial dedicado a los conceptos de transmutación y alquimia.
urante los siguientes años Coil se mantuvo explorando el medio audiovisual, colaborando, entre otros, con el controvertido cineasta Derek Jarman (Angelic Conversation, 1985). Haciendo uso de la imaginería religiosa, pagana e industrial, produjeron uno de sus más logrados trabajos durante los 80, Horse Rotorvator (1986), introduciendo elementos provenientes del jazz, el medio oriente y la música académica.
Para aquel momento Coil había producido una inmensa cantidad de material adicional, incluído en compilaciones, films, singles y colaboraciones diversas, razón por la cual deciden recuperar y ordenar progresivamente toda su historia. Es así como aparecen Gold is the Metal (1988), una historia remezclada de sus primeros años, y poco después Unnatural History (90), cerrando de alguna manera su primera etapa y dando comienzo a una nueva y aún más prolífica, fuertemente influenciada por la cultura del acid-house y las nuevas drogas halucinógenas.
A comienzos de los años 90 aparecen dos eclécticos discos que definirían su trayectoria futura: Love´s Secret Domain (1991) y Stolen and Contaminated Songs (92). Sin embargo, paralelamente a la aparición de dos nuevas compilaciones, Unnatural History II (1995) y Unnatural History III (1997) y de los maravillosos proyectos Black Light District (1997) y Time Machines (1998), Balance y Christopherson entran en una fuerte crísis financiera ocasionada principalmente por la adicción de Balance a las drogas fuertes. Sus amigos David Tibet (Current 93), Steven Stapleton (Nurse With Wound) y el propio Christopherson editan Foxtrot (1998), disco con el cual recojen suficiente dinero para el tratamiento de Balance.
Con la entrada del multiinstrumentista Thighpaulsandra (miembro de Spiritualized y la banda de Julian Cope) y la recuperacion de Balance, la productividad de Coil aumenta de manera considerable. En 1999 se editan cuatro magníficos trabajos de 20 minutos cada uno, coincidiendo con cada estación del año, además de dos de sus discos más increíbles: Musick To Play in The Dark, Vol 1 y Astral Disaster.
La investigación de Coil con la música electrónica y la psicodelia industrial, arroja en el 2000 dos nuevos y envolventes capítulos: Musick to Play in The Dark, Vol 2 y Queens of the Circulating Library, antes de arrojarnos uno de sus más abrasivos y laberínticos trabajos, Constant Shallowness Leads to Evil.
Siempre sorpresivos y vanguardistas, Coil es sinónimo de creatividad sin límites. Su talento pareciera ser inagotable y cada vez más rico en matices. Explorar su música es una experiencia absolutamente cósmica y reveladora.
Though Coil's John Balance and Peter Christopherson were inspired by the acid house revolution of the late '80s, their drug-inspired "dance" album isn't quite as indebted to the style as the contemporary work of Psychic TV. The influence comes through mostly in the deranged effects and vaguely surreal air, though several tracks do increase the rhythmic wattage. For the most part, the duo retained the gothic synth pop of Horse Rotorvator, but with a special emphasis on stuttered cut-and-paste sections rather than organic instruments and environmental sublimation.
Coil-Love'sSecretDomain(Xingvbr20mp3).rar 
Mask - Jeff Gauthier Goatette (2001).rar 
Destroy All Nels Cline - 2001 (escan.).rar Destroy All Nels Cline.rar
The Inkling - Nels Cline (2000) (escan.).rar Nels Cline - The Inkling (mp3 320kbps) .rar 
Sí me dedido a oír, por eso suele gustarme esta música.
No, esa canción es de The Nels Cline Singers y no tiene por que ser representativa, Nels Cline es un músico muy variado, diferente y muy rico, ademas tiende mucho a la expedrimentacion, improvisa, y así es facil que sus discos no suenen homogeneos. Son amplios aún siendo concretos. Lo mejor es que oigas los mp3 en los enlaces, y aqui: Ringing Hand o aquí: Spider Wisdom para el Destroy All, y así lo veras tu mismo.La canción que pones en descarga directa está muy bien, si los discos son así me van a gustar seguro.
Voodoo Muzak - Cartilage (mp3).rar 
Happy Family - Happy Family (mp3 + escan.).rar Es un poco difícil de creer que en tiempo modernos, un grupo tan característico como éste no haya encontrado apoyo sino hasta principios de los '90, cuando la etiqueta Cuneiform firmó contrato para producir sus discos. HAPPY FAMILY ya había hecho su mejor esfuerzo con cintas (cassettes), y creo que en gran medida, eso fue determinante para que adquirieran experiencia y calidad musical.
El grupo está formado por Kenichi MORIMOTO (teclados), Tatsuya MIYANO (bajo), Shigeru MAKINO (guitarra) y Keiichi NAGASE (batería). http://www.manticornio.com/rock-progres ... LY/hf.html
Live à Victoriaville documents the first North American concert by the duo of Heiner Goebbels and Alfred 23 Harth (half of the avant rock quartet Cassiber). Both musicians play many instruments, including keyboards, reeds, brass, Chinese violin, percussion, and voice. The first half of the album (side A of the original LP) showcases five compositions by the duo, of which "The Ballade of the Durable Grey Goose" is the most convincing: complex, lyrical, and witty. The playful "The Laughing and the Crying Man" provides a short highlight too. The second half contains the magnum opus "The Peking Opera" surrounded by surprising cover tunes. The 13-minute piece, which would serve a few years later as the basis for Ground Zero's riveting album Revolutionary Pekinese Opera, is given a great live treatment. The complex piece calls for octopusian qualities as both musicians handle many instruments at once while following a tape. Rameau's classical Le Rappel des Oiseaux and the false cabaret anthem "At Last I Am Free" make a very odd framing for this piece, but somehow it works out. North American releases by this duo are close to nonexistent; for this reason alone, Live à Victoriaville is an interesting album. The recording is just a little crude, but the quality of the performance more than makes up for it. Goebbels and Harth, inside and outside Cassiber, had a knack for turning seemingly harmless melodies into avant-gardist flags. This album sheds extra light on their work.
Heiner.Goebbels.+.Alfred.23.Harth.-.Live.a.Victoriaville.(1987).(CD=VICTOcd04).(EAC-APE).by.Ellery.(Prag).(elle1.bravehost.com).rar 
Shunatao - Anna Luif-Noel Akchote.rar 
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