
Tieshan gongzhu (1941) AKA Princess iron fan
Directed by
Wan Laiming, Wan Guchan
Genre: Animation
Runtime: 73 min
Country: China
Color: Black and White
imdb: None
Reviews:
http://www.fpsmagazine.com/feature/middlekingdom.shtml (in english)
http://venus.unive.it/asiamed/cina/schede/princess.html (in italian)
The Wan brothers, the greatest asian animation pioneers.
When you say Asian animation, the tendency is to look solely towards Japan, and lately, Korea—which is wrong, or at the very least, simplistic. Wan Laiming and Wan Guchan's Princess Iron Fan (1941), a seminal work in Chinese animation, is by some accounts the third animated feature ever made, after Disney's Snow White and the Fleischer's Gulliver's Travels (1939). By others, it's actually the fifth, after Quirino Cristiani's El Apostol (1917) and Lotte Reiniger's The Adventures of Prince Achmed (1925). It's about one of the thousand-and-one adventures of the legendary Monkey King, as he escorts a Buddhist priest over mountains and into the West. In this particular episode (call them the earliest ever version of the mini-series), Monkey and his companions face the Mountain of Flames; the only solution is to obtain a fan made of iron from a fairy princess, and use it to blow the flames out. Problem is, the fairy princess remembers Monkey, and is furious at him for past injustices...
Princess Iron Fan is an enormously influential film — it provoked the Japanese military to create their own first-ever animated feature, Momotaro's Divine Sea Warriors (1945), and inspired a sixteen-year-old Japanese named Ozamu Tezuka (Astro Boy) to take up an animator's pen. It was made under impossibly adverse conditions—in Shanghai while the city was surrounded by Japanese forces, with the animators both constantly short of food and working desperately to solve problems they have never even imagined (to create certain human movements, for example, they resorted to rotoscoping). The film even has its hidden political meaning, with Monkey roundly defeated by the Princess and her Buffalo King (who represents Japan); only when he unites with his fellow companions, Sandy and Piggy, does he defeat king and princess. I found myself admiring it intensely, and if its slapstick doesn't have the precision of the Fleischer cartoons, if its overall storytelling doesn't evoke the kind of enchantment that Reiniger's Prince Achmed does, that's probably more a failure of my own personal taste than the film's, I think.
Taking three years, 237 artists and 350,000 yuan to make, PRINCESS IRON FAN retold part of the popular Chinese folk-tale Journey to the West, specifically the duel between the Monkey King and a vengeful princess, whose fan is desperately needed to quench the flames that surround a peasant village. As only the third feature-length cartoon ever to be made (after Disney's SNOW WHITE and the Fleischers' GULLIVER'S TRAVELS), it was a triumph for Asian animation and swiftly exported to wartime Japan. Its influences were far-reaching, inspiring the 16-year-old Tezuka Osamu to become a comics artist, and prompting the Japanese Navy to commission Japan's first feature-length cartoon, MOMOTARO'S DIVINE SEA WARRIORS (1945).
Chinese Animation: Splendid Past, Bitter Present
CHINESE ANIMATION HISTORY
Note: This is not that 1976 93min hongkong color film "Princess iron fan", which already shared on mule. It's rare 1941 animation one. It's the first asian animation, influced a lot of asian animators in a long time. A true classic. BTW, if anyone interested, I also got the Wan brothers abother masterwork upoar in heaven (1945).
My last release for the moment, I'm gonna keep them sharing and take some days to finish english subs for the last 2 fei mu films. OG...it's too hard works...
![]()
---
Subtitulos en ingles cortesia de Pickpocket
Enlace a descarga directa cortesia de Montagut
http://www.archive.org/details/Princess ... 5_denoised