Sección dedicada al cine experimental. Largometrajes, cortos, series y material raro, prácticamente desconocido o de interés muy minoritario.
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Fitzcarraldo
- Mensajes: 662
- Registrado: Sab 10 Ene, 2004 01:00
- Ubicación: on a blooming cherry tree
Mensaje
por Fitzcarraldo » Mié 06 Abr, 2005 13:18
In representational films sometimes the image affirms its own presence as image, graphic entity, but most often it serves as vehicle to a photo-recorded event. Traditional and established avant garde film teaches film to be an image, a representing. But film is a real thing and as a real thing it is not imitation. It does not reflect on life, it embodies the life of the mind. It is not a vehicle for ideas or portrayals of emotion outside of its own existence as emoted idea. Film is a variable intensity of light, an internal balance of time, a movement within a given space. -Ernie Gehr, January 1971
Serene Velocity is a literal "Shock Corridor" wherein Gehr creates a stunning head-on motion by systematically shifting focal lengths on a static zoom lens as it stares down the center of an empty, modernistic hallway–also plays off the contradictions generated by the frame’s heightened flatness and severe Renaissance perspective. Without ever having to move the camera, Gehr turns the fluorescent geometry of his institutional corridor into a sort of piston-powered mandala. If Giotto had made action films, they would have been these.–J. Hoberman
Actually this film inspired software making 8O
EG Serene is available for the improvising of digital video in real-time. The software adopts and "open sources" the structure of the 1970 film as the basis for temporal reconstruction of your own selected digital videos in quicktime movie format.
http://www.wildernesspuppets.net/yarns/ ... /main.html
... and it's Opensource
XviD at 1405kb/s No Audio 00:14:52 (according to other sources it's 23 minutes, but... well it's what I could get)
Serene.Velocity.(Ernie.Gehr.1970)(fitz).avi 
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trep
- Mensajes: 925
- Registrado: Jue 25 Sep, 2003 02:00
Mensaje
por trep » Mié 06 Abr, 2005 16:52
Amazing Fitz 8O I wanted to see this one for a long time, a very important structural movie!
Thanksthanksthanks!

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el_saturn
- Mensajes: 362
- Registrado: Vie 17 Dic, 2004 01:00
Mensaje
por el_saturn » Jue 07 Abr, 2005 08:25
Many thanks, Fitz!!!
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by_MaRio
- Mensajes: 993
- Registrado: Mié 30 Abr, 2003 02:00
- Ubicación: León
Mensaje
por by_MaRio » Lun 11 Abr, 2005 17:01
Thanks once again,
Fitz 
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psikonauta
- Mensajes: 91
- Registrado: Dom 07 Nov, 2004 01:00
Mensaje
por psikonauta » Lun 11 Abr, 2005 20:23
Bajando
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vespertilum
- Mensajes: 1092
- Registrado: Mar 16 Mar, 2004 01:00
- Ubicación: Caesaraugusta
Mensaje
por vespertilum » Lun 11 Abr, 2005 23:37
If it's opensource...
Thanks, click
Salu2
Salud2
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Airgam_Boy
- Mensajes: 232
- Registrado: Mié 21 Jul, 2004 02:00
- Ubicación: Catacumbas del sistema
Mensaje
por Airgam_Boy » Mar 12 Abr, 2005 11:36
Film inspiring software making... wow!
I MUST see this. I'm going to love it.
Straight downloading.
1000 x thanks fitz!
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marvin2kk
- Mensajes: 855
- Registrado: Vie 19 Sep, 2003 02:00
- Ubicación: en la quinta del sordo
Mensaje
por marvin2kk » Mié 13 Abr, 2005 13:53
Barbara Lattanzi is a media artist whose current projects involve the construction of software for video improvisation as well as other works of interactive media. Her work has been presented at such venues as the 2003 Ann Arbor Film Festival, the 2002 European Media Art Festival, and Robert Beck Memorial Cinema in New York. Her experimental software, "C-SPAN Karaoke", received an "Honorary Mention" in 2005 at Transmediale, the Berlin-based international media art festival. Her interactive media works have been exhibited at the 2003 Version>03 Digital Arts Convergence - Chicago, the 9th New York Digital Salon, Electronics Alive II Invitational, the 4th Seoul Net and Film Festival, and Turbulence. In 2005 she contributed a gatepage to the Artport website of the Whitney Museum of American Art. The production of her multimedia applets and software has been stimulated in part by the open structures of net-based cooperative venues such as Moscow on-line software art archive, "Runme.org" and Rhizome "Artbase", where her work is included. An essay about Lattanzi's software in relation to 1970s experimental film appears in Millenium Film Journal Nos.39/40. She currently teaches at Smith College in Massachusetts. More about Lattanzi's work can be found at
www.wildernesspuppets.net.
wow, impresionant girl!
the best for my section of zxz videogems and nat-art
8O 8O 8O 8O 8O 8O
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oscarriutort
- Mensajes: 2135
- Registrado: Mié 11 Jun, 2003 02:00
- Ubicación: Okinawa
Mensaje
por oscarriutort » Mié 13 Abr, 2005 22:21
bajando gracias
"Los videojuegos no afectan a los niños. Si fuera así y el comecocos nos hubiera afectado, ahora estaríamos deambulando por lugares oscuros, comiendo píldoras mágicas y escuchando ritmos electrónicos repetitivos"
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fiddles
- Mensajes: 265
- Registrado: Dom 30 Ene, 2005 01:00
- Ubicación: your mom?
Mensaje
por fiddles » Dom 22 May, 2005 02:34
damnfine movie this is, and yes the real copy is probably 23 minutes long, thou i couldv sworn the copy i saw was half an hour or so, perhaps more. thx!!
Klumpt mest wit mine Lishtinkt, finally reaching the concalushan that everything- absolutely everything- unwraps, spreads and reveals itself. But that was way back when.