1 Boogie Doodle (1940)
Technique: Drawn frame-by-frame onto 35 mm clear film with an ordinary pen and india ink. Colour added in printing.
3:18 min. 55 MB
Norman.McLaren.01.-.Boogie-Doodle.(1940).avi 
2 Le Merle (1958)
Technique: White cut-outs with coloured pastel backgrounds.
4:38 min 106 MB
Norman.McLaren.02.-.La.merle.(1958).avi 3 A Chairy Tale (1957)
Technique: "String puppet"; pixillation; variable speed shooting; blurrs.
9:54 214 MB
Norman.McLaren.03.-.A.chairy.tale.(1957).avi 4 A Phantasy (1952)
Technique: - Picture: cut-outs; mix-chain; additive and substractive animation. - Sound: Saxophones with synthetic sound, i.e. wave patterns directly photographed onto sound track area of film.
7:15 129 MB
Norman.McLaren.04.-.A.phantasy.(1952).avi 5 Neighbours
Technique: - Picture: pixillation; variable speed shooting. - Sound: Synthetic , i.e. undulating stripe patterns directly photographed onto sound track area of film.
8:06 126 MB
Norman.McLaren.05.-.Neighbours.(1952).avi 6 Lines-Horizontal
Technique: Straight lines etched into 35 mm black film; colour added optically.
5:51 100 MB
Norman.McLaren.06.-.Lines.Horizontal.(1962).avi 7 Mosaic
Technique: - Picture: marriage of black and white copies of LINES HORIZONTAL and LINES VERTICAL; flicker; colour added optically. - Sound: Etched directly into sound track area of 35 mm film.
5:28 95 MB
Norman.McLaren.07.-.Mosaic.(1965).avi 8 Excerpt from New York Lightboard Record
(Extracto del anuncio luminoso que NM hizo para promocionar Canadá)
Technique: Drawn directly onto 35 mm film with pen and india ink; flip-books drawn with felt markers.
3:22 64 MB
Norman.McLaren.08.-.New.York.lightboard.record.(1961).avi 9 Begone Dull Care
Technique: Almost totally frameless painting and etching directly onto 35 mm clear and black film.
7:47 153 MB
Norman.McLaren.09.-.Begone.dull.care.(1949).avi 10 Pas de Deux
Technique: Slow-motion live action with multiple imagery created in the optical printer.
13:20 259 MB
Norman.McLaren.10.-.Pas.de.deux.(1967).avi 11 Blinkity Blank
Technique: - Picture: Etched directly and interminttently into 35 mm black film; handd coloured. - Sound: Live music by Maurice Blackburn with synthetic sound etched directly into sound track area of 35 mm film by McLaren.
5:15 78 MB
Norman McLaren 11 - Blinkity blank (1955).avi 12 Synchromy
Technique: - Sound: Synthetic i.e. square wave patterns photographed directly onto sound track area of 35 mm film. - Picture: The same square wave patterns photographed and coloured in the optical printer.
7:27 143 MB
Norman McLaren 12 - Synchromy (1971).avi 13 Animated Motion #5
Technique: Cut-outs; animation camera effects.
7:05 136 MB
Norman McLaren 13 - Animated motion 5 (1978).avi 14 Narcissus
Technique: Slow-motion live-action manipulated in the optical printer.
21:39 458 MB
Norman McLaren 14 - Narcissus (1983).avi 15 Creative process
01:56 h 694 MB
xvid 711 kb/s 29.970 FPS 544x400
MP3 112 kb/s (56/ch, stereo) VBR LAME3.90
Norman McLaren - Creative Process.avi Norman McLaren - Creative Process subs EN_FR.rar Datos técnicos
Cortos:
Video Codec..: XviD
Video Bitrate: 2000-2500 kb/s
Audio Codec..: ac3 (0x2000) Dolby Laboratories, Inc
Audio Bitrate: 192 kb/s (96/ch, stereo) CBR
Frame Size...: 608x448 (1.36:1)
P.D.: Por ahí andan
- Dots (1940)
- Hen Hop (1942)
- C'est l'aviron (1943)
- Fiddle-De-Dee (1947)
- Canon (1964)
, que no están en esta recopilación. ¡Que no se os escapen! Por lo menos hasta que el año que viene el NFB saque las obras completas
!!
