
esta filmo necesita una buena puesta a punto, es verdad, lo siento, tarde o temprano alguien tenía que decirlo, en breve espero actualizarla.
Los subs están en allzine:

Days of Being Figure - allzine
salud
http://www.allzine.com/Foro/viewtopic.php?t=2485figure8 escribió:Help! No funcionan los enlaces para bajar los subtitulos de Days of Being Wild, añado que en Titles y Allzine no los he encontrado. Sean buenos.
El anterior rip era una mierda pinchada en un palo con subs fijos en inglés y un tamaño minusculo:
First Love The Litter On The Breeze 1997 Pureimpure-Rerip.avi
First.Love.The.Litter.On.The.Breeze.1997.PUREiMPURE-RERIP.srt
contains Movie/Subtitles
CODEC- Xvid - 865kbps -528x336 (fullframe) 23.976
1 hour + 39min
AUDIO - Mp3 - 112kbps
Ripper - PUREiMPURE
SCREENSHOTS
SUMMARY
The debut feature from comic Eric Kot (4 faces of Eve) is both trying and tender. Using a bizarre narrative format, he tells two stories that ruminate on first love. Actually appearing onscreen as Eric Kot, he discusses the genesis of the project and illustrates his initial, ultimately rejected storylines. He eventually settles on the story of a mentally-damaged garbage man (Takeshi Kaneshiro) who befriends and falls for a sleepwalker (lovely newcomer Lee Wai-Wai). Every night he guides her in her evening travels, and the strange twosome’s burgeoning affection is shown in a decidedly quirky, yet still affecting manner.
The second story isn’t as absurd, but is portrayed as such thanks to the antics of star Eric Kot, who plays a married grocer who runs into his first love 10 years after he left her at the altar. He even took the wedding ring and gave it to his current wife (Madam Nancy). His first love is played by Karen Mok, in another of her disciplined, layered performances.
Ultimately both stories manage to find moments that echo the emotional poetry of the film’s producer, HK’s number one auteur Wong Kar-Wai. On the other hand, the film takes self-referential post-modernism to an absurd degree. Eric Kot introduces, comments, and cuts in whenever he feels like it, leading to lots of jump cuts and moments of sheer wackiness. He even comments on his own editing and Christopher Doyle’s lush camerawork. The effect is ultimately jarring. It provides insight but is far too intrusive; this is director’s commentary without an “off” switch. Still, the film has some creative moments. Doyle’s cinematography is stellar, and Kaneshiro and Mok do some fine work. This is a flawed, unpolished gem. (Kozo 1997)
tirapalla escribió:codec: DivX 4 (OpenDivX)![]()
resolution: 384x240![]()
video bitrate: 837 kb/s
framerate: 29.970![]()
mp3 128 cbr 48.000 hz