Slhandy en Karagarga
LA MORT DE MARIO RICCI

IMDB
AÑO: 1983
NACIONALIDAD: Suiza/francia/Alemania
GÉNERO: Misterio/Drama
DIRECTOR: Claude Goretta
PRODUCTOR: Norbert Chalon y Daniel Messère
GUIÓN: Claude Goretta y Georges Haldas
FOTOGRAFÍA: Hans Liechti
MÚSICA: Christian Bonneau, Arié Dzierlatka y Osmose.
MONTAJE: Joële Van Effenterre
REPARTO: Gian Maria Volonté, Magali Noël, Heinz Bennent, Mimsy Farmer, Jean-Michel Dupuis, Michel Robin, Lucas Belvaux, Claudio Caramaschi.
ARGUMENTO: A country road glimpsed through a dirty windscreen... a mangled car wreck on a garage forecourt...Volonté blowing up an inflatable coat hanger and reminding his assistant that 'it's the details that count'. And so they clearly do in Goretta's film, although quite what they add up to is never sharply defined. A crippled TV journalist (Volonté) arrives in a Swiss village to interview a specialist in world food shortages disillusioned by the non-application of his theories. But he soon becomes embroiled in a web of local intrigue resulting from the death of a young immigrant worker. Goretta counterpoints his two stories with deft assurance, letting them strike subdued ironies off one another; there are thematic strands galore here, clearly signposted but seemingly left deliberately smudged. Yet there is no shortage of delights either: fine atmospherics, immaculately fluid camerawork, and a towering performance from Volonté, sympathy and disdain flickering back and forth across those marvellously expressive features.
CAPTURAS




DATOS TECNICOS
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IMDB
AÑO: 1983
NACIONALIDAD: Suiza/francia/Alemania
GÉNERO: Misterio/Drama
DIRECTOR: Claude Goretta
PRODUCTOR: Norbert Chalon y Daniel Messère
GUIÓN: Claude Goretta y Georges Haldas
FOTOGRAFÍA: Hans Liechti
MÚSICA: Christian Bonneau, Arié Dzierlatka y Osmose.
MONTAJE: Joële Van Effenterre
REPARTO: Gian Maria Volonté, Magali Noël, Heinz Bennent, Mimsy Farmer, Jean-Michel Dupuis, Michel Robin, Lucas Belvaux, Claudio Caramaschi.
ARGUMENTO: A country road glimpsed through a dirty windscreen... a mangled car wreck on a garage forecourt...Volonté blowing up an inflatable coat hanger and reminding his assistant that 'it's the details that count'. And so they clearly do in Goretta's film, although quite what they add up to is never sharply defined. A crippled TV journalist (Volonté) arrives in a Swiss village to interview a specialist in world food shortages disillusioned by the non-application of his theories. But he soon becomes embroiled in a web of local intrigue resulting from the death of a young immigrant worker. Goretta counterpoints his two stories with deft assurance, letting them strike subdued ironies off one another; there are thematic strands galore here, clearly signposted but seemingly left deliberately smudged. Yet there is no shortage of delights either: fine atmospherics, immaculately fluid camerawork, and a towering performance from Volonté, sympathy and disdain flickering back and forth across those marvellously expressive features.
CAPTURAS




DATOS TECNICOS
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