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La fille aux yeux d'or (1961)
The Girl with the Golden Eyes
Director: Jean-Gabriel Albicocco
Guión: Pierre Pelegri and Philippe Dumarçay, sobre la novela de Honoré de Balzac
Música: Narciso Yepes and Salvador Bacarisse
Forografía: Quinto Albicocco B/N
Duración: 95 min.
País: Francia
Cast:
Marie Laforêt ... La fille
Paul Guers ... Henri Marsay
Françoise Prévost ... Eléonore San Real
Françoise Dorléac ... Katia
Jacques Verlier ... Paul de Mannerville
Jacques Herlin ... Un chauffeur de taxi
Jacques Porteret ... Un dévorant
Philippe Moreau ... Un dévorant
Sady Rebbot ... Un dévorant
Jean Juillard ... Un dévorant
Roland Fleury ... Un dévorant
J. Espijo ... Un dévorant
Ivan Galan ... Un dévorant
Carla Marlier ... Sonia
Guy Martin ... Chabert
Gaston Meunier ... Un dévorant
Frédéric de Pasquale ... Willy
Michel Puterflam ... Un dévorant
Alice Sapritch ... Mme Alberte
André Soler ... Un garçon de café
Thieblemont ... Un dévorant
Jean Vigne ... Un chauffeur de taxi
https://www.imdb.com/title/tt0054928/
Synopsis:
Film depicts the love relationship sustained by two women until conflict breaks out when one of them falls in love with a man.
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Screen: Obscurantism:France's 'Girl With the Golden Eyes' Here
By BOSLEY CROWTHER
AUG. 21, 1962
DELIBERATE cinematic obscuring of already murky themes has been carried so far in foreign movies, especially by the Italians and the French, that it didn't seem likely that anyone would dare go further in that line.But now comes Jean-Gabriel Albicocco, a young French director, with his first film, a beautifully photographed item called "The Girl With the Golden Eyes," and hits what must surely be the jackpot of intentional obscurity.At least we hope it is the jackpot, for it staggers one to think of having to sit through a film more obfuscated, and consequently more difficult to grasp, than this one that opened at the Paris yesterday.Allegedly it is based upon a story by Honoré de Balzac that tells of mystical occurrences surrounding a young woman kept as a love slave by another woman in Paris more than 100 years ago. But it clues a knowledge of the orig-clews a knowledge of the original might provide by withholding any hint of a liaison of its mysterious heroine with another woman until very near the end.Now it begins with the focus upon an obviously odd young man, a modern-day photographer in Paris who heads a secret group of male cat-cultists. (They hold their meetings wearing cat's-head masks.) One day the photographer meets a strange young woman who apparently fascinates him — and well she might, because she is played by Marie Laforêt, the haunting actress of "Purple Noon." Thereafter he erratically pursues her, almost until the end of the film, when, as we say, a veiled suggestion of a liaison between her and a woman they call Léo creeps in.That is the gist, as we divine it after patient reflection on the film. What is bewildering about it when you're seeing it is the lack of continuity in the scenes, the vagueness of emotional motivation, the seeming irrelevance of the dialogue. The film is without construction, even the kind of imagistic construction that gives "Last Year at Marienbad" at least a sensuous and lyrical strength.The young man and young woman are in a boudoir, circulating tentatively around a bed. From nowhere and for no apparent reason, pigeons are suddenly flying around the room. Again, the fellow is prancing up and down wearing a lace-frilled shirt and pretending to be a soldier of Napoleon, while the girl whispers longingly "Je t'aime." Two fellows meet in solemn silence at dawn on the top of the Eiffél Tower.Likewise the acting of Mlle. Laforêt, of Paul Guers as the man and of Françoise Prévost as Léo is stylized, postured and obscure. It intentionally allows no insight into the natures of the characters they play. It permits only the conclusion that all of these people are weird.Yet, as we say, the graphic qualities are rare and interesting. There is exquisite décor in the settings, every shot is beautifully composed, the lighting is subtle and exciting, filters are elaborately used. It is, without question, one of the most handsomely photographed films in black and white lately out of France. And the musical score by Narciso Yépès has a wistful, haunting quality.But it all adds up to nothing more rewarding than an elegant, vexatious guessing game.The English subtitles are in keeping with the wordy, irrelevant dialogue.
Capturas:
Datos técnicos:
Enlace emulero:
ed2k://|file|La%20fille%20aux%20yeux%20d'or%20(1961,The%20Girl%20with%20the%20Golden%20Eyes).BluRay.576p.ac3.sub-eng-fre.x264-bub.mkv|2570543229|1947BEA9001F2C0D754559BD41A0AE67|h=O3XUQCG6FEMVVKGHVHJQZ7UWTGQZPFZG|/ 
Subtitulos en español (cortesía de Iarancibia y sincr. por el menda lerenda a la presente copia) en la mula:
ed2k://|file|La%20fille%20aux%20yeux%20d'or%20(1961,%20aka%20The%20Girl%20with%20the%20Golden%20Eyes).BluRay.576p.%20(Spanish).srt|71302|842AAE1B7AFE735CAB22C28836CA4069|h=U5AUFMAUD34TNZECIBWQDRVU2KQTJSDS|/
Subtítulos english y french (VOB) dentro del contenedor del archivo MKV
La fille aux yeux d'or (1961)
The Girl with the Golden Eyes
Director: Jean-Gabriel Albicocco
Guión: Pierre Pelegri and Philippe Dumarçay, sobre la novela de Honoré de Balzac
Música: Narciso Yepes and Salvador Bacarisse
Forografía: Quinto Albicocco B/N
Duración: 95 min.
País: Francia
Cast:
Marie Laforêt ... La fille
Paul Guers ... Henri Marsay
Françoise Prévost ... Eléonore San Real
Françoise Dorléac ... Katia
Jacques Verlier ... Paul de Mannerville
Jacques Herlin ... Un chauffeur de taxi
Jacques Porteret ... Un dévorant
Philippe Moreau ... Un dévorant
Sady Rebbot ... Un dévorant
Jean Juillard ... Un dévorant
Roland Fleury ... Un dévorant
J. Espijo ... Un dévorant
Ivan Galan ... Un dévorant
Carla Marlier ... Sonia
Guy Martin ... Chabert
Gaston Meunier ... Un dévorant
Frédéric de Pasquale ... Willy
Michel Puterflam ... Un dévorant
Alice Sapritch ... Mme Alberte
André Soler ... Un garçon de café
Thieblemont ... Un dévorant
Jean Vigne ... Un chauffeur de taxi
https://www.imdb.com/title/tt0054928/
Synopsis:
Film depicts the love relationship sustained by two women until conflict breaks out when one of them falls in love with a man.
--------------------------------------------------------------------------------------------------------------------------------------------------------------------
Screen: Obscurantism:France's 'Girl With the Golden Eyes' Here
By BOSLEY CROWTHER
AUG. 21, 1962
DELIBERATE cinematic obscuring of already murky themes has been carried so far in foreign movies, especially by the Italians and the French, that it didn't seem likely that anyone would dare go further in that line.But now comes Jean-Gabriel Albicocco, a young French director, with his first film, a beautifully photographed item called "The Girl With the Golden Eyes," and hits what must surely be the jackpot of intentional obscurity.At least we hope it is the jackpot, for it staggers one to think of having to sit through a film more obfuscated, and consequently more difficult to grasp, than this one that opened at the Paris yesterday.Allegedly it is based upon a story by Honoré de Balzac that tells of mystical occurrences surrounding a young woman kept as a love slave by another woman in Paris more than 100 years ago. But it clues a knowledge of the orig-clews a knowledge of the original might provide by withholding any hint of a liaison of its mysterious heroine with another woman until very near the end.Now it begins with the focus upon an obviously odd young man, a modern-day photographer in Paris who heads a secret group of male cat-cultists. (They hold their meetings wearing cat's-head masks.) One day the photographer meets a strange young woman who apparently fascinates him — and well she might, because she is played by Marie Laforêt, the haunting actress of "Purple Noon." Thereafter he erratically pursues her, almost until the end of the film, when, as we say, a veiled suggestion of a liaison between her and a woman they call Léo creeps in.That is the gist, as we divine it after patient reflection on the film. What is bewildering about it when you're seeing it is the lack of continuity in the scenes, the vagueness of emotional motivation, the seeming irrelevance of the dialogue. The film is without construction, even the kind of imagistic construction that gives "Last Year at Marienbad" at least a sensuous and lyrical strength.The young man and young woman are in a boudoir, circulating tentatively around a bed. From nowhere and for no apparent reason, pigeons are suddenly flying around the room. Again, the fellow is prancing up and down wearing a lace-frilled shirt and pretending to be a soldier of Napoleon, while the girl whispers longingly "Je t'aime." Two fellows meet in solemn silence at dawn on the top of the Eiffél Tower.Likewise the acting of Mlle. Laforêt, of Paul Guers as the man and of Françoise Prévost as Léo is stylized, postured and obscure. It intentionally allows no insight into the natures of the characters they play. It permits only the conclusion that all of these people are weird.Yet, as we say, the graphic qualities are rare and interesting. There is exquisite décor in the settings, every shot is beautifully composed, the lighting is subtle and exciting, filters are elaborately used. It is, without question, one of the most handsomely photographed films in black and white lately out of France. And the musical score by Narciso Yépès has a wistful, haunting quality.But it all adds up to nothing more rewarding than an elegant, vexatious guessing game.The English subtitles are in keeping with the wordy, irrelevant dialogue.
Capturas:
Datos técnicos:
- Spoiler: mostrar
Enlace emulero:
ed2k://|file|La%20fille%20aux%20yeux%20d'or%20(1961,The%20Girl%20with%20the%20Golden%20Eyes).BluRay.576p.ac3.sub-eng-fre.x264-bub.mkv|2570543229|1947BEA9001F2C0D754559BD41A0AE67|h=O3XUQCG6FEMVVKGHVHJQZ7UWTGQZPFZG|/ Subtitulos en español (cortesía de Iarancibia y sincr. por el menda lerenda a la presente copia) en la mula:
ed2k://|file|La%20fille%20aux%20yeux%20d'or%20(1961,%20aka%20The%20Girl%20with%20the%20Golden%20Eyes).BluRay.576p.%20(Spanish).srt|71302|842AAE1B7AFE735CAB22C28836CA4069|h=U5AUFMAUD34TNZECIBWQDRVU2KQTJSDS|/ Subtítulos english y french (VOB) dentro del contenedor del archivo MKV
