Dr. Strangelove,
or How I Learned to Stop Worrying and Love the Bomb
(¿Teléfono rojo? Volamos hacia Moscú /
Dr. Insólito o: Como aprendí a dejar de preocuparme y amar la bomba /
Dr. Strangelove)
(Gran Bretaña, 1964) [B/N, 95 m.].
Género: Comedia negra, Sátira / Guerra Fría, Holocausto nuclear.
IMDb
Ficha técnica.
Dirección: Stanley Kubrick.
Argumento: Peter George (novela, "
Red Alert").
Guión: Stanley Kubrick, Terry Southern, Peter George.
Fotografía: Gilbert Taylor (B&W).
Música: Laurie Johnson.
Producción: Stanley Kubrick, Victor Lyndon, Leon Minoff (no acreditado).
Productora: Columbia Pictures Corporation (presents) / Hawk Films.
Premios:
- 1964: 4 nominaciones al Oscar: Mejor película, director, actor (Peter Sellers), guión
- 1964: BAFTA: Mejor película
: Peter Sellers (Dr. Strangelove, Group Capt. Lionel Mandrake, President Merkin Muffley), George C. Scott (Gen. Buck Turgidson), Sterling Hayden (Gen. Jack D. Ripper), Keenan Wynn (Col. Bat Guano), Slim Pickens (Maj. T.J. "King" Kong), Peter Bull (Ambassador de Sadesky), James Earl Jones (Lt. Lothar Zogg), Tracy Reed (Miss Scott), Jack Creley (Mr. Staines), Frank Berry (Lt. H.R. Dietrich, DSO), Glenn Beck (Lt. W.D. Kivel), Shane Rimmer (Capt. G.A. "Ace" Owens), Gordon Tanner (Gen. Faceman), Robert O'Neil (Adm. Randolph), Roy Stephens (Frank), Laurence Herder (Burpelson Defense Team Member), John McCarthy (On Defense Team), Hal Galili (Members of the Defense Team), Paul Tamarin (Lt. B. Goldberg).
Sinopsis: Convencido de que los comunistas están contaminando los Estados Unidos, un general ordena, en un acceso de locura, un ataque aéreo nuclear por sorpresa contra la Unión Soviética. Su ayudante, el capitán Mandrake, trata de encontrar la fórmula para detener el bombardeo. Por su parte, el Presidente de los EE.UU. se pone en contacto con Moscú para convencer al gobierno soviético de que el ataque no es más que un estúpido error. Mientras tanto, el asesor del Presidente, un antiguo científico nazi, el doctor Strangelove, confirma la existencia de la “Máquina del Juicio Final”, un dispositivo de represalia soviético capaz de acabar con la humanidad para siempre. (FILMAFFINITY)
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"La más demoledora sátira sobre la guerra fría y el peligro atómico de la historia del cine. El genio creador de Kubrick desborda en cada secuencia y alterna farsa y drama, crítica ácida y apabullante dominio técnico para relatar esta delirante odisea. La puesta en escena resulta un prodigio de imaginación visual, redondea una obra maestra absoluta, divertida y angustiosa a partes iguales" (Miguel Ángel Palomo: Diario El País)
Jack D. Ripper, comandante enajenado de la base aérea estadounidense de Burpleson, transmite a un grupo de bombarderos la orden de atacar la Unión Soviética con misiles nucleares. El presidente de los Estados Unidos, Merkin Muffley, es informado de la situación, y se reúne con los máximos responsables del ejército. Pero Ripper se ha aislado en su base y ha cortado las comunicaciones con el exterior por lo que resulta complicado detenerle.
Única comedia en la filmografía de Stanley Kubrick, que disecciona con ironía y humor negro los entresijos de la Guerra Fría y el funcionamiento de la política internacional. Aunque se basa en una novela de Peter George que tenía un tono de intriga, Kubrick la convirtio en una sátira repleta de humor negro. Con su visión fatalista de la vida y obsesionado por las coincidencias y las casualidades negativas, Kubrick muestra como una serie de desdichas podrían acabar con la vida en la Tierra (
DeCine21).
- Javier Castro: "Una bomba para gobernarlos a todos, una bomba para encontrarlos… " Miradas de Cine (2003).
AMG SYNOPSIS: In 1964, with the Cuban Missile Crisis fresh in viewers' minds, the Cold War at its frostiest, and the hydrogen bomb relatively new and frightening, Stanley Kubrick dared to make a film about what could happen if the wrong person pushed the wrong button -- and played the situation for laughs. Dr. Strangelove's jet-black satire (from a script by director Stanley Kubrick, Peter George, and Terry Southern) and a host of superb comic performances (including three from Peter Sellers) have kept the film fresh and entertaining, even as its issues have become (slightly) less timely. Loaded with thermonuclear weapons, a U.S. bomber piloted by Maj. T.J. "King" Kong (Slim Pickens) is on a routine flight pattern near the Soviet Union when they receive orders to commence Wing Attack Plan R, best summarized by Maj. Kong as "Nuclear combat! Toe to toe with the Russkies!" On the ground at Burpleson Air Force Base, Group Capt. Lionel Mandrake (Peter Sellers) notices nothing on the news about America being at war. Gen. Jack D. Ripper (Sterling Hayden) calmly informs him that he gave the command to attack the Soviet Union because it was high time someone did something about fluoridation, which is sapping Americans' bodily fluids (and apparently has something to do with Ripper's sexual dysfunction). Meanwhile, President Merkin Muffley (Sellers again) meets with his top Pentagon advisors, including super-hawk Gen. Buck Turgidson (George C. Scott), who sees this as an opportunity to do something about Communism in general and Russians in particular. However, the ante is upped considerably when Soviet ambassador de Sadesky (Peter Bull) informs Muffley and his staff of the latest innovation in Soviet weapons technology: a "Doomsday Machine" that will destroy the entire world if the Russians are attacked. -- Mark Deming
AMG REVIEW: Dr. Strangelove or How I Learned to Stop Worrying and Love the Bomb is widely regarded as the screen's greatest satire, a film that superbly encapsulates the fear and paranoia of the Cold War. There is not a sequence in the film in which the dialogue is not quotable -- indeed, there are so many well-remembered moments that viewers and critics will differ on the best, though surely the sight of Major Kong (Slim Pickens) waving his cowboy hat as he rides the bomb into oblivion is among the most enduring images of its era. As was consistently the case in his career, director Stanley Kubrick brilliantly matches actors with their roles, from Peter Sellers' three-character performance to the screen debut of James Earl Jones, whom Kubrick had spotted in a stage play. Similarly, George C. Scott, who plays the hawkish general Buck Turgidsdon, considered Strangelove among his greatest screen achievements. Every performance is top-notch, and many Kubrick trademarks can be found in the film, from the visual style to the shift to a hand-held camera when the Air Force base is attacked to the sparse and ironic use of music. -- Richard Gilliam
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Versión MiniSD BRRip VO+SI 600 Mb. mkv.
Localizada en eMule / Publicada en varias páginas chinas.
:
Dr.Strangelove.1964.BD.MiniSD-TLF.mkv 
Subtítulos (descarga directa):
castellano americano (neutro) /
inglés
Subidos por
shoocat para la versión "
1080p.BluRay.DTS.x264-HDME", 23,976 fps. Comprobados.
Datos técnicos:
** 752x448 (1.679) **
** IMDb Aspect ratio: 1.37:1 (negative ratio, partly) / 1.66 :1 **
Código: Seleccionar todo
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Otras versiones en DXC:
¿Teléfono rojo?, volamos hacia Moscú (S. Kubrick, 1963) DVDRip Dual SE
Enlaces relacionados:
Fail-Safe (Sidney Lumet, 1964) DVDRip VOSE + AE
Punto límite (Sidney Lumet, 1964) DVDRip Dual SE
The Atomic Cafe (J. Loader & K. & P. Rafferty, 1982) DVDRip VOSE
Saludos.
