
Three Comrades.
(Tres camaradas)
(Usa, 1938) [B/N, 99 m.]
Género: Drama romántico, Drama bélico / PGM, Postguerra, Alemania.
IMDb
Ficha técnica.
Dirección: Frank Borzage.
Argumento: Erich Maria Remarque (novela, "Drei Kameraden").
Guión: F. Scott Fitzgerald, Edward E. Paramore Jr.
Fotografía: Karl Freund, Joseph Ruttenberg.
Música: Franz Waxman.
Producción: Joseph L. Mankiewicz.
Productora: Metro-Goldwyn-Mayer (MGM) / Loew's Incorporated.
Sinopsis: Tres jóvenes soldados alemanes vuelven a su hogar desde las trincheras de la Primera Guerra Mundial para encontrar al país sumido en el caos. A pesar del precario estado de la economía, deciden unir sus escasos recursos y construir su propio coche. Sus vidas se complican aún más con la llegada de una hermosa mujer.
Amigos y amores.Una delicia de película, situada en la Alemania de entreguerras, que sigue a tres amigos, camaradas del alma, encandilados por la misma mujer, que acabará siendo la prometida de uno y amiga del resto. La crispación del ambiente político, las dificultades laborales y una enfermedad fatal afectarán a sus vidas.
Frank Borzage, un cineasta romántico, contó con el único guión acreditado de otro romántico, el novelista Francis Scott Fitzgerald, que adaptó la novela de Erich Maria Remarque. El resultado transmite emoción por todos sus poros, en un feliz logro por conjugar reflexión, comedia, tragedia, y todo ello bañado por el amor. Nunca estuvo más encantadora Margaret Sullavan, y los tres amigos del título, Robert Taylor, Franchot Tone y Robert Young componen a las mil maravillas los rasgos de sus personajes (DeCine21).
AMG SYNOPSIS: Based on a novel by Erich Maria Remarque, Three Comrades represented one of the few successful screenwriting efforts of F. Scott Fitzgerald. Set in Germany in the years just following World War I, the film stars Robert Taylor, Franchot Tone and Robert Young as three battle-weary, thoroughly disillusioned returning soldiers. The three friends pool their savings and open an auto-repair shop, and it is this that brings them in contact with wealthy motorist Lionel Atwill--and with Atwill's lovely travelling companion Margaret Sullavan. Taylor begins a romance with Sullavan, who soon joins the three comrades, making the group a jovial, fun-seeking foursome (this plot element bears traces of Hemingway's The Sun Also Rises, as well as the 1931 film The Last Flight). Though Sullavan suffers from tuberculosis (her shady past is only alluded to), she is encouraged by her male companions to fully enjoy what is left of her life. This becomes increasingly difficult when one of the comrades, Young, is killed during a political riot (it's a Nazi riot, though not so-labelled by ever-careful MGM). In the end, the four comrades are only two in number, with nothing but memories to see them through the cataclysmic years to come. Despite its Hollywoodized bowdlerization of the Remarque original, Three Comrades remains a poignant, haunting experience. -- Hal Erickson
AMG REVIEW: Although a great deal of F. Scott Fitzgerald's screenplay for Three Comrades was rewritten (by both credited scenarist Edward E. Paramore, Jr. and a number of uncredited writers, including producer Joseph L. Mankiewicz), the spirit of Fitzgerald hovers palpably over this excellent adaptation of the Erich Maria Remarque novel. Comrades is about another group of lost souls, and if only one of them has a connection to the privileged class that is often a Fitzgerald hallmark, they all share an obsession with escaping from the past and with finding a "Good" within and among themselves to take the place of an absent "god." There's the potential for all this to come across as pretentious or off-putting, but in fact Three Comrades is simple and totally involving. The characters live and breathe with a wonderful cinematic realism, and most viewers will soon find themselves quite wrapped up in their stories. A large part of the credit must go to Frank Borzage, who directs with a combination of strength and sensitivity and always keeps the film firmly on track, even making moving and inspirational an ending that could come across as hokey or mawkish . He's enormously helped by a quartet of actors who do exceptional work. Each of the stars commits him/herself completely to the part, making each character beautifully real. Equally important, there's an indescribable chemistry between the quartet as a whole and between each individual member. Comrades is a haunting, moving, deeply human film. -- Craig Butler
In the early sound era, one of the most respected directors in Hollywood was Frank Borzage: in fact, he won the very first Academy Award for Best Director (and would win a second one five years later). Yet his work is now virtually unknown. THREE COMRADES marks his first movie done at MGM, where he would stay for the next five years (previously, he had been one of the star directors at Fox, and then worked at Columbia and Warner Brothers); it reunited him with Margaret Sullavan, with whom he had worked on LITTLE MAN WHAT NOW in 1934, and it would represent the only official screen credit for F. Scott Fitzgerald. There are moments (especially in the romance between the poor aristocrat Patricia and the young mechanic Erik) in which you can hear the lilt and romanticism of Fitzgerald's sensibility. THREE COMRADES was one of those movies that played a lot of television in late 1950s-early 1960s, and the moving story of three comrades (played by Robert Taylor, Robert Young and Franchot Tone) and the young woman who enters their lives (played by the great Sullavan, in her Academy Award-nominated performance) trying to find some solace and happiness in the rubble of Germany in the period immediately following the first World War is remarkably touching. Though often criticized for the (many) compromises that went into the making (this was a major studio production in 1938, beset with all the production code and commercial considerations of the era), there's still enough of Remarque's powerful story, Fitzgerald's elegant dialog, and Borzage's romanticism (as well as the superb performance by Margaret Sullavan) to make this one of the most memorable American movies of the 1930s.

Versión DVDRip VO+SE+AE 1,46 Gb.
Publicada por Wolfman en Fileheaven.
Subtítulos en inglés:
Subtítulos (descarga directa): castellano / inglés / francés.roisiano escribió:he ajustado los subtítulos en inglés posteados en este hilo -bueno, la sincronización dista de ser perfecta, pero "más o menos se pueden seguir los diálogos"
(1) Subs en castellano, traducción de Mario Vitale y Santi Abad.
(2) Subs en inglés, subidos por Gorchakov.
(3) Subs en francés, subidos por matduha.
Audio doblado sincronizado: (cortesía de Thecame2001)
En descarga directa: Megaupload.
Datos técnicos:
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Tres camaradas (F. Borzage, 1938) VHSRip VE / SARip VO+AEp
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