(Theodoros Angelopoulos - 1972)

IMdb
Strictly Film School
Country: Greece
Directed by : Theo Angelopoulos
Written by : Theo Angelopoulos, Petros Markaris,
Thanassis Valtinos and Stratis Karras
Cinematography by : Giorgos Arvanitis
Production design by : Mikes Karapiperis
Music by : Giorgos Papastefanou
Sound by : Thanassis Arvanitis
Edited by : Vassilis Syropoulos
Produced by : Giorgos Papalios
With : Giorgos Kiritsis (Lawyer), Christoforos Chimaras (Minister),
Takis Doukakos (Chief of Police), Kostas Pavlou (Sofianos), Petros Zarkadis (Lukas Petros),
Christophoros Nezer (Prison Warden), Vassilis Tsaglos (Guard),
Yannis Kandilas (Kreezis), Thanos Grammenos (Sofianos' brother)
Synopsis : A trade unionist is assassinated at a workers' rally and a former police informer, Sofianos, is arrested
and charged with the murder. The accused, a greatly troubled personage, currently out on probation, an ex drug-trafficker is being used to infiltrate and bring down his old accomplices. He is visited in prison
by a Conservative Member of Parliament with whom he has a homosexual relationship. Using a smuggled gun,
the prisoner takes the politician hostage creating an embarrassing and increasingly absurd scandal for the authorities. Theo Angelopoulos official website (full synopsis)
Código: Seleccionar todo
Name.........: Meres.Tou.36.(Days.0f.36).1972.Theo.Angelopoulos.DVDRip.avi
Filesize.....: 1,398 MB (or 1,432,210 KB or 1,466,583,040 bytes)
Runtime......: 01:44:34 (156,849 fr)
Video Codec..: XviD (double pass)
Video Bitrate: 1740 kb/s
Audio Codec..: 0x0055(MP3) ID'd as MPEG-1 Layer 3
Audio Bitrate: 121 kb/s (60/ch, stereo) VBR LAME3.96r
Frame Size...: 608x456 (1.33:1) [=4:3]
B-VOP: Yes
S(GMC)-VOP: No
QuarterPixel: No
Frames Rate: 25.000










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Un saludo a tod@s.[...] Angelopoulos's trilogy of Days of 36, The Travelling Players, and The Hunters can be seen as an exploration of contemporary Greek history. If his style shows some influences—particularly Jancsó's one reel-one take methodology and Antonioni's slow, meditative mood—Angelopoulos has nevertheless created an authentic epic cinema akin to Brecht's theatre in which aesthetic emotion is counterbalanced by a reflexive approach that questions the surfaces of reality. The audience is not allowed to identify with a central character, nor to follow a dramatic development, nor given a reassuring morality.
[...] Angelopoulos's masterpiece [The Travelling Players] was preceded by the haunting Days of '36. This political thriller about a murder in a prison proved a prelude to events of national importance. It is the director's most radical use of off-screen space and off-screen sound, of the dialectic between the seen and the unseen. With its closed doors, whispering voices in corridors, and silhouettes running to and from, it evokes the mystery that surrounds the exercise of power.
from Film Reference
