Una vita violenta (Paolo Heusch y Brunello Rondi, 1962) DVDRip VOSE

[V]

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Una Vita Violenta
Una vida violenta
A violent life



Dirigida por
Brunello Rondi & Paulo Heusch

IMdB |

Francesco Citti
Serena Vergano
Alfredo Leggi
Enrico Maria Salerno.
Angelo Maria Santiamantini

Tommaso organiza una serenata para conquistar el amor de su amada. Pero todo sale mal, y Tommaso acaba peleándose con un hombre al que hiere de gravedad, por lo que es condenado a prisión. A los pocos meses sale de la cárcel con la intención de casarse con su amada. Basado en una novela de Pasolini.

Based on a novel by Pier Paolo Pasolini, UNA VITA VIOLENTA chronicles the life and death of Tommaso (Franco Citti), a street kid who is equally comfortable running with the Fascists, the Communists and just plain thieves. Tommaso's milieu is the filthy slums outside Rome; his occupation is whatever comes to hand to make a few bucks, until a stretch in prison convinces him to go straight--more or less.

On either side of the political spectrum or just outside the law, his life is a compelling testimony to the strange and powerful solidarity of the utterly dispossessed...

With 2007 shaping out to be quite a year for fans of legendary Italian director Pier Paolo Pasolini (French juggernaut Studio Canal together with UK distrib Optimum have announced a massive boxset of early Pasolini works that will include the much anticipated Accattone! and Criterion are now set to re-release the scandalous Salo) I decided to track down and promote a rather unknown in the US film by Brunello Rondi and Paolo Heusch titled Una Vita Violenta a.k.a Violent Life (1962) based on a controversial story by the maestro himself.

Set in post-war Italy Violent Life chronicles the deeds of young Tommaso (Franco Citti, Il Decameron), a reckless hoodlum, who spends his time on the streets of Rome. Flirting with both the Fascists and the Communists Tommaso unexpectedly falls in love with the beautiful Irene (Serena Vergano, Al Ponerse el Sol). His life takes an unusual turn.

"Snubbed by almost all Pasolini scholars" (Alberto Pezzotta) Violent Life is certainly a strange hybrid of a film. Directed by Brunello Rondi, a man who was often involved with Rossellini as his scriptwriter, and Paolo Heusch, probably best known for his notable contribution to Tinto Brass' Caligula (1979), this controversial Italian film reveals a rough and in my opinion very provocative storyline that successfully rivals that of Mamma Roma (1962). The heavy social overtones, the focus on the slums of Rome with its disillusioned working class, the staggering camera work, the flawed protagonists, there is plenty in Violent Life that immediately suggests Pasolini's influence.

The big issue Italian critics had with Violent Life upon its release in 1962 was its faithfulness to Pasolini's novel which the film uses as an inspiration (ironically the novel itself was a subject of heavy criticism due to its vulgar language). After the initial screenings the press remained rather cold and it seemed like Violent Life wasn't going to generate the success its creators hoped for.

Pasolini's close affiliation with the Communist Party also did not sit well with the more vocal of critics and many prematurely concluded that Violent Life was nothing more than yet another attempt to propagandize the need for revolutionary action (pay close attention to the terrible hospital conditions shown here as they were a heated topic for discussions). As a result Paolo Heusch and Brundello Rondi's film was quickly forgotten.

Fortunately enough in recent years with the launching of the Minerva Classic series, fittingly labeled as A Memoria del Cinema Italiano, film aficionados were given the opportunity to revisit many classic Italian pictures that I certainly thought will never see the light of day. With the restoration of Violent Life it appears that yet another controversial fragment from Pasolini's legacy is now waiting to be discovered.

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[gatatitania]

¡Gracias, v!

[GeorgeKaplan]

Pincho, muchas gracias