Diario de una camarera (Le journal d'une femme de chambre) (Luis Buñuel, 1964)
Filmaffinity | IMDb
GUIÓN: Luis Buñuel & Jean-Claude Carrière (Novela: Octave Mirbeau)
FOTOGRAFÍA: Roger Fellous (B&W)
REPARTO: Jeanne Moreau, Michel Piccoli, Georges Géret, Françoise Lugagne, Daniel Ivertiel, Jean Ozenne, Gilberte Géniat
PRODUCTORA: Coproducción Francia-Italia
GÉNERO: Drama | Crimen
SINOPSIS: Historia de una doncella que entra a trabajar para una familia de la aristocracia. Adaptación de una novela de Octave Mirbeau que el francés Jean Renoir ya había llevado al cine, en su etapa americana, con "The Diary of a Chambermaid" en 1945. (FILMAFFINITY)
[quote]Le Journal d’une femme de chambre is arguably Luis Buñuel’s most caustic and unfettered assault on those institutions he rallied against throughout his life. The bourgeoisie, the clergy, the military – the self-proclaimed standard bearers of respectability - are beautifully represented with the director’s characteristic wit and venom. The film also makes an unusual and perceptive study of human morality – the situations depicted in the film may be exaggerated and set in another era, but they manage to strike an easy resonance with the spectator.
Although Buñuel spends a lot of time caricaturing the bourgeoise and their entourage, the film is mainly concerned with the morally ambiguous chambermaid, Célestine (played beautifully by Jeanne Moreau) and the vicious fascist servant Joseph. The shifting relationship between Célestine and Joseph is constantly surprising and we never really know what either of the characters is playing at. Neither character can claim moral superiority – Célestine is ultimately shown to be a spineless opportunist and Joseph is clearly a nasty piece of work. However, both have a vestige of humanity which provides enough ambiguity to give their relationship an edge of dangerous unpredictability.
Although it has some splendid comic moments, Le Journal d’une femme de chambre is much darker than most of Buñuel’s other films. The rape of the young girl is not filmed directed but alluded to rather subtlely, and is perhaps the most shocking thing in any of Buñuel’s films. The ending of the film, a sober moment which presages the inevitable rise of fascism in Europe, also sends a shiver down the spine, even if it feels frustratingly disconnected from the rest of the film.[/quote]
Godfrey en KG:
Aunque en una de las imágenes aparezcan los subtítulos en inglés, estos son externos, no van unidos al vídeo.
L.J.d.u.F.d.Ch.1964.DVDRip.XviD.AC3.KG.avi 
(DVDRip V. O. "emulizado")
Sutbítulos en español, subidos por pickpocket (a). Para mi gusto, los subtítulos se ajustan mejor con un delay de -300 ms, aproximadamente, pero no me apetecía subir unos subtítulos nuevos cuando, en todo caso, la corrección no era demasiado vital, SO... DO IT YOURSELF 
Filmaffinity | IMDb
GUIÓN: Luis Buñuel & Jean-Claude Carrière (Novela: Octave Mirbeau)
FOTOGRAFÍA: Roger Fellous (B&W)
REPARTO: Jeanne Moreau, Michel Piccoli, Georges Géret, Françoise Lugagne, Daniel Ivertiel, Jean Ozenne, Gilberte Géniat
PRODUCTORA: Coproducción Francia-Italia
GÉNERO: Drama | Crimen
SINOPSIS: Historia de una doncella que entra a trabajar para una familia de la aristocracia. Adaptación de una novela de Octave Mirbeau que el francés Jean Renoir ya había llevado al cine, en su etapa americana, con "The Diary of a Chambermaid" en 1945. (FILMAFFINITY)
[quote]Le Journal d’une femme de chambre is arguably Luis Buñuel’s most caustic and unfettered assault on those institutions he rallied against throughout his life. The bourgeoisie, the clergy, the military – the self-proclaimed standard bearers of respectability - are beautifully represented with the director’s characteristic wit and venom. The film also makes an unusual and perceptive study of human morality – the situations depicted in the film may be exaggerated and set in another era, but they manage to strike an easy resonance with the spectator.
Although Buñuel spends a lot of time caricaturing the bourgeoise and their entourage, the film is mainly concerned with the morally ambiguous chambermaid, Célestine (played beautifully by Jeanne Moreau) and the vicious fascist servant Joseph. The shifting relationship between Célestine and Joseph is constantly surprising and we never really know what either of the characters is playing at. Neither character can claim moral superiority – Célestine is ultimately shown to be a spineless opportunist and Joseph is clearly a nasty piece of work. However, both have a vestige of humanity which provides enough ambiguity to give their relationship an edge of dangerous unpredictability.
Although it has some splendid comic moments, Le Journal d’une femme de chambre is much darker than most of Buñuel’s other films. The rape of the young girl is not filmed directed but alluded to rather subtlely, and is perhaps the most shocking thing in any of Buñuel’s films. The ending of the film, a sober moment which presages the inevitable rise of fascism in Europe, also sends a shiver down the spine, even if it feels frustratingly disconnected from the rest of the film.[/quote]
Godfrey en KG:
Aunque en una de las imágenes aparezcan los subtítulos en inglés, estos son externos, no van unidos al vídeo.
Código: Seleccionar todo
File Size (in bytes)- - - - - - - - - - - - - - -: 1,468,502,016 bytes 1.36GB
Runtime - - - - - - - - - - - - - - - - - - - - -: 1:38:08
Video Codec - - - - - - - - - - - - - - - - - - -: XviD ISO MPEG-4
Frame Size- - - - - - - - - - - - - - - - - - - -: 720x320 (AR: 2.250)
FPS - - - - - - - - - - - - - - - - - - - - - - -: 23.976
Video Bitrate - - - - - - - - - - - - - - - - - -: 1860 kb/s
Bits per Pixel- - - - - - - - - - - - - - - - - -: 0.337 bpp
B-VOP, N-VOP, QPel, GMC - - - - - - - - - - - - -: [B-VOP], [], [], []
Audio Codec - - - - - - - - - - - - - - - - - - -: 0x2000 (Dolby AC3) AC3
Sample Rate - - - - - - - - - - - - - - - - - - -: 48000 Hz
Audio Bitrate - - - - - - - - - - - - - - - - - -: 128 kb/s [1 channel(s)] CBR
No. of audio streams- - - - - - - - - - - - - - -: 1
