Qué grande la "divinidad" de jerjes....Rotwang escribió:A destacar la escena en la que Jerjes, un negraco de 2.5 metros depiladito, maquilladito y con 100000 piercings se acerca por detrás a Leónidas y, apoyando suavemente sus manos en los hombros del griego le dice con voz seductora: "No son mis latigazos lo que temen". Pocas películas de humor han logrado una risa tan total en una sala de cine.
a esa frase me referia yo.Pues a mi no me mirarón muy bien por reirme pero es que no pude evitarloRotwang escribió:A destacar la escena en la que Jerjes, un negraco de 2.5 metros depiladito, maquilladito y con 100000 piercings se acerca por detrás a Leónidas y, apoyando suavemente sus manos en los hombros del griego le dice con voz seductora: "No son mis latigazos lo que temen". Pocas películas de humor han logrado una risa tan total en una sala de cine.
no es ridículo, es Cangrejo Man (o "Crabman"), un personaje totalmente desaprovechado. Si los persas hubieran mandado un puñado de esos contra los espartanos no habrían durado ni lo que se tarda en decir "mi poder divino". Deberían sacar un spin off o algo con sus aventuras.m0ntaraz escribió:
- Spoiler: mostrar
Staci Layne Wilson escribió:300 is a long-awaited film both for fans of Frank Miller's revered graphic novels and for those who want to see if director Zack Snyder can live up to the promise he showed in 2004 with his remake of George Romero's zombie classic, Dawn of the Dead.
The story is pretty simple, so those looking for Rome-like palace intrigue and dialogue-heavy skullduggery will more than likely be disappointed. While it's a no-brainer to say that guys will love the action and gals will love the guys onscreen, there's actually something for everyone in 300. (Fans of science fiction will be more than pleased: Creepy creatures and impossible characters abound.)
While the overall look of the movie is quite dissimilar to Frank Miller's Sin City, it's still very much in line with his beautiful artwork. With the help of a heap of CGI, Snyder does an astonishing job of bringing a hyper-reality to believable fruition.
Well, almost believable. And that's the beauty of 300—while the actors give the proceedings some serious gravitas, the characters are straight out of a dark, twisted fantasy. The too-tall Xerxes has brought his A-game to the battle, with hordes of larger-than-life creatures and a herd of creepy, bomb-making dwarflike men whose bodies are as twisted as their minds.
There's a sadistic glee to the battle sequences, with heads a-rolling and limbs hacked off, left right and center, with all the requisite reckless abandon. Here's where Snyder's horror pedigree shows, but we know he's following Miller's blueprint to the letter as each droplet of blood flies through the fetid air.
The images are crisp and clear, and the gritty color palette manages to be beautiful in spite of its muted hues. The soundtrack is appropriately rousing, and the costumes (well, what there are of them) are scissor-shear sharp, with an awe-inspiring attention to detail.
¿Se sabe cuándo saldrá el DVD? Jejeje.Carbonadam escribió:The most spectacularly fundamental action film of all time (Critics go home!)
March 11, 2007. Reviewer: Carbonadam (Albany, NY)
This film cuts to the core of what is coursing through the veins and psyches of any man in touch with his human soul on this planet. While war and violence are morally wrong in the abstract human philosophies, shifting cultural sensibilities, and our (USA) pampered day to day existence, It is still part of who we are and it seeps out through our art into our society. We are the way God made us or how we evolved biologically, depending on your views. Either way, we are a violent species. Even if that is lost in the day to day world we live in, there is still an appetite for it. Our art, video games, TV, media, and films serve it up. Since the critics are not artists it is hard for some of them to see the truth of this film and many others released in recent years. Their tunnel vision, sour grapes, or just angry twisted lives make many of them compelled to spit vile upon anything visionary, or even just decent. I have grown tired of reading angry reviews where the reviewer writes as though he or she knows better and almost seems to pity us ignorant peons, lemmings, or what even the hell they consider us to be. Myself, my family, and my friends are not idiots and no where, except perhaps with people who rarely see films, are such conceited, self-important, and egotistic views represented by the people I know within the word I live. This film was a masterpiece, pure and simple. It will be remembered as such long after the drivel of the day is forgotten.
300 holds you in it's grip from second one to the last scene. It is the sublime beauty of war that Joseph Campbell mentions in his works. Frank Miller has been an artist I have admired since I was a young boy. He has quietly been working away for the last several decades with no huge critical juggernaut coming down on him and suggesting he is pandering to any political dogma of the day. Now that the film is made, which is as close an adaptation as any author could hope for, the liberal critics are there, striking away at a work that spoke to Miller as a child. To suggest any political significance is reaching beyond ones wildest dreams. Real artists do not push political dogma, they represent what is in their soul and hearts. These news paper pandering nancy boys have nothing better to do than regurgitate hogwash in such a backwards fashion that even they themselves are just running in circles and making no real headway with what ever it is they think they should be doing to better this world. 300 is a film not a political movement. To criticize it as if it could convert people into middle East haters is just stupid. The Middle East and the USA do just fine gathering up enemies and haters all on their own. One small film, even one that would be an overt outright bash on either the East or the West would not sway the masses more than a drop in an ocean either way. To point out black and white racist overtones not intended is racist itself.
As grand and spectacular as 300 is, it's still just entertainment for popular culture. It's stylized so much that to speak in terms of historical accuracy is just silly. Too many films of our times have passed themselves off as pseudo documentaries in order to effect some kind of cultural awakening or change when all they do is preach to the converted. Films are made in so many ways and varieties that it is just as amusing to watch the critics scramble between "Norbit" and "Flags of our Fathers" and all the while trying to maintain some level of intelligence rather than just reviewing films each one it's own merits for what it is and who it's trying to reach. Since so many films these days seem to annoy the critics I often wonder why they are film critics at all. They seem more suited to be writing angry complaint letters to companies about some busted back yard sprinkler. I want reviews, not angry critiques!
Go away critics. You are not wanted. You are not needed. You are a sorry pitiful lot.
A critique for the critics by a true film goer and viewer.
No, no va a haber polémica porque se publique, sino por el hecho contrario: que no se publique.Arcadia_Ego escribió:¿ De verdad que va a haber polémica por que esta película se posteé ?
) y Theron y de Astinos (el hijo del capitán) que no valen para nada más que para que baje la intensidad.
