a ver si te oyen los de nación sí-nación nodorn1 escribió:Pero vamos, que no vamos a discutir por cuestiones semánticas
Música Buena y conocida - Rock'n´Roll
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Takeshi_Shimura
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jajaja Tampoco discutiría por esoTakeshi_Shimura escribió:a ver si te oyen los de nación sí-nación nodorn1 escribió:Pero vamos, que no vamos a discutir por cuestiones semánticas
Otro disquillo de un "desconocido", va:
Van.Morrison.-.Pay.The.Devil.2006.eac.cue.ape.(HQshare).rar 
Adictivo (para el mismo público que el anterior posteo de Rosanne Cash, pues es un disco de versiones, salvo tres temas nuevos del propio Van, country clásicas, muy sentidas, muy bien ejecutadas).
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Takeshi_Shimura
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ta muy bien el úlitmo de Van 
y aquí tenemos uno que faltaba de Lucinda Williams, lo tengo fresquito, fresquito
<table align="center" width="65%" border="0"><tr><td align="left">artist: Lucinda Williams
title: Live @ The Fillmore
year: 2005 (recorded in November 2003)
genre: Cosmic American Music
rip: EAC - cue - Monkey's Audio (normal)
size: 740 Mb (2 cds)
some links: official site - fansite - fansite 2
the record:Lucinda Williams - Live @ The Fillmore (EAC-ape-cover).rar </td></tr></table>
<table width="75%" align="center" border="0" cellpadding="3"><tr><td align="left" colspan="2" align="center">Personnel: Lucinda Williams (vocals, acoustic guitar, electric guitar); Doug Pettibone (guitar, lap steel guitar, pedal steel guitar, mandolin, harmonica, background vocals); Jim Christie (keyboards, drums, percussion); Taras Prodaniuk (bass guitar, background vocals). Producers: Lucinda Williams; Taras Prodaniuk.</td></tr><tr><td align="left" width="30%">cd1
1. Ventura
2. Reason To Cry
3. Fruits Of My Labor
4. Out Of Touch
5. Sweet Side
6. Lonely Girls
7. Overtime
8. Blue
9. Change The Locks
10. Atonement
cd2
1. I Lost It
2. Pineola
3. Righteously
4. Joy
5. Essence
6. Real Live Bleeding Fingers And Broken Guitar Strings
7. Are You Down
8. Those Three Days
9. American Dream
10. World Without Tears
11. Bus To Baton Rouge
12. Words Fell </td><td align="justify">AMG review
Lucinda Williams has earned a reputation for her meticulous approach to making albums, but a careful listen to her work suggests that she isn't trying to make her music sound perfect, she just wants it to sound right, and she isn't afraid to spend the extra time waiting for the charmed moment to get caught on tape. This attitude seems to be borne out in her first-ever concert album, Live @ The Fillmore, which manages to sound carefully considered, and a model of "warts and all" authenticity at the same time. Recorded during a three-night stand in San Francisco, the album captures Williams' band in superb form -- Doug Pettibone's guitars, Taras Prodaniuk's bass, and Jim Christie's drums merge into a tight and emphatic groove machine that can match Williams's many moods, whether she's quietly contemplative on "Blue," rocking out hard on "Changed the Locks," or howling the blues on "Essence," while the deeply resonant recording and mix gives them the royal treatment. Williams herself is a slightly more complicated matter here -- her performance is deeply into the spirit, so much so that sometimes her melismatic wanderings and broad phrasing sound like they're verging on caricature. But this is clearly a recording of a performance, and by the time we get to the end of disc two, the broad strokes have coalesced into something quite remarkable; as Williams searches through the nooks and crannies of her songs, you sense she's discovering things that she didn't expect to find, and it's a tremendous thing to hear. Lucinda Williams is an artist who writes from her soul, and she's thoroughly unafraid of letting her passion show when she sings. If that makes for strained technique, it also results in very real art, and this album offers a privileged glimpse of a singular songwriter in full flight.
Mark Denning</td></tr></table>
y aquí tenemos uno que faltaba de Lucinda Williams, lo tengo fresquito, fresquito
<table align="center" width="65%" border="0"><tr><td align="left">artist: Lucinda Williams
title: Live @ The Fillmore
year: 2005 (recorded in November 2003)
genre: Cosmic American Music
rip: EAC - cue - Monkey's Audio (normal)
size: 740 Mb (2 cds)
some links: official site - fansite - fansite 2
the record:
Lucinda Williams - Live @ The Fillmore (EAC-ape-cover).rar </td></tr></table><table width="75%" align="center" border="0" cellpadding="3"><tr><td align="left" colspan="2" align="center">Personnel: Lucinda Williams (vocals, acoustic guitar, electric guitar); Doug Pettibone (guitar, lap steel guitar, pedal steel guitar, mandolin, harmonica, background vocals); Jim Christie (keyboards, drums, percussion); Taras Prodaniuk (bass guitar, background vocals). Producers: Lucinda Williams; Taras Prodaniuk.</td></tr><tr><td align="left" width="30%">cd1
1. Ventura
2. Reason To Cry
3. Fruits Of My Labor
4. Out Of Touch
5. Sweet Side
6. Lonely Girls
7. Overtime
8. Blue
9. Change The Locks
10. Atonement
cd2
1. I Lost It
2. Pineola
3. Righteously
4. Joy
5. Essence
6. Real Live Bleeding Fingers And Broken Guitar Strings
7. Are You Down
8. Those Three Days
9. American Dream
10. World Without Tears
11. Bus To Baton Rouge
12. Words Fell </td><td align="justify">AMG review
Lucinda Williams has earned a reputation for her meticulous approach to making albums, but a careful listen to her work suggests that she isn't trying to make her music sound perfect, she just wants it to sound right, and she isn't afraid to spend the extra time waiting for the charmed moment to get caught on tape. This attitude seems to be borne out in her first-ever concert album, Live @ The Fillmore, which manages to sound carefully considered, and a model of "warts and all" authenticity at the same time. Recorded during a three-night stand in San Francisco, the album captures Williams' band in superb form -- Doug Pettibone's guitars, Taras Prodaniuk's bass, and Jim Christie's drums merge into a tight and emphatic groove machine that can match Williams's many moods, whether she's quietly contemplative on "Blue," rocking out hard on "Changed the Locks," or howling the blues on "Essence," while the deeply resonant recording and mix gives them the royal treatment. Williams herself is a slightly more complicated matter here -- her performance is deeply into the spirit, so much so that sometimes her melismatic wanderings and broad phrasing sound like they're verging on caricature. But this is clearly a recording of a performance, and by the time we get to the end of disc two, the broad strokes have coalesced into something quite remarkable; as Williams searches through the nooks and crannies of her songs, you sense she's discovering things that she didn't expect to find, and it's a tremendous thing to hear. Lucinda Williams is an artist who writes from her soul, and she's thoroughly unafraid of letting her passion show when she sings. If that makes for strained technique, it also results in very real art, and this album offers a privileged glimpse of a singular songwriter in full flight.
Mark Denning</td></tr></table>
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el_salmonete
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A mi edad, no demasiado avanzada pero son treinta años, aquella frase de que las chicas buenas van al cielo y las malas a todas partes no parece sino una tontería. Pues uno escucha esta colección de sencillos de los Rolling Stones y se lo cree.
Para los escépticos, para los que no hayan sido seducidos aún por tamaña profanación de los más contagiosos himnos pantanosos de ojos azules. A ver si consigo enderezar la dudosa senda emprendida por nuestro samurai favorito.
-(Por cierto, se nos ha muerto Gene Pitney. Descansemos en paz.)
Rolling.Stones.=Singles.Collection.The.London.Years=3CD.(SharElita.com).rar
Información sobre el disco en allmusic.com
Para los escépticos, para los que no hayan sido seducidos aún por tamaña profanación de los más contagiosos himnos pantanosos de ojos azules. A ver si consigo enderezar la dudosa senda emprendida por nuestro samurai favorito.
-(Por cierto, se nos ha muerto Gene Pitney. Descansemos en paz.)Rolling.Stones.=Singles.Collection.The.London.Years=3CD.(SharElita.com).rar Información sobre el disco en allmusic.com
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Takeshi_Shimura
- Mensajes: 2846
- Registrado: Jue 04 Mar, 2004 01:00
- Ubicación: tied to this table right here
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el_salmonete
- Mensajes: 1468
- Registrado: Sab 16 Abr, 2005 02:00
- Ubicación: Mar de los Sargazos, a más de mil millas del continente
- Contactar:
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elPadrino
- Mensajes: 3151
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- Ubicación: esperando el rescate por la liberación de Ademola
- Contactar:
Acabo de encontrar por fin una release del We Shall Overcome: The Seeger Sessions' de Springsteen.
Bruce Springsteen - We Shall Overcome The Seeger Sessions (Advance 2006) - Rock By FEFE2003.rar
Saludos, nos vemos en Badalona
Bruce Springsteen - We Shall Overcome The Seeger Sessions (Advance 2006) - Rock By FEFE2003.rar Saludos, nos vemos en Badalona
Si estás interesado en un OFR dilo en el hilo correspondiente, por favor.
No esperes que alguien lo haga por tí
No esperes que alguien lo haga por tí
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Takeshi_Shimura
- Mensajes: 2846
- Registrado: Jue 04 Mar, 2004 01:00
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publicado por Oiseau en HQshare.net
Artist: Bettye Lavette
Album: A Woman Like Me
Released: 2003
Source: Blues Express
Genre: Soul / Blues / R&B
Info: http://www.bettyelavette.com/
Format: EAC-APE-CUE-Scans, 369 MB
Review:
"I can feel the pain, Lord, it's raining in my heart," Bettye Lavette howls on "The Forecast," and it sounds like it. On this stunning comeback — her first American release in over 20 years — the feisty soul singer rips through an hour of music with the pent-up hunger of a caged tiger at feeding time. Helped immeasurably by producer/songwriter Dennis Walker, best known for his breakout work with Robert Cray, Lavette moans, screams, shouts, pleads, and growls her way through a dozen tracks that'll leave even the most jaded R&B fan begging for more. One of the casualties of music biz politics, Lavette has a style that has only sharpened with age. In her mid-fifties at the time of this recording, the singer has a husky voice that tears at the edges, adding deeper emotion. Although the production leans toward the slick side, it leaves room for the singer to dominate each track. Walker, who wrote or co-wrote nine of these tunes, provides heart-tugging yet defiant material perfect for Lavette's take-no-prisoners approach. The singer plays the part of the scorned, aggressive woman, left behind but strong enough to know she's better off without that no-good scoundrel. Song tiles such as "Salt in My Wounds," "Serves Him Right," and "It Ain't Worth It After a While" tell the story without having to hear a lyric. Lavette squeezes every ounce of emotion from this material, lashing into it with a barely contained explosive delight. Like a stage actress, she builds up the tension gradually until igniting in a shower of yelps and repeated phrases similar to Otis Redding at his most impassioned. This is a powerful album — moving, intense, and honest — from an artist desperately making up for lost time. It's a success for everyone involved, and deserves to put Bettye Lavette back on American stages where she belongs (AMG)
It's hard to believe that a singer as great as Bettye Lavette, who has done a lot of recording since her first r 'n' b hit in l962, could be so little known in America. Maybe it's because until recently hardly any of her music was available on cd. Equally at home singing r 'n' b, blues, jazz and even rock, Bettye is the greatest unrecognized soul singer of the past forty years. Her vocal quality may remind you of Tina Turner or Mavis Staples and sometimes she sings like Ann Peebles or Etta James, but in the end she's an original, incredibly expressive and powerful.
This new album, her first American release since her l982 album on Motown, is a stone winner for anyone who likes classic soul music or soulful blues. Produced by Dennis Walker, who produced and wrote some of Robert Cray's greatest recordings, "A Woman Like Me" is a no-frills, straight-to-the-heart killer. The soul ballad, "Through The Winter" is incredibly moving, a song and performance worthy of Otis Redding's best. "Serves Him Right" may be the nastiest pay-back song you ever heard (lyric: "brotherman got bit by his own snake")laid over a Memphis groove; "Thinkin' Bout You" is a sexy mood piece, "It Ain't Worth It After Awhile" is a heart-rending jazzy torch song she closes out the album with a feisty blues she wrote herself.
There's not a weak track on the album, although the playing and arrangement on "Right Next Door", a tune recorded by Cray, is a little limp in comparison to her ferocious vocal. Throughout there's plenty of hot blues/rock guitar soloing from Alan Mirikanti. With this album, Bettye Lavette is the blues/soul discovery of the year (Amaz*n).
Track List:
01 Serves Him Right (4:19)
02 The Forecast (5:02)
03 Thru the Winter (5:49)
04 Right Next Door (4:30)
05 When the Blues Catch Up to You (4:44)
06 Thinkin' Bout You (4:59)
07 A Woman Like Me (5:53)
08 It Ain't Worth It After a While (5:21)
09 When a Woman's Had Enough (4:16)
10 Salt on My Wounds (4:39)
11 Close as I'll Get to Heaven (4:54)
12 Hey, Hey Baby (Bettye's Blues) (4:18)
-->Bettye Lavette - A Woman Like Me (EAC-APE-CUE-Scans) (HQShare.Net) .rar
Artist: Bettye Lavette
Album: A Woman Like Me
Released: 2003
Source: Blues Express
Genre: Soul / Blues / R&B
Info: http://www.bettyelavette.com/
Format: EAC-APE-CUE-Scans, 369 MB
Review:
"I can feel the pain, Lord, it's raining in my heart," Bettye Lavette howls on "The Forecast," and it sounds like it. On this stunning comeback — her first American release in over 20 years — the feisty soul singer rips through an hour of music with the pent-up hunger of a caged tiger at feeding time. Helped immeasurably by producer/songwriter Dennis Walker, best known for his breakout work with Robert Cray, Lavette moans, screams, shouts, pleads, and growls her way through a dozen tracks that'll leave even the most jaded R&B fan begging for more. One of the casualties of music biz politics, Lavette has a style that has only sharpened with age. In her mid-fifties at the time of this recording, the singer has a husky voice that tears at the edges, adding deeper emotion. Although the production leans toward the slick side, it leaves room for the singer to dominate each track. Walker, who wrote or co-wrote nine of these tunes, provides heart-tugging yet defiant material perfect for Lavette's take-no-prisoners approach. The singer plays the part of the scorned, aggressive woman, left behind but strong enough to know she's better off without that no-good scoundrel. Song tiles such as "Salt in My Wounds," "Serves Him Right," and "It Ain't Worth It After a While" tell the story without having to hear a lyric. Lavette squeezes every ounce of emotion from this material, lashing into it with a barely contained explosive delight. Like a stage actress, she builds up the tension gradually until igniting in a shower of yelps and repeated phrases similar to Otis Redding at his most impassioned. This is a powerful album — moving, intense, and honest — from an artist desperately making up for lost time. It's a success for everyone involved, and deserves to put Bettye Lavette back on American stages where she belongs (AMG)
It's hard to believe that a singer as great as Bettye Lavette, who has done a lot of recording since her first r 'n' b hit in l962, could be so little known in America. Maybe it's because until recently hardly any of her music was available on cd. Equally at home singing r 'n' b, blues, jazz and even rock, Bettye is the greatest unrecognized soul singer of the past forty years. Her vocal quality may remind you of Tina Turner or Mavis Staples and sometimes she sings like Ann Peebles or Etta James, but in the end she's an original, incredibly expressive and powerful.
This new album, her first American release since her l982 album on Motown, is a stone winner for anyone who likes classic soul music or soulful blues. Produced by Dennis Walker, who produced and wrote some of Robert Cray's greatest recordings, "A Woman Like Me" is a no-frills, straight-to-the-heart killer. The soul ballad, "Through The Winter" is incredibly moving, a song and performance worthy of Otis Redding's best. "Serves Him Right" may be the nastiest pay-back song you ever heard (lyric: "brotherman got bit by his own snake")laid over a Memphis groove; "Thinkin' Bout You" is a sexy mood piece, "It Ain't Worth It After Awhile" is a heart-rending jazzy torch song she closes out the album with a feisty blues she wrote herself.
There's not a weak track on the album, although the playing and arrangement on "Right Next Door", a tune recorded by Cray, is a little limp in comparison to her ferocious vocal. Throughout there's plenty of hot blues/rock guitar soloing from Alan Mirikanti. With this album, Bettye Lavette is the blues/soul discovery of the year (Amaz*n).
Track List:
01 Serves Him Right (4:19)
02 The Forecast (5:02)
03 Thru the Winter (5:49)
04 Right Next Door (4:30)
05 When the Blues Catch Up to You (4:44)
06 Thinkin' Bout You (4:59)
07 A Woman Like Me (5:53)
08 It Ain't Worth It After a While (5:21)
09 When a Woman's Had Enough (4:16)
10 Salt on My Wounds (4:39)
11 Close as I'll Get to Heaven (4:54)
12 Hey, Hey Baby (Bettye's Blues) (4:18)
-->
Bettye Lavette - A Woman Like Me (EAC-APE-CUE-Scans) (HQShare.Net) .rar 
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Morrissey21
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Lo he escuchado un par de veces y me parece un disco magnífico. Qué bien envejece este hombre.elPadrino escribió:Acabo de encontrar por fin una release del We Shall Overcome: The Seeger Sessions' de Springsteen.
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Takeshi_Shimura
- Mensajes: 2846
- Registrado: Jue 04 Mar, 2004 01:00
- Ubicación: tied to this table right here
pos si es tan bueno, lo será mejor en LOSSLESS:
Bruce 2006-The Seeger Sessions - Superorbim.rar
Y para discazo de madurez (70 lúcidos tacos) el último de Kris Kristofferson, This Old Road.
Bruce 2006-The Seeger Sessions - Superorbim.rar Y para discazo de madurez (70 lúcidos tacos) el último de Kris Kristofferson, This Old Road.
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elPadrino
- Mensajes: 3151
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Magnífico se queda corto. Qué ganas tengo de qeu llegue el 14 de Mayo. El concierto tiene pinta de ser una fiesta de principio a finMorrissey21 escribió:Lo he escuchado un par de veces y me parece un disco magnífico. Qué bien envejece este hombre.elPadrino escribió:Acabo de encontrar por fin una release del We Shall Overcome: The Seeger Sessions' de Springsteen.
Saludos
Si estás interesado en un OFR dilo en el hilo correspondiente, por favor.
No esperes que alguien lo haga por tí
No esperes que alguien lo haga por tí
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Teeninlove
- Mensajes: 1424
- Registrado: Dom 25 Jul, 2004 02:00
Otro clasico (posteado por moi en hqshare.net hace poco:
Stiv Bators - L.A. Confidential
Stiv Bators -2004 - L.A. Confidential (APE,CUE,Covers).rar
Saludos!
Stiv Bators - L.A. Confidential
Stiv Bators -2004 - L.A. Confidential (APE,CUE,Covers).rar Saludos!
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Teeninlove
- Mensajes: 1424
- Registrado: Dom 25 Jul, 2004 02:00