Rebecca
(Rebeca)
(USA, 1940) [B/N, 130 m.].
Género: Misterio, Thriller psicológico, Drama romántico, Drama gótico.
IMDb
Ficha técnica.
Dirección: Alfred Hitchcock.
Argumento: Daphne du Maurier (novela).
Guión: Robert E. Sherwood, Joan Harrison / Philip MacDonald, Michael Hogan (adaptación).
Fotografía: George Barnes (B&W).
Música: Franz Waxman.
Producción: David O. Selznick.
Productora: Selznick International Pictures.
Premios:
- 1940: 2 Oscars: Mejor película, fotografía. 11 nominaciones
Sinopsis: Al poco tiempo de perder a su esposa Rebeca, el aristócrata inglés Maxim De Winter conoce en Montecarlo a una joven humilde, dama de compañía de una señora americana. Poco después, De Winter y la joven se casan, y ambos van a la mansión inglesa de Manderley, residencia habitual de De Winter. Pronto la señora Winter se da cuenta de que no puede borrar en su marido el recuerdo de su difunta esposa. (FILMAFFINITY)
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Un prodigio de tensión narrativa y una colección de imágenes turbadoras, mágicas, que logran que es espectador sienta de manera palpable la presencia de un personajes siempre ausente. Una maravilla. (Miguel Ángel Palomo: Diario El País)
La sombra de ella.Una joven contrae matrimonio con un aristócrata y se translada a vivir a su mansión, Manderley, situada en Cornualles. Sin embargo, ahí continúa presente la sombra de Rebeca, la anterior mujer del millonario, fallecida en extrañas circunstancias.
El maestro del suspense, Alfred Hitchcock, fue contratado para su debut en Estados Unidos por el célebre productor David O. Selznick (Lo que el viento se llevó), para adaptar la novela de Daphne Du Maurier. Consiguió excelentes interpretaciones, en especial de Judith Anderson, como la siniestra ama de llaves. La película ganó dos Oscar, a la mejor película y fotografía (DeCine21).
AMG SYNOPSIS: Based on the novel by Daphne du Maurier, the classic psychological thriller Rebecca was Alfred Hitchcock's first American film. Joan Fontaine plays the unnamed narrator, a young woman who works as a companion to the well-to-do Mrs. Van Hopper (Florence Bates). She meets the wealthy widower Maxim de Winter (Laurence Olivier) in Monte Carlo, where they fall in love and get married. Maxim takes his new bride to Manderlay, a large country estate in Cornwall. However, the mansion's many servants refuse to accept her as the new lady of the house. They seem to be loyal to Maxim's first wife, Rebecca, who died under mysterious circumstances. Particularly cruel to her is the prim housekeeper Mrs. Danvers (Judith Anderson), who is obsessed with Rebecca. She continually attests to her beauty and virtues (referring to her as "the real Mrs. de Winter") and even preserves her former bedroom as a shrine. The new Mrs. de Winter is nearly driven to madness as she begins to doubt her relationship with her husband and the presence of Rebecca starts to haunt her. Eventually, an investigation leads to the revelation about Rebecca's true nature. Producer David O. Selznick had the final cut of the picture, which was drastically altered from Hitchcock's original vision. -- Andrea LeVasseur
AMG REVIEW: Producer David O. Selznick's 's second consecutive Best Picture (after the previous year's Gone With the Wind) and another enormously popular adaptation of a bestseller, this adaptation of DAPHNE DU MAURIER's novel was also the first American film directed by Alfred Hitchcock. Screenwriters Robert E. Sherwood and Joan Harrison recreated du Maurier's novel precisely, complete with the ideal casting of new star Laurence Olivier as brooding Maxim de Winter and insecure neophyte Joan Fontaine as his timid new bride. Rebecca displayed Hitchcock's unparalleled talent for ominous atmosphere, as he derived suspense from the clash between Fontaine and Judith Anderson's coldly sadistic, Rebecca-obsessed Mrs. Danvers. The elaborately appointed Manderley mansion became a character in itself, with Rebecca's expressively lit, diaphanously curtained bedroom, overlooking a suitably wild ocean, evoking her all-consuming absent presence. Selznick's and Hitchcock's attention to detail paid off with eleven Oscar nominations, including Best Director, Best Actor, Best Actress, and Best Supporting Actress, and it won the top prize as well as an award for George Barnes's cinematography. However, control freak Hitchcock took a break from control freak Selznick for his next film, Foreign Correspondent (1940). -- Lucia Bozzola
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Versión Criterion DVDRip VO+SE+AE 1,45Gb.
Publicada por rulle en FH.
Versión Criterion DVDRip VO+SE+AE 1,45Gb.
Publicada por rulle en FH.
Enlace:rulle, en [url=http://fileheaven.org/forum/viewtopic.php?t=70632]fileheaven[/url], escribió:Rebecca (1940) Alfred Hitchcock
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imdb (8.4/10)
“Last night, I dreamt I went to Manderley again.” Rebecca’s haunting opening line
conjures the entirety of Hitchcock’s romantic, suspenseful, elegant film. A young woman
(Joan Fontaine) believes her every dream has come true when her whirlwind romance with
the dashing Maxim de Winter culminates in marriage. But she soon realizes that Rebecca,
the late first Mrs. de Winter, haunts both the temperamental, brooding Maxim and the
de Winter mansion, Manderley. In order for Maxim and the new Mrs. de Winter to have a
future, Rebecca’s spell must be broken and the mystery of her violent death unraveled.
The first collaboration between producer David O. Selznick and Hitchcock, Rebecca was
adapted from Daphne du Maurier’s popular novel and won the 1940 Academy Award™ for
Best Picture and Cinematography (Black and White).
rebecca.1940.dvdrip.xvid.ac3-rulle.avi 
Subtítulos (inglés)):
rebecca.1940.dvdrip.xvid.ac3-rulle.7z Subtítulos (los subtítulos en español son gentileza de Shoo):
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Audio español sincronizado (procedente del DVDRip de FLaC):
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Ripeos previos en DXC:
Dual de FLaC en ogm
Dual de arteaga82 en MKV
Alfred Hitchcock (Director)
Un saludo.
Ripeos previos en DXC:
Dual de FLaC en ogm
Dual de arteaga82 en MKV
Alfred Hitchcock (Director)
Un saludo.
