"A watershed in Tarr's young career. . . an outstanding film" (Piers Handling, Toronto I.F.F.), the visually audacious, emotionally lacerating Almanac of Fall breaks away from the rough-edged realism of the director's first three features, if not from their cramped-apartment settings and painfully confrontational themes, and points to the mind-blowing formal rigour and high stylization of his subsequent Damnation and Satantango. Rendered in a richly expressive colour palette, elegant camera movement, and bizarre camera angles, this elaborately choreographed drama has five people -- an ageing woman, her son, her nurse, the nurse's lover, and the son's friend -- confined to a crumbling bourgeois apartment, where they quarrel, manoeuvre, form shifting alliances, and betray each other over money. The hot-house emotional climate has drawn comparisons to Strindberg, Cassavetes, and Bergman; the visual design -- contrapuntal, colour-coded lighting (blue-greys and orange reds), weird angles -- suggests Peter Greenaway and Raúl Ruiz. "[A] painful, scorching and unsettling image of Hungarian society. . . located in a sort of hellish limbo. . . this image of human desolation brought to its climax is truly frightening" (Variety). "Almanac of the Fall is a rivetting experience" (Jonathan Rosenbaum, Chicago Reader).
Húngaro con subtítulos incrustados en inglés.
Tamaño: 1023 MB
Duración: 02:00:00
Resolución: 512x352
Bitrate vídeo: 1096 kbps
Bitrate audio: 88 kbps
Códec: Xvid

Enlace:
autumn almanac-almanac of fall (bela tarr).avi 