Publicado: Vie 16 Abr, 2004 14:59
el amigo Jules acaba de colgar otra peli de Dusan Makavejev , versión original con subs en inglés
Man.Is.Not.A.Bird.1965.Dusan.Makavejev.VHS.DivX511.engsub.avi 
Covek nije tica
http://us.imdb.com/title/tt0059063/
Synopsis:
Scripted by the director, Man Is Not a Bird follows Jan (Janez Urhovec), an engineer who goes to work in a copper factory in eastern Serbia. He rents a room from the parents of sexy hairdresser Raika (Milena Dravic), with whom he has a passionate affair. The film intermingles fiction and documentary in its vivid location shooting — Jan’s copper factory is a real one — and striking interpolations such as what looks like an improvised scene with a smalltown circus that includes a hypnotist and snake eaters. Makavejev’s use of handheld camera deepens the viewer’s sense of engagement with what’s happening, from Jan’s award ceremony with what appears to be a cast of thousands of well-wishers, to the violent attack on Raika by her parents in their cramped apartment when they discover she’s been making it with their boarder. A motif seen frequently in his work is introduced here, the coupling, or contrast, of a monumental work of state-sponsored art (architecture, a giant poster) and the individual dwarfed, threatened, and in a sense consumed, by it. Man Is Not a Bird has been called a "cornerstone of Eastern European cinema," and the director’s "collage" method that pulls together disparate materials into a pleasurable whole, along with a strain of unabashed eroticism, validates that status. -- Gary Morris
Man.Is.Not.A.Bird.1965.Dusan.Makavejev.VHS.DivX511.engsub.avi Covek nije tica
http://us.imdb.com/title/tt0059063/
Synopsis:
Scripted by the director, Man Is Not a Bird follows Jan (Janez Urhovec), an engineer who goes to work in a copper factory in eastern Serbia. He rents a room from the parents of sexy hairdresser Raika (Milena Dravic), with whom he has a passionate affair. The film intermingles fiction and documentary in its vivid location shooting — Jan’s copper factory is a real one — and striking interpolations such as what looks like an improvised scene with a smalltown circus that includes a hypnotist and snake eaters. Makavejev’s use of handheld camera deepens the viewer’s sense of engagement with what’s happening, from Jan’s award ceremony with what appears to be a cast of thousands of well-wishers, to the violent attack on Raika by her parents in their cramped apartment when they discover she’s been making it with their boarder. A motif seen frequently in his work is introduced here, the coupling, or contrast, of a monumental work of state-sponsored art (architecture, a giant poster) and the individual dwarfed, threatened, and in a sense consumed, by it. Man Is Not a Bird has been called a "cornerstone of Eastern European cinema," and the director’s "collage" method that pulls together disparate materials into a pleasurable whole, along with a strain of unabashed eroticism, validates that status. -- Gary Morris