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Se hace un repaso cachondo a esas pelis reaganianas que todos hemos visto en algún momento u otro. (Y es bueno que sea cachondo, porque la única manera de verlas es tomándotelas a cachondeo.)
Yo he soltado unas cuantas risillas con los comentarios acerca de su flagrante homoerotismo (recomiendo especialmente las críticas de Commando y Top Gun, ésta ya desmenuzada en su momento por Tarantino ), pero también son divertidas las observaciones sobre el número de muertos y su inherente mensaje derechista.
Como aperitivo, os dejo esta anécdota que tiene como protas a Charles Bronson e... ¡¡¡Ingmar Bergman!!!
I have a favorite Charles Bronson story. Both Bronson and the Swedish director Ingmar Bergman had the same agent, Paul Kohner, and the same publicist, the legendary Ernie Anderson. When Bergman left Sweden in a well-publicized dispute with the tax authorities, he visited Los Angeles for the first time, and asked Kohner to arrange a visit to a studio.Bronson was making an action picture at the time, and Kohner assigned Anderson to arrange a meeting between the two clients. Anderson was hesitant, because Bronson sometimes kidded him: "I know this isn't a Bergman picture, but it may make a few bucks."After he introduced the two men, Bergman asked him to explain the scene he was doing. "This is the scene where I get shot," Bronson said. "I have these little squibs that explode to make it look like bullets are hitting.""Fascinating," said Bergman. "I never knew how they did that.""You mean," asked Bronson, "you don't use machine guns in your movies?"
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