Robert Aldrich [11/06/2006] (Director)

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Robert Aldrich [11/06/2006] (Director)

Mensaje por Coursodon » Dom 30 Oct, 2005 18:57

Robert Aldrich

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The critical reputation of Robert Aldrich, scion of the Eastern establishment and graduate of the best finishing schools in Hollywood, burst out of Europe with la politique des auteurs. As early as 1957, Aldrich became No. 7 of the "Les Grands Créateurs du Cinéma" series of director monographs published by the Belgian Club du Livre du Cinéma, which followed studies of Robert Bresson, John Huston, Jean Renoir, Vittorio De Sica, Luis Buñuel, and Marcel Carné. This was certainly heady company for a new American director, not yet forty years old. Aldrich's relatives included politicians and bankers - the Rockefellers were both - but the first and last favor he asked from any of them was when an uncle at Chase Bank helped him get his first job as a production clerk at RKO. From there he progressed through the ranks of assistant directors and graduated to directing television in the early 1950s. Although a lifelong liberal and the co-worker of many blacklistees, Aldrich's only brief period as persona non grata in Hollywood was because of a disagreement with Harry Cohn on the Columbia project The Garment Jungle (1957). Aldrich was active in the Directors Guild of America throughout his career and ultimately served as its president, overseeing the negotiation of a break-through contract in terms of creative rights in 1978. Ironically for a director seldom regarded as an artist by American critics, Aldrich's union activism on behalf of directors' prerogatives alienated studio heads and cost him work at the end of his career.

If there is a core to Aldrich's worldview as expressed over the course of thirty feature films, it would simply be the oft-confessed proclivity for "turning things upside down." Aldrich conforms to the traditional narrative requirements of heroes and villains, but within that he often skirts the issue of good and evil in favor of personal codes and moralities. "He didn't divide the world up into good and evil," Abraham Polonsky said of Aldrich, "he didn't see it that simply. He found himself as someone who knew that his idea of himself was why he existed; and that his self-esteem and respect for himself could never be jeopardized by any compromise that involved that deep portion of himself." (2)

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Perhaps the best example of this process is Aldrich's adaptation of Kiss Me Deadly (1955). A quest for the Grail, in the sense that social historian Mike Davis describes as "that great anti-myth usually known as noir," (3) Kiss Me Deadly is equally what Borde and Chaumeton call a "dark and fascinating close" (4) to the noir era, whose main character is an "anti-Galahad" in search of his "great whatsit." This tension between myth and anti-myth, between hero and anti-hero, is the key to Aldrich's work. Hammer is a radically different character than many who preceded and followed him in Aldrich's work, equally unlike the defiant warrior Massai in Apache (1954) and the tormented Charlie Castle in The Big Knife (1955). But all these characters inhabit the same cinematic milieu, a world where men's greed for land, money and power challenge the individual to survive. "I guess you have a weakness for a certain kind of character," Aldrich readily admitted; "It's the same character in a number of pictures that keeps reappearing, characters that are bigger than life, that find their own integrity in doing what they do the way they do it, even if it causes their own deaths." (5) Although they are culturally quite different, both Massai and Charlie Castle appealed to Aldrich because of their idealistic struggle. As supporting characters remark, Massai cannot give up his fight and Charlie cannot sustain his; both are fatally imperiled by "doing what they do the way they do it." From Aldrich's earliest work, cynicism and idealism combined to create violent, angst-ridden outbursts of existential despair. Little wonder that such a thematic outlook should give Aldrich a cutting edge status with European observers. As a filmmaker, Aldrich always came straight on, usually with more visual style than Ray, more raw energy than Fuller, and more social consciousness than Losey.

Aldrich's films concentrate on the most basic situation: man attempting to survive in a hostile universe. Like most filmmakers, Aldrich uses and reuses such general devices as narrative tension between subjective and objective viewpoints and the frustration or fulfillment of the audience's genre expectations. In order to survive, certain Aldrich heroes can be more consistently vicious, self-centered and cynical than any villain. Christina's assessment of Hammer - "You're the kind of person that has only one true love: you" - in Kiss Me Deadly is echoed in the admission by Zarkan in The Legend of Lylah Clare (1968): "I'm not sick, I'm in love...with me." Others like Massai in Apache, Joe Costa in Attack! (1956), and Phil Gaines in Hustle (1975) are driven by an irreducible and essentially idealistic personal code. In following it, their behavior becomes even more extreme than either Hammer's or Zarkan's. Characters who are in narrative terms antagonists, like Joe Erin in Vera Cruz (1954) and Karl Wirtz in Ten Seconds to Hell (1959), reflect on and try to explain their compulsive destructiveness by telling essentially the same story: learning from and eventually murdering a father figure who had taught them to look out for number one.

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In films such as these, the presence of a ruthless pragmatism in one of the two principals would normally promise a clear-cut alignment into hero and villain, into Erin versus Ben Trane, Wirtz versus Eric Koertner, black versus white. The actual result is ambiguous. Each film is less than absolute in its definition of a moral man yet is absolute in its definition of morality. In Vera Cruz and Ten Seconds to Hell, the protagonist does finally defeat the antagonist; but the triumph is more societal than personal. In The Flight of the Phoenix (1966) and Too Late the Hero (1970), the moral distinctions among the members of a group are so finely drawn that the chance or haphazard manner deciding which of them live and which die constitutes the pervasive irony of the films. As Major Reisman counsels the prisoner Wladislaw early in The Dirty Dozen (1967), innocence or guilt, reward or condemnation, are purely matters of circumstance. "You only made one mistake," he says, pausing by the cell door and grinning back at the man sentenced to death, "you let somebody see you do it."

In this sense, Aldrich is a rigorous determinist. His fables about bands of outsiders remain remarkably consistent across generic lines. Attack!, Ten Seconds to Hell, The Flight of the Phoenix, The Dirty Dozen, Too Late the Hero, Ulzana's Raid (1972), The Longest Yard (1974), and Twilight's Last Gleaming (1977), adventure films, war films, and Westerns - all isolate a group of men in a specific, self-contained and threatening universe. The core plots are diverse: soldiers behind enemy lines; a bomb disposal unit in post-World War II Berlin; passengers on a plane down in the Sahara; inmates of a prison; ex-convicts in a missile silo. Yet in each situation, the characters undergo the same, inexorable moral reduction. And often both the idealists and the cynics - the social extremists - perish.

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Usually, these conflicts are between men and nature and between men and other men. All three war films as well as The Flight of the Phoenix and Ulzana's Raid have effectively no women characters at all. In The Longest Yard and The Choirboys (1977), the restricted perspective of convicts and cops respectively reduces women to objects, and unattractive ones at that. In the few films that do focus entirely on them, The Killing of Sister George (1968), What Ever Happened To Baby Jane? (1962) or Hush...Hush, Sweet Charlotte (1964), many of the women are deviate or psychotic. Notably, Baby Jane and Sister George are performers, personas behind which some women retreat in a male-dominated society. Even more notably, Frennessey in World for Ransom (1954) and the title character in The Legend of Lylah Clare are also performers and bisexuals. For both, Lesbianism is an alternative to the men who love them obsessively and want desperately to control their behavior. The societal assumptions which make relationships between men and women so difficult are most clearly addressed - and left unresolved - in Hustle. The man is too alienated to make a commitment; the woman is forced to separate sex from love by working as a prostitute. For Aldrich, the gender of his protagonists was less important than their struggle: a film is only "'masculine' in the sense that it was done by a majority of masculine players. In theory, it was supposed to be metaphorical. In practice, it wasn't that important." (6) Beyond Westerns and war films, Aldrich's films have a generic breadth matched by few other filmmakers. Aldrich's work ranges widely from the self-described "classy soap opera" Autumn Leaves (1956) to the "sex and sand epic" Sodom and Gomorrah (1963) to the "desperately important" political thriller Twilight's Last Gleaming. In between, there are a few comedies and several noir films, as well as the occasional psychological melodrama and the neo-Gothic. There are prison pictures, cop pictures, sports pictures, and pictures about people who make pictures. The interior consistency of theme and style in Aldrich's films resists classification according to genre. Erin and Wirtz recount their twisted, nearly identical histories in the context of an adventure Western and a return-from-the-war melodrama respectively. Zarkan is a retired film director, Hammer is a private detective: yet their self-love, their egocentric disdain for the lives and feelings of others, and their inability to rectify this attitude even when presented with second chances are traits which mark them as sibling personalities from radically different genre backgrounds.

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Aldrich's visualization also transcends the conventions of genre. Strong side lighting, the camera placed in an unusually high or low position, foreground clutter, and staging in depth appear as frequently in his Westerns, war pictures, neo-Gothic thrillers, even in his television work, not just where they might be expected in a '50s film noir like Kiss Me Deadly or the richly colored frames of a Hollywood melodrama like The Legend of Lylah Clare. Transmuting and expressing in sensory terms the physical and emotional make-up of the situation, of the characters caught in these frames, remains the basic dynamic of an Aldrich picture regardless of genre. Aldrich's camera may capture a figure crouching behind a lamp, like Charlie Castle in The Big Knife, or lurking at the edge of a pool of light, like Lily Carver in Kiss Me Deadly. Grimacing faces or dark objects will suddenly intrude into the foreground of medium long shots, disturbing previously flaccid compositions, possibly in anticipation of a violent turn in plot events. Recurring high angle medium shots peer down from behind ceiling ventilators in every type of film, World for Ransom, The Angry Hills (1959), Hush...Hush, Sweet Charlotte, and Too Late The Hero, so that the dark blades slowly rotating above the characters' heads become an ominous shorthand for the tension whirring incessantly inside them. Conversely, the hissing sound of man's life leaking out in Kiss Me Deadly or a postmortem burst of gunfire in Attack! become objective correlatives to the dissipation of the audience's tension. In a subjective manner, the characters sometimes "choose" to situate themselves within the frame. For the guilt-ridden Charles Castle, the lamps about the room have a symbolic value which unconsciously draw him back to them again and again. Or characters may be placed objectively: Lily Carver at the edge of the light in Kiss Me Deadly is simultaneously in a figurative darkness appropriate to her mental state.

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Even an off-beat, particular icon, such as a ceiling fan, can become a variable metaphor. In World for Ransom the slowly turning overhead blades in the room where Mike Callahan is interrogated by an underworld figure are not only a distracting influence at the frame's center but cast multiple shadows on the surrounding walls. This de-focuses the reading of the shot away from the human figures to create a visual confusion equivalent to Callahan's mixed emotions. In The Angry Hills, a crane down to eye level from an opening position behind a similar fan diminishes the object's importance as a distraction and suggests an unwinding, an impending détente rather than a knotting up of plot events. In both these pictures, Aldrich adapts the photographic styles of film noir to make specific visual statements about characters and events. In Callahan's initial movements through the somber streets, alleys, and stairwells of Singapore, angle and editing shift the wedges of light and the dim boundaries of narrow passageways as if he were traveling through a dark maze, anticipating for the audience the uncertainty of his actual, emotional condition. From early films as narratively diverse as Attack!, Autumn Leaves and The Angry Hills, Aldrich's characteristic low light and side light cast long shadows on interior walls and floors and form rectangular blocks to give the frame a severe, constricting geometry which can symbolise the director's moral determinism.

While Aldrich's definition of milieu may be superficially realist - must be so, in fact, as the overall context of the films themselves is superficially realist - selection of detail is the most readily applicable method by which figurative meaning may be injected. In The Legend of Lylah Clare, the contrast between Barney Sheean's office and Lewis Zarkan's home, between autographed black and white photos of various stars on the walls and lustrous oil paintings of Lylah, between evenly distributed fluorescent light on flat white surfaces and candelabras glistening off the broken texture of wood paneling - all this is not merely a contrast of setting, but of sensibility as well. Both are established within a stylised conception of "producer's office" and "director's home" that is ambivalent, being both serious and satirical, descriptive and analytical. Subject/object split when viewing reality, genre preconceptions, and sensory input are all in play. Decor and camera angle inform character, character affects angle and decor; and the recognition of type reconciles or estranges the audience to the aptness or inaptness of these interactions.

If there is an indisputable cynicism in Aldrich's presentation of figures like Zarkan and Sheean, it is bifocal, acting as both authorial opinion and authorial conjecture of what the world's opinion of such men might be. If there is any vulgarity in the way they are presented, it is less a formal deficiency than an appropriate reflection of the lifestyle in which they are trapped. Ultimately, characterization and caricature, like all of Aldrich's thematic and stylistic components, refocus on the basic question: survival.

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In Hustle, Lt. Phil Gaines' partner remarks as the two watch pornographic home movies featuring a suicide victim that her action was rash because "her survival wasn't threatened." Gaines's reply is: "It depends on how you define survival." Reflecting this personal belief, Aldrich's judgment of Ben Trane or Eric Koertner, of Zarkan or Joe Costa is more severe than the judgment he passes on characters less idealistic or with less sense of honor. The former are foolish enough to place their faith in societal institutions, which collapse around them or betray them. They repress personal values for the vaguely postulated good of society at large; their disillusionment and sometimes fatal alienation is the price that must be paid. Not that the "mealy-mouthed" compromisers from the self-immolating Charlie Castle to the craven Captain Cooney in Attack! fare any better. Aldrich and most of his heroes are caught in a dichotomy between natural and artificial, between chaotic and ordered, between instinctual and institutionalised conduct that impels the unaware or unprepared into indecision and that can short-circuit a saving or creative act into an impotent or deadly one. The ending of Ten Seconds to Hell is a montage of the introductory close-ups of the men of the unit intercut with shots of the rebuilt city. A quick reading might be that those who died did so meaningfully, for a reconstructive purpose. The conclusion of Ten Seconds to Hell is echoed in The Dirty Dozen which uses similar shots of the commando unit at the dinner celebration before the mission that will kill most of them. The same reiteration of the "male unit" takes place in the end credits of The Choirboys.

"What really gets you is the idea that maybe you're wrong" is the accusation aimed at Frank Towns in The Flight of the Phoenix. It could be hurled at many other Aldrich heroes as well. Trane and Koertner, Towns and Lt. DeBuin in Ulzana's Raid survive their mistakes and misjudgments. For others, the rectification of error comes too late. For none is it easily accomplished. Being wrong is not a moral deficiency in Aldrich's work. It neither mitigates nor insures salvation. What it does is make the "offenders" into outsiders, because, as Reisman tells Wladislaw, it is getting caught, not being wrong, that creates the violation of acceptable social conduct. When circumstances put the protagonist in an untenable situation, any solution is permitted. What separates the amoral Hammer from the self-righteous Costa are not just personal codes of conduct. Each protagonist also has an experiential notion of how society will react to his behavior, whether it will validate or condemn it. That is what separates Reisman from Wladislaw.

"Pilot error" is what Frank Towns ultimately enters into his log as the cause of the crash in Flight of the Phoenix. Most of Aldrich's films, in their own genre contexts and particular plots, are explorations of the infrastructure of error. What each makes progressively clearer is the conditional limitations of attributing blame. A frustrated Towns takes solace in his bitter and defensive accusations of Moran: "If you hadn't made a career of being a drunk, if you hadn't stayed in your bunk to have that last bottle, you might have checked that engineer's report and we might not be here." Blaming another gives way gradually to the resignation of Fenner in The Grissom Gang (1971), McIntosh in Ulzana's Raid, or Crewe in The Longest Yard. Some early characters like Koertner anticipate the grim assessment of McIntosh in Ulzana's Raid: "Ain't no sense hating the Apaches for killing, Lieutenant. That'd be like hating the desert 'cause there ain't no water on it." This is a conscious expression of the capricious causality at work in Aldrich's pictures. For the reasons for the crash in the Sahara in The Flight of the Phoenix are as arbitrary, as free of pure causality, as the military assignments in Too Late the Hero or Ulzana's Raid.

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From Mike Callahan's rejection by the perverse and aptly named Frennessey in World for Ransom through the fatalistic freeze-frames at the end of The Legend of Lylah Clare and The Grissom Gang to Gaines's offhanded death in Hustle, the one constant in Aldrich's work is that ultimately no one is untouched by the savagery of the surrounding world. For those who expose the more visceral layers of their psyche to it, the risk is intensified. It is not merely annihilation but also, what may be worse, a descent into an unfulfilled, insensate existence. If, in the final analysis, Aldrich's sympathy resides most with individuals who are anti-authoritarian, with anti-heroes like Reisman in The Dirty Dozen or Crewe in The Longest Yard, it resides there because these are persons who survive. They survive by resolving all the conflicting impulses of nature and society, of real and ideal, of right and wrong, in and through action.

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1. Aldrich quoted in David Sterritt, "Films." Los Angeles Herald-Examiner, California Living Magazine, May 30, 1976, p. 4.

2. Abraham Polonsky speaking at the Directors Guild of America memorial for Aldrich, December 7, 1983.

3. Mike Davis, City of Quartz. New York: Vintage, 1992, p. 37.

4. Raymond Borde and Étienne Chaumeton, Panorama du Film Noir Américain, Paris: Éditions de Minuit, 1983, p. 277.

5. Pierre Sauvage, "Aldrich Interview." Movie, Winter, 1976-1977, p. 55.

6. Harry Ringel, "Up to Date with Robert Aldrich." Sight and Sound, Summer, 1974, p. 167.

http://www.sensesofcinema.com/contents/ ... drich.html

Robert Aldrich by Alan Silver
Última edición por Coursodon el Dom 11 Jun, 2006 16:03, editado 1 vez en total.

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Coursodon
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Mensaje por Coursodon » Dom 30 Oct, 2005 18:57

"Four Star Playhouse"Star Performance (USA)195230'
Tay Garnett, Robert Aldrich

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This show featured four rotating stars, Charles Boyer, David Niven, Ida Lupino and Dick Powell in individual episodes consisting of everything from comedy to drama.


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"The Doctor"195230'
Warner Anderson (as Host)

Warner Anderson seldom acted in any of the episodes of this medical anthology, which were mostly concerned with emotional problems; he always presented the stories and provided commentary after their presentation.



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Big Leaguer195371'
Edward G. Robinson (as John B. 'Hans' Lobert), Vera-Ellen (as Christy), Jeff Richards (as Adam Polachuk), Richard Jaeckel (as Bobby Bronson), William Campbell (as Julie Davis), Carl Hubbell (as Himself), Paul Langton (as Brian McLennan), Lalo Rios (as Chuy Aguilar), Bill Crandall (as Tippy Mitchell), Frank Ferguson (as Wally Mitchell), John McKee (as Dale Alexander), Mario Siletti (as Mr. Polachuk), Al Campanis (as Himself), Bob Trocolor (as Himself), Tony Ravis (as Himself)

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Vera CruzVeracruz195494'
Gary Cooper (as Benjamin Trane), Burt Lancaster (as Joe Erin), Denise Darcel (as Countess Marie Duvarre), Cesar Romero (as Marquis Henri de Labordere), Sara Montiel (as Nina (as Sarita Montiel)), George Macready (as Emperor Maximillian), Ernest Borgnine (as Donnegan), Morris Ankrum (as General Ramírez), Henry Brandon (as Capt. Danette), Charles Bronson (as Pittsburgh (as Charles Buchinsky)), Jack Lambert (as Charlie), Jack Elam (as Tex), James McCallion (as Little-Bit), James Seay (as Abilene), Archie Savage (as Ballard)

Un antiguo combatiente confederado se traslada a México con la intención de poner sus conocimientos militares al servicio del mejor postor en la revolución; no será el único norteamericano allí.



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ApacheApache195491'
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World for Ransom195482'
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The Big KnifeEl Gran Cuchillo1955111'
Jack Palance (as Charles Castle), Ida Lupino (as Marion Castle), Wendell Corey (as Smiley Coy), Jean Hagen (as Connie Bliss), Rod Steiger (as Stanley Shriner Hoff), Shelley Winters (as Dixie Evans), Ilka Chase (as Patty Benedict), Everett Sloane (as Nat Danziger), Wesley Addy (as Horatio "Hank" Teagle), Paul Langton (as Buddy Bliss), Nick Dennis (as Mickey Feeney), Bill Walker (as Russell), Michael Winkelman (as Billy Castle (as Mike Winkelman))

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AttackAttack1956107'
Jack Palance (as Lt. Joe Costa, Fox Co.), Eddie Albert (as Capt. Erskine Cooney, CO, Fox Co.), Lee Marvin (as Lt. Col. Clyde Bartlett, CO, White Battalion), Robert Strauss (as Pfc. Bernstein), Richard Jaeckel (as Pvt. Snowden), Buddy Ebsen (as Sfc. Tolliver, Fox Co.), Jon Shepodd (as Cpl. John Jackson, Fox Co. (communications)), Peter van Eyck (as SS Captain), James Goodwin (as Pfc. Ricks (as Jimmy Goodwin)), Steven Geray (as Otto, German NCO), Jud Taylor (as Pvt. Jacob R. Abramowitz (radioman) (as Judson Taylor)), Louis Mercier (as Brouise (French blacksmith)), Henry Rowland (as German with Binoculars), Holly Bane (as Soldier with binoculars (as Mike Ragan)), Ron McNeil (as Pfc. Jones)

Diciembre de 1944, los rumores se suceden entre los fatigados soldados de la compañía Fragile Fox: se les va a enviar a la retaguardia. Pero estos rumores desaparecen cuando los ataques se acercan y los alemanes desencadenan por sorpresa un contraataque salvaje. La Batalla de Bulge está en marcha.



IMDb Culturalia DIvXClásico
Enlace DXC: DIvXClásico
Attack (Ataque) (1956) by Minyatur-DVDRip - (Spanish-English).avi

Attack (7 Languages Subtitles) by Minyatur.zip

Enlaces encontrados en eMule:
attack.1956.robert.aldrich.xvid-vigilante.avi

Subtítulos encontrados en eMule:
Attack.(1956).DVDRip.-.ViGiLANTE.srt.srt

Subtítulos Descarga Directa English:
Subtítulos Descarga Directa English por ShooCat

Subtítulos Descarga Directa English Hearing Impaired por ShooCat

Subtítulos Descarga Directa English por TheWildBunch22

Subtítulos Descarga Directa Español:
Subtítulos Descarga Directa Español por ShooCat

Subtítulos Descarga Directa Español por Marlowe62 (para el DVDRip de Vigilante)

Subtítulos Descarga Directa Español por Muninn

Subtítulos Descarga Directa Español por Muninn
English

The Garment JungleGarment Center (USA)195788'
Lee J. Cobb (as Walter Mitchell), Kerwin Mathews (as Alan Mitchell), Gia Scala (as Theresa Renata), Richard Boone (as Artie Ravidge), Valerie French (as Lee Hackett), Robert Loggia (as Tulio Renata), Joseph Wiseman (as George Kovan), Harold J. Stone (as Tony), Adam Williams (as Ox), Wesley Addy (as Mr. Paul), Willis Bouchey (as Dave Bronson), Robert Ellenstein (as Fred Kenner), Celia Lovsky (as Tulio's mother), Suzanne Alexander (as Joanne), Dick Crockett (as Miller), Diane DeLaire (as High Fashion Model), Ellie Kent (as Stephanie), Jon Shepodd (as Alredi), Jud Taylor (as Latzo), Dale Van Sickel (as Helper)



IMDb
No hay enlaces disponiblesEnglish

The Angry HillsTraición En Atenas1959105'
Robert Mitchum (as Mike Morrison), Stanley Baker (as Conrad Heisler), Elisabeth Müller (as Lisa Kyriakides (as Elisabeth Mueller)), Gia Scala (as Eleftheria), Theodore Bikel (as Dimitrios Tassos), Sebastian Cabot (as Chesney), Peter Illing (as Leonides), Leslie Phillips (as Ray Taylor), Donald Wolfit (as Dr. Stergion), Marius Goring (as Col. Elrick Oberg), Jocelyn Lane (as Maria Tassos (as Jackie Lane)), Kieron Moore (as Andreas), George Pastell (as Papa Panos), Patrick Jordan (as Bluey), Marita Constantinou (as Cleopatra)

Un periodista americano afincado en Grecia durante la Segunda Guerra Mundial vende información al servicio de Inteligencia Británico. Los nazis le persiguen por Europa cuando descubren sus actividades.


IMDb Culturalia
Enlaces encontrados en eMule:
Robert Mitchum - The Angry Hills (1959).avi

The Angry Hills (1959 - Robert Mitchum, Stanley Baker) @dap-jsTVcap@.avi


English

"Adventures in Paradise"195960'
Robert Aldrich (episode "The Black Pearl") (episode "Safari at Sea")

Gardner McKay (as Capt. Adam Troy (1959-1962)), Weaver Levy (as Oliver Lee (1959-1961)), Linda Lawson (as Renee (1960-1961)), Henry Slate (as Bulldog Lovey (1960-1961)), James Holden (as Clay Baker (1960-1962)), George Tobias (as Trader Penrose (1959-1961)), Sondi Sodsai (as Sondi (1960-1961)), Lani Kai (as Kelly (1960-1962)), Guy Stockwell (as Chris Parker (1961-1962)), Marcel Hillaire (as Inspector Bouchard (1961-1962))

Adam Troy was an American Korean War veteran who stayed in the Pacific after the war. As captain of the schooner "Tiki III", Troy drifted from adventure to adventure while carrying passengers and cargo anywhere from Hong Kong to Pitcairn Island. His original partner was Chinese-American Oliver Lee, and he was assisted by first mates Clay Baker and later Chris Parker.

IMDb
No hay enlaces disponibles

English

Ten Seconds to HellThe Phoenix195993'
Jack Palance (as Erik Koertner), Jeff Chandler (as Karl Wirtz), Martine Carol (as Margot Hofer), Robert Cornthwaite (as Franz Loeffler), Virginia Baker (as Frau Bauer), Richard Wattis (as Major Haven), Wesley Addy (as Wolfgang Sulke), Dave Willock (as Peter Tillig), James Goodwin (as Hans Globke (as Jimmy Goodwin)), Nancy Lee (as Ruth Sulke), Charles Nolte (as Doctor)

At the end of the Second World War six German ex-soldiers return to Berlin and set up as a bomb disposal group. The pressure of the dangerous work starts to affect them, the more so as they have agreed to pool half their pay so that if only one survives he takes it all. Casualties and friction are inevitable, and having to handle British 1000lb bombs seems particularly bad news.



IMDb
No hay enlaces disponiblesEnglish

The Last SunsetEl Último Atardecer1961112'
Rock Hudson (as Dana Stribling), Kirk Douglas (as Brendan O'Malley), Dorothy Malone (as Belle Breckenridge), Joseph Cotten (as John Breckenridge), Carol Lynley (as Missy Breckenridge), Neville Brand (as Frank Hobbs), Regis Toomey (as Milton Wing), James Westmoreland (as Julesburg Kid (as Rad Fulton)), Adam Williams (as Calverton), Jack Elam (as Ed Hobbs), John Shay (as Bowman), José Frowe (as Man at Cock Fight), Margarito Luna (as Jose), José Torvay (as Rosario), Manuel Vergara 'Manver' (as Man at Cock Fight)

Un pistolero huye del hombre que pretende cazarle. Aunque ambos saben que, inevitablemente, habrán de enfrentarse en duelo, cada uno de ellos intenta aprender de la experiencia del otro.



IMDb CulturaliaDIvXClásico
Enlace DXC: DIvXClásico
El último atardecer (1961) (SATRip) XviD.MP3 (Español) por Marc27 para www.fdl.es.mn.avi
English

What Ever Happened to Baby Jane?¿Qué Fue De Baby Jane?1962134'
Bette Davis (as Baby Jane Hudson), Joan Crawford (as Blanche Hudson), Victor Buono (as Edwin Flagg), Wesley Addy (as Marty Mc Donald), Julie Allred (as Baby Jane Hudson, in 1917), Anne Barton (as Cora Hudson), Marjorie Bennett (as Dehlia Flagg), Bert Freed (as Ben Golden (as Robert Freed)), Anna Lee (as Mrs. Bates), Maidie Norman (as Elvira Stitt), Dave Willock (as Ray Hudson), William Aldrich, Russ Conway (as Police Officer), Maxine Cooper (as Bank teller), Robert Cornthwaite (as Dr. Shelby)

Dos estrellas infantiles de Hollywood ahora ya maduras, las hermanas Jane y Blanche Hudson, han tenido diferentes trayectorias artísticas. Mientras la primera al crecer fue olvidada por el público, la segunda consiguió labrarse una exitosa carrera. Tras un misterioso accidente de coche, Blanche queda postrada en una silla de ruedas al cuidado de su hermana Jane. Las dos actrices viven ahora retiradas el final de sus vidas, complaciéndose la una en atormentar a la otra, inválida.



IMDb CulturaliaDIvXClásico
Enlace DXC: DIvXClásico
¿Que fue de Baby Jane (VHS Rip)(Divx.5.0.5)(by.pqr).avi

Enlaces encontrados en eMule:
Whatever Happened to Baby Jane CD1.avi

Whatever.Happened.to.Baby.Jane.CD2.avi

Robert Aldrich - Whatever Happened To Baby Jane (1962).avi

Bette Davis, Joan Crawford - Whatever Happened To Baby Jane (1962).avi

what ever happened to Baby Jane.DVDRip.avi

Whatever.Happened.to.Baby.Jane.avi

Bette Davis & Debbie Burton-Whatever Happened To Baby Jane-1.mp3

Que Fue De Baby Jane.avi

%C2%BFQue fue de baby Jane - Robert Adrich 1962 dvd+vhsrip_spanish_by_isi.avi

_Que fue de Baby Jane - divxpro52.por.hammurabi.avi

_Que fue de Baby Jane - divxpro52.por.hammurabi.avi

Subtítulos encontrados en eMule:
Whatever happened to Baby Jane (1962).subs.EN.srt.rar

Whatever.Happened.to.Baby.Jane-2cds-ENGLISH.zip

What Ever Happened to Baby Jane- (1962) CD1.srt

What Ever Happened to Baby Jane- (1962) CD2.srt

What Ever Happened To Baby Jane CD1.eng.srt

What_Ever_Happened_to_Baby_Jane_(NAPiSY-67035).NS.zip

What_Ever_Happened_to_Baby_Jane_(NAPiSY-67053).NS.zip

Whatever Happened to Baby Jane 1962.sub

Whatever Happened To Baby Jane 1962Grand-RiPXviD.cd1.srt

Whatever happened to Baby Jane.srt

Qué fué de baby jane.cvcd.spanish.dvdrip.www.elitevcd.com.by.pepamuleitor.rar

Whatever.Happened.to.Baby.Jane.CD2.srt

Subtítulos Descarga Directa Español:
Subtítulos Descarga Directa Español por Aguijon

Subtítulos Descarga Directa Español por BushFascistBrute

Subtítulos Descarga Directa Englishl:
Subtítulos Descarga Directa Español por Kneginja
English

Sodom and GomorrahSodoma Y Gomorra1962154'
Stewart Granger, Pier Angeli, Stanley Baker, Anouk Aimée, Rossana Podestà, Rik Battaglia, Giacomo Rossi-Stuart, Scilla Gabel, Daniele Vargas, Feodor Chaliapin Jr., Gabriele Tinti, Claudia Mori, Vittorio Artesi, Antonio De Teffè, Liana Del Balzo, Enzo Fiermonte, Giovanna Galletti, Alice Kessler, Ellen Kessler, Emilio Messina, Roberto Messina, Primo Moroni, Mimmo Palmara, Massimo Pietrobon, Aldo Silvani, Andrea Tagliabue, Mitsuko Takara, Francesco Tensi

En Sodoma y Gomorra predomina la corrupción y la traición, mientras el pueblo hebreo vaga de unas tierras a otras buscando un lugar de pasto para poder asentarse y vivir en paz. Cuando llegan a la ciudad de Sodoma son recibidos por su soberana que les permite vivir en sus tierras a cambio de un dinero. Con Lot al frente de este pequeño pueblo, pronto las tierras darán su fruto.



IMDb CulturaliaDIvXClásicoDIvXClásico
Enlace DXC: DIvXClásico
Sodoma.y.Gomorra.(Robert.Aldrich,1962).DVDRip.Spanish.by_gelus.avi

Banda Sonora:
Miklos Rozsa - (1962) - Sodom And Gomorrah (-Lon-) Covers 192 Kbs.rar

Enlace DXC: DIvXClásico
Sodoma.y.Gomorra.(francoamapa-divxclasico).avi

Enlaces encontrados en eMule:
Sodoma y Gomorra.avi


Italian

4 for TexasCuatro tíos de Texas1963124'
Frank Sinatra (as Zack Thomas), Dean Martin (as Joe Jarrett), Anita Ekberg (as Elya Carlson), Ursula Andress (as Maxine Richter), Charles Bronson (as Matson), Victor Buono (as Harvey Burden (President, Galveston Savings & Trust)), Edric Connor (as Prince George (carriage driver)), Nick Dennis (as Angel), Richard Jaeckel (as Pete Mancini), Mike Mazurki (as Chad (Zack's bodyguard)), Wesley Addy (as Winthrop Trowbridge), Marjorie Bennett (as Miss Emmaline), Virginia Christine (as Elya Carlson's maid), Ellen Corby (as Widow), Jack Elam (as Dobie)

Frank Sinatra plays a tough guy who hooks up with fellow rat packer Dean Martin to open a casino in this western.



IMDbDIvXClásico
Enlace DXC: DIvXClásico

Película:
4 for Texas (1963) Cuatro Tios de Texas Dual (Eng-Spa) DVDRip by_gelus.avi

Subtítulos
4.for.Texas.Subtitle.zip

Enlaces encontrados en eMule:
4 For Texas - Frank Sinatra, Dean Martin, Charles Bronson - 1963 - Divx 4.1.2-97 Kbps).avi

Cuatro Tios de Texas.avi

Subtítulos encontrados en eMule:
4 for Texas (1963).Esp.srt

Subtítulos Descarga Directa English:
Subtítulos Descarga Directa English por Tosi

Subtítulos Descarga Directa English por Zitor

Subtítulos Descarga Directa Español:
Subtítulos Descarga Directa Español por Zitor
English

Hush... Hush, Sweet CharlotteCanción de Cuna para un Cadáver1964133'
Bette Davis (as Charlotte Hollis), Olivia de Havilland (as Miriam Deering), Joseph Cotten (as Dr. Drew Bayliss), Agnes Moorehead (as Velma Cruther), Cecil Kellaway (as Harry Willis), Victor Buono (as Samuel Eugene ("Big Sam") Hollis), Mary Astor (as Mrs. Jewel Mayhew), Wesley Addy (as Sheriff Luke Standish), William Campbell (as Paul Marchand), Bruce Dern (as John Mayhew), Frank Ferguson (as Walter Blake, newspaper editor), George Kennedy (as Foreman), Dave Willock (as Taxi driver), Michel Petit (as Gang leader (as Michael Petit)), John Megna (as New boy)

Charlotte Hollis, wealthy southern spinster, is shunned by her community for the grizzly murder some 40 years prior of her intended, John Mayhew. Even though her guilt in the matter was never proven, the townspeople liken her to a modern-day Lizzie Borden. The murders are similar in nature and the children even taunt her with cruel rhymes. For this reason she lives a life secluded from the mainstream of society. Her needs are cared for by her faithful servant, Velma. Now, progress in the guise of new highway construction threatens the Hollis plantation, her home and the family domicile since Civil War times. She refuses to leave when she is issued an eviction notice by the Sheriff and even takes pot shots at the highwaymen when they encroach upon her property line. Charlotte summons "Cousin Miriam" to fight the public battle to save her home. To her chagrin, Miriam has come with the intention of assisting with the packing -- not to save the mansion from the bulldozers. After Charlotte, Miriam is the sole heir to the Hollis estate. This is motive enough for Miriam to have Charlotte committed for her strange and reclusive behavior. But, is Charlotte insane? Doctor Drew seems to feel she may need some help across the threshold of insanity.





IMDb DIvXClásicoDIvXClásicoDIvXClásico
Enlace DXC: DIvXClásico
Película:
Hush... Hush, Sweet Charlotte (Canción De Cuna Para Un Cadáver) (1964) (DVDRip-XViD-AC3) (Dual ENG-ESP) - divxclasico.avi

Subtítulos Subpack:
Hush... Hush, Sweet Charlotte (Canción De Cuna Para Un Cadáver) (1964) - divxclasico_SUBPACK (ENG-ESP).zip

Subtítulos SRT (ESP-ENG):
Hush... Hush, Sweet Charlotte (Canción De Cuna Para Un Cadáver) (1964) - divxclasico_Subtítulos SRT (ENG-ESP).zip

Subtítulos SRT (ESP-ENG) [TITLES]:
Español / English

Enlace DXC: DIvXClásico
Película:
Hush.Hush.Sweet.Charlotte.1964.DVDRip.XviD-TeamRPM.avi

Subtítulos:
Hush.Hush.Sweet.Charlotte.1964.DVDRip.XviD-TeamRPM.rar

Audio Español sincronizado (Fuente VHS):
Audio En Castellano sincronizado Canción De Cuna Para Un Cadáver 64k CBR.mp3


Enlace DXC: DIvXClásico
Canción de cuna para un cadaver SATRip ny nordlingen avi

Enlaces encontrados en eMule:
Cancion de cuna para un cadaver, BETTE DAVIS Robert Aldrich 1964.avi

Subtítulos Descarga Directa English:
Subtítulos Descarga Directa English Hearing Imparied por ShooCat

Subtítulos Descarga Directa English por Wittgenstein

Subtítulos Descarga Directa English por marlowe62

Subtítulos Descarga Directa Español:
Subtítulos Descarga Directa Español por Wittgenstein
English

[/size]
Última edición por Coursodon el Dom 11 Jun, 2006 17:23, editado 5 veces en total.

Avatar de Usuario
Coursodon
Mensajes: 2224
Registrado: Vie 15 Jul, 2005 02:00
Ubicación: Extremadura

Mensaje por Coursodon » Dom 30 Oct, 2005 18:58

The Flight of the PhoenixEl Vuelo Del Fénix1965142'
James Stewart (as Capt. Frank Towns), Richard Attenborough (as Lew Moran), Peter Finch (as Capt. Harris), Hardy Krüger (as Heinrich Dorfmann (as Hardy Kruger)), Ernest Borgnine (as E. 'Trucker' Cobb), Ian Bannen (as 'Ratbags' Crow), Ronald Fraser (as Sgt. Watson), Christian Marquand (as Dr. Renaud), Dan Duryea (as Standish), George Kennedy (as Mike Bellamy), Gabriele Tinti (as Gabriel), Alex Montoya (as Carlos), Peter Bravos (as Tasso), William Aldrich (as Bill), Barrie Chase (as Farida)

Un aeroplano ha tenido que realizar un aterrizaje de emergencia en medio del desierto del Sahara debido a una tormenta de arena. El avión está averiado, dos pasajeros han muerto, no llevan provisiones, y tienen agua para sobrevivir unos once días. Los supervivientes unirán esfuerzos para reconstruir el avión.



IMDb CulturaliaDIvXClásicoDIvXClásico
Enlace DXC: DIvXClásico
El.vuelo.del.fenix.1965.Robert.Aldrich.(DVDrip.CVD).Spanish.by.alfon.mpg

Enlace DXC: DIvXClásico
El vuelo del fénix (1965)(dvdrip.dual.spa-eng)(divxclasico.com)por arteta.avi

Subtítulos en English

Subtítulos en Español

Enlaces encontrados en eMule:
James Stewart - Flight of The Phoenix (1965).avi

Subtítulos Descarga Directa English:
Subtítulos Descarga Directa English Hearing Impaired por ShooCat

Subtítulos Descarga Directa English por ShooCat

Subtítulos Descarga Directa English por Codres

Subtítulos Descarga Directa English por Veverica

Subtítulos Descarga Directa Español:
Subtítulos Descarga Directa Español por Veverica

Subtítulos Descarga Directa Español por ShooCat
English

The Dirty DozenDoce Del Patíbulo1967145'
Lee Marvin (as Maj. John Reisman), Ernest Borgnine (as Maj. Gen. Worden), Charles Bronson (as Joseph T. Wladislaw), Jim Brown (as Robert T. Jefferson), John Cassavetes (as Victor R. Franko), Richard Jaeckel (as Sgt. Clyde Bowren), George Kennedy (as Maj. Max Armbruster), Trini López (as Pedro Jiminez (as Trini Lopez)), Ralph Meeker (as Capt. Stuart Kinder), Robert Ryan (as Col. Everett Dasher Breed), Telly Savalas (as Archer J. Maggott), Donald Sutherland (as Vernon L. Pinkley), Clint Walker (as Samson Posey), Robert Webber (as Brig. Gen. Denton), Tom Busby (as Milo Vladek)

El comandante Reisman es un oficial estadounidense que se ha distinguido en la campaña de Italia, durante la Segunda Guerra Mundial. Su mayor virtud, sin embargo, no es la disciplina. Este hecho le condiciona a no mantener buenas relaciones con los militares de algo rango, todos ellos demasiado conservadores.



IMDb CulturaliaDIvXClásicoDIvXClásico
Enlace DXC: DIvXClásico
Película: Doce.del.Patibulo.Dual.ESP-ING.(francomapa-Divxclasico).avi

Subtítulos:
12.del.Patibulo.Subtitulos.Español.rar

12.del.Patibulo.Subtitulos.Ingles.rar

Enlace DXC: DIvXClásico
Doce.del.patibulo.CD1.(DVD-RIP.SONIDO-TV)(Por.Razorblade).avi

Doce.del.patibulo.CD2.(DVD-RIP.SONIDO-TV)(Por.Razorblade).avi

Enlaces encontrados en eMule:
The.Dirty.Dozen.1967.CD1.avi

The.Dirty.Dozen.1967.CD2.avi

Clint Eastwood (1967) - The Dirty Dozen.avi

The.Dirty.Dozen_Xvid_AC3_EDRP_AwuL_CD1.avi

The.Dirty.Dozen_Xvid_AC3_EDRP_AwuL_CD2.avi

Doce del Patíbulo (DVDrip español en Dolby altísima calidad).mpg

Los Doce Del Patibulo.avi

DVDR Doce del patíbulo Esp Eng SdvdRGroup VTS_01_1.VOB

DVDR Doce del patíbulo Esp Eng SdvdRGroup VTS_01_2.VOB

DVDR Doce del patíbulo Esp Eng SdvdRGroup VTS_01_3.VOB

DVDR Doce del patíbulo Esp Eng SdvdRGroup VTS_01_4.VOB

Doce.del.patibulo.DVDRip.Spanish.DivX5.AC3.CD1.by.(RoA)Team.avi

Doce.del.patibulo.DVDRip.Spanish.DivX5.AC3.CD2.by.(RoA)Team.avi

Subtítulos encontrados en eMule:
The Dirty Dozen.SPA.srt

The.Dirty.Dozen.1967.CD1.DVDRip.DivX-Spider..srt

The.Dirty.Dozen.1967.CD1.DVDRip.DivX-Spider.ShareConnector.com.srt

The.Dirty.Dozen.1967.CD2.DVDRip.DivX-Spider..srt

The.Dirty.Dozen.1967.CD2.DVDRip.DivX-Spider.ShareConnector.com.srt

The.Dirty.Dozen.EnCnSub.2CD-EDRP.rar

DVDR Doce del patíbulo Esp Eng SdvdRGroup Resto,rar

Subtítulos Descarga Directa English:
Subtítulos Descarga Directa English por Francomapa

Subtítulos Descarga Directa English por Veverica

Subtítulos Descarga Directa English por Katarina

Subtítulos Descarga Directa Español:
Subtítulos Descarga Directa Español por Francomapa
English

The Killing of Sister GeorgeEl Asesinato De La Hermana George1968138'
Beryl Reid (as June 'George' Buckridge), Susannah York (as Alice 'Childie' McNaught), Coral Browne (as Mercy Croft), Ronald Fraser (as Leo Lockhart), Patricia Medina (as Betty Thaxter), Hugh Paddick (as Freddie), Cyril Delevanti (as Ted Baker), Sivi Aberg (as Diana), William Beckley (as Floor Manager), Elaine Church (as Marelen), Brendan Dillon (as Bert Turner), Mike Freeman (as Noel), Maggie Paige (as Maid), Jack Raine (as Deputy Commissioner), Dolly Taylor (as Tea Lady)

June es una actriz que da vida a un curioso personaje, la hermana George, una alegre enfermera en un serial televisivo de la BBC. Su personaje es eliminado de la serie y su novia Childie tiene una aventura con un agresivo productor de televisión. Su vida empieza a desmoronarse poco a poco mientras es traicionada tanto en el plano personal como profesional.



IMDb CulturaliaDIvXClásico
Enlace DXC: DIvXClásico
Película:
The Killing of Sister George (Robert Aldrich, 1968) DVDRip DivXClasico.com.avi

Subtítulos:
The Killing of Sister George Subpack English French and Spanish.rar

The Killing of Sister George Spanish Subtitles.rar

Subtítulos en Descarga Directa:
Subtítulos Descarga Directa

Enlaces encontrados en eMule:
The Killing Of Sister George (1969).avi

Subtítulos encontrados en eMule:
The Killing of Sister George Spanish Subtitles.srt

Subtítulos Descarga Directa English:
Subtítulos Descarga Directa English por Codres

Subtítulos Descarga Directa Español:
Subtítulos Descarga Directa Español por BlueGardenia
English

The Legend of Lylah ClareLa Leyenda de Lylah Clare1968130'
Kim Novak (as Lylah Clare/Elsa Brinkmann), Peter Finch (as Lewis Zarken), Ernest Borgnine (as Barney Sheean), Milton Selzer (as Bart Langner), Rossella Falk (as Rossella), Gabriele Tinti (as Paolo), Valentina Cortese (as Countess Bozo Bedoni), Jean Carroll (as Becky Langner), Michael Murphy (as Mark Peter Sheean), Lee Meriwether (as Young girl), James Lanphier (as Legman #1), Robert Ellenstein (as Mike), Nick Dennis (as Nick), Dave Willock (as Cameraman), Coral Browne (as Molly Luther)

An unknown actress is hired for a movie being made about Lylah Clare, a famous actress who died mysteriously. When shooting starts, she seems to become possessed by the spirit of the dead actress.



IMDb DIvXClásico
Enlace DXC: DIvXClásico
La leyenda de Lylah Clare-SatRip.avi
English

Too Late the HeroComando en el mar de China , Suicide Run (USA) (TV title)1970144'
Michael Caine (as Pvt. Tosh Hearne), Cliff Robertson (as Lt. (j.g.) Sam Lawson), Ian Bannen (as Pvt. Jock Thornton), Harry Andrews (as Col. Thompson), Ronald Fraser (as Pvt. Campbell), Denholm Elliott (as Capt. Hornsby), Lance Percival (as Cpl. McLean), Percy Herbert (as Sgt. Johnstone), Patrick Jordan (as Sergeant Major), Sam Kydd (as Colour-Sergeant), William Beckley (as Pvt. Currie), Martin Horsey (as Pvt. Griffiths), Harvey Jason (as Signalman Scott), Don Knight (as Pvt. Connolly), Roger Newman (as Pvt. Riddle)

A WWII film set on a Pacific island. Japanese and allied forces occupy different parts of the island. When a group of British soldiers are sent on a mission behind enemy lines, things don't go exactly to plan. This film differs in that some of the 'heros' are very reluctant, but they come good when they are pursued by the Japanese who are determined to prevent them returning to base.

IMDbDIvXClásico
Enlace DXC: DIvXClásico
Película: Too.Late.the.Hero.1970.lordH.classic-links.net.CD1.avi

Too.Late.the.Hero.1970.lordH.classic-links.net.CD2.avi

Audio en Español: Too Late the Hero - Audio en Español.mp3

Enlace DXC: DIvXClásico
Comando en el mar de China CD1

Comando en el mar de China Cd2

Enlace DXC: DIvXClásico
Película:
Too.Late.the.Hero.(1970).divx.lordH.CD1.avi
Too.Late.the.Hero.(1970).divx.lordH.CD2.avi

Subtítulos:
Too.Late.the.Hero.(1970).divx.ENG.subs.zip

Too.Late.the.Hero.(1970).divx.ESP.subs.zip

Too.Late.the.Hero.(1970).divx.FR.subs.zip

Enlaces encontrados en eMule:
Belica.Comando en el mar de China.(Too late the hero).(Spanish).Divx5.2.1.avi

Michael Caine - 1970 - Too Late The Hero - Cliff Robertson.avi

Banda Sonora: Soundtrack - 1970 Too Late The Hero (128) Gerald Fried - OST BSO BOF - Mr. Yusseply.zip

Subtítulos encontrados en eMule:
Too.Late.the.Hero.(1970).divx.ESP.subs.zip

Subtítulos Descarga Directa English:
Subtítulos Descarga Directa English por Lord_Hevonen

Subtítulos Descarga Directa Español:
Subtítulos Descarga Directa Español por Lord_Hevonen
English

The Grissom GangLa Banda De Los Grissom1971128'
Kim Darby (as Barbara Blandish), Scott Wilson (as Slim Grissom), Tony Musante (as Eddie Hagan), Robert Lansing (as Dave Fenner), Connie Stevens (as Anna Borg), Irene Dailey (as Gladys 'Ma' Grissom), Wesley Addy (as John P. Blandish), Joey Faye (as Woppy), Michael Baseleon (as Frankie Connor), Ralph Waite (as Mace), Hal Baylor (as Chief McLaine), Matt Clark (as Joe Bailey), Alvin Hammer (as Sam), Dots Johnson (as Johnny Hutchins (as Dotts Johnson)), Don Keefer (as Doc Grissom)

Una joven de la alta sociedad es secuestrada por unos matones con el objeto de obtener un sustancioso rescate.



IMDb CulturaliaDIvXClásico
Enlace DXC: DIvXClásico
The Grissom Gang (Robert Aldrich, 1971) DVDRip DivXClasico.com.avi

Película:
The Grissom Gang Spanish Subtitles.rar

Subtítulos:
Descarga Directa

Enlaces encontrados en eMule:
The Grissom Gang R.Aldrich 1971.avi

The Grissom Gang -(R.Aldrich)(dvd by VGE)(TOP).avi

Subtítulos encontrados en eMule:
The Grissom Gang Spanish Subtitles.rar

Subtítulos Descarga Directa Español:
Subtítulos Descarga Directa Español por ShooCat

Subtítulos Descarga Directa Español por BlueGardenia
English

Ulzana’s RaidLa Venganza De Ulzana1972105'
Burt Lancaster (as McIntosh), Bruce Davison (as Lt. Garnett DeBuin), Jorge Luke (as Ke-Ni-Tay (army scout)), Richard Jaeckel (as Sergeant), Joaquín Martínez (as Ulzana (as Joaquin Martinez)), Lloyd Bochner (as Capt. Charles Gates), Karl Swenson (as Willy Rukeyser (settler)), Douglass Watson (as Maj. Cartwright (CO, Ft. Lowell)), Dran Hamilton (as Mrs. Riordan), John Pearce (as Corporal), Gladys Holland (as Mrs. Rukeyser), Margaret Fairchild (as Mrs. Abbie Ginsford), Aimée Eccles (as McIntosh's Indian woman (as Aimee Ecclés)), Richard Bull (as Ginsford (settler)), Otto Reichow (as 'Dutch' Steegmeyer (Indian Agent, San Carlos Reservation))

Enfurecidos por el trato abusivo recibido por parte de los americanos, un grupo de Apaches escapa de la reserva y provocando muertes y destrucción a su paso.



IMDb CulturaliaDIvXClásicoDIvXClásico
Enlace DXC: [/br]]DIvXClásico
La.venganza.de.Ulzana.(1972).de.Robert.Aldrich.TVrip.divx.5.0.5..por.sync.avi

Enlace DXC: DIvXClásico
Película:
La.Venganza.de.Ulzana(Ulzana's.Raid)(1972)(DVDrip.Dual).avi

Subtítulos:
La.Venganza.de.Ulzana(Ulzana's.Raid)(1972).srt

Descarga Directa

Enlaces encontrados en eMule:
Ulzanas Raid 1972 Dvdrip Xvid-Ellroy.avi

Ulzana's Raid.avi

DVIX_WESTERN.-.La.Venganza.De.Ulzana(1972).avi

La venganza de Ulzana (1972).avi

La venganza de Ulzana(by Macaco & Cochinillo).mpg

Robert Aldrich -- La venganza de Ulzana.AVI

Subtítulos encontrados en eMule:
Ulzanas.Raid.1972.DVDRip.XviD.Subpack-ellroy.rar

1972 - La Venganza de Ulzana.Ulzana's Raid.DVDrip.Dual.ESP.srt

Subtítulos Descarga Directa English:
Subtítulos Descarga Directa English por ShooCat
English

Emperor of the North PoleEl Emperador del Norte1973118'
Lee Marvin (as A no. 1), Ernest Borgnine (as Shack), Keith Carradine (as Cigaret), Charles Tyner (as Cracker), Malcolm Atterbury (as Hogger), Simon Oakland (as Policeman), Harry Caesar (as Coaly), Hal Baylor (as Yardman's helper), Matt Clark (as Yardlet), Elisha Cook Jr. (as Gray Cat (as Elisha Cook)), Joe Di Reda (as Dinger (as Joe di Reda)), Liam Dunn (as Smile), Diane Dye (as Girl in Water), Robert Foulk (as Conductor), James Goodwin (as Fakir)

It is during the great depression in the US, and the land is full of people who are now homeless. Those people, commonly called "hobos", are truly hated by Shack (Borgnine), a sadistical railway conductor who swore that no hobo will ride his train for free. Well, no-one but "A" Number One (Lee Marvin), who is ready to put his life at stake to become a local legend - as the first person who survived the trip on Shack's notorious train.



IMDbDIvXClásico
Enlace DXC: DIvXClásico
El Emperador del Norte (DVDRip + Audio Sat) (by Jafiras).avi

Enlaces encontrados en eMule:
1973 Emperor of the North Pole.mpg

1973 Emperor of the North Pole (El emperador del norte) - Robert Aldrich, Lee Marvin, Ernest Borgnine - (DVDrip) (XviD 640x352x25) (MP3 sat spanish).avi

Emperor of the North Pole - Lee Marvin & Ernest Borgnine & Keith Caradine - 1973.avi

Emperor Of The North Pole.avi

Subtítulos encontrados en eMule:
Emperor.Of.The.North.Pole.1973.srt

Torrent encontrado en eMule:
Emperor of the North Pole.avi.torrent

English

The Longest YardEl Rompehuesos1974121'
Burt Reynolds (as Paul Crewe), Eddie Albert (as Warden Hazen), Ed Lauter (as Captain Knauer), Michael Conrad (as Nate Scarboro), James Hampton (as Caretaker (as Jim Hampton)), Harry Caesar (as Granville), John Steadman (as Pop), Charles Tyner (as Unger), Mike Henry (as Rassmeusen), Jim Nicholson (as Ice Man), Bernadette Peters (as Miss Toot, Warden's Secretary), Pervis Atkins (as Mawabe), Tony Cacciotti (as Rotka), Anitra Ford (as Melissa Gaines), Michael Fox (as Announcer)

A football player-turned-convict organizes a team of inmates to play against a team of prison guards. His dilemma is that the warden asks him to throw the game in return for an early release, but he is also concerned about the inmates' lack of self-esteem.



IMDbDIvXClásicoDIvXClásico
Enlace DXC: DIvXClásico
El.Rompehuesos.(Burt.Reynolds,Robert.Aldrich,1974).DVD+Sat.by_gelus.avi

Enlace DXC: DIvXClásico
Película:
El.rompehuesos.DVDrip.Dual.(ZonaRippers.para.Elitefreak.net).by.Cerni.avi

Subtítulos:
Elrompehuesossubs.rar

Enlaces encontrados en eMule:
The Longest Yard CD1 (1974).avi

1974 - The Longest Yard CD2.avi

The Longest Yard DVD Rip Xvid 1974.avi

Subtítulos encontrados en eMule:
The.Longest.Yard.(1974).DVDRip.Xvid.AC3.ellroy.POR.srt

Subtítulos Descarga Directa English:
Subtítulos Descarga Directa English por ShooCat

Subtítulos Descarga Directa English por Cernickalo


Subtítulos Descarga Directa Español:
Subtítulos Descarga Directa Español por Cernickalo

Subtítulos Descarga Directa Español por ShooCat
English

HustleDestino Fatal1975120'
Burt Reynolds (as Lieutenant Phil Gaines), Catherine Deneuve (as Nicole Britton), Ben Johnson (as Marty Hollinger), Paul Winfield (as Sergeant Louis Belgrave), Eileen Brennan (as Paula Hollinger), Eddie Albert (as Leo Sellers), Ernest Borgnine (as Santuro), Jack Carter (as Herbie Dalitz), Sharon Kelly (as Gloria Hollinger), James Hampton (as Bus Driver), David Spielberg (as Bellamy), Catherine Bach (as Peggy Summers), Chuck Hayward (as Morgue Attendant), David Estridge (as Albino), Peter Brandon (as Minister)

Phil Gaine, un policía de carácter rudo y algo cínico, se encuentra inmerso en la investigación del oscuro caso de suicidio de una joven actriz de cine porno. Mientras, su vida personal está marcada por los problemas que le ocasiona su relación con una prostituta de lujo.



IMDb Culturalia
Subtítulos Descarga Directa English:

Subtítulos Descarga Directa English por Ellroy

English

The Choirboys1977119'
Charles Durning (as Spermwhale Whalen), Louis Gossett Jr. (as Calvin Motts), Perry King (as Baxter Slate), Clyde Kusatsu (as Francis Tanaguchi), Stephen Macht (as Spencer Van Moot), Tim McIntire (as Roscoe Rules), Randy Quaid (as Dean Proust), Chuck Sacci (as 'Father' Sartino), Don Stroud (as Sam Lyles), James Woods (as Harold Bloomguard), Burt Young (as Scuzzi), Susan Batson (as Sabrina), Cheryl Smith (as Tammy), Claire Brennen (as Carolina Moon), Gene Chronopoulos (as Card player)

A group of Los Angeles cops decide to take off some of the pressures of their jobs by engaging in various forms of after-hours debauchery.



IMDb
No hay enlaces disponiblesEnglish

http://usuarios.lycos.es/gelusftp/alertamisiles.jpg/Twilight's Last GleamingAlerta, Misiles1977146'
Burt Lancaster (as Gen. Lawrence Dell), Roscoe Lee Browne (as James Forrest), Joseph Cotten (as Arthur Renfrew), Melvyn Douglas (as Zachariah Guthrie), Charles Durning (as President David Stevens), Richard Jaeckel (as Towne), William Marshall (as William Klinger), Gerald S. O'Loughlin (as O'Rourke), Richard Widmark (as Gen. Martin MacKenzie), Paul Winfield (as Willis Powell), Burt Young (as Augie Garvas), Charles Aidman (as Bernstein), Leif Erickson (as Ralph Whittaker), Charles McGraw (as Gen. Crane), Morgan Paull (as Lt. Cannellis)

A renegade USAF general, Lawrence Dell, escapes from a military prison and takes over an ICBM silo near Montana and threatens to provoke World War 3 unless the President reveals details of a secret meeting held just after the start of the Vietnam War between Dell and the then President's most trusted advisors.



IMDb DIvXClásico
Enlace DXC: DIvXClásico
Alesrta misiles DvdRip by Gelus
English

The Frisco KidNo Knife1979122'
Gene Wilder (as Avram Belinski), Harrison Ford (as Tommy Lillard), Ramon Bieri (as Mr. Jones), Val Bisoglio (as Chief Gray Cloud), George DiCenzo (as Darryl Diggs (as George Ralph DiCenzo)), Leo Fuchs (as Chief rabbi), Penny Peyser (as Rosalie Bender), William Smith (as Matt Diggs), Jack Somack (as Samuel Bender), Beege Barkette (as Sarah Mindl Bender), Shay Duffin (as O'Leary), Walter Janovitz (as Old Amish man (as Walter Janowitz)), Joe Kapp (as Monterano), Clyde Kusatsu (as Mr. Ping (railroad work crew)), Clifford A. Pellow (as Mr. Daniels (as Cliff Pellow))

A rabbi (Wilder) from Poland goes to America to lead a Jewish community. When he arrives in America he is highjacked and has to work his way across the country. On the way he meets up with a bank robber (Ford) and they form a friendship, have many (mis)adventures including being captured by Indians.



IMDb Culturalia
Enlaces encontrados en eMule:
the frisco kid.avi
English

...All the MarblesChicas con Gancho1981113'
Peter Falk (as Harry Sears), Vicki Frederick (as Iris), Laurene Landon (as Molly), Burt Young (as Eddie Cisco), Tracy Reed (as Diane, Toledo Tiger), Ursaline Bryant (as June, Toledo Tiger), Claudette Nevins (as Solly, Woman Promoter), Richard Jaeckel (as Bill Dudley (Reno referee)), John Hancock (as Big John' Stanley, TTs Promoter), Lenny Montana (as Jerome, Eddie's Bodyguard), Charlie Dell (as Merle LeFevre, Open-air Fair Promoter), Chick Hearn (as Himself - TV Reporter), Cliff 'Fatty' Emmich (as Obese Promoter), Clyde Kusatsu (as Clyde Yamashito, Japanese Promoter), Joe Greene (as Himself - Football Player)

Harry manages The California Dolls, a female wrestling tag team endlessly touring America. He is also romantically involved with one of them. Their fortunes seem on the slide (particularly when Harry accepts an engagement involving mud wrestling!) but then the big grudge match beckons.



IMDb
No hay enlaces disponiblesEnglish

[/size]
Última edición por Coursodon el Dom 11 Jun, 2006 17:25, editado 5 veces en total.

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Coursodon
Mensajes: 2224
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Ubicación: Extremadura

Mensaje por Coursodon » Dom 30 Oct, 2005 18:58

Reservado.
Última edición por Coursodon el Dom 11 Jun, 2006 16:00, editado 5 veces en total.

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Coursodon
Mensajes: 2224
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Mensaje por Coursodon » Dom 30 Oct, 2005 18:59

Mensaje reservado por si acaso... Gracias.

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bluegardenia
Mensajes: 6105
Registrado: Sab 11 Oct, 2003 02:00
Ubicación: El Páramo del Espanto

Mensaje por bluegardenia » Dom 30 Oct, 2005 19:02

Gracias por el trabajo :plas:
Apunta un futuro ripeo para The Grissom Gang que está editada hace poco en dvd.
He redimensionado la primera imagen para que no resbale el hilo a la derecha; a partir de 600-610 aprox. píxeles de anchura sucede.
Gracias de nuevo.
Cuadruplico y voy a por más

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Coursodon
Mensajes: 2224
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Ubicación: Extremadura

Mensaje por Coursodon » Dom 30 Oct, 2005 19:05

Muchas gracias, BlueGardenia. (¿Cómo se redimensiona la imagen? Lo vi, pero no sabía cómo se hacía...)

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dersu-uzala
Mensajes: 642
Registrado: Sab 01 Oct, 2005 02:00
Ubicación: En los bosques de Siberia. En la taiga.

Mensaje por dersu-uzala » Lun 31 Oct, 2005 01:33

Grande Aldrich, grande Coursodon :plas: :plas: .
Te pongo un enlace de El emperador del norte, posteado por Jafiras.
Saludos.

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Coursodon
Mensajes: 2224
Registrado: Vie 15 Jul, 2005 02:00
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Mensaje por Coursodon » Lun 31 Oct, 2005 10:13

Muchas gracias Dersu.Se me había pasado el enlace :oops: ahora lo subo a la filmo.

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figure8
Mensajes: 2284
Registrado: Mar 04 Feb, 2003 01:00
Ubicación: FiguRe in LanDScape

Mensaje por figure8 » Lun 31 Oct, 2005 11:28

Necesaria, claro que si. Gran trabajo Coursodon. :plas: :plas:

Blue, tomo nota de ese futurerip. :wink:
Imagen

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kimkiduk
Mensajes: 1170
Registrado: Jue 27 Ene, 2005 01:00
Ubicación: Lost in La Mancha

Mensaje por kimkiduk » Lun 31 Oct, 2005 11:34

¡que buena filmografia!,
enhorabuena Coursodon,
:plas:

(aprovecho y me bajo ¿Qué fue de Baby Jane?)

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Sarmale
Mensajes: 2840
Registrado: Dom 02 Oct, 2005 02:00

Mensaje por Sarmale » Lun 31 Oct, 2005 22:02

¡Pero qué bonita te ha quedado!
:P :P :P :P
Elige en amistad
a esas personas,
que sabes que no te van a dar disgustos
hasta el día de su muerte.

Gloria Fuertes

zembla
Mensajes: 219
Registrado: Dom 08 Ago, 2004 02:00

Mensaje por zembla » Sab 12 Nov, 2005 07:42

Hola

Es que alguien sabe si Emperor of the North Pole.avi (posteado arriba) es un dvdrip?

El que dice dvdrip con banda Audio sat, tiene solo la banda de doblaje sin la original? (!)

Gracias

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Coursodon
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Mensaje por Coursodon » Sab 12 Nov, 2005 09:11

El de Jafiras (El sat) sólo lleva el audio en español. El avi no sé si es dvdrip, pero pesa casi 1GB. Siento no poder darte más detalles.

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dersu-uzala
Mensajes: 642
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Ubicación: En los bosques de Siberia. En la taiga.

Mensaje por dersu-uzala » Sab 12 Nov, 2005 10:46

Yo me baje hace bastante el avi que comentáis, ahora no lo encuentro pero creo recordar que el audio no era muy bueno y la imagen, no estoy seguro, pero creo que era buena. La recomiendo, es entretenida y los actores están espléndidos.
Saludos.

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Coursodon
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Mensaje por Coursodon » Mié 07 Dic, 2005 00:06

Actualizada con The Last Sunset de Marc27.
It makes no difference what men think about war, said the Judge. War endures... War was always here. Before man was, War waited...
Blood Meridian - Cormac McCarthy.

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SolPolito
Vigorito
Mensajes: 3631
Registrado: Lun 03 Feb, 2003 01:00

Mensaje por SolPolito » Dom 18 Dic, 2005 13:13

No había textos en castellano para la introduccion a la filmo del Aldrich?

Bueno pues eso que voy a criticar un poquito, esta bien y te lo agradezco por la recopilación de sus elinks! pero que todo la introduccion en inglés es una lástima
para incultos como yo!!

Un Salu2
No te dejes
Arriba los pobres de Honduras

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Coursodon
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Mensaje por Coursodon » Jue 22 Dic, 2005 12:06

No los encontré Solpo. Sí que había reseñas críticas pero ningún estudio o introducción interesante en castellano. Yo tengo libros sobre Aldrich pero no tengo escáner y soy muy vago para copiar un tocho de introducción.

La próxima filmo que haga prometo poner la intro en la lengua de Cervantes. :wink:
It makes no difference what men think about war, said the Judge. War endures... War was always here. Before man was, War waited...
Blood Meridian - Cormac McCarthy.

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Coursodon
Mensajes: 2224
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Mensaje por Coursodon » Sab 31 Dic, 2005 16:27

Filmografía actualizada con el enlace de thefunhouse que podéis ver aquí en este hilo
It makes no difference what men think about war, said the Judge. War endures... War was always here. Before man was, War waited...
Blood Meridian - Cormac McCarthy.

Koprotkin
Mensajes: 709
Registrado: Sab 13 Nov, 2004 01:00
Ubicación: Barcelona

Mensaje por Koprotkin » Mar 03 Ene, 2006 18:02

Magnifica filmo :plas: A mi me sorprendio gratamente "The Killing of Sister George" por su tono intimista, a ratos parecia de Wyler.

SolPolito el problema es que la mayor parte de la informacion de calidad que encuentras por la red esta en ingles. Traducir todo el material que encuentras por lo menos duplica o triplica el tiempo que te lleva hacer una introduccion, por breve que sea. Personalmente siempre lo traduzco porque se que poca gente se lo va a leer si esta en ingles. Bueno, y en castellano tampoco creo que lo lean demasiados :mrgreen:

Yo agradezco mucho las filmos con introduccion aunque sean en swahili.
"In Europe, film making is perceived as an art form with marginal business possibilities, and in the US, film making is a business with marginal artistic possibilities."

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