Dead Man
(USA, RFA-Japón, 1995) [B/N, 121 m.].
Género: Western psicológico, Road Movie / Película de culto, Cine independiente USA.
IMDb
Ficha técnica.
Dirección: Jim Jarmusch.
Guión: Jim Jarmusch.
Fotografía: Robby Müller (B&W).
Música: Neil Young.
Producción: Demetra J. MacBride / Karen Koch.
Productora: 12-Gauge Productions / Newmarket Capital Group / Pandora Filmproduktion / JVC Entertainment Networks.
Sinopsis: William Blake decide abandonar su trabajo de contable en Cleveland, Ohio, después de recibir una oferta de trabajo en Machine, una inhóspita ciudad industrial en el Oeste de los EEUU. Cuando llega al lugar, el propietario de la factoría, John Dickinson, ya ha cedido su puesto a otra persona. Tras perder su empleo, se enfrenta al hijo de Dickinson, Charlie, que mata a su mujer al encontrarla en la cama con Blake. Este responde a Charlie matándole. De este modo un contable de Cleveland se convierte en un "fugitivo" perseguido por tres cazadores de recompensas… (FILMAFFINITY)
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"Espléndida película con un gran prólogo y el mejor actor joven del mundo" (Alexis López: Cinemanía)
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"Aburrida, irritante" (Carlos Boyero: Diario El Mundo)
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"Casi un documental del auténtico oeste, diferente al de Hollywood" (Nuria Vidal: Fotogramas)
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"El western más férreamente disparatado, y ejemplar, que este cronista haya visto en años" (M. Torreiro: Diario El País)
AMG SYNOPSIS: A dark, bitter commentary on modern American life cloaked in the form of a surrealist western, Jim Jarmusch's Dead Man stars Johnny Depp as William Blake, a newly-orphaned accountant who leaves his home in Cleveland to accept a job in the frontier town of Machine. Upon his arrival, Blake is told by the factory owner Dickinson (Robert Mitchum) that the job has already been filled. Dejectedly, he enters a nearby tavern, ultimately spending the night with a former prostitute. A violent altercation with the woman's lover (Gabriel Byrne), also Dickinson's son, leaves Blake a murderer as well as mortally wounded, a bullet lodged dangerously close to his heart. He flees into the wilderness, where a Native American named Nobody (Gary Farmer) mistakes Blake for the English poet William Blake and determines that he will be Blake's guide in his protracted passage into the spirit world. -- Jason Ankeny
AMG REVIEW: The interesting thing about Western movies is that they are the oldest genre in the cinema and yet, because of that status, every couple of years there seems to be a reinvention or new take on what is, by definition, the most American of stories. Dead Man, putting it mildly, ain't your grandfather's Western. In fact, it breaks the Western stereotype in so many ways, maybe Westerns should be defined by more than just their setting. To begin with, the director is indie darling Jim Jarmusch, who would be associated with Westerns in much the same way that Jerry Lewis would be associated with Holocaust dramas. This is, after all, the same man who gave us such classics as the Elvis homage Mystery Train and Down by Law, which introduced Roberto Benigni to American audiences. Add to that the character of William Blake, a bookish accountant played by Johnny Depp, who is most decidedly not your typical Western hero. In fact, Blake is the type of character who would most likely have been comedy relief to John Wayne not too many years ago. Briefly, Blake is hired by a corrupt industrialist (Robert Mitchum, in his last screen role) to serve as his company's accountant. Upon spending everything he has to reach the West, he is told his job has been given to another, thus sending into motion a series of events where Blake is wounded and on the run from a gang of bounty hunters, including Lance Henriksen. While there are bits of adventurism, the film is really a much quieter character study of a man forced to survive in an unfamiliar place by unfamiliar means and how it changes him as a human being. As a consequence, the film applies layer upon layer of subtext, some of which is as meaningless as the rest is meaningful. Blake encounters a loner Indian named, appropriately enough, Nobody, who believes Blake to be the great English poet William Blake and attempts to save his soul before Blake can expire from his wounds (not to give anything away, but the title of the film says it all). The film does follow some classic Western traits, in that it is gorgeously shot; the black-and-white cinematography is excellent, particularly in the opening sequence that chronicles Blake's journey west. Dead Man can be a little slow-moving at times, but it definitely engages both the senses and the philosophical portions of the brain that sometimes need a good, swift kick. -- Dan Friedman
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Publicada por katrol en sharethefiles.
Dead.Man.1995.BDRip.480p.x264.AC3-CHD.mkv 
Dead.Man.1995.BDRip.480p.x264.AC3-CHD.nfo Subtítulos (descarga directa): inglés.
Subs en inglés para la versión "Dead.Man.1995.720p.AC3.x264-CHD", 23,976 fps (el hermano mayor).
Subtítulos (para sincronizar): castellano.
Subs en castellano para la versión "dead.man.1995.dvdrip.xvid.ac3.2ch.avi ", 23,976 fps.
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Dead.Man.1995.BDRip.480p.x264.AC3-CHD
SOURCE TYPE.....: Blu-Ray
ViDEO BiTRATE...: x264 L4.1 High @ 2250 Kbps
FRAME RATE......: 23.976 fps
AUDiO ..........: AC3 2.0 224Kbps English
RUNTiME.........: 2:01:05 (h:m:s)
ASPECT RATiO....: 1.788: 1
RESOLUTiON......: 848 X 480
SUBTiTLES.......: NONE
FilE SiZE.......: 2.1G
RECODE RiPPER...: haoran0079@CHD Capturas:
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Otras versiones en DXC:Dead Man (Jim Jarmusch, 1995) DVDRip VOSE (magnífico ripeo mkv de elguaxo).
Dead Man (Jim Jarmusch, 1995) DVDRip Dual SE
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