Barton Fink
(USA, Gran Bretaña, 1991) [Color,116 m.].
Género: Drama, Comedia negra / Cine dentro del cine.
IMDb
Ficha técnica.
Dirección: Joel Coen, Ethan Coehen (no acreditado).
Guión: Joel Coen, Ethan Coen.
Fotografía: Roger Deakins.
Música: Carter Burwell.
Producción: Ethan Coen, Joel Coen (no acreditado), Graham Place, Ben Barenholtz, Bill Durkin, Jim Pedas, Ted Pedas.
Productora: Circle Films / Working Title Films.
Premios:
- 1991: 3 nominaciones al Oscar: Actor de reparto (Lerner), dirección artística, vestuario
- 1991: Nominada al Globo de Oro: Mejor actor de reparto (John Goodman)
- 1991: 3 premios en el Festival de Cannes: Palma de Oro, director, actor (John Turturro)
- 1991: 2 premios del Círculo de Críticos de Nueva York: Fotografía, actriz sec. (Judy Davis)
- 1991: David de Donatello: Mejor película extranjera
Sinopsis: En 1941, Barton Fink viaja a Hollywood para escribir un guión sobre el luchador Wallace Berry. Sin embargo, una vez instalado en el Hotel Earle, el guionista sufre un severo bloqueo mental. Su vecino de habitación, un jovial vendedor de seguros, trata de ayudarlo, pero una serie de circunstancias adversas hacen que se sienta cada vez más incapaz de afrontar su trabajo. (FILMAFFINITY)
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"Inquietante, sombría, alucinada y sarcástica" (Carlos Boyero: Cinemanía)
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En el Festival de Cannes se rompió, con esta película, un viejo récord: hacía 44 años que una misma película no se llevaba los tres premios principales. (FILMAFFINITY)
La llamada del cine.Un autor teatral de éxito escucha el canto de sirenas de Hollywood. Y allí descubre que no todo el monte es orégano, pues le encargan absurdas películas de lucha libre. Al tiempo, extraños personajes del motel donde se aloja le ayudarán a su temido enfrentamiento con la página en blanco de la máquina de escribir.
Genial acercamiento de los Coen al momento creador, los hermanos mezclan sabiamente géneros e influencias fílmicas, introducen personajes excéntricos, y nos intrigan con cierta misteriosa caja (DeCine21).
AMG Synopsis: The title character, played by John Turturro, is a Broadway playwright, based on Clifford Odets, lured to Hollywood with the promise of untold riches by a boorish studio chieftain (played by Michael Lerner as a combination of Louis B. Mayer and Harry Cohn). Despising the film capital and everything it stands for, Barton Fink comes down with an acute case of writer's block. He is looked after by a secretary (Judy Davis) who has been acting as a ghost writer for an alcoholic screenwriter (John Mahoney, playing a character based on William Faulkner). Also keeping tabs on Fink is a garrulous traveling salesman (John Goodman), the most likeable, stable character in the picture. And then comes the plot twist to end all plot twists, plunging Barton Fink into a surreal nightmare that would make Hieronymus Bosch look like a house painter. Once more, Ethan and Joel Coen serve up a smorgasbord of quirkiness and kinkiness, where nothing is what it seems and nothing turns out as planned.
AMG Review: Whether or not one likes the films of Joel and Ethan Coen, die-hard cinema aficionados have to appreciate the craftsmanship that goes into each one. From the script to the cinematography, the Coen films always have something that at least could be classified as interesting. While most of their films can be labeled as successes on these merits, the high point is clearly Barton Fink. The basic story elements and characterizations come together to produce a film that is greater than the sum of its individual parts. John Turturro is the title character, a 1940s socialist playwright brought to Hollywood to work inside the studio system. From the outset, it's obvious that this is going to be a fish-out-of-water story to the nth degree, and as Barton encounters others he reacts with the innocence of a schoolboy. John Goodman is a genial salesman who is Barton's neighbor in the seedy hotel he lives in, and his philosophy of life begins to take hold on Barton until his true colors come out. There is also a separate subplot with John Mahoney as a William Faulkner-inspired novelist and Judy Davis as his suffering secretary/mistress, which very nicely adds another layer to the assault that Hollywood is leveling on Barton's personality. The single best performance is by Michael Lerner as the studio boss who hires Barton to write a wrestling picture. The Coens juxtapose the beauty and sunshine of southern California with the darkness and despair of Barton's hotel room, which is more or less the world he is forced to inhabit when his talents desert him. Even that world is brought down through, let's say, unusual circumstances that serve to cement Barton's complete breakdown. Turturro is perfect in the role, his physical appearance perfectly complementing his personification of the blocked writer. The film overall makes the statement that one success doesn't necessarily translate into a career, which is a lesson that Barton learns the hard way.
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Versión DVDRip Dual (Esp-Eng) +SE 1,76 Gb.
Publicada por FitoCorleone en Proteínicos.
Enlaces:Versión DVDRip Dual (Esp-Eng) +SE 1,76 Gb.
Publicada por FitoCorleone en Proteínicos.
Barton Fink.(1991).DvDrip.Dual.(Spa.Eng.).(Xvid+2Ac3).(proteinicos) mariscalfito.avi 
Barton Fink.(1991).DvDrip.Dual.(Spa.Eng).(español) mariscalfito.srt Datos técnicos:
Código: Seleccionar todo
Nombre:Barton Fink.(1991).DvDrip.Dual.(Spa.Eng.).(Xvid+2Ac3).(proteinicos) mariscalfito.avi
Tamaño:1,890,674,688 bytes
Duración:01:52:10 (6730 s)
FourCC:XVID/XVID
Resolución:696 x 368
Frame aspect ratio: 87:46 = 1.891304
Bitrate:1848.943484 kbps
Framerate:25 fps
Audio track nr. 1:0x2000 (AC3) Bitrate:192 kbps CBR Channels:2 Stream size:161,519,616 bytes
Audio track nr. 2:0x2000 (AC3) Bitrate:192 kbps CBR Channels:2 Stream size:161,519,616 bytes
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Otras versiones en DXC:Barton Fink (Hnos. Coen, 1991) DVDRip VOSE + AE (v. espléndido ripeo de keller, de momento sin fuentes)
Saludos.
