
GoodFellas
(Uno de los nuestros / Buenos muchachos)
(Usa, 1995) [Color, 146 m.]
Género: Drama criminal, Thriller, Gangster Film, Mafia, Bioptic.
IMDb
Ficha técnica.
Dirección: Martin Scorsese.
Argumento: Nicholas Pileggi (novela, "Wise Guy").
Guión: Nicholas Pileggi, Martin Scorsese.
Fotografía: Michael Ballhaus.
Música: Eric Clapton, Mick Jagger, Keith Richards, Pete Townshend, Muddy Waters, Charlie Watts.
Producción: Irwin Winkler, Bruce S. Pustin, Barbara De Fina.
Productora: Warner Bros. Pictures.
Sinopsis:Henry Hill, hijo de padre irlandés y madre siciliana, es testigo de la vida de poder, honor y respeto que llevan los gangsters que habitan en su barrio, en una zona de Brooklyn donde son mayoría los emigrantes, y que está bajo la protección del patriarca de la família Pauline, Paul Cicero. Henry, a sus trece años de edad, desistirá de seguir yendo a clase, y fascinado por tal vida mafiosa, entrará a formar parte de la organización, comenzando por ser un mero chico de los recados para ir ascendiendo de posición a medida que fortalece la confianza que en él depositan los integrantes del hampa local, como el irlandés Jimmy Conway o el italoamericano Tommy de Vito, adentrándose cada vez en negocios más turbios. (FILMAFFINITY)
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Genial (Carlos Boyero: Diario El Mundo)
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Lección de cine (Javier Ocaña: Cinemanía)
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Brillante (Omar Khan: Cinemanía)
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Insuperable (Jesús Ruiz Mantilla: Diario El País)
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Típica película de Scorsese: larga, densa, de esmero plástico y narrativamente, dura y profunda. Los personajes están soberbiamente interpretados por Liotta, De Niro y Pesci. Muy buena (Francisco Marinero: Diario El Mundo)
AMG SYNOPSIS: Martin Scorsese explores the life of organized crime with his gritty, kinetic adaptation of Nicolas Pileggi's best-selling Wiseguy, the true-life account of mobster and FBI informant Henry Hill. Set to a true-to-period rock soundtrack, the story details the rise and fall of Hill, a half-Irish, half-Sicilian New York kid who grows up idolizing the "wise guys" in his impoverished Brooklyn neighborhood. He begins hanging around the mobsters, running errands, and doing odd jobs until he gains the notice of local chieftain Paulie Cicero (Paul Sorvino), who takes him in as a surrogate son. As he reaches his teens, Hill is inducted into the world of petty crime, where he distinguishes himself as a "stand-up guy" by choosing jail time over ratting on his accomplices. From that moment on, he is a part of the family. Along with his psychotic partner Tommy (Joe Pesci), he rises through the ranks to become Paulie's lieutenant; however, he quickly learns that, like his mentor Jimmy (Robert DeNiro), his ethnicity prevents him from ever becoming a "made guy," an actual member of the crime family. Soon he finds himself the target of both the feds and the mobsters, who feel that he has become a threat to their security with his reckless dealings. Goodfellas was rewarded with six Academy Award nominations including Best Picture; Pesci would walk away with Best Supporting Actor for his work. -- Jeremy Beday
AMG REVIEW: Seventeen years after revising the book on gangster movies in his breakthrough Mean Streets, Martin Scorsese returned to the netherworld of Italian-American organized crime with this stunningly ambitious, ferociously entertaining look at one man's rise and fall in a Mafia family. Shot and edited with a propulsive sense of rhythm that Gene Krupa would envy (this may be the fastest 150 minutes in film history), Goodfellas explores the 30-year career of Henry Hill (Ray Liotta) as a "mechanic" working for mob boss Paulie Cicero (Paul Sorvino). While most films about gangsters attribute their characters' criminal lives to greed or sociopathic behavior, Scorsese makes it clear Henry and his friends Jimmy Conway (Robert De Niro) and Tommy DeVito (Joe Pesci) are gangsters because they enjoy it: they like to steal, they enjoy violence, and their "work" allows them to profit from these qualities, which would be a hindrance in nearly any other career. However, while the film offers a point-blank look at New York's criminal underworld from the '50s to the '80s, Scorsese also uses this story as a unusual but clear moral fable. In the first few reels, Henry and his partners follow a strict code of honor and make sure to obey Cicero's wishes: you pay tribute to the boss, you stay away from dealing drugs, and you don't kill anyone unless it's absolutely necessary. By the mid-'70s, these guidelines have been forgotten, and as Henry, Jimmy, and Tommy slip away from Paulie's corrupt but strictly ordered ethical universe, it leads only to death and betrayal. Scorsese has long been fascinated with the actions of men searching for a moral compass in a faithless land, but he's rarely told the story with such kinetic force and audacious skill. -- Mark Deming

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Subtítulos (descarga directa): castellano /
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Û Release Date : 19.January.2011 Û
Û Runtime : 2:25:27 Û
Û Audio Language : English - Turkish Û
Û IMDB : http://www.imdb.com/title/tt0099685/ Û
Û Û
Û Source : Bluray Û
Û Encoding Type: Two Pass - HQ - BVOP - No QPel - No GMC Û
Û Video : 720x400, 2402 Kbps, XviD Û
Û Bits Per Pixel : 0,348 Û
Û Frame Rate : 23.976 FPS Û
Û Audio 1 : 448 Kbps 6 Ch Dolby DSS AC3 English Û
Û Audio 2 : 192 Kbps 2 Ch Dolby DSS AC3 Turkish (Ext) Û
Û Audio 3 : - Û
Û File Size : 2,91 GB Û
Û Û
Û Subtitle(s) : English, Turkish Û
Û Û
Û Email : callioped_team@hush.ai Û




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