Trouble Every Day
(Todos los días problemas / Sangre caníbal)
(Francia-RFA-Japón, 2001) [Color, 102 m.]
Género: Thriller, Terror, Vampirismo.
IMDb
Ficha técnica.
Dirección: Claire Denis.
Guión: Claire Denis, Jean-Pol Forgeau.
Fotografía: Agnès Godard.
Música: Tindersticks.
Producción: Georges Benayoun, Philippe Liégeois, Jean-Michel Rey, Kazuko Mio, Seiichi Tsukada.
Productora: Arte / arte France Cinéma / Canal+ / Centre National de la Cinématographie (CNC) /
Dacia Films / Kinetique / Messaouda Films / Rézo Films / Rézo Productions / Zweites Deutsches Fernsehen (ZDF).
Sinopsis: El avión avanza silencioso a través de la noche, de Estados Unidos hacia París. Shane brinda con June, su joven esposa. Una vez que se duerme reclinada en su hombro, éste se deja penetrar un instante por el dolor que le produce la pesadilla que le espera vivir: en París, Léo no sale a recibir a Shane, no sale a recibir a a nadie. Está excluído de los hospitales, de los laboratorios donde se dedicaba a la investigación. Busca cobijo en Corea, en sus andanzas, en su coto de caza. (FILMAFFINITY)
El problema diario al que se refiere el título original, es el que sufren Shane y Coré, infectados de un virus que les provoca una insaciable hambre de sangre humana.Shane es un científico exitoso que trabaja para una poderosa firma de laboratorios en los Estados Unidos, pero años atrás trabajó con el doctor Leo Semeneau en un proyecto sobre la libido humana. Ambiciosamente traiciona a su amigo y roba la fórmula, experimentándola en sí mismo y en Coré, amiga suya esposa de Leo y también científica. En ambos el resultado es desastroso, pues eleva su excitación a grados brutales que exigen a la par del orgasmo, el irrefrenable deseo de sangre humana, por lo que en pleno acto sexual matan con sus propias manos y dientes a su pareja en turno para comer de ellos.Ahora Shane vuelve a París para disfrutar de su luna de miel, viaje que sirve de pretexto para que busque desesperadamente a su viejo amigo, expulsado de la comunidad científica por sus teorías, quien ahora vive un infierno cotidiano al cuidar de su esposa, quien a cada momento escapa para dar rienda suelta a sus instintos. Mientras, Shane es incapaz siquiera de tocar a June, su esposa, sabiendo que por muy grande que sea su amor la condena a la muerte con tan solo tocarla, viviendo una frustración sexual tan grande como su sed de sangre (Alpacine).
hane and June Brown are an American couple honeymooning in Paris in an effort to nurture their new life together, a life complicated by Shane''s mysterious and frequent visits to a medical clinic where cutting edge studies of the human libido are undertaken. When Shane seeks out a self-exiled expert in the field, he happens upon the doctor''s wife, another victim of the same malady. She has become so dangerous and emotionally paralyzed by the condition that her husband imprisons her by day in their home. It is Shane's chance encounter with this woman that triggers an event so cataclysmic and shocking it might just lead him to rediscover the tranquility he seeks to restore for himself and his new bride (IMDb).
AMG Synopsis: Two strangers share a strange and terrible bond in this stylish horror tale that juggles sex and graphic bloodshed. Shane Brown (Vincent Gallo) is a strange man with a forbidding nature who has just married lovely but nervous June (Tricia Vessey), and they've decided to go to Paris for their honeymoon. In the City of Lights, a beautiful but dangerous woman named Core (Beatrice Dalle) has been leaving a trail of dead bodies in her wake when she's captured by Leo Semeneau (Alex Descas), a mysterious scientist who spirits her away to his estate. As Core is placed under guard, Semeneau leaves to return to the city for an unnamed assignment; we soon learn that one of Shane's reasons for coming to Paris was to find him and retrieve some important information. In time, we also discover that Shane and Core have something rather unusual in common -- both are murderous cannibals who regularly feast on the flesh of their victims, and Semeneau's information may hold the key to the secret behind their deadly appetite. Trouble Every Day generated a certain amount of controversy in its screenings at the 2001 Cannes Film Festival, where a number of patrons walked out in disgust at the film's intense blend of sensuality and cannibalism. -- Mark Deming
AMG Review: Claire Denis' Trouble Every Day is a perverse and challenging tale, a uniquely sensual metaphorical dramatization of sexual obsession that spends a bit too much time on its fairly ludicrous plot. Denis has earned her reputation as a critics' darling with visually compelling and thoughtful films like Beau Travail, and has dealt with similar dark subject matter, though in a far more detached and less graphic way, in the serial killer drama I Can't Sleep. It's safe to say that, despite many esthetic similarities to her earlier films (elliptically presented narrative, little dialogue, sumptuously intimate visuals), Trouble represents new territory for the filmmaker. Denis is clearly unconcerned with genre conventions, and her film doesn't adhere to the traditional rhythms of the horror film. Her focus is not on suspense or narrative drive (the narrative gets in the way every time it rears its ugly head), but on animal lust as human disease and its analogous resolution in the consumption of human flesh. Vincent Gallo, with his grungy hangdog looks, and Beatrice Dalle (Betty Blue), with her uniquely feral facial features, are perfectly cast as the afflicted carnivores. As their respective spouses, fragile beauty Tricia Vessey and stoic Alex Descas do solid work. Unfortunately, the inanity of the story makes it impossible to view these characters as people. They function better as metaphors. The film's truly gruesome and extremely unnerving sex scenes, including Gallo's dalliance with a hotel chambermaid and especially Dalle's seduction of a teenage delinquent, push the film into new territory, literalizing sexual appetite in a visceral way. You expect Denis to cut away from the blood and gore, but she lingers on it like a lover cuddling up after sex. These scenes are powerful -- dark, erotic, and even funny, if viewed from the remote perspective Denis' approach fosters. -- Josh Ralske
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Versión DVDRip VO+SE 696.06 Mb.
Publicada por javaopera en FH / ChainDead en sharethefiles.
Enlace:Versión DVDRip VO+SE 696.06 Mb.
Publicada por javaopera en FH / ChainDead en sharethefiles.
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Subtítulos (descarga directa): castellano / inglés / francés.
(1) Subs en castellano completos, ripeados por GrupoUtopia. Corregidos (reajuste de líneas y tiempos cortos).
(2) Subs en inglés, sólo para los diálogos en francés.
(3) Subs en francés, sólo para diálogos en inglés.
Datos técnicos:
Código: Seleccionar todo
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Versión DVDRip VO (Dual Eng-Turco)+(SE) 1,46 Gb.
Publicada por asttas en sharethefiles.
Enlace:Versión DVDRip VO (Dual Eng-Turco)+(SE) 1,46 Gb.
Publicada por asttas en sharethefiles.
Trouble.Every.Day.2001.DVDRip.AC3.XviD-ReMAKe.(sharethefiles.com).avi
Subtítulos: La duración es muy similar a la del ripeo anterior, así que deberían servir los anteriores.
Datos técnicos:
Código: Seleccionar todo
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RUNTIME.....................1.36.48
GENERE......................Horror | Thriller | Drama
LANGUAGE....................English / Turkish
MOVIE SIZE..................1.46 GB (1/3 DVD)
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Enlaces relacionados:Chocolat (Claire Denis, 1988) DVDRip VOSE
Beau Travail (Claire Denis, 1999) DVDRip VOSE
Vendredi soir (Claire Denis, 2002) DVDRip VOSE
Ten minutes older (Varios, 2002) DVDRip VOSE
L'intrus (Claire Denis, 2004) DVDRip VOSE
35 rhums (Claire Denis, 2008) DVDRip VOSE
White Material (Claire Denis, 2009) DVDRip VOSE
Saludos.