DivX Clásico

Estos días se pone a la venta un "pack" que incluye Querencias y extravíos, un CD con 11 canciones grabadas en directo, y JK: Charlas con vago burlón, un libro en el que Javier Krahe conversa sobre su vida y obra con la periodista Paloma Leyra. Las canciones del CD, grabado en el Café España de Valladolid, son rigurosamente inéditas, mientras que el libro, dado el mordaz y fluido verbo del cantautor, promete buena lectura.

Madrid, 11 dic (EFE).- El mordaz cantautor Javier Krahe ofrece "más de lo mismo" en su duodécimo álbum, "Querencias y extravíos", un disco compuesto por 11 nuevas canciones grabadas en directo que viene acompañado por un libro de conversaciones con el cantante titulado "JK: Charlas con un vago burlón".

Este nuevo trabajo de Krahe, que lleva 27 años en el mundo de la música y que ya en los 80 formó el grupo La mandrágora junto a Joaquín Sabina y Alberto Pérez, vuelve a hablar de celos, amores y relaciones con la habitual ironía, escepticismo y humor que ha marcado toda su carrera, ha dicho a Efe el cantautor madrileño, de 63 años.

Krahe recupera en "Querencias y extravíos" (18 Chulos Records) el formato en directo, como ya hizo hace cinco años en "Cábalas y cicatrices" -realizado en el Café Central de Madrid-, aunque esta vez, las canciones han sido grabadas en el café España de Valladolid durante la tercera semana de octubre y junto a su banda habitual, formada por Javier López de Guereña, Fernando Anguita, Andreas Prittwitz y Jimmy Ríos.

La idea de sacar un disco cuando sólo había transcurrido un año y medio desde el anterior, "Cinturón negro de Karaoke" (2006), y encima hacerlo en directo era algo que no estaba entre los planes de Krahe, reconoce el cantautor, quien confiesa que hubiese preferido sacar un disco de estudio más adelante.

"A mí me gusta espaciar los discos, hacer las cosas con tranquilidad y así tener bastantes canciones guardadas para cuando las necesite. De hecho, sólo compongo durante dos meses y el resto del año me dedico a dar conciertos y a estar en mi casa leyendo o viendo la tele", cuenta el cantante, en cuya discografía figuran títulos como "Valle de lágrimas" (1980), "Haz lo que quieras" (1987) o "Versos de tornillo" (1997).

Sin embargo, la insistencia de su banda por volver a grabar un disco en directo hizo que Krahe se animase a hacerlo y ahora reconoce que se muestra encantado con el resultado y también sorprendido de que "milagrosamente todo haya salido bien y rápido".

El disco viene acompañado por un libro de conversaciones "bastante informales" entre el cantautor y la periodista Paloma Leiva, que, bajo el título de "JK: Charlas con un vago burlón", recorre la vida y obra de Krahe, y habla "de tiempos pasados y tiempos presentes".

Ahora, tras 27 años en el mundo de la música, el veterano cantautor -cuya carrera ya fue narrada hace tres años en el documental "Esta no es la vida privada de Javier Krahe"- bromea con que se ve como "un profesional de tomo y lomo" y elige definirse como "un hombre que camina perplejo hacia el ocaso", una de las frases que contiene una de las canciones que ha compuesto recientemente.

1 Gracias canción
2 Navalagamella
3 Sortijas y gestos
4 Conmigo y sin mi (con música de Krahe y Sabina)
5 Año y medio
6 Metamorfosis
7 Matilde Urbach
8 La mujer más guapa del mundo
9 Malacostumbrado
10 Un mar de dudas
11 Un capricho estival

Javier Krahe - Querencias Y Extravios (mp3 320) por Wagnerian (au lait et noiselles).rar

The first of two albums that former Ikette P.P. Arnold recorded for Andrew Loog Oldham's Immediate label, and titled -- of course -- for her role within that organization, The First Lady of Immediate not only represents one of the most phenomenal voices of the age, but also stands as testament to the creative melting pot that was the label's credo. Recorded over the course of a full year, The First Lady of Immediate draws from a succession of sessions, dating back to Arnold's first dates with Oldham himself ("Everything's Gonna Be Alright" and "Life Is but Nothin'," her first single for the label). Next up, chronologically speaking, come recordings overseen by Mick Jagger ("Though It Hurts Me Badly" and "Treat Me Like a Lady") and the Small Faces ("[If You Think You're] Groovy"), before a lavishly orchestrated "First Cut Is the Deepest" spins out of a fruitful partnership with producer Mike Hurst and provides the album with what remains its best-known track. Despite such jumbled origins, the album holds together well. "Groovy," in particular, is a no-nonsense R&B pressure cooker, leaving one to wonder why the Small Faces (who provide instrumental duties on the track) never got around to releasing a version of their own. Spector/Mann/Weill's "Born to Be Together," meanwhile, is an absolute Oldham classic, bedecking Arnold's soulful voice with a full-blooded production that leaves the original sounding like a jellyfish. Unfortunately, the distribution problems that marred so many of Immediate's greatest releases raised their head once again. Not one of Arnold's singles made more than a mere murmur on the chart of the day, a fate that, in turn, reduced the album to little more than a discographical afterthought. Similarly, the mercenary repackaging that has since so blighted Immediate's memory skips so blithely over Arnold's long-players that many fans aren't even aware they exist. They do, and you should hear them immediately.

P. P. Arnold AKA Patricia Ann Cole

Born: 1946
Birthplace: Los Angeles, CA

Gender: Female
Race or Ethnicity: Black
Sexual orientation: Straight
Occupation: Singer, Actor

Nationality: United States
Executive summary: Soul singer

Patricia Cole was born into a family of gospel singers, and so began her musical training at a very young age. An unfortunate marriage to David Arnold when she was only 15 brought a period of considerable hardship throughout her late teen years, but she persevered with her musical ambitions in the hopes that it would open the door to a better life.

Her first break came when she won an audition to be one of the back-up singers for Ike and Tina Turner in 1966. After Ike & Tina toured with The Rolling Stones in England, Mick Jagger invited Arnold to stay, and later co-produced her first solo record The First Lady of Immediate (1967). It was in England that P.P. would subsequently establish the main center of her popularity. There she worked with The Small Faces, singing on their hit "Tin Soldier" (1966) and accompanying them on their subsequent tour. The Small Faces would later write hits for Arnold and her band The Nice. After the Nice split off on its own, Arnold worked with The Blue Jays and T.N.T., and recorded two singles with Barry Gibb as producer.

Although still active as a session singer and as a member of several different bands, the 70s and early 80s saw Arnold working most visibly as an actress -- first on stage and later on television. In London she starred in Catch My Soul, one of the first rock musicals. In 1981 she moved back to Los Angeles and made appearances on everything from Quincy to St. Elsewhere to Knots Landing. Finding the Hollywood scene somewhat less than inspiring, Arnold eventually returned to England and appeared in Andrew Lloyd Webber's Starlight Express -- as well as getting her music career started again with more session work and another solo release.

Throughout the 90s and 00s, P.P. Arnold maintained a stream of musical activity, working with the London-based band Ocean Colour Scene, touring with her own band, The Band of Angels, and recording and touring with Roger Waters.

Husband: David Arnold (div.)
Son: Kevin
Daughter: Debbie
Son: Kodzo

Código: Seleccionar todo

1. Groovy
2. Something Beautiful Happened
3. Born To Be Together
4. Am I Still Dreaming
5. Though It Hurts Me Badly
6. First Cut Is The Deepest
7. Everything Is Gonna Be Alright
8. Treat Me Like A Lady
9. Would You Believe
10. Life Is But Nothing
11. Speak To Me
12. Time Has Come
13. If You See What I Mean (Bonus Track)
14. Come Home Baby (Bonus Track)

P.P. Arnold - 1967 - First Lady Of Immediate (VBR 128-320 Mp3) por Wagnerian (panza abajo).rar

Wagnerian escribió:Que bien lo vamos a pasar...

New York Dolls-In too much, too soon(EAC-APE)+Covers por Tuco Benedicto.rar

allmusic.com escribió:Artist
New York Dolls

Album
Too Much Too Soon

Rating
5 Stars

Release Date
1974

Label
Mercury

Time
36:44

Genre
Rock

Tracks
Babylon
Stranded in the Jungle
Who Are the Mystery Girls?
(There's Gonna Be A) Showdown
It's Too Late
Puss 'N' Boots
Bad Detective
Don't Start Me Talkin'
Human Being

Credits
David Johansen - Gong, Vocals
Peter Jordan - Bass
Killer Kane - Bass
Jerry Nolan - Percussion, Drums
Alex Spyropoulos - Piano
Sylvain Sylvain - Bass, Guitar, Piano
Johnny Thunders - Guitar, Vocals

www.arrakis.es/Amsterdam/Historicos escribió:El glam inglés era insuficiente; le faltaba fuerza, convicción, a pesar de T. Rex, Bowie y poco más. Desde Nueva York, el sonido urbanita y underground de los New York Dolls se mezclaba con el satén y el encantamiento de lo ambiguo; como si los Rolling Stones copularan con Lou Reed. Este histórico sgundo disco sobrevive a los años gracias a una actitud que inspiraría al punk años después.

Cater en [url=http://www.fileheaven.org/forum/viewtopic.php?t=82971&start=0&postdays=0&postorder=asc&highlight=]FH[/url] escribió:

Gov't Mule
The Deepest End: Live in Concert, 2003
Rock
DVDFab ISO
Standart 16:9 , All Regions , PAL, Dolby Digital 2.0, 3.2
amazon.de amazon.com

1. Bad Little Doggie (Abts/Haynes/Woody)
2. Blindman in the Dark (Haynes)
3. Sco-Mule (Haynes)
4. Lay of the Sunflower (Haynes/Hunter)
5. John the Revelator performed by Gov't Mule / Dirty Dozen Brass Band
6. Chameleon performed by Gov't Mule / Dirty Dozen Brass Band
7. Beautifully Broken (Haynes/Louis/Prince)
8. Mule (Abts/Haynes/Morrison/Woody)
9. Banks of the Deep End (Gordon/Haynes/Linitz)
10. On Your Way Down (Toussaint)
11. Down and Out in New York City (Chandler/Devorzon)
12. Maybe I'm a Leo (Blackmore/Gillian/Glover/Lord/Paice)
13. Voodoo Chile (Hendrix)
14. Politician (Brown/Bruce)
15. Guitar Solo - Drum Solo
16. Sweet Leaf (Butler/Iommi/Osbourne/Ward)
17. War Pigs (Butler/Iommi/Osbourne/Ward)
18. Encore - Greasy Granny's Gopher Gravy, Pts. 1-2 (Abts/Claypool/Haynes)
19. Encore - Wasted Time (Frey/Henley)
20. Encore - Thorazine Shuffle (Abts/Haynes)

Review by Thom Jurek
Given all the live documents Gov't Mule issued since the premature death of bassist Allen Woody, The Deepest End is easily the most satisfying. Recorded and filmed during the 2003 Jazz and Heritage Festival in New Orleans, the show features the most astonishing array of guest bassists yet, and so many other guests the date was like a festival unto itself. Among the bassists preset for a night of music that began at 10:10 p.m. and ended at 3:35 a.m. were Jack Casady, Les Claypool, Roger Glover, Will Lee, Jason Newsted, Rob Wasserman, Victor Wooten, George Porter Jr., Conrad Lozano, and a half-dozen others. Other musicians participating in the festivities - many of whom who had gigs in the Crescent City at the same time - include David Hidalgo, Bernie Worrell, Fred Wesley, Karl Denson, Sonny Landreth, the Dirty Dozen Brass Band horns, Béla Fleck, and Ivan Neville. There are two CDs, packed to the gills with music from that evening. The mixture of covers and Gov't Mule originals is, to say the very least, captivating: from the opener "Bad Little Doggie" (given its definitive on-tape version here) and "Lay of the Sunflower" to Goin' Down" and "John the Revelator." The sound is warm and the mix very fluid, very live. The performance is completely inspired and jaw-droppingly sophisticated despite its spontaneity. There are 20 tracks over the pair of CDs, accounting for two hours and 34 minutes total playing time, and the DVD features 20 more and lasts over three hours. There are some major differences in tracks between the CDs and DVDs, making it pretty much essential for Mule fans: covers of "Wasted Time," "Sweet Leaf," "Politician," "Voodoo Chile," and a heft dose of Mule originals. All told, this and Rush's stellar In Rio triple disc are easily the live recorded events of 2003.


Warren Haynes Guitar, Arranger, Vocals, Producer, Slide Guitar, Liner Notes
Matt Abts Arranger, Drums
Jack Casady Bass
Les Claypool Bass, Vocals
Karl Denson Flute, Sax (Tenor)
Béla Fleck Electric Banjo
Roger Glover Bass
David Hidalgo Guitar, Vocals
Paul Jackson Jr. Bass
Sonny Landreth Slide Guitar
Will Lee Bass
Roger Lewis Arranger, Sax (Baritone)
Danny Louis Keyboards, Vocals (bckgr), Clavinet
Conrad Lozano Bass
Julius McKee Arranger, Sousaphone
Ivan Neville Keyboards
Jason Newsted Bass
George Porter Jr. Bass, Vocals (bckgr)
Greg Rzab Bass
Dave Schools Bass
Efrem Towns Trumpet, Arranger
Rob Wasserman Bass
Fred Wesley Trombone
Sammie Williams Trombone, Arranger
Victor Wooten Bass
Bernie Worrell Organ, Keyboards

Gov_t.Mule-2003.The.Deepest.End.(DVD-VIDEO).by.server.alliance-MULE.iso

Cater en [url=http://fileheaven.org/forum/viewtopic.php?t=80652&start=0&postdays=0&postorder=asc&highlight=]FH[/url] escribió:

Gov't Mule
2003. The Deepest End: Live in Concert
eac-cue-flac-jpg-rar 2CDs

CD1

1. Bad Little Doggie Abts, Haynes, Woody (4:04)
2. Game Face Haynes (8:36)
3. Larger Than Life Haynes (6:11)
4. Blindman in the Dark Haynes (15:38)
5. Which Way Do We Run? Haynes (6:56)
6. Fool's Moon Haynes (6:11)
7. Sco-Mule Haynes (8:56)
8. Patchwork Quilt Haynes (6:06)
9. Lay of the Sunflower Haynes, Hunter (7:35)
10. John the Revelator Traditional (6:59)

CD2

1. Beautifully Broken Haynes, Louis, Prince (9:49)
2. Time to Confess Haynes (8:27)
3. Banks of the Deep End Gordon, Haynes, Linitz (6:45)
4. 32/20 Blues Johnson (12:10)
5. Goin' Down Nix (5:58)
6. Slow Happy Boys Haynes (7:29)
7. I Shall Return Haynes (7:29)
8. Trying Not to Fall Haynes, Louis (5:48)
9. Drivin' Rain Haynes (5:03)
10. Soulshine Haynes (7:41)

Review by Thom Jurek
Given all the live documents Gov't Mule issued since the premature death of bassist Allen Woody, The Deepest End is easily the most satisfying. Recorded and filmed during the 2003 Jazz and Heritage Festival in New Orleans, the show features the most astonishing array of guest bassists yet, and so many other guests the date was like a festival unto itself. Among the bassists preset for a night of music that began at 10:10 p.m. and ended at 3:35 a.m. were Jack Casady, Les Claypool, Roger Glover, Will Lee, Jason Newsted, Rob Wasserman, Victor Wooten, George Porter Jr., Conrad Lozano, and a half-dozen others. Other musicians participating in the festivities - many of whom who had gigs in the Crescent City at the same time - include David Hidalgo, Bernie Worrell, Fred Wesley, Karl Denson, Sonny Landreth, the Dirty Dozen Brass Band horns, Béla Fleck, and Ivan Neville. There are two CDs, packed to the gills with music from that evening. The mixture of covers and Gov't Mule originals is, to say the very least, captivating: from the opener "Bad Little Doggie" (given its definitive on-tape version here) and "Lay of the Sunflower" to Goin' Down" and "John the Revelator." The sound is warm and the mix very fluid, very live. The performance is completely inspired and jaw-droppingly sophisticated despite its spontaneity. There are 20 tracks over the pair of CDs, accounting for two hours and 34 minutes total playing time, and the DVD features 20 more and lasts over three hours. There are some major differences in tracks between the CDs and DVDs, making it pretty much essential for Mule fans: covers of "Wasted Time," "Sweet Leaf," "Politician," "Voodoo Chile," and a heft dose of Mule originals. All told, this and Rush's stellar In Rio triple disc are easily the live recorded events of 2003.

Warren Haynes Guitar, Arranger, Vocals, Producer, Slide Guitar, Liner Notes
Matt Abts Arranger, Drums
Jack Casady Bass
Les Claypool Bass, Vocals
Karl Denson Flute, Sax (Tenor)
Béla Fleck Electric Banjo
Roger Glover Bass
David Hidalgo Guitar, Vocals
Paul Jackson Jr. Bass
Sonny Landreth Slide Guitar
Will Lee Bass
Roger Lewis Arranger, Sax (Baritone)
Danny Louis Keyboards, Vocals (bckgr), Clavinet
Conrad Lozano Bass
Julius McKee Arranger, Sousaphone
Ivan Neville Keyboards
Jason Newsted Bass
George Porter Jr. Bass, Vocals (bckgr)
Greg Rzab Bass
Dave Schools Bass
Efrem Towns Trumpet, Arranger
Rob Wasserman Bass
Fred Wesley Trombone
Sammie Williams Trombone, Arranger
Victor Wooten Bass
Bernie Worrell Organ, Keyboards

Gov_t.Mule_2003.The.Deepest.End.eac.cue.flac.scans.2CDs.by.server.alliance.rar

elPadrino escribió:Me los llevo, subli. A ver que tal tocan tus vecinos.

Salut

Grinderman es una banda formada por componentes de Nick Cave & The Bad Seeds: Nick Cave (voz y guitarra), Warren Ellis (violín), Martyn P. Casey (bajo) y Jim Sclavunos (batería).
En su [...] álbum de debut ("Grinderman", Mute 2007) dieron salida a la vena más rockera y sucia que había quedado un tanto adormecida en los últimos trabajos de la banda madre, retomando algunas de las señas de identidad del sonido de los primeros Bad Seeds: aspereza, agresividad y letras lujuriosas.

1. Get it On
2. No Pussy Blues
3. Electric Alice
4. Grinderman
5. Depth Charge Ethel
6. Go Tell The Women
7. (I Don't Need You To) Set Me Free
8. Honey Bee (Let's Fly To Mars)
9. Man In The Moon
10. When My Love Comes Down
11. Love Bomb

Grinderman - 2007 - Grinderman (Mute Uk) (Mp3 192) por WGNRN.rar