Música Buena y conocida - Rock'n´Roll

[Wagnerian]

Y a los Plimsouls se les tiene como 'una banda seminal'. Según 'Allmusic', padres de todos estos:

Followers

* The Goo Goo Dolls
* Psychotic Youth
* Peter Godwin
* The Chevelles
* The Hutchinsons
* Baby Lemonade
* Tearaways
* Neighbors
* Hippycrickets
* Los Valendas
* Brian Jones Was Murdered
* Insanity Wave
* Pop Rocks

Es decir, nunca le des una guitarra a un Plimsoul, o perderás a tu grupo, y luego a tu novia.
Y quien sabe si hasta a tu madre. ¿De quién apredieron? de uno o varios flamin' groovies...
Vivan las malas compañías, chicos.

[Morrissey21]

Análisis en elPeriódico del inminente nuevo disco de Springsteen.

Springsteen envuelve sus letras amargas en sonido pop en 'Magic'

1. • Canciones vibrantes de tres minutos y estribillos pegajosos se mezclan con textos de cariz político
2. • El disco tiene ecos musicales de otro concebido hace casi tres décadas y que no se llegó a editar

MIGUEL MARTÍNEZ
BARCELONA

En 1979, Springsteen tenía listo un disco, se iba a titular The ties that bind. A última hora no lo publicó y varias de aquellas canciones acabaron en The River, que salió el año siguiente, y el resto fue carne de cara B, piratas y del segundo compacto del recopilatorio Tracks, el CD preferido de Bruce para Steve van Zandt, guitarrista de la E Street Band. De haberse editado, The ties that bind sería el álbum más pop del Boss. Mucho de ese disco perdido hace 28 años hay en el muy brillante Magic, que sale el 2 de octubre. No faltan singles de tres minutos, estribillos y la E Street Band sonando romántica y ligera de pies. Pero al rascar la superficie y las letras surge una cara agria, con dejes políticos, que acentúa el tramo final. Esa parte oscura que Bruce añoraba en The ties that bind.

Spoiler: mostrar

'RADIO NOWHERE'
Single de presentación de corte garajero. Sus primeros segundos recuerdan a 865-5309 / Jenny, éxito que la banda Tommy Tutone colocó en el Top 40 en 1981. Contundente bofetón a las radios. El dial está muerto, solo emite zumbidos vía satélite.

'YOU'LL BE COMIN' DOWN'
Parece un puente que conduce desde Take' em as they come, una de 1979, hasta Lucky town, del 92. Historia agridulce que concede a Clarence Clemons uno de esos solos de saxo que hacen pensar en los días de gloria de Born in the USA.

'LIVIN' IN THE FUTURE'
Rhythm and blues cercano al Out of work que escribió en los 80 para su admirado soulman Gary US Bonds. El protagonista disfruta el presente ante lo mal que pinta el mañana. El teclado de Danny Federici hace de Clarence.

'YOUR OWN WORST ENEMY'
Primer guiño a The Beach Boys del productor Brendan O'Brien, que se gana el sueldo al poner el acento barroco de los arreglos donde debían haber estado los de Human touch. Misterioso relato sobre el fin de la tranquilidad.

'GYPSY BIKER'
Como si el excombatiente que volvía en silla de ruedas de Vietnam en Shut out the light (descarte de Born in the USA) fuera ahora uno que regresa de Irak. Guitarras crispadas y la armónica que aparece.

'GIRLS IN THEIR SUMMER CLOTHES'
Canta más cerca de Roy Orbison que nunca y lleva el eco de Waitin' on a sunny day a un imaginario Pet sounds producido por Phil Spector. Aquí O' Brien se gana ya la paga extra. "El amor es un baile de locos, no tengo zapatos pero aún conservo los pies".

'I'LL WORK FOR YOUR LOVE'
El piano de Roy Bittan levanta el telón como en Be true, otra de 1979, y el mensaje es el de entonces: por el amor se lucha, no cae del cielo. Aquí es la armónica la que hace de Clarence. "Otros tal vez lo quieren gratis, pero yo trabajaré por tu amor".

'MAGIC'
Punto de inflexión. Se quema el futuro. La canción más tranquila del disco, con efectos suaves en la retaguardia. Como si el tipo de la canción The ghost of Tom Joad mirase hacia adelante y viera llamas en el calendario.

'LAST TO DIE'
El rock apisonadora de Roulette (sí, también es de 1979) puesto al día y con la mirada en Irak. El título y el estribillo aluden a una frase que el político demócrata John Kerry pronunció en 1971: "¿Cómo pides a un hombre que sea el último en morir por un error?".

'LONG WALK HOME'
La nueva Land of hope and dreams, pero sin sueños y esperanzas. Un duro regreso a casa, repite el protagonista. En la letra, trozos del clásico del gospel Rank strangers (to me). Con el saxo de Clarence bajo los focos.

'DEVIL'S ARCADE'
La épica. Un soldado como el de Devils and dust en medio de un panorama desolador. "Los héroes hacían falta, así que los héroes se fabricaron". Épica de sección de cuerda para acabar una gran película, pero sin final feliz.

'TERRY'S SONG'
No está en el comunicado oficial del álbum, pero podría añadirse. Homenaje a su asistente y mano derecha de los últimos 23 años Terry Magovern, fallecido el 30 de julio. Cruda y emocionante oda a la amistad.

[Takeshi_Shimura]

Me han soplado que se podía bajar uno esto, totalmente DDG (descarga de gratis) ... tras sopesar cuidadosamente, ayudado por varias botellas de whisky, en qué hilo debía meterlo, aquí lo tenéis. Muchas gracias a quien me lo pasó, el sabe quién es y Dios también, así que tendrá su recompensa when all will be well.

Various Artists -Anthology of American Folk Music



Wikipedia

<table width="500"><tr><td align="justify">Originally released in 1952 as a quasi-legal set of three double-LPs and reissued several times since (with varying cover art), The Anthology of American Folk Music could well be the most influential document of the '50s folk revival. Many of the recordings which appeared on it had languished in obscurity for 20 years, and it proved a revelation to a new group of folkies -- from Pete Seeger to John Fahey to Bob Dylan -- who covered the songs, tracked down the artists, and made new field recordings to document other strands of folk music. The man that made the Anthology possible was editor and compiler Harry Smith, a man born in Washington but a drifter much of his life, as well as a painter, filmmaker and anthropologist. From his collection of thousands of old 78-rpm records, Smith compiled 84 of his favorite hillbilly, gospel, blues and Cajun performances from the late '20s and early '30s (all originally issued by labels such as Columbia and Victor), and divided each into one of three categories: Ballads, Social Music and Songs. Smith sequenced the three volumes with a great deal of care, placing songs on the Ballads volume in historical order (not to be confused with chronological order) so as to create an LP which traces the folk tradition, beginning with some of the earliest Childe ballads of the British Isles and ending with several story-songs of the early 20th century, which document happenings of special interest to contemporary listeners, like the sinking of the Titanic or the boll-weevil plague. [After being out of print for years, The Anthology of American Folk Music, Vol. 1 was reissued as part of a six-disc box set, containing all three volumes of the Anthology, by Smithsonian-Folkways as a six-disc box set in 1998.]

The Harry Smith-compiled three-volume Anthology of American Folk Music set was one of the most important records in launching the folk revival. It was not well known, though, that Smith compiled a fourth volume that was unissued. Revenant finally put it out in 2000, and like its three predecessors, it contains classic pre-World War II American country, blues, and folk music, with some gospel and Cajun too. It does differ from the first three volumes in its focus on a slightly later period, with all the tracks culled from the years 1928-1940. Leadbelly, Robert Johnson, Joe Williams, Bukka White, Memphis Minnie, and John Estes are all major blues artists; the Monroe Brothers, the Carter Family, Uncle Dave Macon, and the Blue Sky Boys all giant country/bluegrass pioneers; and the Hackberry Ramblers are one of the pre-eminent Cajun groups. A few of these songs are archetypes that have burned their way into the American collective musical consciousness: John Estes' "Milk Cow Blues," the Carter Family's "No Depression in Heaven," Joe Williams' "Baby Please Don't Go," and the Monroe Brothers' "Nine Pound Hammer Is Too Heavy." Other less famous performances are quite intriguing, like Sister Clara Hudmon's "Stand By Me" (believed by some to be Bessie Smith recording under a pseudonym) and Jesse James' raw and rollicking piano blues "Southern Casey Jones." At 28 songs spread over two CDs, it's a little shorter than might be expected for a box set, though as compensation, it's enclosed in a pretty incredible 96-page liner-note-sized hardcover book with writing by Dick Spottswood and John Fahey.</td></tr></table>

Disc 1
http://www.mediafire.com/?cbg1jjxdgt1

Disc 2
http://www.mediafire.com/?ayctz45jhp2

Disc 3
http://www.mediafire.com/?41mtnc1zlnb

Disc 4
http://www.mediafire.com/?dwmzo5pyjja

Disc 5
http://www.mediafire.com/?83dz2d2n4y5

Disc 6
http://www.mediafire.com/?18tdpwqzwdd

Disc 7
http://www.mediafire.com/?8z9j4bxvdb2

Disc 8
http://www.mediafire.com/?8jtdbbjduz9

[el_salmonete]

Gracias, majo, por... ¿el enlace?

[elPadrino]

Un par de cosillas traidas desde torrentdamage:

---------------------------------------------------------------------
Blues Brothers - The Definitive Blues Brothers Collection
---------------------------------------------------------------------
Artist...............: Blues Brothers
Album................: The Definitive Blues Brothers Collection
Genre................: Blues
Source...............: CD
Year.................: 1978
Codec................: LAME 3.97
Version..............: MPEG 1 Layer III
Quality..............: Extreme, (avg. bitrate: 259kbps)
Channels.............: Joint Stereo / 44100 hz
Tags.................: , ID3 v2.3
Ripped by............: LostAlcatraz on 21/09/2007
Posted by............: LostAlcatraz on 21/09/2007
Included.............: NFO



---------------------------------------------------------------------
Tracklisting - CD1
---------------------------------------------------------------------
1. (00:01:54) Blues Brothers - Opening: I Can't Turn You Loose
2. (00:03:23) Blues Brothers - Everybody Needs Somebody To Love
3. (00:03:05) Blues Brothers - Gimme Some Loving
4. (00:03:15) Blues Brothers - Think
5. (00:03:05) Blues Brothers - Soul Man
6. (00:01:46) Blues Brothers - Soul Finger
7. (00:02:56) Blues Brothers - Messin' With The Kid
8. (00:02:42) Blues Brothers - Hey Bartender
9. (00:02:57) Blues Brothers - (I Got Everything I Need) Almost
10. (00:02:52) Blues Brothers - Rubber Biscuit
11. (00:05:22) Blues Brothers - Shot Gun Blues
12. (00:03:42) Blues Brothers - Groove Me
13. (00:04:12) Blues Brothers - I Don't Know
14. (00:04:04) Blues Brothers - 'B' Movie Box Car Blues
15. (00:03:25) Blues Brothers - Flip-Flop And Fly
16. (00:04:09) Blues Brothers - She Caught The Katy
17. (00:03:49) Blues Brothers - Peter Gunn Theme

Playing Time.........: 00:56:40
Total Size...........: 104.56 MB

---------------------------------------------------------------------
Tracklisting - CD2
---------------------------------------------------------------------
1. (00:02:50) Blues Brothers - Shake A Tail Feather
2. (00:03:00) Blues Brothers - The Old Landmark
3. (00:02:40) Blues Brothers - Theme From Rawhide
4. (00:03:25) Blues Brothers - Minnie The Moocher
5. (00:07:53) Blues Brothers - Sweet Home Chicago
6. (00:03:22) Blues Brothers - Jailhouse Rock
7. (00:03:32) Blues Brothers - Who's Making Love
8. (00:02:55) Blues Brothers - Do You Love Me
9. (00:03:41) Blues Brothers - Guilty
10. (00:02:05) Blues Brothers - Perry Mason Theme
11. (00:03:33) Blues Brothers - Riot In Cell Block Number Nine
12. (00:05:45) Blues Brothers - Green Onions
13. (00:02:44) Blues Brothers - I Ain't Got You
14. (00:03:25) Blues Brothers - From The Bottom
15. (00:04:03) Blues Brothers - Going Back To Miami
16. (00:03:26) Blues Brothers - Expressway To Your Heart
17. (00:02:41) Blues Brothers - Excusez Moi Mon Cherie
18. (00:00:49) Blues Brothers - Closing :I Can't Turn You Loose

Playing Time.........: 01:01:49
Total Size...........: 114.82 MB

Blues Brothers - The Definitive Blues Brothers Collection.rar



---------------------------------------------------------------------
V.A.Rock-a-Bobabilly.Doo.WopCollection.3CD
---------------------------------------------------------------------

Artist...............: Variuos Artists
Album................: Rock-a-Bobabilly Doo Wop Collection
Genre................: Rock-a-abilly/Doo Wop
Type.................: Studio
Duration.............: 225.06 mins
Number of Songs......: 74

Audio Format.........: MP3
Ripper...............: dbpowerAMP Music Converter
Encoder..............: LAME
Bitrate..............: 192 kBit/s
Hz...................: 44,100
Channels.............: Joint Stereo


-------------------------------------------------------------------------------
Release Notes
-------------------------------------------------------------------------------
Track Listing:
CD1
Lilly Maebelle - The Valentines.MP3
At My Front Door - The El Dorados.MP3
The Great Pretender - The Platters.MP3
Earth Angel - The Penguins.MP3
Gloria - The Cadillacs.MP3
Speedo - The Cadillacs.MP3
In The Still Of The Night - Five Satins.MP3
Church Bells May Ring - The Willows.MP3
Little Girl Of Mine - The Cleftones.MP3
For Your Precious Love - Jerry Butler & The Impressions.MP3
I Want You To Be My Girl - Frankie Lymon & The Teenagers.MP3
The Closer You Are - The Channels.MP3
Oh, What A Night - The Dells.MP3
Come Go With Me - The Del Vikings.MP3
A Thousand Miles Away - The Heartbeats.MP3
Please Say You Want Me - The Schoolboys.MP3
Tonight, Tonight - The Mello Kings.MP3
Little Star - The Elegants.MP3
Long, Lonely Nights - Lee Andrews & The Hearts.MP3
Tell Me Why - Norman Fox & The Rob Roys.MP3
Baby, Oh Baby - The Shells.MP3
I'm So Happy - Lewis Lymon & The Teen Chords.MP3
Don't Ask Me To Be Lonely - The Dubs.MP3
Florence - The Paragons.MP3
Get A Job - The Silhouettes.MP3
Deserie - The Charts.MP3
Walking Along - The Solitaires.MP3
Maybe - The Chantels.MP3
Goodnight, Sweetheart Goodnight - The Spaniels.MP3
CD2
One Summer Night - The Danleers.MP3
Tears On My Pillow - Little Anthony & The Imperials.MP3
Ten Commandments Of Love - Harvey & The Moonglows.MP3
Sorry (I Ran All The Way Home ) - The Impalas.MP3
Since I Don't Have You - The Skyliners.MP3
I Only Have Eyes For You - The Flamingos.MP3
Blue Moon - Marcels.MP3
My True Story - Jive Five.MP3
Unchained Melody - Vito & The Salutations.MP3
Crazy For You - The Heartbeats.MP3
I'll Be Forever Loving You - The El Dorados.MP3
You Baby You - The Cleftones.MP3
The Woo Woo Train - The Valentines.MP3
Your Way - The Heartbeats.MP3
Up On The Mountain - The Magnificents.MP3
Castle In The Sky - The Bop Chords.MP3
The Angels Sang - The Solitaires.MP3
Rubber Biscuit - The Chips.MP3
I Belong To You - Fi-Tones Quintet.MP3
That's My Desire - The Channels.MP3
Oh Gee, Oh Gosh - The Kodoks.MP3
2 Kinds Of People In The World-Little Anthony&The Imperia.MP3
Let It Please Be You - The Desires.MP3
This I Swear - The Skyliners.MP3
Diamonds & Pearls - The Paradons.MP3
Once In A While - The Chimes.MP3
I Love You - The Volume's.MP3
You Belong To Me - The Duprees.MP3
Those Oldies But Goodies - Little Caesar & The Romans.MP3
CD3
Why Do Fools Fall In Love - Frankie Lymon & The Teenage.MP3
When I Woke Up This Morning - The Bop Chords.MP3
Down The Aisle Of Love - Quintones.MP3
Zoom Zoom Zoom - Collegians.MP3
Dance Girl - The Charts.MP3
I Love You So - Chantels.MP3
To Know Him Is To Love Him - Teddy Bears.MP3
I Promise To Remember - Frankie Lymon & The Teenagers.MP3
A Casual Look - The Sixteens.MP3
Trickle Trickle - The Videos.MP3
Shimmy Like My Sister Kate - The Olympics.MP3
Lovers Never Say Goodbye - The Flamingos.MP3
Honky Tonk Parts 1 & 2 - Bill Doggett.MP3
Strange Love - The Native Boys.MP3
To A Soldier Boy - The Tassels.MP3
Only You - The Platters.MP3
Honey Honey - Lewis Lymon & The Teenchords.MP3
Crazy Love - Royaltones.MP3
Woe Is Me - The Cadillacs.MP3
People Are Talking - The Heartbeats.MP3
Sincerely - The Moonglows.MP3
All Night Long - The Dumauriers.MP3
Hey Senorita - The Penguins.MP3
I Want To Know - The Ladders.MP3
There's No Other Like My Baby - The Crystals.MP3
Peppermint Stick - Little Butchie Saunders & The El Chor.MP3

V.A. Rock-a-Bobabilly Doo Wop Collection.rar

Debo ser la única fuente en el emule, así que paciencia.

Salut

[dhrapi]

Paciencia pues.

Asias, Padrino.

EDITO (Tres horas después): Tampoco ha sido precisa mucha paciencia. Ambos completos y compartiendo.

[Wagnerian]

Habréis escuchado una de sus mejores pero menos representativas canciones ('There is an end') en la banda sonora de 'Flores rotas' de Jarmusch, y ahora se la ha apropiado una conocida tienda de ropa para sus anuncietes. Es poco representativa porque la cantanta es Holly Golightly, invitada para grabar ese tema, y cuya voz le dió un toque supremo:

01 There Is An End (The Greenhornes).mp3

De Holly Golightly (la cantanta, no el personaje de Capote) hay mucho que hablar, pero ya veremos si lo hago más adelante. Y no es por ella en sí, sino porque está relacionada a su vez con Billy Childish, ese Kevin Bacon del underground del que es imposible ponerse a detallar sus hiperactividades sin acabar aburriendo hasta al mosquito-tigre.
Pues 'The Greenhornes', así llamados por ellos mismos a sí mismos, son un grupo de garaje, pero trabajado, es decir, universitarios seguro. Lo que os diga a partir de ahí no sirve para nada. Así que ahí va su discografía completa (4 maravillosos discos y un frutal EP):

The Greenhornes 1999-2005 4cd 1ep MP3.rar

Le dáis un poquito de tiempo, y ya me contáis.

[el_salmonete]

Me lo bajo, pero cambia la foto o no podré escucharlos. Ya ves, tengo un alto sentido de la estética.

Gracias

[Wagnerian]

Gracias a ti, por no empezar con los parecidos razonables.

Ahí va la página del grupo, para que podáis verlos en fotos menos nítidas:

http://www.greenhornes.com/gh.html

[Takeshi_Shimura]

Pues me lo llevo, gracias Wagnerian ....

y, de paso, recuerdo que estos días sale a la venta esto:



ANTI-

<table width="500"><tr><td align="justify">AMG Review by Thom Jurek

On the surface, it may seem that pairing soul survivor Bettye LaVette with Southern rockers the Drive-By Truckers is a match made in hell, and no one could be blamed for that assumption. Since LaVette singed to Anti for 2005's I've Got My Own Hell to Raise, an album produced by Joe Henry that brought her back into the public eye after more than 30 years (she did record and continued to sing, and was in no way retired), the stakes were higher for her return effort. Label president Andy Kaulkin is a cagey guy who understands that milking a successful formula isn't the way to make records, nor is it any way for an artist of LaVette's stature to be treated -- especially when she's in the prime of her recording life. He suggested the collaboration to the Truckers' Patterson Hood. Hood is from Alabama, the home of the Muscle Shoals Sound Studio, and his father was co-owner and a session bassist. LaVette recorded what was supposed to be her breakthrough album at Muscle Shoals' Fame Studios for Atlantic (Hood's father David, along with Spooner Oldham, played on the sessions for that disc). But the finished record, Child of the Seventies (and the rest of its studio sessions), sat in the vault for 30 years before being issued in Europe and finally released stateside by Rhino Handmade in 2005 -- after she'd won a W.C. Handy Award for Woman Like Me on Blues Express (her actual return to recording in America after 20 years) in 2003, and her critically acclaimed Anti debut that reached an even bigger audience.

LaVette agreed to return to Fame some 35 years later, the studio where Scene of the Crime was recorded. The set is co-produced by David Barbe, Patterson Hood, and LaVette. Along with the Drive-By Truckers (Hood, Mike Colley, Shonna Tucker, and Brad Morgan), special guests include Spooner Oldham on Wurlitzer and piano throughout, David Hood on bass on three cuts, Kelvin Holly (a member of Little Richard's band the Decoys), steel guitarist John Neff, and Sum Haque on piano for a couple of numbers. These ten tracks -- all but one are covers, as LaVette considers herself in the proper soul tradition as an interpreter, not a songwriter -- are gritty, loud, raw, and drenched in Southern soul, blues, and gospel-tinged R&B. From the opening notes of "I Still Want to Be Your Baby (Take Me Like I Am)" -- written by another genius chewed up and spat out by the music biz, the late Eddie Hinton -- it becomes obvious why this unlikely pairing was a match made in roadhouse heaven. Roiling and steamy from the word go, the guitars are held in check with a riff that sounds like it could have come from Junior Kimbrough's juke joint over Mississippi way. Oldham's Wurlitzer, the cracking snare, a bottom-heavy bassline -- that has not an iota of rubber in it -- and those distorted intertwining six-strings are still barely enough to hold the sheer wall-busting voice of LaVette. She doesn't have to stretch to get above them (and many of these tracks are comprised of "scratch," or first-take vocals). It comes pouring out of her. She's a disciplined singer who understands tension and dynamic and where in her belly to get the power from. Her reading of Frankie Miller's "Jealousy" is all simmering and scorching soul; the Wurlitzer and rim-clicking snare are her allies here in delivering the lyric. The bassline provides a rock for the trio to jump off and the guitars just color the sound purple. She has all the advice of a strict maternal figure who has learned from hard experience. When the track begins to cut loose of its moorings, she simply gets right on top of the mix and lets her voice fall over it. Whew!

As fine as these cuts are -- and they are all solid, without a weak one in the bunch -- there are three clear head-and-shoulders winners. The first is a devastating and now definitive reading of Willie Nelson's "Somebody Pick Up My Pieces" that transcends its country roots and becomes a soul song in the classic Otis Redding tradition. It's draped in sorrow, which Neff's pedal steel underscores in every line. The bassline carries the only support in the mix and LaVette allows everything to come through her body and voice: it's the sound of every heart in the world breaking, straining for control for even one moment, and then realizing it's futile. Next is the most incredible reading of Elton John's "Talking Old Soldiers," a sultry, sad ballad that is completely reinvented here. John doesn't own it anymore, even if he and Bernie Taupin did write it. The emptiness of her surroundings surrounds the protagonist, and there is nothing but vastness and the curse of memory and the frailty of age to express the ultimate truth of life's only promise: the graveyard. But it's not all sorrow and heartache. "Before the Money Came (The Battle of Bettye Lavette)," written by Hood and the singer, is the triumphant survivor's tale it sounds like. The hardcore bar band nature of the Truckers with Oldham comes choogling, and LaVette's down with this kind of rock & roll -- she was singing the rhythm and blues version long before all but Oldham were even born. And there's nothing corny, nostalgic, or novelty about this blues. This is not a song about bragging rights, but the redemptive voice of a champion -- one who has paid more dues than most people can fathom let alone perceive, and has not only lived to tell about it but has risen above it all without ever once surrendering. Henry's production job with LaVette was brilliant. He understood her strengths better than the staff producers at Atlantic did and found a sympathetic band that could hang with her incredible ability. But Scene of the Crime, though far more basic, was the album she was born to make. It gets better with each listen, and stands so far outside the realm of anything her better-known peers are doing today that it's almost scary. They are not even in her league -- any of them. And while one can only hope she makes records for a long time to come (she's in her early sixties and in fantastic health), if she never made another one, listeners would have the ultimate gift here.</td></tr></table>

eD2k: Bettye Lavette - The Scene Of The Crime (2007) - Blues.rar

[Alex_add]

haciendo unas busquedas encontre este documental sobre el Sr Chuck berry, me parecio interesante y ademas no lo conocia, pero la mas grata sorpresa es al acabar de bajarlo el ver que traia incrustados unos feos pero maravillosos subtitulos castellanos para poder disfrutar y comprender las 2 horas dedicadas a este gran musico, aqui os dejo el link para posibles interesados

[ed2k=ed2k://|file|Chuck%20Berry%20Film.%20Hail!%20Hail!%20Rock%20'N'%20Roll%20(1987).avi|728891392|645C1FD4816AE27C32537542EB50082D|/]Chuck Berry Film. Hail! Hail! Rock 'N' Roll (1987).avi[/ed2k]

[el_salmonete]

Pues muchas gracias por compartir el descubrimiento.

Salud

[dorn1]

La edición remasterizada y con 16 bonus de 2004. En PANDO (cada descarga supone 30 días de permanencia del disco en el servidor a partir de ese momento).

[ciruja]

El 16 de noviembre se publica en España el nuevo disco de Neil Young,

Neil Young publica nuevo álbum: "Chrome Dreams II", vuelve la leyenda

El mítico compositor de algunas de las mejores canciones de la historia del rock, Neil Young, ha presentado un nuevo dsico. Se publica bajo el título " Chrome Dreams II", bajo el sello Reprise Records de Los Angeles. Young presentó su disco como lo ha hecho desde 1969, en las oficinas del sello ante el mayor número de empleados posible, en este caso casçi un centenar. El disco verá la luz a final de este año 2007. "Chrome Dreams II" es la segunda parte de un álbum cuya publicación estaba prevista en 1977 pero finalmente no se llegó a lanzar. Para alimentar todavía más la leyenda de este disco inédito, el master original con toda la documentación, los diseños, la portada y créditos artísticos de aquel disco se perdieron en un incendio que destruyó la casa que el cantante poseía en Malibú en 1978. En 1992 apareció en Alemania un acetato de la grabación original e incluso llegó a estar en el mercado negro. Algunos críticos afirman que de haberse publicado en su día, habría sido una de las obras maestras de Neil Young. "Chrome Dreams II" contiene 3 temas antiguos y 7 nuevos producidos por The Volume Dealers y Niko Bolas. Más información disponible en www.neilyoung.com

[paizoco]

Neil Young trabaja de forma infatigable, produciendo canciones y discos continuamente. Es una buena noticia.

[Wagnerian]

Creo que no hay ninguna voz actual con una capacidad tan pudiente de mandarnos a Nueva Orleans con modulaciones naturales, de meternos en un pequeño vinilo de los años 20 grabado en una casucha de madera, y sonar contemporánea a la par que marcianesca. Jolie Holland (holly jolie!!) está un poco aquí y allá, su música es compleja y sus letras 'southern comfort' están pasadas por un tamiz delicadamente esquizoide. No me emociona como otr@s (Marissa Nadler, ejemplo mayor), pero me mantiene pendiente e interesado. Os dejo 'Escondida', su segundo disco, porque es el que estoy escuchando. Posiblemente el último, 'Springtime can kill you' es su obra mayor, pero da igual. Si 'Escondida' os deja algo perplejos, podéis seguir probando, el camino es el mismo.

1. Sascha
2. Black Stars
3. Old Fashion Morphine
4. Amen
5. Mad Tom Of Bedlam
6. Poor Girl
7. Goodbye California
8. Do You?
9. Darlin' Ukelele
10. Damn Shame
11. Tiny Idyll
12. Faded Coat Of Blue

Nada de apes de momento:

Jolie Holland-Escondida.rar

Una auténtica desgracia que este vídeo esté cortado, por razones obvias:

http://es.youtube.com/watch?v=GosjpPuIBt8

Pero este tampoco está nada mal:

http://es.youtube.com/watch?v=6Og-D0J2a1g

Arreglá:





Irfonmá:



Y con letras tan sencillas y efectivas como esta:

Give me that old fashioned morphine
Give me that old fashioned morphine
Give me that old fashioned morphine
It's good enough for me

What it was good enough for my Grandpa
It was good enough for my Grandpa
It was good enough for my Grandpa
It's good enough for me

Sister don't get worried
Sister don't get worried
Sister don't get worried
Because the world is almost done

Give me that old fashioned morphine
Give me that old fashioned morphine
Give me that old fashioned morphine
It's good enough for me

It was good enough for Billy Boroughs
It was good enough for Billy Boroughs
It was good enough for Billy Boroughs
It's good enough for me

Sister don't get worried
Sister don't get worried
Sister don't get worried
Because the world is almost done

Give me that old fashioned morphine
Give me that old fashioned morphine
Give me that old fashioned morphine
It's good enough for me

It was good enough for Isabelle Eberhardt
It was good enough for Isabelle Eberhardt
It was good enough for Isabelle Eberhardt
It's good enough for me

Sister don't get worried
Sister don't get worried
Sister don't get worried
Because the world is almost done

Un saludo!!

[ciruja]

No la conocía y me ha impresionado lo variado de la letra, los múltiples temas que aborda. ¡Y desde todas las perspectivas!
Pincho, gracias Wagnerian.

[el_salmonete]

Pues he estado escuchando a la moza Holland y no me ha convencido mucho su voz, aunque sí la música que practica. Yo en relación a este tipo de propuestas musicales, y como no me dejo pecar de esnobismo, sigo disfrutando a ratos de Norah Jones; eso sí, como no estoy vacunado contra el exceso de producción discográfica ("sabemos cómo hacer sonar los discos para gustar a papá y a mamá"), me decanto casi siempre por sus primeras sesiones en las que se la puede escuchar a pelo: Norah Jones - First Sessions (2001 Ep) Ape,Log,Scans.rar

Ahora bien, si lo que queremos es dejarnos de púberes, recomiendo encarecidamente un acercamiento a la discografía de Dayna Kurtz (no confundir con la Krall), que a veces recuerda incluso al Tom Waits más melódico: DAYNA KURTZ - Another Black Feather (2006 - MP3 160 Kbps) by Musicanarias.rar

Los Greenhornes sí me gustaron mucho, lástima que ya no sea tan propenso a ese tipo de música.

Salud y gracias por las recomendaciones

[Wagnerian]

Pues mira, de rebote pincho yo esas sesiones de Norah Jones que no conocía, y que seguro que voy a disfrutar.
Dayna Kurtz ya me da más miedo, me han dicho que le pega a su marido con la guitarra, y a su amante con el bajo. No me la quiero imaginar pasando un sábado noche con Tom Waits. Pero sí, sí, recojo tu testigo. No sé para qué lo recojo, pero lo recojo.

Un saludo!

[marcambit]

Hoy se ha puesto a la venta el nuevo disco de los Eagles, después de 18 años sin material nuevo.


He tenido el placer de comprármelo (no está mal el precio teniendo en cuenta que es doble) y me ha parecido muy, muy recomendable (si a alguien le apetece, he escrito una reseña en mi blog, perdon por la autocita . He visto muchos elinks del disco, pero, la verdad, teniendo en cuenta que ha salido hoy...no sé, no me fío.

Alguien sabe de alguno "fiable"?