Slade-2006 Box Set Cd3 Eac Wv Scans By Trs66 Server Alliance Wv.iso 
Slade-2006 Box Set Cd2 Eac Wv Scans By Trs66 Server Alliance Wv.iso Música Buena y conocida - Rock'n´Roll
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zeppogrouxo
- cangurosuperduro
- Mensajes: 3081
- Registrado: Mar 02 Sep, 2003 02:00
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zeppogrouxo
- cangurosuperduro
- Mensajes: 3081
- Registrado: Mar 02 Sep, 2003 02:00
Hola... un aviso:
hoy salen a la venta las entradas para el concierto de Bjork en Madrid el 18 de Julio
podeis comprarlas en www.servicaixa.com
no tardeis... ya que la última vez que esta señorita estuvo en Barcelona se agotaron en dos días
Un saludo
(también lo voy a postear en "buena música no tan conocida")
hoy salen a la venta las entradas para el concierto de Bjork en Madrid el 18 de Julio
podeis comprarlas en www.servicaixa.com
no tardeis... ya que la última vez que esta señorita estuvo en Barcelona se agotaron en dos días
Un saludo
(también lo voy a postear en "buena música no tan conocida")
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Takeshi_Shimura
- Mensajes: 2846
- Registrado: Jue 04 Mar, 2004 01:00
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y aquí tenemos dos, en impoluto conchavelasco:Takeshi_Shimura escribió:Atención: esto es una noticia, no una publicación de enlaces
Hoy, 8 de Agosto (en EEUU aún lo es) salen a la venta, en USA al menos, tres discos clásicos de Roy Orbison, tres monumentos de su edad de oro de principios de los 60 (grabados entre 1959 y 1963, para ser exactos), remasterizados chachiguay y con temas extra. Como Dios manda, vamos. Todos de la mano de Sony/Legacy.
Los discos son:
Sings Lonely and Blue (1960)
Crying (1962)
In Dreams (1963)
En ellos hallamos canciones como Running Scared, In Dreams, Blue Avenue, Only the Lonely (no, Pretty Woman, no, es de un año más tarde). Siendo de Sony supongo que acabarán cayendo por aquí (me refiero a España, no a este hilo, malpensados), pero vaya vd. a saber cuándo (ahora en Agosto apuesto a que no)
Roy.Orbison-1962.Crying.(2006.Remaster)eac.wv.scans.by.audiospirit.server.alliance.wv.iso Roy.Orbison.sings.Lonely&Blue-By.Leffe.at.HQShare.net.(EAC)(APE).rar -
Takeshi_Shimura
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y esto lo pongo por sí hay algún indocumentado que no lo tenga 
y dude antes de comprarlo
<table width="300"><tr><td align="justify">AMG Review by Stephen Thomas Erlewine
Rhino's 2003 expanded edition of Television's seminal debut, Marquee Moon, doesn't add much on the surface -- in addition to the de rigueur liner notes and loving packaging, all standard fare on serious reissues here in the early days of the 21st century, there are a mere five bonus tracks. Some might complain, but dealing with scarcity is part of being a Television fan; few great bands have left such a slim body of work, with only two studio albums from the golden age, weighing in at a total of 16 songs. So, any addition of new recordings, even alternate takes, to the canon is welcome indeed, and the five bonus tracks are all necessary, none more so than the first official CD release of Television's first single, "Little Johnny Jewel." Here, the two parts -- part one issued as the A-side, part two as the B -- are presented as one track (it does fade out and in at midway point), and it's a fascinating roughhewn blueprint for Marquee Moon. It's a legendary single, and it's a blessing that it's finally readily available, but hardcore Television fans will likely be more taken with the alternate takes of "See No Evil," "Friction," and "Marquee Moon." While "See No Evil" is the only tune that's radically different in this incarnation -- it's the same structure, only with another, very busy, guitar line surging throughout the verse -- the band, particularly Tom Verlaine and Richard Lloyd, always played the songs differently, so "Friction" and "Marquee Moon" make for fascinating listening anyway; that's also the reason why the untitled instrumental, which doesn't really go anywhere, is still good listening -- it's just a pleasure to hear this most musical of punk bands play. That, combined with good liner notes and remastering of a timeless album, make this an essential reissue.</td></tr></table>
[XCT).Television.-.Marquee.Moon.(1977.remastered.2003).EAC.FLAC.Rip.by.Mr.Pink.rar
Television - Marquee moon - remastered + bonus.rar
y dude antes de comprarlo
<table width="300"><tr><td align="justify">AMG Review by Stephen Thomas Erlewine
Rhino's 2003 expanded edition of Television's seminal debut, Marquee Moon, doesn't add much on the surface -- in addition to the de rigueur liner notes and loving packaging, all standard fare on serious reissues here in the early days of the 21st century, there are a mere five bonus tracks. Some might complain, but dealing with scarcity is part of being a Television fan; few great bands have left such a slim body of work, with only two studio albums from the golden age, weighing in at a total of 16 songs. So, any addition of new recordings, even alternate takes, to the canon is welcome indeed, and the five bonus tracks are all necessary, none more so than the first official CD release of Television's first single, "Little Johnny Jewel." Here, the two parts -- part one issued as the A-side, part two as the B -- are presented as one track (it does fade out and in at midway point), and it's a fascinating roughhewn blueprint for Marquee Moon. It's a legendary single, and it's a blessing that it's finally readily available, but hardcore Television fans will likely be more taken with the alternate takes of "See No Evil," "Friction," and "Marquee Moon." While "See No Evil" is the only tune that's radically different in this incarnation -- it's the same structure, only with another, very busy, guitar line surging throughout the verse -- the band, particularly Tom Verlaine and Richard Lloyd, always played the songs differently, so "Friction" and "Marquee Moon" make for fascinating listening anyway; that's also the reason why the untitled instrumental, which doesn't really go anywhere, is still good listening -- it's just a pleasure to hear this most musical of punk bands play. That, combined with good liner notes and remastering of a timeless album, make this an essential reissue.</td></tr></table>
[XCT).Television.-.Marquee.Moon.(1977.remastered.2003).EAC.FLAC.Rip.by.Mr.Pink.rar Television - Marquee moon - remastered + bonus.rar -
zeppogrouxo
- cangurosuperduro
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Takeshi_Shimura
- Mensajes: 2846
- Registrado: Jue 04 Mar, 2004 01:00
- Ubicación: tied to this table right here
yo también me apunto al Elvis pre-british invasion
<table width="475"><tr><td align="justify">AMG Review by Steve Leggett
You could see this one coming. Watermelon Slim's last album, 2004's sparse and arresting Up Close & Personal, revealed a contemporary bluesman with a scholar's understanding of the genre and a truly skewed, passionate approach to performing it that hinted at even deeper possibilities. Watermelon Slim & the Workers is the payoff. The sound on this record (which was produced by Chris Wick, who also plays bass on one of the tracks) is simply huge, and yet Slim's songs and field holler vocals keep it all appropriately intimate, making this release one of the best contemporary blues albums in years. On the surface Slim (his real name is Bill Homans) seems always to be working on the edge of parody, but this ex-truck driver who is also a member of MENSA (and owns several university degrees) is after bigger things. His passion for the blues makes these songs pulse with a gospel-like joy and intensity, and his new band the Workers gives him the kind of raggedly perfect backdrop to make it all slam home. Beginning with the opener, the shuffling and stomping "Hard Times," things never let up through the loose-limbed "Dumpster Blues," the spooky "Devil's Cadillac" (which sounds a bit like a revamped take on Screamin' Jay Hawkins' "I Put a Spell on You"), the revealing and convincing "Bad Sinner," and the rolling rhythms of "Juke Joint Woman." One of the highlights on an album that is filled with them is a version here of Fred McDowell's "Frisco Line," which Slim and company tackle like they're on a careening blues train, and while Slim isn't quite the fluid slide guitar player that McDowell was, he's still darn good. This remarkable set is capped off by the closing "Eau de Boue," which outlines Slim's passionate devotion and commitment to the blues, and since he is perhaps the smartest ex-truck driver to ever sing this stuff, Slim sings it in French, maybe just because he can. For Watermelon Slim the blues isn't so much a musical genre as it is a calling, and beyond that, a shot at redemption. This guy is the real deal, and this is a great album.</td></tr></table>
Watermelon Slim & The Workers - Watermelon Slim & The Workers 2006.rar
<table width="475"><tr><td align="justify">AMG Review by Steve Leggett
You could see this one coming. Watermelon Slim's last album, 2004's sparse and arresting Up Close & Personal, revealed a contemporary bluesman with a scholar's understanding of the genre and a truly skewed, passionate approach to performing it that hinted at even deeper possibilities. Watermelon Slim & the Workers is the payoff. The sound on this record (which was produced by Chris Wick, who also plays bass on one of the tracks) is simply huge, and yet Slim's songs and field holler vocals keep it all appropriately intimate, making this release one of the best contemporary blues albums in years. On the surface Slim (his real name is Bill Homans) seems always to be working on the edge of parody, but this ex-truck driver who is also a member of MENSA (and owns several university degrees) is after bigger things. His passion for the blues makes these songs pulse with a gospel-like joy and intensity, and his new band the Workers gives him the kind of raggedly perfect backdrop to make it all slam home. Beginning with the opener, the shuffling and stomping "Hard Times," things never let up through the loose-limbed "Dumpster Blues," the spooky "Devil's Cadillac" (which sounds a bit like a revamped take on Screamin' Jay Hawkins' "I Put a Spell on You"), the revealing and convincing "Bad Sinner," and the rolling rhythms of "Juke Joint Woman." One of the highlights on an album that is filled with them is a version here of Fred McDowell's "Frisco Line," which Slim and company tackle like they're on a careening blues train, and while Slim isn't quite the fluid slide guitar player that McDowell was, he's still darn good. This remarkable set is capped off by the closing "Eau de Boue," which outlines Slim's passionate devotion and commitment to the blues, and since he is perhaps the smartest ex-truck driver to ever sing this stuff, Slim sings it in French, maybe just because he can. For Watermelon Slim the blues isn't so much a musical genre as it is a calling, and beyond that, a shot at redemption. This guy is the real deal, and this is a great album.</td></tr></table>
Watermelon Slim & The Workers - Watermelon Slim & The Workers 2006.rar -
el_salmonete
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Otro que colaboraría en la distribución del primer artefacto, fundamentalmente por las sesiones para la Sun. Muchas gracias por el ofrecimiento, Zeppo.
En cuanto a las recomendaciones de Takeshi, pues mira tú por dónde que el Marquee Moon lo tengo en vinilo, pero no remasterizado, así que me lo llevo. Y los de Orbison pues también.
En cuanto a las recomendaciones de Takeshi, pues mira tú por dónde que el Marquee Moon lo tengo en vinilo, pero no remasterizado, así que me lo llevo. Y los de Orbison pues también.
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elPadrino
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Personalemnte Frank Zappa es uno de esos artístas que me gustan a dosis pequeñas. Si lo escucho mucho rato acaba estresándome. Estaré atento a las recomendaciones por si hay algún disco memorable que no tenga.
Salut ,)
Salut ,)
Si estás interesado en un OFR dilo en el hilo correspondiente, por favor.
No esperes que alguien lo haga por tí
No esperes que alguien lo haga por tí
No soy experto, pero qué más da. Si tuviera que volver a empezar a escuchar a Zappa (Dios no lo quiera) me decantaría por su etapa con The Mothers of Invention. Su disco más famoso de esta época, ése que hay que conocer:basilioro escribió:Pues se me antojo escuchar Frank Zappa (he visto mil veces sus portadas pero no tengo ningún disco) y pido que algún experto me aconseje alguno de sus discos, por fi.
Frank Zappa - We're Only In It For The Money.rar Frank Zappa - We'Re Only In It For The Money - Eac Ape.rar Aunque a mí el disco que más me gusta de Zappa, a quien no tengo en alta estima, todo sea dicho, es
Frank Zappa_08-Hot Rats_320kbps+covers_by_Trimegisto.rar Frank Zappa - Hot Rats 1970 (EAC-APE-CUE+Covers) With Love By (Y)(Y)(Y).rar Dejo aquí el enlace a una web bastante completa sobre Zappa (en castellano)
http://www.geocities.com/vienna/strasse ... anish.html
Que usted lo disfrute.
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el_salmonete
- Mensajes: 1468
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A los dos, a todo el que me lea, Frank Zappa es un genio al que el rock se le quedó pequeño; un genio con capacidad para componer, e interpretar, música clásica, jazz, blues, rock en todas sus variantes, en fin, lo que quisiera. Creo que desde esa perspectiva hay que acercarse a su música, puesto que quien lo hace escucha a un Mozart sinvergüenza que vivió los sesenta en los Estados Unidos.elPadrino escribió:Personalemnte Frank Zappa es uno de esos artístas que me gustan a dosis pequeñas. Si lo escucho mucho rato acaba estresándome. Estaré atento a las recomendaciones por si hay algún disco memorable que no tenga.
Salut ,)
Las recomendaciones de ciruja son muy buenas, yo me dedicaré pues tan solo al panegírico.
Salud
Es que estoy releyendo los posts y quiero explicarme mejor. No cabe duda de que este tío era un genio, con una capacidad creativa anormal, que sabía rodearse de grandes músicos, que a sátira y crítica nadie le ganó ni probablemente le ganará...el_salmonete escribió:A los dos, a todo el que me lea, Frank Zappa es un genio al que el rock se le quedó pequeño; un genio con capacidad para componer, e interpretar, música clásica, jazz, blues, rock en todas sus variantes, en fin, lo que quisiera. Creo que desde esa perspectiva hay que acercarse a su música, puesto que quien lo hace escucha a un Mozart sinvergüenza que vivió los sesenta en los Estados Unidos.elPadrino escribió:Personalemnte Frank Zappa es uno de esos artístas que me gustan a dosis pequeñas. Si lo escucho mucho rato acaba estresándome. Estaré atento a las recomendaciones por si hay algún disco memorable que no tenga.
Salut ,)
Las recomendaciones de ciruja son muy buenas, yo me dedicaré pues tan solo al panegírico.
Salud
Pero, qué quieres, la música es como las lentejas con chorizo (
) o entran o no entran. Y si se sale mucho de los patrones de gusto de quien escucha, pues no entran. En cualquier caso, echo en falta artistas como él y con esto etá todo dicho.