DivX Clásico

pol escribió:
Os recomiendo el DVD que me he bajado, buenisima calidad de imagen y sonido
Carl Perkins y sus amigos
Ringo Starr, George Harrison y sobre todo ERIC CLAPTON(la primera y unica vez que lo veras tocando Rock, demasiado)
tocando todos sus temas.
Antologico
ahora mismo hay 50 fuentes y si os interesa lo pongo en lanzamiento




Carl.Perkins.And.Friends.-.A.Rockabilly.Special.-.Drkoch.(DVD).avi

JohnnyGuitar escribió:Haber si posteamos más links, que esto se ha quedado estancado...

Cater escribió:Thanks to my friends

Creedence Clearwater Revival - 1968 Creedence Clearwater Revival. 2002 Hybrid SACD Steve Hoffman's Remaster
by server_alliance

repacking and sharing by yury_usa



Review by Stephen Thomas Erlewine
Released in the summer of 1968 -- a year after the summer of love, but still in the thick of the Age of Aquarius - Creedence Clearwater Revival's self-titled debut album was gloriously out-of-step with the times, teeming with John Fogerty's Americana fascinations. While many of Fogerty's obsessions and CCR's signatures are in place -- weird blues ("I Put a Spell on You"), Stax R&B (Wilson Pickett's "Ninety-Nine and a Half"), rockabilly ("Susie Q"), winding instrumental interplay, the swamp sound, and songs for "The Working Man" -- the band was still finding their way. Out of all their records (discounting Mardi Gras), this is the one that sounds the most like its era, thanks to the wordless vocal harmonies toward the end of "Susie Q," the backward guitars on "Gloomy," and the directionless, awkward jamming that concludes "Walking on the Water." Still, the band's sound is vibrant, with gutsy arrangements that borrow equally from Sun, Stax, and the swamp. Fogerty's songwriting is a little tentative. Not for nothing were two of the three singles pulled from the album covers (Dale Hawkins' "Susie Q," Screamin' Jay Hawkins' "I Put a Spell on You") -- he wasn't an accomplished tunesmith yet. Though "The Working Man" isn't bad, the true exception is that third single, "Porterville," an exceptional song with great hooks, an underlying sense of menace, and the first inkling of the working-class rage that fueled such landmarks as "Fortunate Son." It's the song that points the way to the breakthrough of Bayou Country, but the rest of the album shouldn't be dismissed, because judged simply against the rock & roll of its time, it rises above its peers.



Original Release: 1968
SACD Remaster Release: 2002
Label: Analogue Productions
Producer: Kevin Gray and Steve Hoffman
Format: Hybrid Stereo SACD
Read mode : Secure with NO C2, accurate stream, disable cache. Single tracks



1. I Put A Spell On You
2. The Working Man
3. Susie-Q
4. Ninety-Nine and a Half (Won't Do)
5. Get Down Woman
6. Porterville
7. Gloomy
8. Walking on the Water



CCR-1968.Creedence.Clearwater.Revival.2002.Hybrid.SACD.Remastered.eac.flacs.scans.by.server.alliance..rar

Cater escribió:Gold CD
In place of the aluminum commonly used as the reflective coating on regular CDs, gold is sometimes used, which coats more evenly and reacts with oxygen slower, providing greater longevity. The higher fidelity associated with gold CDs is actually a result of the remastering process and not of the gold coating itself. Gold CDs can be played in any CD player.


thanks to my friends



Creedence Clearwater Revival - 1969 Bayou Country. DCC Gold Disc. Steve Hoffman's Remaster
by server_alliance

Product Description
Amazon.com
Bayou Country is the CCR record that slips under the radar. The group's 1969 sophomore release birthed two classic-rock staples--"Born on the Bayou" and "Proud Mary." Then there's the characteristically savvy cover ("Good Golly Miss Molly"), the stretch-out jams ("Graveyard Train" and "Keep on Chooglin"), and a couple of seldom-remarked-upon album tracks ("Bootleg" and "Penthouse Pauper"). And that's it--a little more than a half-hour of the Revival gaining speed but still not firing on all cylinders. For a lesser band, it'd be an impressive achievement; for Creedence, Bayou Country is a mere stepping stone to greater heights. DCC's gold disc provides superior sound reproduction than the Fantasy original for a higher price. --Steven Stolder

Product Description:
24 bit digitally remastered reissue of their 1969 album. Seven tracks, including 'Born On The Bayou' & 'Proud Mary'. Also features the original cover art...



One of the best rockabilly albums ever, March 23, 2004
Reviewer: Christ J. Zaffary "czaffary"
The first time I heard Bayou Country right after it's release in
January 1969, it blew me away. This was truly a unique sound
that captured the imagination of practically every kid who had a guitar
or even the slightest interest in starting a garage rock band.
From the haunting, opening E7th chord salvos in "Born on the
Bayou" to one of the staples of 60's/70's pop, "Proud Mary"
and ending with the catchy, rhythmic "Keep on Chooglin' ", this album continues to amaze me how it still grabs the musical psyche.
Creedence took the San Fran. rock style of the late 60's and made it a little more palatable to the main stream.
The grooves side one of my original vinyl have worn through to side two. This album still remains close to my heart
as a favorite, and one that helps recapture a long-squandered youth.



Review by Stephen Thomas Erlewine
Opening slowly with the dark, swampy "Born on the Bayou," Bayou Country reveals an assured Creedence Clearwater Revival, a band that has found its voice between their first and second album. It's not just that "Born on the Bayou" announces that CCR has discovered its sound -- it reveals the extent of John Fogerty's myth-making. With this song, he sketches out his persona; it makes him sound as if he crawled out of the backwoods of Louisiana instead of being a native San Franciscan. He carries this illusion throughout the record, through the ominous meanderings of "Graveyard Train" through the stoked cover of "Good Golly Miss Molly" to "Keep on Chooglin'," which rides out a southern-fried groove for nearly eight minutes. At the heart of Bayou Country, as well as Fogerty's myth and Creedence's entire career, is "Proud Mary." A riverboat tale where the narrator leaves a good job in the city for a life rolling down the river, the song is filled with details that ring so true that it feels autobiographical. The lyric is married to music that is utterly unique yet curiously timeless, blending rockabilly, country, and Stax R&B into something utterly distinctive and addictive. "Proud Mary" is the emotional fulcrum at the center of Fogerty's seductive imaginary Americana, and while it's the best song here, his other songs are no slouch, either. "Born on the Bayou" is a magnificent piece of swamp-rock, "Penthouse Pauper" is a first-rate rocker with the angry undertow apparent on "Porterville" and "Bootleg" is a minor masterpiece, thanks to its tough acoustic foundation, sterling guitar work, and clever story. All the songs add up to a superb statement of purpose, a record that captures Creedence Clearwater Revival's muscular, spare, deceptively simple sound as an evocative portrait of America.

CCR-1969.Bayou.Country.DCC.Gold.Disc.eac.flac.scans.by.server_alliance.rar

Cater escribió:Gold CD
In place of the aluminum commonly used as the reflective coating on regular CDs, gold is sometimes used, which coats more evenly and reacts with oxygen slower, providing greater longevity. The higher fidelity associated with gold CDs is actually a result of the remastering process and not of the gold coating itself. Gold CDs can be played in any CD player.

thanks to my friends

Creedence Clearwater Revival - 1969 Green River
1994. DCC Gold Disc
Steve Hoffman's Remaster

by server_alliance



Amazon.com
Remarkably, this is the third studio album Creedence Clearwater Revival released in 1969! During that stunning burst, John Fogerty could do no wrong. Green River isn't as chock-full of CCR standards as the record that followed it in 1970 (Cosmo's Factory), and, at 30 minutes, it's briefer than its rather brief predecessor (Willy and the Poorboys). Still, this is economy at its best. The title track, "Lodi," and "Bad Moon Rising" are all indelibly etched into the memory banks of classic-rock fans, while "Commotion" and "Cross-Tie Walker" are perfect swamp-rock complements. "The Night Time Is the Right Time" is one more in a series of spot-on Fogerty covers. And "Wrote a Song for Everyone" manages to be both rarefied and down to earth in the same breath--which is really CCR in a nutshell. --Steven Stolder

Product Description:
24 bit digitally remastered reissue of their 1969 album. Nine tracks, including 'Green River', 'Bad Moon Rising' and 'Lodi'. ...



Review by Stephen Thomas Erlewine
If anything, CCR's third album Green River represents the full flower of their classic sound initially essayed on its predecessor, Bayou Country. One of the differences between the two albums is that Green River is tighter, with none of the five-minute-plus jams that filled out both their debut and Bayou Country, but the true key to its success is a peak in John Fogerty's creativity. Although CCR had at least one cover on each album, they relied on Fogerty to crank out new material every month. He was writing so frequently that the craft became second-nature and he laid his emotions and fears bare, perhaps unintentionally. Perhaps that's why Green River has fear, anger, dread, and weariness creeping on the edges of gleeful music. This was a band that played rock & roll so joyously that they masked the, well, "sinister" undercurrents in Fogerty's songs. "Bad Moon Rising" has the famous line "Hope you've got your things together/Hope you're quite prepared to die," but that was only the most obvious indication of Fogerty's gloom. Consider all the other dark touches: the "Sinister purpose knocking at your door"; the chaos of "Commotion"; the threat of death in "Tombstone Shadow"; you only return to the idyllic "Green River" once you get lost and realize the "world is smolderin'." Even the ballads have a strong melancholy undercurrent, highlighted by "Lodi," where Fogerty imagines himself stuck playing in dead-end towns for the rest of his life. Not the typical thoughts of a newly famous rock & roller, but certainly an indication of Fogerty's inner tumult. For all its darkness, Green River is ultimately welcoming music, since the band rocks hard and bright and the melancholy feels comforting, not alienating



Creedence.Clearwater.Revival-1969.Green.River.DCC.Gold.Disc.eac.flac.scans.by.server_alliance.rar