
EYELESS IN GAZA - Rust red September
DavidM


¿Tan famosos son estos? 8O Recuerdo verlos tocar en el pub que tenía un amigo en acústico, estuvimos hablando un rato, me firmaron el cd y todo. La verdad, al no volver a oír hablar de ellos, no creí que su música hubiese trascendido.
Cheralee Dillon 1995 Citron 192kbs - FiGuRe8.rar
Ahi lo llevas.


Takeshi_Shimura escribió:John CaleThe Island Years assembles (the) 3 great albums John Cale made for Island Records in the mid 70's: Fear (1974), Slow Dazzle, and Helen of Troy (both 1975). In the cd set Slow Dazzle is split in two between the end of cd1 and the beginning of cd2. In this rip each album is in a separate folder with the bonus tracks placed after the original songs. This changes the track order slightly, as in the original discs the bonus tracks for Slow Dazzle were before the album songs, in order to split it in two in the original LP A/B sides break (strictly my guess).
The Island Years (1996)
= Fear (1974) + Slow Dazzle (1975) + Helen of Troy (1975)
+ 6 bonus tracks
I don't have a scanner, but i found front & back cover scans “somewhere else” and added them (no credit to those adware placing m.t...f.....s.)
CD rip
encoded to:ape
size part 1:228 Mb
John.Cale.-.The.Island.Years.1.-.Fear.(1974)(EAC-ape).rar
[information]
AMG review:> Fear is a Man's Best Friend,This double CD combines all three of John Cale's mid-'70s Island albums (Fear, Slow Dazzle, and Helen of Troy) into one package, with the addition of some interesting bonus tracks: outtakes from Slow Dazzle and Helen of Troy, the B-side "Sylvia Said," "Leaving It up to You" (which only appeared on early copies of Helen of Troy before "Coral Moon" took its place), and "Mary Lou" (from the 1977 Guts compilation). This was undeniably one of Cale's most fertile periods. There is also no other body of work from the mid-'70s with such a confluence of listenable FM radio-ready tunes and sneaky, at times subversive experimentation, its eclecticism encompassing art rock, macabre recitations, and Beach Boy pastiches.
excellent John Cale fan site with lyrics, reviews, etc.
[tracklist]
Disc 1
FEAR (1974)
1. Fear Is a Man's Best Friend
2. Buffalo Ballet
3. Barracuda
4. Emily
5. Ship of Fools
6. Gun
7. Man Who Couldn't Afford to Orgy
8. You Know More Than I Know
9. Momamma Scuba
recorded during the FEAR sessions and released as b-side of the single THE MAN WHO COULDN'T AFFORD TO ORGY
10. Sylvia Said
recorded during the SLOW DAZZLE sessions and previously unreleased
11. All I Want Is You
12.Bamboo Floor
SLOW DAZZLE (1975)
13. Mr. Wilson
14. Taking It All Away
15. Dirty-Ass Rock & Roll
16. Darling I Need You
17.Rollaroll
Disc 2
1. Heartbreak Hotel
2. Ski Patrol
3. I'm Not the Loving Kind
4. Guts
5.Jeweller
HELEN OF TROY (1975)
6. My Maria
7. Helen of Troy
8. China Sea
9. Engine
10. Save Us
11. Cable Hogue
12. (I Keep A) Close Watch
13. Pablo Picasso
14. Leaving It up to You
15. Baby, What You Want Me to Do
16.Sudden Death
You & Me is a previously unreleased track from the Helen Of Troy sessions.
Coral Moon replaced Leaving It Up to You, because it mentioned Sharon Tate, wife of film director Roman Polanksi, who was killed in 1969 by the Charles Manson gang.
Mary Lou taken from the Guts compilation album.
17.You and Me
18. Coral Moon
19.Mary Lou
Muy buena idea. A ver si la gente se anima.salvamir escribió:Pues podriamos montar un grupo en Audioscrobbler http://www.audioscrobbler.com/
¿no?
Extraído de www.atiza.com'You will have your revenge' es un disco de pop moderno y retrofuturista -que es ser moderno pero plastificado. Y también es una declaración de principios, un menú, un manual del usuario de canciones brillantes que augura un futuro cercano explosivo. La primera referencia de inane como sello es un revés a la estúpida vacilada circundante de que 'eso del pop es una ñoñería'. Porque si Baxendale son ñoños, Belle and Sebastian están clínicamente muertos.




Pues tío, ya sería casualidad tener un disco llamado Cheralee Dillon titulado Citron y que no fuesen los mismo no?Cheralee Dillon 1995 Citron 192kbs - FiGuRe8.rar
Ahi lo llevas.
¿Tan famosos son estos? Recuerdo verlos tocar en el pub que tenía un amigo en acústico, estuvimos hablando un rato, me firmaron el cd y todo. La verdad, al no volver a oír hablar de ellos, no creí que su música hubiese trascendido.
El colega que tenía el pub conseguía que viniese cada uno... recuerdo haber visto a Malcolm Scarpa allí también. También me firmó el disco, su primer trabajo, si no está por la mula, se pone amablemente
mmmm..Cheralee Lee no es ningún grupo, se trata de una compositora y cantante folk, quizá te estes confundiendo. Que yo sepa no ha venido nunca a España a tocar.
Y famosilla, como que no, ni siquiera en su pueblo. Desgraciadamente.






Editorial Reviews
Amazon.com
Marshall Crenshaw never again scored the commercial success he saw with his acclaimed 1982 self-titled debut, but he kept the knack for writing melodically rich, evocative, touching songs. Culled from releases over a 15-year period (from the explosive '81 single "Something's Gonna Happen" to the fine Miracle of Science), This Is Easy leans heavily toward the pensive side of Crenshaw's oeuvre. Whether nicking an old B.B. King album title ("Blues Is King") for a generalized lament or facing specific questions raised by the everyday ("You Should've Been There," "Better Back Off"), Crenshaw always offers a riff, a hooky chorus, and a thoughtful outlook to ensure each of these songs their long lives. With many of their source albums out of print, This Is Easy fills a real void. --Rickey Wright
Review by William Ruhlmann
Co-compiler Gary Stewart and project assistant David Gorman waste no time at all before addressing the question that has plagued rock critics and fans since 1981: "how can we rationalize the continued underappreciation of Marshall Crenshaw?" It's not just that Crenshaw is a cult favorite and critics' pet; he's also steeped in rock & roll traditions that date back to Buddy Holly and Gene Vincent, and his records are such ear candy that you'd figure they would attract a big audience. Instead, only three of Crenshaw's previous ten albums have even reached the charts, along with just one single; Stewart and Gorman hope this compilation will "set things right." If only it could. Running from 1981 to 1996, the 22-track collection gathers four tracks each from Crenshaw's first three albums, as well as his first indie single "Something's Gonna Happen," the exceptional B-side "You're My Favorite Waste of Time," and assorted tracks from four subsequent albums. Crenshaw doesn't so much write songs as he makes records, at least as interested in guitar textures and what echo is placed on his vocal as what he's singing about. For all the surface pleasure his work provides, the only depth it reveals is one of craft; one is more impressed than really involved. And yet, it would be hard for a rock & roll fan not to enjoy this record, which cherry-picks Crenshaw's albums, diminishing, for example, the inappropriately bombastic production Steve Lillywhite brought to Field Day. The tracks are all pop gems, and they do, as Stewart and Gorman claim, induce the fantasy of a world in which classic, 1965-vintage pop/rock was still on top 20 years later. It's a nice dream for rock & roll fans; with this album they can close their eyes and, for 75 minutes, pretend it's true.
