Buena música no tan conocida

[Jacob]

¡¡¡BRONCA EN EL HILO DE MÚSICA!!!

¡¡Keyser, ciérralo!!




Yo sí creo que aporta. De hecho echo (valga la redundancia) de menos más comentarios sobre música y de más tantos enlaces.

[locutus]

Pués sin no viene Devo...¡yo no voy!

[SUBLIMOTRUST]

The Minutemen- Double nickels on the dime (1984)

Tracklist
1. D.'S Car Jam/Anxious Mo-Fo
2. Theatre Is The Life Of You
3. Viet Nam
4. Cohesion
5. It's Expected I'm Gone
6. # 1 Hit Song
7. Two Beads At The End
8. Do You Want New Wave Or Do You Want The Truth?
9. Don't Look Now
10. Shit From An Old Notebook
11. Nature Without Man
12. One Reporter's Opinion
13. Political Song For Michael Jackson To Sing
14. Maybe Partying Will Help
15. Toadies
16. Retreat
17. The Big Foist
18. God Bows To Math
19. Corona
20. The Glory Of Man
21. Take 5, D.
22. My Heart And The Real World
23. History Lesson - Part II
24. You Need The Glory
25. The Roar Of The Masses Could Be Farts
26. West Germany
27. The Politics Of Time
28. Themselves
29. Please Don't Be Gentle With Me
30. Nothing Indeed
31. No Exchange Listen
32. There Ain't Shit On T.V. Tonight
33. This Ain't No Picnic
34. Spillage Listen
35. Untitled Song For Latin America
36. Jesus And Tequila
37. June 16th
38. Storm In My House
39. Martin's Story
40. Dr Wu
41. The World According To Nouns
42. Love Dance
43. Three Car Jam

Who Were the Minutemen?

Although the terms militia and minutemen are sometimes used interchangeably today, in the 18th century there was a decided difference between the two. Militia were men in arms formed to protect their towns from foreign invasion and ravages of war. Minutemen were a small hand-picked elite force which were required to be highly mobile and able to assemble quickly. Minutemen were selected from militia muster rolls by their commanding officers. Typically 25 years of age or younger, they were chosen for their enthusiasm, reliability, and physical strength. Usually about one quarter of the militia served as Minutemen, performing additional duties as such. The Minutemen were the first armed militia to arrive or await a battle.

Although today Minutemen are thought of as connected to the Revolutionary War in America, their existence was conceived in Massachusetts during the mid-seventeenth century. As early as 1645, men were selected from the militia ranks to be dressed with matchlocks or pikes and accoutrements within half an hour of being warned. In 1689 another type of Minuteman company came into existence. Called Snowshoemen, each was to "provide himself with a good pair of snowshoes, one pair of moggisons, and one hatchet" and to be ready to march on a moment's warning. Minutemen also played a role in the French and Indian War in the 1750's. A journal entry from Samuel Thompson, a Massachusetts militia officer, states, "...but when our men were gone, they sent eleven more at one minute's warning, with 3 days provision..." By the time of the Revolution, Minutemen had been a well-trained force for six generations in the Massachusetts Bay Colony. Every town had maintained its 'training band'. The adversity that this region faced-Native-American uprisings, war with France, and potential for local insurrections, social unrest, and rioting-provided ample reason to adhere to a sound militia organization. In his recent book, perhaps David Hackett Fischer puts it best, "The muster of the Minutemen in 1775 was the product of many years of institutional development...it was also the result of careful planning and collective effort." (p. 151). By the time of the Revolution, Massachusetts had been training, drilling, and improving their militia for well over a hundred years.

Unfortunately, one thing the Minutemen lacked was central leadership. This disadvantage would lead to their dissolution. In February of 1775 Concord was one of the first towns to comply with the order to create Minutemen companies out of the militia. Of approximately 400 militia from Concord's muster rolls, one hundred would also serve as Minutemen. When a battle took place Minutemen companies from several towns combined their units. An officer from the 43rd Regiment of Foot was sent to the North Bridge in Concord with a number of light infantry. Minutemen from Concord, Acton, Littleton, and other towns combined forces. After a few volleys were fired, the British light infantry retreated back to the Concord Common area. Lacking central command, with each company of Minutemen loyal to their own town, they did not pursue the redcoats. In the running battle that ensued fifteen miles back to Boston the Massachusetts militia would see their last action as Minutemen in history. The militia would go on to form an army, surrounding Boston and inflicting heavy casualties on the British army at Bunker and Breed's Hill.

Thus, although lacking central command, the Minutemen were still better organized and battle-tested than any other part-time military. They were a vital and necessary force, playing a crucial role in not only the Revolutionary War, but in earlier conflicts. Without these "ready in a minute" men, our history may have been written in a very different way.

– Andrew Ronemus

Curiosa historia del nombre del grupo .

Discografía

Minutemen.-.Double.Nickels.On.The.Dime.rar
y otro enlace Minutemen,.The.-.Double.Nickels.on.the.dime.zip
El de menos tamaño tiene más fuentes. Yo lo tengo por el soulseek.

Decir que el disco es un compendio extraño de muchos estilos, canciones de como máximo 3min...la mayoría de menos de 2 ( no no son nofx).

Página de Mike Watt con información acerca de minutemen, firehose.


Disfrutadlo

[V]

Mientras escucho a los Minutemen sigo con mis cosas:


Artista: Beat Happening
Álbum: Music to Climb the Apple Tree By
Año: 2003
Discográfica: K
Formato: FLAC
AMG

Beat Happening - Crashing Through - (2003) Music to Climb the Apple Tree By (FLAC).7z 309.46MB

Podéis comprar el álbum aquí.

[V]

Acabamos... recopilo lo que he ido lanzando hasta ahora del "Crashing Through" y sumo el último cd, que lo forman cuatro canciones grabadas en Londres en el 88 (ese concierto saldría en forma de "split cassette" junto a los Vaselines en el 91) y seis videos de la banda.


Artista: Beat Happening
Álbum: Crashing Through
Año: 2002
Discográfica: K
Formato: FLAC
AMG

Beat Happening
Beat Happening - Crashing Through - (1985) Beat Happening (FLAC).7z
Jamboree
Beat Happening - Crashing Through - (1988) Jamboree (FLAC).7z
Black Candy
Beat Happening - Crashing Through - (1989) Black Candy (FLAC).7z
Dreamy
Beat Happening - Crashing Through - (1991) Dreamy (FLAC).7z
You Turn Me On
Beat Happening - Crashing Through - (1992) You Turn Me On (FLAC).7z
Music to Climb the Apple Tree By
Beat Happening - Crashing Through - (2003) Music to Climb the Apple Tree By (FLAC).7z
Live & Video
Beat Happening - Crashing Through - Live & video (FLAC).7z

Podéis comprar esta caja aquí.

Disfruten

[sentinela]

<table width=550 border=0 align=center cellpadding=5 cellspacing=0 bgcolor=B8B3CD><tr><td width=17%><img src=http://images.barnesandnoble.com/images ... 790603.jpg width=200 height=180 border=0> </td><td width=83%><table width=100% border=0 cellspacing=0 cellpadding=2><tr><td><a href= target=_blank>Ben Harper</a></td></tr><tr><td bgcolor=#BDB9CE><em>Both Sides of the Gun</em></td></tr><tr><td><table width=100% border=0 cellpadding=5 cellspacing=0 bgcolor=C7C4D6><tr><td width=26% bgcolor=#D2D0DF>Año: </td><td width=74%>2006</td></tr></table></td></tr><tr><td><table width=100% border=0 cellpadding=5 cellspacing=0 bgcolor=C7C4D6><tr><td width=26% bgcolor=#D2D0DF>País: </td><td width=74%>USA</td></tr></table></td></tr><tr><td><table width=100% border=0 cellpadding=5 cellspacing=0 bgcolor=C7C4D6><tr><td width=26% bgcolor=#D2D0DF>Estilo: </td><td width=74%>Folk - Blues - Soul</td></tr></table></td></tr><tr><td><table width=100% border=0 cellpadding=5 cellspacing=0 bgcolor=C7C4D6><tr><td width=26% bgcolor=#D2D0DF>Sello: </td><td width=74%>Virgin Records</td></tr></table></td></tr><tr><td><table width=100% border=0 cellpadding=5 cellspacing=0 bgcolor=C7C4D6><tr><td width=26% bgcolor=#D2D0DF>Enlaces: </td><td width=74%> </td></tr></table></td></tr></table></td></tr><tr><td colspan=2><table width=100% border=0 cellpadding=5 cellspacing=1 bgcolor=#D2D0DF><tr><td width=100%>Tracklist:</td></tr></table><table width=100% border=0 cellpadding=5 cellspacing=1 bgcolor=C7C4D6><tr><td width=100%>Disc 1
1. Morning Yearning 4:09
2. Waiting for You 3:33
3. Picture in a Frame 4:37
4. Never Leave Lonely Alone 2:52
5. Sweet Nothing Serenade 2:45
6. Reason to Mourn 4:26
7. More Than Sorry 3:23
8. Cryin' Won't Help You Now 2:35
9. Happy Everafter in Your Eyes 2:31
Disc 2
1. Better Way 3:58
2. Both Sides of the Gun 2:44
3. Engraved Invitation 2:55
4. Black Rain 2:56
5. Gather 'Round the Stone 3:05
6. Please Don't Talk About Murder While I'm Eating 2:34
7. Get It Like You Like It 3:28
8. The Way You Found Me 2:53
9. Serve Your Soul 8:22</td></tr></table></td></tr><tr><td colspan=2><table width=100% border=0 cellpadding=5 cellspacing=1 bgcolor=#D2D0DF><tr><td width=100%>Comentarios:</td></tr></table><table width=100% border=0 cellpadding=5 cellspacing=1 bgcolor=C7C4D6><tr><td width=100%>Es californiano, guitarrista, cantante y compositor y se dedica a la música desde que era un adolescente. Su estilo tiene que ver con el folk, el blues y el soul, pero es indefinible e inclasificable. Alumno aventajado de los grandes cantautores negros de los 70 (Bill Withers, Curtis Mayfield), el sonido de Ben se caracteriza por la presencia de su inconfundible slide guitar.

En 1994, editó su primer álbum Welcome To the Cruel World y desde entonces no ha dejado de grabar. Por supuesto, no ha tenido nunca un éxito multitudinario, pero gracias a su constante actividad en directo, ha logrado el constante apoyo de la crítica y, lo que es más importante, una buena base de admiradores en todo el mundo que le son extremadamente fieles. La personalidad de Ben Harper no tiene secretos. Es un artista infatigable que está casi permanentemente de gira, no teme en absoluto introducir el comentario político en sus canciones y disfruta colaborando con artistas de los más variados orígenes como pueden ser Beth Orton o John Lee Hooker. Sus acompañantes habituales se llaman The Innocent Criminals y son: Juan Nelson (bajo), Dean Butterworth (batería) y David Leach (percusión).

Su evolución le ha llevado a incluir ritmos urbanos y sonidos étnicos, en sus álbumes o a grabar versiones de Led Zeppelin, The Verve y Marvin Gaye sin por ello perder su tono apasionado y su vitalidad.

Ben Harper regresa tres años después con un nuevo álbum. Saldrá el 21 de marzo a la venta bajo el título Both Sides of the Gun y parece estar muy marcado por las circunstancias políticas de Estados Unidos.</td></tr></table></td></tr></table>

Espero que os guste.

[tethor]

pillo a Benito Harper

¿Sabes en que está codificado?
Por el tamaño pinta loseless..


EDITO:es FAKE

[evol]

Acabamos... recopilo lo que he ido lanzando hasta ahora del "Crashing Through" y sumo el último cd, que lo forman cuatro canciones grabadas en Londres en el 88 (ese concierto saldría en forma de "split cassette" junto a los Vaselines en el 91) y seis videos de la banda.

Pues ese ultimo con los videos si que me lo voy a llevar, que no lo tenía.

gracias, V

[Justin_Time]

Gracias nuevamente V, por los Beat Happening

[sentinela]

Quito en enlace de la ficha de Ben Harper porque no es correcto

Lo siento

Salut.

[jorgito24]

primavera sound 2006: Stereolab, Yo La Tengo, Mogwai, Lambchop, Dinosaur Jr, Flaming Lips...

y yo los veré a todos

doy tanta rabia que estoy por cascarme un autoban xD

Me parece que al final me voy a animar a ir y todo

Shellac, Centro-matic, South San Gabriel, Sleater Kinney, Stuart Staples.

No está mal el cartelito. Aunque podría estar mejor.

[hiru]

http://www.puppetmastaz.com/

Unas marionetas que hacen rap en directo? Esto es, exactamente, Puppetmastaz. Sobran las palabras. Así pues sólo tenemos que decir: "que no os lo perdáis". Se trata de un espectáculo para todos los público, absolutamente transversal, para niños y adultos, para punks y poppies, rastas o hippies, heavies o technos, curiosos e incrúedulos, tactiturnos y espavilados... para todos.

Con una propuesta a medio camino entre el disparate circense y la cultura de club, este trío de marionetas raperas comandadas por Mr. Maloke pone patas arriba lo que hasta hoy se creía que era el hip-hop, moviendo los hilos desde Crooklyn hasta Berlín. Es un espectáculo que no hay que perderse.
http://www.barcelona2004.org/esp/evento ... vento=1394

Puppetmastaz - Creature Shock Radio.rar

[elPadrino]

Esta noche concierto en Razzmatazz 2


Saludos

[jorgito24]

<table width=550 border=0 align=center cellpadding=5 cellspacing=0 bgcolor=B8B3CD><tr><td width=17%><img src=http://images.amazon.com/images/P/B000E ... ZZZZZ_.jpg width=200 height=180 border=0> </td><td width=83%><table width=100% border=0 cellspacing=0 cellpadding=2><tr><td>CD[1] </td></tr></table></td></tr></table></td></tr><tr><td colspan=2><table width=100% border=0 cellpadding=5 cellspacing=1 bgcolor=#D2D0DF><tr><td width=100%>Tracklist:</td></tr></table><table width=100% border=0 cellpadding=5 cellspacing=1 bgcolor=C7C4D6><tr><td width=100%>1. Lie to Me
2. Secret Message to You
3. Salty Seas
4. Song For a Sleeping Girl
5. Distant Radio
6. Just One Breath
7. Moments
8. If We Cannot See
9. City Lights
10. Come Up </td></tr></table></td></tr><tr><td colspan=2><table width=100% border=0 cellpadding=5 cellspacing=1 bgcolor=#D2D0DF><tr><td width=100%>Comentarios:</td></tr></table><table width=100% border=0 cellpadding=5 cellspacing=1 bgcolor=C7C4D6><tr><td width=100%>Devics return in 2006 with “Push The Heart”, the stunning follow-up to “The Stars At Saint Andrea”, their critically-acclaimed second album released three years ago in February 2003.

Devics are vocalist Sara Lov and multi-instrumentalist and sometime singer Dustin O'Halloran, a musical duo from Los Angeles who found a home in Italy after signing to Bella Union records in the late 90s

Devics returned to LA in 2004 to complete work on this their third album. Their fans will not be disappointed. “Push the Heart” is a revelation, a new beginning for Devics that highlights past triumphs and gives the listener a glimpse of new musical destinations.

The album begins with “Lie to Me,” a charming platform for O’Halloran’s cascading pianos and Lov’s yearning vocals, calling out over a ghost town of disembodied whistles and funereal organ. Second track “A Secret Message to You” shows Devics talent for finding inspiration everywhere, keeping time with the found art of O’Halloran bashing out a letter on an old typewriter. “Song for a Sleeping Girl” is an opportunity for the listener to relish O’Halloran’s sweet soliloquy to a sleeping sweetheart.

Underscoring O’Halloran’s talent for combining modern-sounding production with classic chord progression is “Distant Radio,” which finds Lov riding the melodic rise and fall of verse and chorus on the poetry of intangible connections. Lov’s grand rumination on lost love, “Just One Breath”, is a future Devics classic with descending guitar lines that spin dark mystery. “Moments” finds O’Halloran in rolling six-eight mode creating a mini-film noir soundtrack of upright bass, piano, and brushes on snare while Lov’s words – “eyes and tears and aches and bones and gold and fire” – rise like plumes of cigarette smoke on celluloid.

A rare gem with O’Halloran at the mic, “If We Cannot See” is a majestic, epic waltz with an anthemic chorus that approximates Leonard Cohen fronting Coldplay. This is followed by “City Lights”, a dainty, heartbreaking waltz which leads perfectly into “Come Up”, the album’s haunting final track.

---------------------

On their fourth full-length album, Devics don't stray far from their usual ethereal piano-plus-sampler, late-night vibe. Sara Lov again provides the majority of the vocals, her voice coming across as a restrained blend of Hope Sandoval, Mary Timony, and Kristin Hersh while offering up tales of love, lies, and loss. Lov's instrument is certainly lulling, but not that distinctive, especially within the confines of Dustin O'Halloran's shoegazer-like audio web. Too often, O'Halloran layers in the same cooing background hum, to the point where the album nearly devolves into an aural bout of coffee-table lethargy. With many of the songs rolling along at a slow drizzle, only the Mum-like "Secret Message to You," with its typewriter sound effect glitch, and the fractured "Just One Breath" really pick up steam. "Distant Radio," in theme and execution, travels a bit too far into Mojave 3 mimicry but lacks the bombast that put that group over the top. O'Halloran's deeper vocal contributions are a nice contrast, but can't match the subtlety or texture of influences like Leonard Cohen or Richard Hawley. Album closer "Come Up" is particularly pretty. Still, one gets the sense that this is an album recorded with white gloves, and the calculation behind the tunes is nearly tangible. With more variation, more separation in the mix, and a bit more conviction and passion overall, Push the Heart would be easier to recommend. As it stands, it's just a slightly-better-than-average indie chamber pop excursion.</td></tr></table></td></tr></table>

Cuidado con el concierto Padrino, podrías pillar la gripe aviar, va a haber mucho gallo

[SUBLIMOTRUST]

Pues yo me voy a ir a ver este aqui:



..por 5€ no se puede pedir mucho no?

[Morrissey21]

A ver qué tal el disco de Devics.

Gracias, Jorgito.

[evol]

Destroyer: Destroyer's Rubies (Merge Records, 2006)






[quote]Los nueve minutos y pico de “Rubies”, el primer tema del álbum, son rotundos. Dan Bejar y compañía demuestran una vez más que las tormentas acústicas pueden hacer tanto o más daño que las eléctricas. Destroyer’s Rubies es así. La melancolía, lo oscuro, también brilla. Y aquí queda totalmente asentado con un discurso poético que trasciende a lo musical: pasajes distorsionados y melódicos, folk despellejado, blues encarnado, tristeza que se mira en el horizonte como un atardecer más, punteos de ese carácter punk que nunca pueden faltar en Bejar son, entre otras cosas, las coordenadas de un disco que enamora porque hiere. Aplastante y mágico. Destroyer a su máxima capacidad. Martina Leduc[/quote]


Destroyer - Destroyer's rubies (2006).rar

En fin... precioso disco.

saludos

[SUBLIMOTRUST]

Pinchado evol que pinta bien.

Sludos

[plisplas]

Me apunto al de Destroyer a ver qué tal. Gracias evol

[rubiera]

[/b]Daniele Sepe[/b]



There is really no way to explain the mind of this Neopolitan composer arranger and musician. The roots music of Naples and its evirons is only the beginning of the stew. It's thickened with classic jazz, pureed with pop and soul, then served on a plate of Brecht garnished with avant garde idosyncracies. And that's just the half of it. - CF
Daniele Sepe Bio: in the artist's words
Daniele Sepe was born the 17th of April 1960 in Naples. Studying the flute at the conservatoire San Pietro a Majella Daniele Sepe gets a diploma, then he starts his many-sided activity with the "Gruppo operaio 'E Zezi di Pomigliano". In 1976 he participates with this group in international festivals in Rennes, Martigues and Bonn, he records the album "Tammurriata dell'Alfa Sud" for "Dischi del Sole".
As his "educated" activity of concerts ( auditorium of RAI in Naples, international competition of Stresa, "Long concert" of "Estate a Napoli" ) continues, he starts to get interested also in playing the saxophone and jazz. After the diploma, being tired of preparing exhausting concerts for the old nobel-women, who never miss the meetings at the club of the artists and without being in possession of a tail-coat, he starts recording in different studios and playing "live" with a lot of people (Nino Bonocore, Mia Martini, Teresa de Sio, Roberto de Simone, Gino Paoli etc. ) of whom the congenial ones are only Peppino Gagliardi, Eduardo de Crescenzo, Roberto Murolo and Nino D'Angelo.
He creates problems also in the ambit of "Vesuwave" where he co-operates composing arrangements for groups like "Little Italy", "Bisca", "Walhalla", "Degrado" etc. Dangerously he starts composing music of his own and the names he uses for the different formations are only a vague idea of what an unaware spectator might expect of his performances; "Art Ensemble of Soccavo", "Luchistu Luchiddu e i suoi Abbracalabria", "Orchestra dell'On. Trombetta", formations with different numbers of musicians; from the trio of only wind instruments to the big band of twenty musicians. Paradoxically the people like all that and more incredible is that also the critics enjoy it (with the right and proper exclusion of the jazz-critics ).
At first he starts to document his work on the unavoidable demo-tapes "without no hope" and later on (1989) he records an album paying the production costs by himself giving it the suggestive title "Malamusica"(non è tutto), which means "Butmusic" (isn't all) "Badmusic" (isn't all).
Someone ignores him totally and someone screams "how marvellous".That's life. Fortunately our hero's album is an article that sells well so, not contended, he records another one giving it the ordinary title "L'Uscita dei Gladiatori" ("The Release of the Gladiators"). He palms it off -with rare lack of scruples- upon "Soluzionisti Virgin".
Then he escapes to Timbuctu with the millions of milliards of shells earnt thanks to the sale of the album. Before his villainous escape he has time enough to write music for the theatre ("Falso Movimento", "Teatri Uniti", "Compagnia del Sancarluccio"), for the ballet (International festival of dance and poetry, "Menti Labili") and especially for the cinema ("Blues Metropolitano", "Diciassette" by Enrico Caria, "Rimini, Rimini", "L'amore molesto", "Cronaca di un amore violato", "Lettere dall'America", "Il caricatore"...).
Without any responsability at all they send him to the festival of Marsiglia, to Nantes, to the Womex of Bruxelles and to the Wexford Opera Festival (EIRE) to represent Italy, just because no one else wanted to go there. He also succeds in doing a serious thing during the war in the gulf when he enlists about fifty Neapolitan musicians to produce a tape of songs of peace giving it gratis outside the work and the school-yards of Naples. In 1994 he publishes the CD "Vite Perdite", which finally brings him a bit of fortune, giving him the opportunity to partecipate in numerous festivals and the yearned entry into the play-list in Italy first and in Europe afterwards. This album is even awarded among 1OO albums to be saved during the Nineties by "Rockstar" magazine, and best album during the year according to "Rockerilla"; besides the authoritative English magazine "Folk-roots" presents it as the only italian album worthy to be listened.
All this evidences that the promotion goes right if you give a fair present to the fair reporter ..... In 1995 the album "Spiritus Mundi" comes out and reconfirms the success of "Vite Perdite". These two albums in question are "sacked" by "Polygram", "Il Manifesto" and "La Repubblica" for several great run anyhologies. Collaborating with "Il Manifesto" he publishes a CD entitled "Trasmigrazioni" involving a large number of musicians who are "immigrants" in Italy, and another called "Viaggi fuori dai paraggi" an anthology that - even though it was unheardable - "holes" the hit-parade according to readers of "Musica". In spite of this, that's life, as a thorn in the flesh, he didn't manage to partecipate neither in the Festival of Sanremo nor the village festival of the "fresella" of Ossitissi.


[/b]Algunos discos:[/b]

[/b]Discografía desde 1990-2003:[/b]
Discografia Daniele Sepe 1990-2003(Ottima Qualit%C3%A3%C2%A0) By Pomatone.rar



Vite Perdite
(1993)
1 - Prologo
2 - Vite perdite
3 - Tempus est iocundum
4 - Nu hoppar haren kroka
5 - Raggasthausen
6 - Sovietica vesuvianità
7 - Girolimoni n.1
8 - Zelle, zeze e zezzenelle
9 - Tarantella del Gargano
10 - La manu 'mpettu
11 - Saltarello
12 - Girolimoni n.4
13 - Chamorro cha cha
14 - Zamba del Che
15 - Lunita Tucumana
16 - Girolimoni n.3
17 - Auciello r'o mio
18 - Miseni Ductia
19 - Tema di Maddalena
20 - Epilogo
Daniele Sepe - Vite Perdite.rar





Spiritus mundi
(1995)
1 - Sa boghe longa
2 - Also sprach berluskastra
3 - Raggatruffen
4 - Invocazione
5 - Yerakina
6 - Peixinhos do mar
7 - Lacrime 'e cundannate
8 - 1994
9 - Te recuerdo amanda
10 - Deus ti salvet
11 - Cumpari sapiti sunari?
12 - Kopanitsa
13 - St. James Infirmary
14 - Vedrai Vedrai
15 - Padrone mio
16 - Foggy Dew
17 - La nascita
18 - Brutta cafona
19 - Hesitation blues
20 - Spiritus mundi
Daniele Sepe - Spiritus Mundi.rar





Viaggi fuori dai paraggi
(1996)

1 - La carta
2 - Robespierre
3 - Vite perdite
4 - Te recuerdo amanda
5 - Napoli miliardaria
6 - Tarantella del gargano
7 - Peixinhos do mar
8 - Il circo
9 - MCMXCIV perchè i vivi non ricordano
10 - Padrone mio
11 - Tammurriata nera
12 - Jag ser
13 - Tarantella calabrese
14 - Una vez
15 - Il valzer del cocciolone
16 - Sovietica vesuvianità
17 - Yerakina
18 - Addio a Lugano
Album (Complete) - Tracks & Cover - Sepe Daniele - Viaggi Fuori Dai Paraggi - 1996.rar





Lavorare stanca
(1998)
1 Zompa chi può
2 Vinum bonum
3 Black market
4 Lavora et produci
5 Storia della musica popolare
6 Storia dell'Europa contemporanea
7 Kanonen song
8 Ederlezi
9 Lavorare stanca 1.
10 Lavorare con lentezza *
11 Lavorare con lentezza**
12 Tengo na voglia
13 Lavorare stanca 2.
14 Amuri e dinaru
15 Quanno nasciste tu
16 Serenata alla carpinese
17 Tarantella calabrese
18 Angeli e diavoli
Daniele Sepe - 1998 - Lavorare stanca.zip




Conosci Victor Jara?
(2000)
1 - Calambito Temucano - Inti Sol
2 - Zamba del Che - Zamba del Che
3 - Luchin
4 - La historia es nuestra, y los hacen los pueblos
5 - Te recuerdo Amanda
6 - Juan sin tierra
7 - A Luis Emilio Recabarren
8 - Procissao
9 - A Cochamba me voy
10 - Cai cai vilu
11 - Valse chapaneco
Daniele Sepe - 2000 - Conosci Victor Jara.rar




Anime candide
(2003)
1 - 'Nduniella
2 - Il lupo e l' agnello
3 - Anime candide
4 - Ce me pe ti zog
5 - Valse pour Marlene
6 - Sammuchella
7 - Amuri
8 - Valse bomba
9 - PreludioChanson d' amour
10 - L' uccello di fuoco
11 - Asi como matan negros
12 - Ronda da marraficas
13 - Menina esta a janela
14 - Happy end
Sepe Daniele-Anime candide-mp3 192kb+covers.rar