Buena música no tan conocida

[evol]

Muy buenos Os Mutantes. Yo los descubrí a través de Stereolab, Tim Gane siempre les citaba entre sus principales influencias además de Neu!

Para quien quiera escucharlos y no quiera bajarse la discografía completa existe un recopilatorio muy bueno. Sólo he visto un enlace en la mula y no sé si tendrá mucha calidad por el tamaño del archivo:

World Psychedelic Classics 1 Brazil ~ Everything Is Possible! (The Best Of Os Mutantes).rar

saludos

[SUBLIMOTRUST]

Sonic Youth SYR6: Koncertas Stan Brakhage Prisiminimui(2005)

SYR6.-.Sonic.Youth.-.Koncertas.Stan.Brakhage.Prisiminimui.zip

Sonic Youth's performance at the Anthology Film Archives in 2003 was intended as a commemorative tribute to Stan Brakhage, arguably the most influential filmmaker in the history of experimental cinema. Brakhage's death earlier that year was greeted with general indifference in major media outlets, and for a while SY seemed to be the only prominent outfit to even acknowledge his passing. (I learned of his death only via a press release for the tribute concert.) Four years earlier, Lee Ranaldo began the Text of Light cooperative, which is named after a 1974 Brakhage movie and regularly performs improv concerts at experimental cinema screenings. For the 2003 memorial, the full Sonic Youth troupe (and Tim Barnes of the Silver Jews) flaunted their most pretentious tendencies in front of Brakhage's short films.

SYR6, a recording of that concert, is the latest episode in Sonic Youth's peculiar series of noise, static, drone, and improv. Yet it's also a backhanded attempt to duplicate Brakhage's silent superimpositions and montages in audible form; it claims to be an imaginary soundtrack for movies that deliberately detest sound in general. Witness Brakhage's famous words on the incompatibility between his silent films and any form of musical accompaniment: "I don't make my films out of caprice. I feel they need a silent attention [rather than] a non-stop soundtrack of the most distracting order." He adamantly asserted that his movies' musical patterns were solely visual-- or cinematographic-- and hence incommensurable with aural rhythms. He further admonished that music would only obstruct his films' natural pulses of illumination and disintegration.

One is certainly entitled to dismiss Brakhage's manifesto as obscenely arrogant gibberish. (It's even reminiscent of Derek Bailey's vitriolic criticism of recorded music, though that's slightly more perplexing since he was a guitarist with dozens of albums.) Nevertheless, there's a certain wryness and sarcasm in Sonic Youth's whole endeavor. To extol Brakhage by denying his wishes is both awfully disturbing and darkly amusing. It's also sometimes sort of boring. In this sense, it encapsulates the album perfectly.

Generally speaking, SYR6 teems with the funerary bells and foreboding vertigo that's so predominant in film scores. While it's performed with as much wit and proficiency as one could imagine, it also feels a bit simplistic or lazy. Metallic pulses, catalytic drums, and railing strings fall apart, and skeletal guitar radiates brief noir themes. The first track seems particularly laggard and serves as one more example of Sonic Youth's maddening tendency to appropriate the sound of the very bands they once influenced. My guess is that the performance converted Brakhage's subtle dissonance into the sort of raging, epic, let's-rock-these-geometric-figures-with-our-balls-out anthems that the filmmaker so abhorred. It raises the perennial question of rock and roll: Why play so loudly if you have nothing much to say?

Consequently, the most successful moments are those which are nearly silent (in an improv-acoustic sort of way): bruised strings, tinny mic-stand tapping, muffled radio frequencies, zither-like electric effects, Barnes' railroad-spike percussion, Thurston Moore's wobbly tuning pegs. In fact, Sonic Youth's affinity for manual dexterity and physical texture correlates nicely with Brakhage's experiments on scratched and painted celluloid. In the final piece, a 28-minute marathon, these intimate and scarcely audible tinkerings assemble and dismantle, making way for brief prismatic stretches of methamphetic jazz guitar, spectral Western wah-wah, and static so conflagrant it literally sets off a fire alarm (twice). It's luminescent and jarring music, possibly the best ever released in the SYR series, and it evokes the spiritual metamorphosis and physical pliability that Brakhage found in film. I only wish they could have accomplished a full album of this material. Perhaps Brakhage would have changed his mind about all this noise. Instead, he must be merely rolling his eyes one last time.

-Alex Linhardt, January 16, 2006

Sacado de Pitchforkmedia

Lo cierto es que no pinta mal, sobre todo teniendo en cuenta que está dedicado.

a Stan Brakhage .

Ala a ver que sale de aqui, que yo tampoco lo tengo..pero por informar de lo que uno descarga y ver si se une alguien..está bien de fuentes y pesa sus 100Mb.

Sludos

[evol]

Pues como no podía ser de otra forma, pincho el de SY... aunque hace tiempo que dejé de seguir la pista de sus grabaciones más experimentales. A ver que nos depara esta nueva entrega de los SYR.

gracias, Sublimo

[elPadrino]

Un poco más de buena música:

CATO SALSA EXPERIENCE

A Good Tip For A Good Time


ed2k://%7Cfile%7CCATO%20SALSA%20EXPERIENCE%20-%20A%20Good%20Tip%20For%20A%20Good%20Time%20%282002%29.rar%7C77557106%7C3468102E16B9A11B297AFF1F2F8C46E1%7C/


The Fruit Is Still Fresh


ed2k://%7Cfile%7CCATO%20SALSA%20EXPERIENCE%20-%20The%20Fruit%20Is%20Still%20Fresh%20%282003%29.rar%7C71400996%7C9592FCA4DFEEE09F8CABEB48C2D489D8%7C/


No 3


ed2k://%7Cfile%7CCato.Salsa.Experience.-.No.3.-.2005.MP3.192.kbps.VBR.Lars.NOR.rar%7C60438138%7C92698C14D744A79CF1B3E8F6080A991B%7C/

[bonzopoe]

Esos de Cato Salsa Experience ya estan posteados desde hace tiempo Padrino, creo que los posteo jorgito o evol, no recuerdo bien.

Mas abusado pa la proxima

[el_salmonete]

¿Nadie tiene el disco NOFX/Ribbed por casa para meterle un ripeo, en ape a poder ser?

Yo por mi parte dejo enlace de éste que he encontrado en Soulseek y que me parece impresionante. Cómo lo diría... es como un toro, ¿no? Pero no viene el EP, es decir, tiene menos canciones, contiene las once primeras del "track list" del disco del que dejo también el enlace de allmusic (como siempre).

Un saludo

Eleventh Dream Day - 1988 - Prairie School Freakout - mp3192kbps.soulseek.backup.rar
allmusic ((( Prairie School Freakout > Overview )))

[elPadrino]

Esos de Cato Salsa Experience ya estan posteados desde hace tiempo Padrino, creo que los posteo jorgito o evol, no recuerdo bien.

Mas abusado pa la proxima

Se hace difícl ya saber lo que se ha posteado o no (os prometo que usé el los buscadores en busca de alguna referencia, pero quizá la búsqueda fué poco exhaustiva )

Os dejo un poco más de rock:

MARAH

Marah play things loose and easy on their self-produced fifth album, fusing folk-rock sincerity and garage-band recklessness with first-take immediacy. Since moving from Philadelphia to Brooklyn, they've put some musical distance between themselves and those frequent comparisons with a lower-rent (or at least younger and hungrier) Bruce Springsteen, though the harmonica that laces "Walt Whitman Bridge" conjures some familiar echoes. "City of Dreams" finds them channeling their inner Simon and Garfunkel, while the opening "The Closer" (go figure) sounds like Graham Parker fronting a neo-skiffle band. With "Out of Tune," songwriting brothers Dave and Serge Bielanko issue what amounts to a musical credo: "So what if we're out of tune with the rest of the world?" The go-for-the-throat vitality of the tracks makes the If You Didn't Laugh You'd Cry sound less produced than unleashed. --Don McLeese

(1998) Let's Cut The Crap And Hook Up Later On Tonight

1. Fever 4:28
2. Another Day at Bay 1:37
3. Formula Cola, Dollar Draft Listen Now 4:43
4. Baby Love 1:52
5. Phantom Eyes 2:29
6. Rain Delay 2:38
7. Firecracker 4:16
8. Head On 2:51
9. For the Price of a Song 3:00
10. Boat 2:37
11. Limb 9:12
12. Punk Rock Radio 6:24
13. Night Time 3:48
14. Borderline 2:54
15. Family meeting 2:40
16. Johnny & the Flower 2:04
17. Dance 'Till Dawn 4:27
18. Muskie Moon 2:37

Marah. Let's Cut the Crap & Hook up Later on Tonight (Bonus Tracks).rar


(2000) Kids In Philly

1. Faraway You 3:30
2. Point Breeze 2:14
3. It's Only Money, Tyrone 3:26
4. My Heart is the Bums on the Street 2:19
5. The Catfisherman 3:35
6. Round Eye Blues 4:11
7. From the Skyline of a Great Big Town 3:31
8. Barstool Boys 2:57
9. The History of Where Someone Has Been Killed 4:05
10. This Town 3:48

Marah - Kids In Philly By Fulgencio.rar


(2002) Float Away With The Friday Night Gods

1. Float Away 5:35
2. Soul Listen Now 2:14
3. Revolution 5:21
4. People of the Underground 4:33
5. Crying on an Airplane 5:02
6. Leaving 4:20
7. Shame 4:38
8. For All We Know We're Dreaming 5:28
9. What 2 Bring 4:26
10. Out in Style 6:22

Marah - Float Away With The Friday Night Gods 192.rar


(2004) 20,000 Streets Under The Sky

1. East 4:12
2. Freedom Park 4:35
3. Feather Boa 3:33
4. Going Thru the Motions 4:48
5. Sure Thing 1:51
6. Pigeon Heart 3:55
7. Soda 5:19
8. Pizzeria 3:21
9. Body 4:30
10. 20,000 Streets Under the Sky 4:20

Marah - 20.000 Streets Under The Sky.rar


(2005) If You Didn't Laugh, You'd Cry

1. The Closer 2:44
2. The Hustle 3:34
3. City of Dreams 2:56
4. Fat Boy 2:27
5. Sooner or Later 3:53
6. So What If We're Outta Tune (W/The Rest of the World) 3:45
7. The Demon of White Sadness 3:49
8. The Dishwasher's Dream 3:56
9. Poor People 4:25
10. Walt Whitman Bridge 3:06
11. The Apartment 3:27

marah - if you didn't laugh you'd cry - 2005 (MP3 192Kbps).rar


(2005) A Christmas Kind of Town

1. Intro-Curtain Rises 0:14
2. Christmas Time is Here 2:00
3. New York Is a Christmas Kind of Town 3:01
4. Baby It's Cold Outside 2:36
5. Boozing It Up with Friends 0:21
6. Holly Jolly Christmas 2:16
7. Here We Come a Wassailing (#1) 0:21
8. Christmas Time's a Comin' 1:56
9. Let It Snow 1:59
10. Quithmith Pudding (Skit) 0:37
11. Counting the Days ('Til Christmas) 3:03
12. Here We Come a Wassailing (#2) 0:24
13. Silver Bells 3:06
14. Christmas with the Snow 2:36
15. Have Yourself a Merry Little Xmas/b> 2:29
16. Handsome Santa 0:41
17. Auld Lang Syne 3:01
18. Here We Come a Wassailing (#3) 0:25
19. Outro-Curtain Call 0:31
20. Counting the Days, A Christmas Polka 7:24

Marah - A Christmas Kind of Town.rar

Espero que esto no esté posteado ya...

[evol]

Espero que esto no esté posteado ya...

Pues creo que solo el último, me suena que lo posteó Foghat. Los demás no estaban. Yo que pensaba que eran un grupo nuevo y que solo tenían un disco

saludos

[elPadrino]

Pues creo que solo el último, me suena que lo posteó Foghat. Los demás no estaban. Yo que pensaba que eran un grupo nuevo y que solo tenían un disco

saludos

Amén de repetir un disco, almenos pongo unos cuantos nuevos. Por fin me siento útil

[Foghat]

No me acuerdo, pero seguro que posteé algo de Marah... mas que nada porque me parecen uno de los mejores grupos de los últimos años. De sus discos solo el Float Away es flojo... aunque solo por la producción, las canciones son buenas. Existe un disco que han hecho circular los propios hermanos Bielanko (lideres de Marah) con el título de Float Away Deconstructed que tiene las mismas canciones que el original pero sin producción "hollywoodiense". Si hace falta hago un paquetito y lo meto en las alforjas de la mula...

[sentinela]

Si Foghat puso el disco If You Didn't Laugh, You'd Cry de Marah, esta es la tercera vez que se pone, ya que yo tambien lo puse

Salut.

[elPadrino]

Si hace falta hago un paquetito y lo meto en las alforjas de la mula...

Hace falta, hace falta. Que es el único que no tengo y no ha habido manera de encontrarlo.
Agradecido te estaré.

Saludos

[Foghat]

OK Don Vito, siempre es bueno que los Corleone te estén agradecidos. En cuanto llegue a casa lo cuelgo.

Y yo estaré agradecido al que sepa como conseguir esto:

http://www.imdb.com/title/tt0423853/

BE HERE TO LOVE ME: A FILM ABOUT TOWNES VAN ZANDT

Debe ser una maravilla...

[elPadrino]

Y yo estaré agradecido al que sepa como conseguir esto:

http://www.imdb.com/title/tt0423853/

BE HERE TO LOVE ME: A FILM ABOUT TOWNES VAN ZANDT

Debe ser una maravilla...

He puesto una petición en musicmule por si hay suerte. Ya te informare.

Saludos

[hiru]

Cita:
1 ¿Qué me pasaba propiamente hablando? Yo no me comprendía, pero el impulso fue como un mandato para mí. 2 Parece que nuestro destino dispone de nosotros desde un día remoto: durante mucho tiempo sólo experimentamos enigmas. La elección de los acontecimientos, el echo de captarlos, la repentina avidez, el rechazo de lo más agradable, con frecuencia lo mas venerado: eso es lo que nos espanta como si desde el fondo de nosotros mismos surgiera aquí y allá un movimiento de humor, algo arbitrario, insensato, volcánico. Pero eso sólo es razón y prudencia superiores de nuestra tarea venidera. 3 ¿La larga frase de mi vida – me preguntaba a mí mismo – exigiría tal vez ser leída regresivamente? No había duda de que, al leerla progresivamente, sólo encontraba “palabras desprovistas de sentido”.

Friederich Nietzsche. Nuevo prefacio para Humano demasiado humano.

1

Attention Deficit
"Attention Deficit"
1998 Attention Deficit (Tim Alexander,Michael Manring,Alex Skolnick).rar
[quote]Cita:
Alex Skolnick – Electric and Acoustic Guitars
Michael Manring - Four, Six and Ten-String Basses, Loops
Tim Alexander – Drums and Percussion

Attention Deficit is composed of three members. Alex Skolnick contributes the electric and acoustic guitars. You probably recognize Skolnick from his long tenure in Testament. He also briefly spent some time in Savatage. Lately, he's been kept busy expanding his sound to embrace jazz and fusion. Drums and percussion are the realm of Tim Alexander, who spent eight years behind the kit for Primus. Bass guitar and loops are handled by Michael Manring, a session god for talented jazz musicians. http://www.magnacarta.net/releases/atte ... ficit.html (teneis samples)
El hecho de que el material que este organizado como un continuum ayuda a crear un ambiente de poder sonoro a lo largo del disco. Todas las composiciones estan basadas en jams y sus eventuales desarrollos, por lo cual se trasluce que la meta principal de los tres musicos es la de transportar al oyente en un viaje lleno de estimulantes sobresaltos, los mismos que surgen a partir de la variedad de los humores que se suceden a lo largo del repertorio. El uso de interludios ocasionales ayuda a crear una cohesion en la interconexion que opera en el repertorio: algunos de estos interludios son realmente muy breves, como por ejemplo, ‘Snip’, que dura 22 segundos, y ‘Festivus’, que dura !solo 10! Un sintoma de buen humor en medio de la intensidad sonora que regula la norma general del disco. De los temas mas agresivos y delirantes puedo destacar ‘An Exchange of Niceties’, ‘Febrile’ y el interludio ‘Wrong’, mientras que ‘The Girl from Enchilada’ se circunscribe bajo las pautas del jazz-fusion. Por su parte, ‘Fly Pelican, Fly’ se extiende por 11 minutos a traves de la incoporacion de variaciones fluidamente articuladas a traves de un jam que funciona en la base: una de las piezas mas destacas del disco, sin duda. ‘Scapula’ es un tema bastante duro, casi metalico, sobre una base ritmica de inspiracion funky: otra gema. Los interludios ‘ATM’, ‘TMA’ y ‘MAT’ son ejercicios etereos de psicodelia, que portan un aire de evidente pero auto-contenida agresividad; lo mismo se advierte en ‘Ill Fated Conspiracy’. En realidad, los detalles pueden continuar y continuar... pero me detendre aqui mismo. Solo permitidme concluir que este disco es una gozada emocionante, un excelente trabajo musical que implicaria un item de gran nivel en cualquier buena discoteca progresiva.
http://www.dlsi.ua.es/~inesta/LCDM/Disc ... ficit.html[/quote]

progresivo, va. (De progreso). adj. Que avanza, favorece el avance o lo procura. || 2. Que progresa o aumenta en cantidad o en perfección. □ V. onda ~, pólvora ~.</cente>

2

Frances-Marie Uitti - Mark Dresser
"Sonomondo"
2000 Frances-Marie Uitti, Mark Dresser - Sonomondo.rar
[quote]Cita:
New York bassist Mark Dresser is on the cutting edge of extended instrumental technique, while 'cellist Frances-Marie Uitti's 2 bow technique (she plays with 2 bows in her right hand) has revolutionized the art of 'cello playing. Sonomondo is an album of exquisite 'cello bass duo improvisations. At times Dresser and Uitti sound like a string quartet, and at others like a small orchestra.

Sonomondo is an amazing record of sonorous string experimentation. Frances-Marie Uitti is exhibits her unique skill: a two bow cello attack. With her right hand, she simultaneously uses two bows on her instrument. Several artists employing this technique acknowledge her skilled inventiveness. Known for making new jazz and other post-modern forms since 1972 in collaboration with Andrew Cyrille, Bob Ostertag, John Zorn and others, Dresser is master of the double-bass. The duo improvisations here are stunning and spooky, sizable sonic creations that explore the outer possibilities of both instruments. Sonomondo is an invitation to an entire new world of sound. http://www.cryptogramophone.com/index.p ... bum&id=104[/quote]

ggggggghhhhhooooooh! UUuuu uuummmmaaAAA Ayaayiaaii hhi A hhih ihhi A A hhi!iiiiiiiiiiiiiiiiiiiiii
3

Mark Dresser/Denman Maroney
"Time Changes"
2005 Dresser, Maroney, Sarin, Montano - Time Changes.rar
[quote]Cita:
Mark Dresser - contrabass
Denman Maroney - hyperpiano
Michael Sarin - drums, percussion
Alexandra Montano - voice

"Moments of Bill Evans-like melodic clarity abound on the album, even when following John Cage-esque sound explorations...for the novice, Time Changes is an excellent entry point into Dresser's ever growing discography. For dedicated fans, this is a delightfully surprising album and one worthy of repeated listens."
-Troy Collins, Junkmedia.org

"It is, in fact, Maroney and Dresser’s expansion of their respective instruments’ sonic possibilities that takes the programme of Dresser and Maroney originals, all based on complex and precisely structured forms—with the exception of two free improvisations—and opens them up to greater breath and breadth. If one can forget about the clearly detailed arrangements and just absorb the music without consideration, the set takes on a surprisingly effortless and alluring complexion."
-John Kelman, All About Jazz

"Mark Dresser and Denman Maroney have covered a lot of territory in their 16 years of frequent collaboration, but this may be their most successful attempt at synthesizing diverse moods and concepts...These guys have invented fresh new ways to go way OUT while still being gloriously, heart-achingly, toe-tappingly IN...it's a rare and joyous occasion to hear this kind of microstructural avant-gardism elevate an older form like jazz. And, wow, is this music elevated; it's floating in the celestial spheres of creative jazz...Every track on Time Changes is stunning and every note feels perfect. It's a masterpiece rendered with audiophile recording clarity and presented with Cryptogramophone's customary lavish packaging and artwork."
Michael Anton Parker, Downtown Music Gallery newsletter
http://www.cryptogramophone.com/index.p ... bum&id=124[/quote]

Deleuze y Guattari, del ritornello:
Ahora bien, uno nunca puede estar seguro de ser lo suficientemente fuerte, puesto que no se tiene un sistema, tan sólo líneas y movimientos. Schumann.

[Takeshi_Shimura]

Y yo estaré agradecido al que sepa como conseguir esto:

http://www.imdb.com/title/tt0423853/

BE HERE TO LOVE ME: A FILM ABOUT TOWNES VAN ZANDT

Debe ser una maravilla...

He puesto una petición en musicmule por si hay suerte. Ya te informare.

Saludos

Estaría bien, pero lo veo crudo, y menos en musicmule

[evol]

En la web oficial de la película (http://www.townesthemovie.com/) pone: DVD announcement coming soon...

De todas formas no sé por que me da a mi que el DVD saldrá sin subtítulos, para variar

saludos

[Foghat]

Si, es muy típico que salga sin subtítulos... pero bueno, yo me contento con que salga!! lo necesito!!!

Bueno, lo prometido es deuda:

Marah - Float Away Desconstructed



marah - float away deconstructed (2005).rar

El disco que demuestra que detras del Float away with the friday night gods hay un buen disco

[elPadrino]

Aquí tienes al primero en la cola.
Gracias Foghat, mañana lo posteo en musicmule para conseguir más fuentes potenciales.

Saludos

[locutus]

Cambio de tercio y posteo al estilo jorgito:

<table width=550 border=0 align=center cellpadding=5 cellspacing=0 bgcolor=B8B3CD><tr><td width=17%><img src=http://img38.imageshack.us/img38/9734/trr1cd006b3nf.jpg width=200 height=180 border=0> </td><td width=83%><table width=100% border=0 cellspacing=0 cellpadding=2><tr><td><a href= target=_blank>Procs</a></td></tr><tr><td bgcolor=#BDB9CE><em>Stuck in the oven with me</em></td></tr><tr><td><table width=100% border=0 cellpadding=5 cellspacing=0 bgcolor=C7C4D6><tr><td width=26% bgcolor=#D2D0DF>Año: </td><td width=74%>2005</td></tr></table></td></tr><tr><td><table width=100% border=0 cellpadding=5 cellspacing=0 bgcolor=C7C4D6><tr><td width=26% bgcolor=#D2D0DF>País: </td><td width=74%>Germany</td></tr></table></td></tr><tr><td><table width=100% border=0 cellpadding=5 cellspacing=0 bgcolor=C7C4D6><tr><td width=26% bgcolor=#D2D0DF>Estilo: </td><td width=74%>Electronic</td></tr></table></td></tr><tr><td><table width=100% border=0 cellpadding=5 cellspacing=0 bgcolor=C7C4D6><tr><td width=26% bgcolor=#D2D0DF>Sello: </td><td width=74%>Trishula Records</td></tr></table></td></tr><tr><td><table width=100% border=0 cellpadding=5 cellspacing=0 bgcolor=C7C4D6><tr><td width=26% bgcolor=#D2D0DF>Enlaces: </td><td width=74%>Procs_-_Stuck_In_The_Oven_With_Me-2005-MYCEL.rar </td></tr></table></td></tr></table></td></tr><tr><td colspan=2><table width=100% border=0 cellpadding=5 cellspacing=1 bgcolor=#D2D0DF><tr><td width=100%>Tracklist:</td></tr></table><table width=100% border=0 cellpadding=5 cellspacing=1 bgcolor=C7C4D6><tr><td width=100%>01. Gluffsing The Pop
02. Mr Baengrot Rides Again
03. The Tailnissers Tale (Moffy Mix)
04. Gelatom Megafon
05. Overtures From The Oven
06. Samsonited
07. Pogo Pedagog
08. Sub Glob
09. Buforsk Normal

Bitrate: MP3 VBR
Tamaño de Archivo: 121,77 MB </td></tr></table></td></tr><tr><td colspan=2><table width=100% border=0 cellpadding=5 cellspacing=1 bgcolor=#D2D0DF><tr><td width=100%>Comentarios:</td></tr></table><table width=100% border=0 cellpadding=5 cellspacing=1 bgcolor=C7C4D6><tr><td width=100%>Trishula Records presents its third artist album "Stuck in the oven with me" produced by Procs. Mikael Stegman from Sweden is making music for quite some time now and released tracks with different labels. He has developed his own unique style, psychedelic and twisted with often that "forestfeeling" in his music. Procs is releasing his debut album, which is moving from a bit of 'tech-trance' feeling into strange and more deranged atmospheres. A journey with complex and different rythyms, deep synths and floating pads. You can expect a lot of psychedelic and surreal tunes in the music. The album takes you on a trip through different moods. Nine tracks to surprise your ears and brain while you are stuck in the oven with Procs.
Procs is Mikael Stegman from Stockholm, Sweden. He was born in 1979 and in his early years in school his first music teacher let him play the piano on the breaks. This soon led him into taking piano lessons and he started playing classical music. In the beginning of the 90s he got his first keybord and also a new soundcard which was delivered together with an old DOS based sequencer. He started trying to make all kinds of music with this sequencer, altough, no trance or techno. The only electronic music he heard so far was Jean Michel Jarre, which he was very inspired by in the beginning. When his older brother brought home some early TIP and Matsuri compilations around 95-96 Mikael got very fascinated by the goa sound and immediately started to work on some goa style tracks himself. After some time as he could afford more gear he could also start developing his own unique sound.

The first release came on Shpastic Elastics compilation Scrambled Heads in 2001 with two tracks under different artist names, Procs and Peyote People. With great response on those tracks he kept on experimenting and have developed a more personal and unique sound that is deep, moving and a bit deranged.

He played his first live set in the Stockholm area in the summer of 2000. After this he has played in several countries aswell as in parties in his homecountry.

Today he has released an album on Trishula Records and several tracks on different compilations. He has also collaborated with a couple of artists and with one of his friends, captain ifan freakout, he had two releases with the project name Duck Off. He is working constantly on new music, both psy trance and also different ideas with many influences from breakcore and jazz.


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<table width=550 border=0 align=center cellpadding=5 cellspacing=0 bgcolor=B8B3CD><tr><td width=17%><img src=http://images.amazon.com/images/P/B0008 ... ZZZZZ_.jpg width=200 height=180 border=0> </td><td width=83%><table width=100% border=0 cellspacing=0 cellpadding=2><tr><td><a href=http://www.allmusic.com/cg/amg.dll?p=am ... 5t4zsqs~T1 target=_blank>Elkland</a></td></tr><tr><td bgcolor=#BDB9CE><em>Golden</em></td></tr><tr><td><table width=100% border=0 cellpadding=5 cellspacing=0 bgcolor=C7C4D6><tr><td width=26% bgcolor=#D2D0DF>Año: </td><td width=74%>2005</td></tr></table></td></tr><tr><td><table width=100% border=0 cellpadding=5 cellspacing=0 bgcolor=C7C4D6><tr><td width=26% bgcolor=#D2D0DF>País: </td><td width=74%>UK</td></tr></table></td></tr><tr><td><table width=100% border=0 cellpadding=5 cellspacing=0 bgcolor=C7C4D6><tr><td width=26% bgcolor=#D2D0DF>Estilo: </td><td width=74%>Electronic</td></tr></table></td></tr><tr><td><table width=100% border=0 cellpadding=5 cellspacing=0 bgcolor=C7C4D6><tr><td width=26% bgcolor=#D2D0DF>Sello: </td><td width=74%>Sony</td></tr></table></td></tr><tr><td><table width=100% border=0 cellpadding=5 cellspacing=0 bgcolor=C7C4D6><tr><td width=26% bgcolor=#D2D0DF>Enlaces: </td><td width=74%>Elkland.-.Golden.rar </td></tr></table></td></tr></table></td></tr><tr><td colspan=2><table width=100% border=0 cellpadding=5 cellspacing=1 bgcolor=#D2D0DF><tr><td width=100%>Tracklist:</td></tr></table><table width=100% border=0 cellpadding=5 cellspacing=1 bgcolor=C7C4D6><tr><td width=100%>1. Put Your Hand Over Mine
2. Apart
3. It's Not Your Fault
4. I Never
5. Everybody's Leaving
6. Talking on the Phone
7. Everytime You Tell Me That You Love Me
8. Abandon
9. I Need You Tonight
10. Find Me
11. Without You
12. We Share a Heart

Bitrate: MP3 192
Tamaño de Archivo: 71.57mb </td></tr></table></td></tr><tr><td colspan=2><table width=100% border=0 cellpadding=5 cellspacing=1 bgcolor=#D2D0DF><tr><td width=100%>Comentarios:</td></tr></table><table width=100% border=0 cellpadding=5 cellspacing=1 bgcolor=C7C4D6><tr><td width=100%>The synth pop outfit Elkland features Jon Pierce (vocals), Joel Tarpin (keyboards), Adam Kessler (guitar), and Jesse Pierce (drums). The four-piece began crafting a new wave-influenced sound in their upstate New York stomping grounds of Horseheads in 2002. Brother Jon and Jesse Pierce grew up in a strict religious household where pop music wasn't allowed, but that all changed once Jon received a copy of Joy Electric's Melody album. By the late '90s, the Pierce brothers were sequencing their favorite songs by the likes of Joy Division, Yaz, the Smiths, and Björk on their dad's old synthesizer. Schoolhood chums Tarpin and Kessler joined the two brothers in various bands, most notably Goat Explosion, but it was the formation of Elkland upon their graduation from high school that solidified their goals in music. The band's debut album, Golden, appeared on Columbia in spring 2005.

NOTE: THIS TITLE IS CURRENTLY NOT AVAILABLE. If you would like to purchase this title, we recommend that you occasionally check this page to see if it has become available. This Sony CD includes XCP digital rights management (DRM) software.
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<table width=550 border=0 align=center cellpadding=5 cellspacing=0 bgcolor=B8B3CD><tr><td width=17%><img src=http://ec1.images-amazon.com/images/P/B ... ZZZZZ_.jpg width=200 height=180 border=0> </td><td width=83%><table width=100% border=0 cellspacing=0 cellpadding=2><tr><td><a href=http://www.allmusic.com/cg/amg.dll?p=am ... vy3zzha~T1 target=_blank>Vhs or Beta</a></td></tr><tr><td bgcolor=#BDB9CE><em>Night Fire</em></td></tr><tr><td><table width=100% border=0 cellpadding=5 cellspacing=0 bgcolor=C7C4D6><tr><td width=26% bgcolor=#D2D0DF>Año: </td><td width=74%>2004</td></tr></table></td></tr><tr><td><table width=100% border=0 cellpadding=5 cellspacing=0 bgcolor=C7C4D6><tr><td width=26% bgcolor=#D2D0DF>País: </td><td width=74%>USA</td></tr></table></td></tr><tr><td><table width=100% border=0 cellpadding=5 cellspacing=0 bgcolor=C7C4D6><tr><td width=26% bgcolor=#D2D0DF>Estilo: </td><td width=74%>Electronic</td></tr></table></td></tr><tr><td><table width=100% border=0 cellpadding=5 cellspacing=0 bgcolor=C7C4D6><tr><td width=26% bgcolor=#D2D0DF>Sello: </td><td width=74%>Astralwerks</td></tr></table></td></tr><tr><td><table width=100% border=0 cellpadding=5 cellspacing=0 bgcolor=C7C4D6><tr><td width=26% bgcolor=#D2D0DF>Enlaces: </td><td width=74%>VHS.Or.Beta-Night.On.Fire-2004.rar </td></tr></table></td></tr></table></td></tr><tr><td colspan=2><table width=100% border=0 cellpadding=5 cellspacing=1 bgcolor=#D2D0DF><tr><td width=100%>Tracklist:</td></tr></table><table width=100% border=0 cellpadding=5 cellspacing=1 bgcolor=C7C4D6><tr><td width=100%>1. Night On Fire
2. You Got Me
3. New House
4. Staring at the Sun
5. No Cabaret
6. Forever
7. Alive
8. Dynamize
9. The Ocean
10. Irreversible

Bitrate: MP3 VBR
Tamaño de Archivo: 87.19MB </td></tr></table></td></tr><tr><td colspan=2><table width=100% border=0 cellpadding=5 cellspacing=1 bgcolor=#D2D0DF><tr><td width=100%>Comentarios:</td></tr></table><table width=100% border=0 cellpadding=5 cellspacing=1 bgcolor=C7C4D6><tr><td width=100%>VHS or Beta formed in 1997 in Louisville, KY, when bassist Mark Palgy and guitarists Zeke Buck and Craig Pfunder met after high school. After a brief stint with noise punk and the addition of drummer Mark Guidry, they reformed in response to their love of house music, soul, and disco. The new sound, enhanced by keyboards, vocoder, samples, and electronic drums, eventually brought in hundreds of dancing people at their shows. Soon, the band released the vinyl-only EP ON & ON. After playing the 2000 South by Southwest music festival and negotiating with record labels, they released Le Funk on their own label, ON! Records, in June 2002. In summer 2002, VHS or Beta toured with I Am the World Trade Center. Chea Beckley was added for the band's performances to handle vocoder, samples, and keyboards. By the time the band's Astralwerks debut, Night on Fire, arrived in 2004, their sound owed more to dance-punk than Daft Punk.</td></tr></table></td></tr></table>