The Caine Mutiny
(El motín del Caine)
(USA, 1954) [Color, 124 m.].
Género: Drama bélico, Drama judicial / Adaptaciones literarias, SGM.
IMDb
Ficha técnica.
Dirección: Edward Dmytryk.
Argumento: Herman Wouk (novela).
Guión: Stanley Roberts / Michael Blankfort (diálogos adicionales).
Fotografía: Franz Planer (Technicolor).
Música: Max Steiner.
Producción: Stanley Kramer (no acreditado).
Productora: Columbia Pictures Corporation.
Sinopsis: El estricto capitán Queeg (Bogart), un hombre aquejado de agotamiento nervioso y fobias neuróticas, asume el mando del Caine, un dragaminas norteamericano cuya tripulación carece de disciplina. En contra de la opinión de los demás oficiales, introduce cambios y toma medidas tan arbitrarias que la tripulación empieza a considerarlo un neurótico peligroso. Durante una tempestad, Queeg pierde el control de la nave; entonces, el segundo oficial lo obliga a dejar el mando y lo releva. Este incidente dará lugar a un consejo de guerra. (FILMAFFINITY)
Rebelión a bordo.Segunda Guerra Mundial. Dos oficiales de marina interpretados por Van Johnson y Robert Francis, se sublevan contra el capitán Queeg (Humphrey Bogart). El capitán Queeg, que se había hecho poco antes con los mandos del navío, había introducido una serie de cambios con los que sus oficiales no estaban de acuerdo. Las medidas de Queeg, algo neurótico, víctima de un exagerado sentido del deber, empezaban a incomodar a la tripulación. La situación se va volviendo cada vez más tensa y peligrosa a bordo del Caine. Sufren una fuerte tempestad y es entonces cuando los dos oficiales aprovechan para destituir a Quegg, que había perdido el control del barco. Después, frente a un tribunal militar, Quegg acusará a sus hombres de traición.
Una excelente y emocionante adaptación de la obra de Herman Wouks que fue galardonada con el Premio Pulitzer. Edward Dmytryk completa una dirección sin fisuras. Humphrey Bogart se sale del personaje que le llevó al estrellato, cínico y romántico, y exagera su faceta más ambigua. Fue nominado al Oscar por esta película (DeCine21).
AMG SYNOPSIS: Robert Francis is at the center of the story as Willis Keith, a newly minted ensign assigned to the U.S.S. Caine. Keith has an uneasy relationship with his skipper, Lt. Comdr. DeVries (Tom Tully), partly through his own ineptitude and as a result of his disapproval of the slovenly way DeVries seems to run the ship. He looks forward to the arrival of a new captain, Lt. Comdr. Philip Francis Queeg, portrayed by Humphrey Bogart. Queeg is a tough, no-nonsense veteran officer who turns the crew into proper sailors and the Caine into a tight ship, engendering resentment from some of the men and several of his officers. Queeg, a veteran of difficult years of service for too long, has insecurities about himself, his command, and his career that begin to manifest themselves as out-of-control spells of temper over small details that cause him to make mistakes. Lt. Keefer (Fred MacMurray), the glib-tongued communications officer, spots the signs of neurosis in the captain's behavior. When, because of Queeg's temper, the Caine steams over its own tow-line on a routine target-towing assignment, the captain is pushed into irrational behavior in trying to explain it away. When he leaves a Marine landing craft that the ship is escorting too far from the beach in the middle of combat, Queeg becomes almost irrational in trying to erase the seeming cowardice he has shown. The ship's dedicated first officer, Lt. Steve Maryk (Van Johnson), hears Keefer's suggestion that the captain may be mentally unbalanced, but does not entertain the thought until Queeg orders the ship turned upside down over pilfered strawberries. During a typhoon that threatens to sink the ship, Queeg's inability to deal with the crisis at hand forces Maryk to assume command, with Keith's support as officer-of-the-deck, thus bringing about the court martial of the two officers. Greenwald (Jose Ferrer), a pilot and lawyer in civilian life, reluctantly agrees to help them, mostly out of sympathy for the impossible predicament in which Maryk has found himself caught up. In testifying for the defense, Keefer covers up his role in fomenting the crisis, denying ever having suggested that the captain was unbalanced. Maryk comes off as sincere but hopelessly out-of-his-depth at the trial, and Keith too inexperienced and callow to have made the kinds of decisions forced on him. Finally, Queeg is called as a witness, and Greenwald destroys his credibility on the stand by going over each questionable incident, one by one, bringing out the officer's defensiveness until he finally reveals his instability. Greenwald confronts the Caine's officers at their "victory" party, criticizing them for their foul treatment of Queeg, and their failure to offer him the loyalty and support that he was entitled to as captain, and which would likely have averted his breakdown in the first place. -- Bruce Eder
AMG REVIEW: In bringing Herman Wouk's novel about life aboard a destroyer-minesweeper in the Pacific during World War II to the screen, producer Stanley Kramer was working under numerous constraints. Knowing that The Caine Mutiny would be Kramer's final film for the company, Columbia Pictures president Harry Cohn made sure the budget on The Caine Mutiny was cut to the absolute bone, and took the chance that Bogart's name, coupled with the popularity of the book, would ensure a hit film. From such a financial and creative straightjacket, a great film was made, mostly by virtue of Edward Dmytryk's direction and some excellent central performances: not just Humphrey Bogart's tired, troubled Lt. Comdr. Queeg, but also Van Johnson as the well-meaning but ultimately foolhardy first officer Lt. Maryk; Robert Francis as the naïve and very foolish Ensign Keith; Fred MacMurray as the glib-tongued, manipulative Lt. Keefer; and Jose Ferrer as the unwilling defense attorney Barney Greenwald, who achieves a victory that has nothing to do with justice, right and wrong, or truth. Bogart gives one of his finest late-career performances, calling up the same mixture of bravado, fear, and irrationality that informed his performance as Fred C. Dobbs in John Huston's The Treasure of the Sierra Madre six years before, crawling with little neurotic affects that make him startling to watch. Coupled with MacMurray's smooth-talking treacherousness and Johnson's stalwart performance, plus Francis' bright-eyed, bushy-tailed enthusiasm, the characters make for a memorable and compelling two-hour-plus dramatic experience. -- Bruce Eder
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Versión BDRip VO (Dual alemán-inglés)+SI 2,02 Gb.
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Publicada por jope74 en sharethefiles.
The.Caine.Mutiny.1954.BDRip.x264.German.English-B4A.mkv 
Subtítulos (en contenedor matroska): German, English.
Subtítulos (para sincronizar): castellano.
Subidos por 55557777 para el Dual de Tucco. Castellano europeo, 25 fps.
Datos técnicos:
Código: Seleccionar todo
Video:
Runtime: 124 Minutes
Codec: x264 (MKV-Container)
Resolution: 1152 x 624 (1.85:1)
Profile: High 4.0
Frames/s: 23.976
Audio 1:
Codec: AC3 2.0
Bitrate: 192 Kbps
Language: German
Audio 2:
Codec: AC3 2.0
Bitrate: 192 Kbps
Language: English
Subtitles (srt): German forced
Subtitles (VobSub): German, EnglishCapturas:
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Otras versiones en DXC:El Motín del Caine (Edward Dmytryk, 1954) DVDRip VOSE
El Motin Del Caine (Edward Dmytryck, 1954) DVDRip Dual SE (ver Dual de zeppo)
Filmografía Edward Dmytryk (Director)
Filmografía Humphrey Bogart (Actor)
Filmografía temática Segunda Guerra Mundial (WWII)
Filmografía temática Películas judiciales
Saludos.Filmografía Humphrey Bogart (Actor)
Filmografía temática Segunda Guerra Mundial (WWII)
Filmografía temática Películas judiciales