
The Lady from Shanghai
(La dama de Shanghai)
(USA, 1947) [B/N, 87 m.].
Género: Cine negro, Thriller, Drama criminal, Drama psicológico / Obra maestra.
IMDb
Ficha técnica.
Dirección: Orson Welles.
Argumento: Sherwood King (novela, "If I Die Before I Wake").
Guión: Orson Welles / William Castle, Charles Lederer, Fletcher Markle (no acreditados).
Fotografía: Charles Lawton Jr./ Rudolph Maté, Joseph Walker (no acreditados) (B&W)
Música: Heinz Roemheld / Doris Fisher, Allan Roberts.
Producción: Orson Welles, William Castle, Richard Wilson, Harry Cohn (no acreditado).
Productora: Columbia Pictures Corporation / Mercury Productions (no acreditada).
Sinopsis: Michael O'Hara (Orson Welles), un marinero irlandés, entra a trabajar en un yate a las órdenes de un inválido casado con una mujer fatal (Rita Hayworth) y queda atrapado en una maraña de intrigas y asesinatos. (FILMAFFINITY)
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"Una de las mejores película de Welles (...) inquietante, morbosa, trágica" (Carlos Boyero: Diario El Mundo)
Femme fatale.Clásico donde los haya, La dama de Shanghai es una de las mejores películas de la mítica Rita Hayworth, elevada al cielo de los mitos gracias a su papel de Gilda, quizá el personaje más atractivo que hayan ofrecido las pantallas de cine. Basado en la novela de Sherwood King, el guión de esta película es una prueba fehaciente de la genialidad de Orson Welles, autor del mismo y de la dirección de la película. El célebre creador de Ciudadano Kane y Sed de mal demuestra de nuevo el por qué de su consagrada figura en el firmamento cinematográfico.
La historia cuenta cómo un ingénuo marino irlandés (Orson Welles) se ve envuelto en una serie de intrigas controladas por una bella y misteriosa mujer (Everett Sloane). Entre ellos estará la fascinante presencia de la esposa del marino (Rita Hayworth). Inolvidable resulta la persecución en la galería de los espejos. Imprescindible (DeCine21).


- José David Cáceres, "De tiburones enloquecidos". Miradas de Cine.
- Manuel Navas, "La dama de Shanghai (The Lady of Shanghai. Orson Welles, 1947)". Paisajes Eléctricos.
- "La dama de Shanghai (The Lady of Shanghai, 1947)", Claqueta.
- Manuel Navas, "La dama de Shanghai (The Lady of Shanghai. Orson Welles, 1947)". Paisajes Eléctricos.
- "La dama de Shanghai (The Lady of Shanghai, 1947)", Claqueta.
AMG SYNOPSIS: The Lady From Shanghai, a complex, involving puzzle-within-a-puzzle mystery story, is a showcase for Orson Welles, showing his singular talents and sensibilities as few other films have. The story is superficially simple: a seaman Michael O'Hara (Welles) is hired as a crew member on the yacht of the wealthy Banister (Everett Sloane). His beautiful but mysterious wife Elsa (Rita Hayworth) has met O'Hara earlier, when he saved her from a mugging. What ensues is a complicated and bizarre pattern of deception, fraud and murder, with O'Hara finding himself implicated in a murder, despite his innocence. The film is best remembered for its final sequence when the plot comes to a literally smashing climax in the famous "hall of mirrors" sequence, with Elsa and Banister shooting it out amidst shards of shattering glass. Orson Welles, who produced, directed, wrote and starred in the film, is sometimes self-indulgent in his use of visual tricks and techniques, which at times sacrifice plot for visual brilliance, but he pulls it together in the end to produce a stunning, difficult film. Rita Hayworth gives one of her best performances as the deceptive, seductive temptress, hard-edged and cynical. The film confounds, unsettles and disorients the viewer, very much as Welles intended to do. While not an easy film, it is well worth the attention required to follow it, and Welles offers no easy solutions or any false happy endings to his tour-de-force mystery. -- Linda Rasmussen
AMG REVIEW: This story about murder and betrayal becomes murky long before its conclusion, but Orson Welles's quintessential film noir is about moral chaos, and Welles's stunning visuals speak for themselves. Shot in sharp black-and white, the story of innocent narrator Michael O'Hara's twisted journey into the netherworld is told through deep shadows, skewed compositions, and unsettling close-ups. Enchancing the surreally ominous atmosphere is the choice of settings, such as the San Francisco Aquarium love scene, in which the convoluted tale reaches its appropriate climax in an abandoned fun house that embodies O'Hara's nightmarish confusion. Finding the perfect image for shattered relationships and fractured personalities, Welles's famous final shootout takes place in the fun house's hall of mirrors, as O'Hara learns the truth in a place that trades on deception. Judging the narrative too Byzantine for his taste, Columbia chief Harry Cohn demanded that Lady from Shanghai be reedited, redubbed, and rescored before it was released. It still failed at the box office, rendering Welles a Hollywood outcast for almost a decade. -- Lucia Bozzola


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Versión DVDRip VO+SE 1,46 Gb. mkv.
Publicada por mersault en FH.
Enlace:Versión DVDRip VO+SE 1,46 Gb. mkv.
Publicada por mersault en FH.
Subtítulos (en contenedor matroska): English, French, Spanish, Portuguese, Chinese, Korean, Thai.
Subtítulos (descarga directa): inglés / alemán.
Datos técnicos: (nfo)
Código: Seleccionar todo
Source ....... Retail DVD5, NTSC, Sony
Filesize ..... 1,562,531,321 bytes (1/3 DVDR)
Container .... Matroska
Duration ..... 01:27:32
Video ........ x264 (0.116.2074), 2165 kb/s
Resolution ... 712 x 480 (displayed as 712 x 540)
Framerate .... 23.976 fps
Audio ........ AC3, 192 kb/s, 1 channels
Language ..... English
Subtitles..... English, French, Spanish,
Portuguese, Chinese, Korean, Thai
Capturas:






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Otras versiones en DXC:La dama de Shanghai (Orson Welles, 1947) DVDRip Dual SE
Filmografía Orson Welles (Director)
Filmografía Rita Hayworth (Actriz)
Filmografía temática Film Noir - Cine Negro
Filmografía temática La femme fatale
Filmografía temática Películas judiciales
Saludos.Filmografía Rita Hayworth (Actriz)
Filmografía temática Film Noir - Cine Negro
Filmografía temática La femme fatale
Filmografía temática Películas judiciales