DivX Clásico

Palahniuk escribió:Decían en Ci-Cl que en el Bluray cambiaban el formato de la peli para acomodarlo a los 16/9. No se que pensar...

Sony - Region FREE Blu-ray - June 09': Firstly, this transfer is in a consistent 1.66:1 aspect ratio - to quote the Digital Bits HERE - "The original theatrical presentation varied between 1.33 and 1.66. In recent years however, we're told that Kubrick's associates (who manage his estate) have become more comfortable with the 16x9/1.78:1 aspect ratio of HD displays, and they believe that Kubrick himself - if he'd really had the chance to look into it - would have preferred his full frame films to be presented on home video (in HD) at a steady 1.66 to take better advantage of the 1.78:1 frame. So that's the reasoning for the decision." Fuente

Three different screen aspect ratios have been used for video releases. The initial video releases up until the last VHS used a pan & scan transfer. Starting with the Criterion Collection laserdisc, as well as the later Columbia laserdisc, the film was presented "open matte" which meant that as much of the frame was captured as possible. Since many scenes were shot with mattes in-camera, the aspect ratio varied between 1.33:1 to roughly 1.66:1. This same version was used for the original and later Special Edition. In 2004, Columbia completed a new restoration of the film using an original fine-grain positive. This was utilized for a high definition transfer used for the 2-disc 40th Anniversary Edition DVD set. For the first time, this edition used 16x9 enhancement and presented the entire film at its theatrical exhibition aspect ratio of 1.66:1. While this obscures image previously seen on the variable ratio transfers, this preserves the intended "matted" wide-screen composition - very important for shots like Major Kong riding the bomb to the ground. In the variable ratio transfers, the rigging and projection screen edges are visible. Fuente

Dr. Strangelove,
or How I Learned to Stop Worrying and Love the Bomb
(¿Teléfono rojo? Volamos hacia Moscú /
Dr. Insólito o: Como aprendí a dejar de preocuparme y amar la bomba /
Dr. Strangelove)
(Gran Bretaña, 1964) [B/N, 95 m.].
Género: Comedia negra, Sátira / Guerra Fría, Holocausto nuclear.
IMDb

Ficha técnica.
Dirección: Stanley Kubrick.
Argumento: Peter George (novela, "Red Alert").
Guión: Stanley Kubrick, Terry Southern, Peter George.
Fotografía: Gilbert Taylor (B&W).
Música: Laurie Johnson.
Producción: Stanley Kubrick, Victor Lyndon, Leon Minoff (no acreditado).
Productora: Columbia Pictures Corporation (presents) / Hawk Films.

Premios:
- 1964: 4 nominaciones al Oscar: Mejor película, director, actor (Peter Sellers), guión
- 1964: BAFTA: Mejor película

Jack D. Ripper, comandante enajenado de la base aérea estadounidense de Burpleson, transmite a un grupo de bombarderos la orden de atacar la Unión Soviética con misiles nucleares. El presidente de los Estados Unidos, Merkin Muffley, es informado de la situación, y se reúne con los máximos responsables del ejército. Pero Ripper se ha aislado en su base y ha cortado las comunicaciones con el exterior por lo que resulta complicado detenerle.

Única comedia en la filmografía de Stanley Kubrick, que disecciona con ironía y humor negro los entresijos de la Guerra Fría y el funcionamiento de la política internacional. Aunque se basa en una novela de Peter George que tenía un tono de intriga, Kubrick la convirtio en una sátira repleta de humor negro. Con su visión fatalista de la vida y obsesionado por las coincidencias y las casualidades negativas, Kubrick muestra como una serie de desdichas podrían acabar con la vida en la Tierra (DeCine21).

AMG SYNOPSIS: In 1964, with the Cuban Missile Crisis fresh in viewers' minds, the Cold War at its frostiest, and the hydrogen bomb relatively new and frightening, Stanley Kubrick dared to make a film about what could happen if the wrong person pushed the wrong button -- and played the situation for laughs. Dr. Strangelove's jet-black satire (from a script by director Stanley Kubrick, Peter George, and Terry Southern) and a host of superb comic performances (including three from Peter Sellers) have kept the film fresh and entertaining, even as its issues have become (slightly) less timely. Loaded with thermonuclear weapons, a U.S. bomber piloted by Maj. T.J. "King" Kong (Slim Pickens) is on a routine flight pattern near the Soviet Union when they receive orders to commence Wing Attack Plan R, best summarized by Maj. Kong as "Nuclear combat! Toe to toe with the Russkies!" On the ground at Burpleson Air Force Base, Group Capt. Lionel Mandrake (Peter Sellers) notices nothing on the news about America being at war. Gen. Jack D. Ripper (Sterling Hayden) calmly informs him that he gave the command to attack the Soviet Union because it was high time someone did something about fluoridation, which is sapping Americans' bodily fluids (and apparently has something to do with Ripper's sexual dysfunction). Meanwhile, President Merkin Muffley (Sellers again) meets with his top Pentagon advisors, including super-hawk Gen. Buck Turgidson (George C. Scott), who sees this as an opportunity to do something about Communism in general and Russians in particular. However, the ante is upped considerably when Soviet ambassador de Sadesky (Peter Bull) informs Muffley and his staff of the latest innovation in Soviet weapons technology: a "Doomsday Machine" that will destroy the entire world if the Russians are attacked. -- Mark Deming

AMG REVIEW: Dr. Strangelove or How I Learned to Stop Worrying and Love the Bomb is widely regarded as the screen's greatest satire, a film that superbly encapsulates the fear and paranoia of the Cold War. There is not a sequence in the film in which the dialogue is not quotable -- indeed, there are so many well-remembered moments that viewers and critics will differ on the best, though surely the sight of Major Kong (Slim Pickens) waving his cowboy hat as he rides the bomb into oblivion is among the most enduring images of its era. As was consistently the case in his career, director Stanley Kubrick brilliantly matches actors with their roles, from Peter Sellers' three-character performance to the screen debut of James Earl Jones, whom Kubrick had spotted in a stage play. Similarly, George C. Scott, who plays the hawkish general Buck Turgidsdon, considered Strangelove among his greatest screen achievements. Every performance is top-notch, and many Kubrick trademarks can be found in the film, from the visual style to the shift to a hand-held camera when the Air Force base is attacked to the sparse and ironic use of music. -- Richard Gilliam

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Versión MiniSD BRRip VO+SI 600 Mb. mkv.
Localizada en eMule / Publicada en varias páginas chinas.

Dr.Strangelove.1964.BD.MiniSD-TLF.mkv

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