Forbidden Planet
(Planeta prohibido)
(Usa, 1956) [Color, 98 m.].
IMDb
Ficha técnica.
Dirección: Fred Wilcox.
Argumento: William Shakespeare (teatro, "The Tempest", no acreditado); Irving Block, Allen Adler (relato).
Guión: Cyril Hume.
Fotografía: George J. Folsey.
Música: Bebe Barron, Louis Barron.
Producción: Nicholas Nayfack.
Productora: Metro-Goldwyn-Mayer (MGM).
Sinopsis: En el año 2200 una expedición es enviada al planeta Altair-4 para averiguar lo ocurrido con una colonia espacial de la que hace tiempo no reciben noticias. Al llegar se encontrarán con un extraño personaje llamado Doctor Morbius, su bella hija y un curioso robot. (Culturalia)
AMG SYNOPSIS: MGM's first big-budget science fiction film, Forbidden Planet, combined state-of-the-art special effects with a storyline based on Shakespeare's The Tempest. In the 23rd century, Cmdr. J.J. Adams (Leslie Nielsen) guides United Planets cruiser C-57-D on a rescue mission to faraway planet Altair-4. Twenty years earlier, Earth ship Bellerophon disappeared while en route to Altair-4. Only the ship's philologist, Dr. Morbius (Walter Pidgeon), survived; in the intervening decades, Morbius has created an Edenlike world of his own, for the benefit of himself and his nubile young daughter, Altaira (Anne Francis). His private paradise is zealously guarded by Robby the Robot, a piece of technology far in advance of anything on Earth. When Adams and his crew land on Altair-4, Morbius announces that he has no intention of being rescued and returned to Earth. When Adams attempts to contact home base, he finds that his radio equipment has been smashed by some unseen force. Holding Morbius responsible, Adams confronts the scientist, who decides to tell all. At one time, according to Morbius, Altair-4 was populated by the Krel, a wise, intellectually superior race. Using leftover Krel technology, Morbius has doubled his intellect and gained the ability to shape a new world to his own specifications. Forbidden Planet was a big influence on future sci-fi outer-space efforts, especially Star Trek. The letterboxed video version is the closest to the original. -- Hal Erickson.
AMG REVIEW: At the time Forbidden Planet came along, science fiction hadn't existed for all that long as a movie genre, having really only established itself after World War II as distinct from horror films and movie serials. And there had been some serious science fiction films made up to that time -- most notably, Robert Wise's The Day the Earth Stood Still (1951). But science fiction was still considered primarily a genre that appealed to children, centered on action and adventure, without undue plot complexities or character relationships. Forbidden Planet changed all that, without sacrificing a genuine sense of wonder and other elements that juvenile audiences could enjoy. At the time, people mostly noticed the special effects, perhaps the best ever done up to that time and for many years beyond; it was the first movie that could convince viewers, moment to moment, that they were out in space or on some alien planet. Forbidden Planet's real importance, however, lay in respecting its audience, including the kids, enough to steep its plot in psychology and to make some statements about human nature that were pretty strong stuff in the midst of the Cold War, with both sides detonating H-bomb tests on a regular basis. The movie walks an even more precarious tightrope with its subplot about nubile Anne Francis' relationship with her father and the officers of the starship that has just landed in their two-person paradise. The plot was adapted from William Shakespeare's The Tempest, which flabbergasted (and distressed) some critics but helped draw a new, more serious viewer to this kind of movie. Forbidden Planet was so good, in fact, that it proved an impossible act to follow, and no one tried for almost a decade. But its influence trails out for a half-century beyond: Gene Roddenberry drew most of his ideas about the crew, officers (and their personal relationships), and setting of Star Trek from Forbidden Planet's script and set designs, and George Lucas' funny androids (not to mention Lost in Space's helpful robot servant) have their origins in Forbidden Planet's Robby the Robot. And one can only guess at what luck Stanley Kubrick might've had getting financing for 2001: A Space Odyssey, especially out of MGM, had it not been for the precedent of Forbidden Planet. -- Bruce Eder
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Versión BDRip VO+SE 2,19 Gb. mkv.
Publicada por telmoMRC en FH.
Enlace:Versión BDRip VO+SE 2,19 Gb. mkv.
Publicada por telmoMRC en FH.
Forbidden.Planet.1956.576p.BDRip.AC3.x264-ShitBusters.mkv 
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Forbidden.Planet.1956.576p.SUB.BDRip.AC3.x264-ShitBusters.rar Datos técnicos:
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RIPPER..........: telmoMRC
POSTED ON.......: 26/09/2010
EXTRAS..........: None
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FILE SIZE........: 2.19 GB (1/2 DVDR)
FORMAT...........: MKV
DURATION.........: 01:30:30
VIDEO CODEC......: H264 HP @ Level 4.1
VIDEO BITRATE....: 2727 kbps
RESOLUTION.......: 720 x 576 (Anamorphic, displayed at 1386x576)
ASPECT RATIO.....: ~2.40 (SAR: 953/495)
FPS..............: 23.976
AUDIO:
AUDIO CODEC......: AC3
AUDIO BITRATE....: 448 kbps
CHANNELS.........: 5.1 chnls
LANGUAGE.........: English
SUBTITLES........: English / Spanish / French / Portuguese
Norwegian / German
MISC:
SOURCE...........: Untouched Bluray Capturas: (resized to displayed AR / ajustadas al marco del foro)
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Otras versiones en DXC:Planeta Prohibido (F. McLeod Wilcox, 1956) DVDRip Dual
Para l@s prefieran un avi, en este hilo hay dos buenos ripeos de elanze y vinacho.
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