Together
Lorenza Mazzetti
1956, 52 min.
[quote]Italian-born Lorenza Mazzetti's Together (1956) was the longest film in the first Free Cinema programme, and the only fiction. Like Momma Don't Allow (d. Karel Reisz/Tony Richardson, 1956), it was entirely produced with a grant from the newly formed BFI Experimental Film Fund and cost less than £2000, despite being shot on 35mm film.
Together is set in London's East End, with its bombsites, narrow streets,
riversides, warehouses, markets and pubs. It follows two deaf-mute dockers who are completely cut-off from the outside world and are constantly pursued by groups of jeering children. Its modern depiction of everyday working-class life and its new approach to realism were inspired by Italian neo-realism and by the techniques used by Mazzetti's Free Cinema friends. Screenonline[/quote]
[quote]Against the background of the bombsites, warehouses, riversides and street markets of late 1950’s East End London, Together offers a compelling exploration of the isolated lives of two deaf-mute dockworkers.
Despite its emotive fictional structure, the film is not a typical romanticisation of working-class life, but offers a complex, open-ended presentation that refuses to condemn or celebrate. The film is also notable for its extraordinary cast, with great performances from local people and the curious, but very successful casting of the artist Michael Andrews and the internationally known sculptor Eduardo Paolozzi. BFI[/quote]
AVI File DetailsLorenza Mazzetti
1956, 52 min.
[quote]Italian-born Lorenza Mazzetti's Together (1956) was the longest film in the first Free Cinema programme, and the only fiction. Like Momma Don't Allow (d. Karel Reisz/Tony Richardson, 1956), it was entirely produced with a grant from the newly formed BFI Experimental Film Fund and cost less than £2000, despite being shot on 35mm film.
Together is set in London's East End, with its bombsites, narrow streets,
riversides, warehouses, markets and pubs. It follows two deaf-mute dockers who are completely cut-off from the outside world and are constantly pursued by groups of jeering children. Its modern depiction of everyday working-class life and its new approach to realism were inspired by Italian neo-realism and by the techniques used by Mazzetti's Free Cinema friends. Screenonline[/quote]
[quote]Against the background of the bombsites, warehouses, riversides and street markets of late 1950’s East End London, Together offers a compelling exploration of the isolated lives of two deaf-mute dockworkers.
Despite its emotive fictional structure, the film is not a typical romanticisation of working-class life, but offers a complex, open-ended presentation that refuses to condemn or celebrate. The film is also notable for its extraordinary cast, with great performances from local people and the curious, but very successful casting of the artist Michael Andrews and the internationally known sculptor Eduardo Paolozzi. BFI[/quote]
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Name.........: Together (dir. Lorenza Mazzetti, UK, 1956) .avi
Filesize.....: 455 MB (or 466,294 KB or 477,485,056 bytes)
Runtime......: 00:46:49 (70,217 fr)
Video Codec..: XviD
Video Bitrate: 1226 kb/s
Audio Codec..: 0x0055(MP3) ID'd as MPEG-1 Layer 3
Audio Bitrate: 128 kb/s (64/ch, stereo) CBR
Frame Size...: 576x432 (1.33:1) [=4:3]
Together (dir. Lorenza Mazzetti, UK, 1956) .avi 
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