[imgr]http://i.imgur.com/8CMaJ.jpg[/imgr]
Una lástima que no haya subs en ningún idioma, pero siempre le puede interesar a alguien.Wolfman en [url=http://fileheaven.org/forum/viewtopic.php?t=70774]fileheaven[/url] escribió:Ernst Lubitsch's last movie:
The plot, such as it is, largely pivots around the past history of the eponymous Francesca, a sixteenth-century portrait sporting a distinctly anachronistic hairstyle and fur-coat. Her idea on the sanctity of marriage don't quite jibe with those of her distant descendant, the Countess Angelina, and one can almost hear the storyline creaking at the seams under the strain of the Production Code in order to ensure that the heroine arrives unsullied in her much-delayed marriage-bed with the right man...
The romance is scarcely earth-shattering, and in fact the first few scenes, played pretty well straight, verge on the tedious. But where script and film really come to life is in the battle of the sexes that follows. The impudence of Douglas Fairbanks Jr's courtship of Betty Grable's married Angelina is equalled only by Betty-Grable-as-Francesca's pursuit of him in turn, culminating in complete role-reversal in the hilarious fantasy sequence where she -- literally -- sweeps him off his feet. This is probably the comic climax of the plot, although the consequences of the Colonel's understandable confusion are worked out with a deft touch in the remaining two 'acts' of the operetta-structure, and the spectacle of Fairbanks' blissful, bemused awakening is more or less worth the price of admission on its own.
Grable is entirely convincing in establishing her two contrasting characters, wisely gets almost all the (limited) singing opportunities, and shares the honours where the swathes of quotable dialogue in the various verbal duels are concerned. But in the field of unspoken reaction she is really outclassed by her male supporting leads; Fairbanks in particular is an absolute treat in a number of wordless sequences whose set-up and humour is worthy of the silent screen.
This film is too uneven in style to be a classic, varying from sparkling repartee to hackneyed tedium. But at its best it is quite honestly very funny indeed, and brought a round of spontaneous applause and laughter across the auditorium at the end as the lights went up. Out of tune with its times, it may have failed to draw contemporary audiences -- but, on this showing, really didn't deserve to be disowned by both Grable and Preminger, the (uncredited) director. This is no masterpiece, but a thoroughly entertaining minor work, and I for one found myself grinning in remembrance all the way home.That Lady in Ermine (1948) DVDRip XviD iMMORTALs.avi
Specs:
Filesize.....: 699 MB (or 716,020 KB or 733,204,480 bytes)
Runtime......: 01:25:46 (128,653 fr)
Video Codec..: XviD
Video Bitrate: 1072 kb/s
Audio Codec..: 0x0055(MP3) ID'd as MPEG-1 Layer 3
Audio Bitrate: 59 kb/s, monophonic VBR
Frame Size...: 512x384 (1.33:1) [=4:3]
Sorry, no subs on this one.
IMDB
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Subtítulos (para sincronizar, traídos por marlowe62): castellano / castellano / castellano.(1) Subidos por dharmabum para una versión sin especificar.
(2/3) Subidos por el gato para el Dual de moonriver.
Capturas (, cortesía de Andrei en sharethefiles y traídas por marlowe62):
y capturas, cortesía de Andrei en sharethefiles.